It’s about the greatest pirate in history, the most powerful executive in the music business, a revolutionary invention and an illegal website four times the size of the iTunes Music Store. Journalist Stephen Witt traces the secret history of digital music piracy, from the German audio engineers who invented the mp3, to a North Carolina compact-disc manufacturing plant where factory worker Dell Glover leaked nearly two thousand albums over the course of a decade, to the high-rises of midtown Manhattan where music executive Doug Morris cornered the global market on rap, and, finally, into the darkest recesses of the Internet.Through these interwoven narratives, Witt has written a thrilling book that depicts the moment in history when ordinary life became forever entwined with the world online — when, suddenly, all the music ever recorded was available for free. In the page-turning tradition of writers like Michael Lewis and Lawrence Wright, Witt’s deeply-reported first book introduces the unforgettable characters—inventors, executives, factory workers, and smugglers—who revolutionized an entire artform, and reveals for the first time the secret underworld of media pirates that transformed our digital lives.An irresistible never-before-told story of greed, cunning, genius, and deceit, How Music Got Free isn’t just a story of the music industry—it’s a must-read history of the Internet itself.

    Naming the child Abigail, the couple brought her to their local pastor. Miles away, police were investigating the brutal murder of a pregnant woman...THE HORROR OF MURDERTwenty-three year old Bobbie Jo Stinnett was found by her mother, lying in a pool of blood, looking as if her stomach "had exploded." Investigators soon determined: Someone had strangled Bobbie Jo to death—and then cut her fetus from her womb...THE WOMAN ACCUSED OF KILLING FOR AN UNBORN CHILD...In late 2004, two women met in a dog-breeding internet chat room. When Elizabeth Montgomery came face to face with eight-months-pregnant Bobbie Jo Stinnett, prosecutors claim she already had a plan. Investigators knew that Bobbie Jo had fought desperately for her life—and that her fetus, alive or dead, was gone. Investigators scrambled after a killer. An "Amber Alert" went out for an hours-old infant. And this horrifying case was about to shock neighbors and a nation: of a woman accused of murdering for a baby...

    Berkowitz confessed to being a lone murderer—one who had carried out eight senseless shooting with a .44 caliber Bulldog revolver. The case was officially closed.Journalist Maury Terry was suspicious of Berkowitz's confession, convinced as he gathered corroborating evidence throughout the years, that Berkowitz did not act alone. In this investigative story, first published in 1987, Terry details the chilling events, proving that Berkowitz was an affiliate of—and triggerman for—a Satanic cult known as the Process Church of the Final Judgment, a far-reaching organization that is connected to other ritual slayings across the country. Updated with Berkowitz's recent confirmations from his prison cell, Terry untangles the web of information and shocking extent of the Process Church's activities. Includes black-and-white photographs.

    Targeted by the media, sentenced by the courts, and wrongfully imprisoned for four excruciating years for a crime neither could fathom let alone perpetrate, Raffaele Sollecito and Amanda Knox were the victims in a trial so bizarre it defied all reason. Now, for the first time since his acquittal, Raffaele reveals what really happened between him and his then girlfriend before, during, and after Amanda’s roommate Meredith Kercher’s brutal murder.Filled with family drama, wild reversals of fortune, and a blow-by-blow account of the legal catastrophe as it unfolded, this harrowing firsthand account sheds fascinating new light on one of the world’s most controversial murder cases. With startling candor, Raffaele shares intimate details about his changing relationship with Amanda—one that veered in a matter of days from giddy romance to grueling police interrogations. Over the next four years, Raffaele was the only solid alibi Amanda had for the night of the murder. He came under unrelenting pressure—from his own family and lawyers as much as the police and prosecution—to change his testimony and stop vouching for her. But he wouldn’t do it. He refused to testify against her to save his own skin, because he knew she would be lost forever. Raffaele sifts through the wild accusations depicting him as a druggie, a porn addict, and reckless thrill seeker, and shows how these stories were gross distortions of trivial episodes in his young life. With unflinching honesty, he takes readers behind the scenes of the trial of the century—and inside the day-to-day hell of prison life. Finally, and poignantly, Raffaele talks about his first face-to-face reunion with Amanda following their release. Emotional, disturbing, and ultimately galvanizing, this memoir is more than a true-crime story—it is a riveting account of an egregious miscarriage of justice, of public condemnation, and personal survival. Honor Bound is also, at its heart, a tragic love story about a young man who trusted his feelings, refused to give up hope, and ultimately triumphed.

    It's a book about a woman. Marcia Clark takes us inside her head and her heart. Her voice is raw, incisive, disarming, unmistakable. Her story is both sweeping and deeply personal. How did she do it, day after day? What was it like, orchestrating the most controversial case of her career in the face of the media's relentless klieg lights? How did she fight her personal battles - those of a working mother balancing a crushing workload and a painful, very public divorce? When did she know that her case was lost? Who stood by her, and who abandoned her? And how did she cope with the outcome? As Clark shares the secrets of her own life, we understand for the first time why she identified so strongly with Nicole, in a way no man ever could. No one is spared in this unflinching account - least of all Clark herself, who candidly admits what she wishes she'd done differently - and, for the first time, we understand why the outcome was inevitable.

    Karen Severson, Missy's best friend, publicly vowed to find the killer and moved in with Missy's family to help. Three years later, a surprise witness exposed the murderers--Missy's two best friends--one of whom was Karen Severson. Photographs. Original.

    In the early eighteenth century, the Pirate Republic was home to some of the great pirate captains, including Blackbeard, "Black Sam" Bellamy, and Charles Vane. Along with their fellow pirates—former sailors, indentured servants, and runaway slaves—this "Flying Gang" established a crude but distinctive democracy in the Bahamas, carving out their own zone of freedom in which servants were free, blacks could be equal citizens, and leaders were chosen or deposed by a vote. They cut off trade routes, sacked slave ships, and severed Europe from its New World empires, and for a brief, glorious period the Republic was a success.

    John Wayne Gacy, the “Killer Clown,” was a suburban Chicago businessman sentenced to death in 1980 for a string of horrific murders after the bodies of his victims were found hidden in a crawl space beneath his Des Plaines, Illinois, home. The serial killer had preyed on teenagers and young men—at the same time entertaining at children’s parties and charitable events dressed as “Pogo the Clown.” Drawing on exclusive interviews and previously unreported material, journalist Tim Cahill “offers the stuff of wrenching nightmares” (The Wall Street Journal): a harrowing journey inside the mind of a serial killer. Meticulously researched and graphically recounted, Buried Dreams brings to vivid life the real John Wayne Gacy—his complex personality, compulsions, inadequacies, and torments—often in the murderer’s own words.

    There were no screams when she was taken, suggesting the culprit was someone familiar to her, and when she turned up again in a nearby village several days later, she was found in perfect health and happiness. No one was ever accused of a crime. The incident quickly faded from her memory, and her parents never discussed it. To the contrary, they deliberately hid it from her, and she did not learn of it for half a century. This was not the only secret her parents kept from her. For many years, while raising her in draconian isolation and protectiveness, they also hid the fact that she’d been adopted, and that shortly after the kidnapping, her name was changed from Grace to Betty. In Five Days Gone, Laura Cumming brilliantly unspools the tale of her mother’s life and unravels the multiple mysteries at its core. Using photographs from the time, historical documents, and works of art, Cumming investigates this case of stolen identity with the toolset of a detective and the unique intimacy of a daughter trying to understand her family’s past and its legacies. Compulsive, vivid, and profoundly touching, Five Days Gone is a masterful blend of memoir and history, an extraordinary personal narrative unlike any other.

    What emerged was a story wrought with sex, manipulation, and deceit that stunned the public at every turn. Arias, always playing the wronged and innocent woman, changed her story continually as her bizarre behavior surrounding the crime and its aftermath came to light. Unwavering, Arias and her defense team continued to play off the salacious details of the case, until she was finally found guilty and—controversially—sentenced to life behind bars.Now, speaking openly for the first time, prosecutor Juan Martinez will unearth new details from the investigation that were never revealed at trial, exploring key facts from the case and the pieces of evidence he chose to keep close to the vest. Throughout the trials, his bullish and unfaltering prosecution strategy was both commended and criticized, and in his book, Martinez will illuminate the unique tactics he utilized in this case and how they lead to a successful conviction, and-for the first time-discuss how he felt losing the death penalty sentence he’d pursued for years.Going beyond the news reports, Martinez will explore the truth behind the multiple facades of Jodi Arias. Sparring with her from across the stand, Martinez came to know Arias like no one else could, dissecting what it took for a seemingly normal girl to become a deluded, cunning, and unrepentant murderer.With new stories from behind the scenes of the trial and Martinez’s own take on his defendant, the book takes you inside the mind of Jodi Arias like never before. Complete with 16 pages of photos from the case and trial, this book is the definitive account of the case that shocked America.

    

    Fascinating!" —Ann Rule, New York Times Bestselling Author"While Ted Bundy might be the greatest evil enigma ever, author Rebecca Morris strips away the layers of the greatest mystery of his life—what was his connection to the disappearance of Ann Marie Burr? This is an astonishing achievement, the missing piece that readers of crime have long sought. Bravo for Morris!" —Gregg Olsen, New York Times Bestselling AuthorAt age three he was using knives to frighten his teenage aunt. By fourteen he was a thief, animal abuser, and peeping tom who liked to pull little girls into the woods to scare them.Ted Bundy killed at least thirty-five girls and women, and possibly hundreds. Was his first victim eight-year-old Ann Marie Burr who disappeared from their Tacoma, Washington, neighborhood in 1961?Her body was never found and there were no clues, just two tenacious detectives who spent the rest of their lives trying to solve the case.Was Bundy telling the truth when he told a hypothetical story about killing Ann and dumping her into a muddy pit?With new information about Ted Bundy's childhood, interviews with those who knew him best, and the memories of the Burr family, Ted and Ann is the story of one the 20th century's most fascinating cold cases.Rebecca Morris is an award-winning journalist who has worked in radio and television news in New York City; Portland, Oregon; and Seattle, Washington. A native Oregonian, her reporting has appeared in The Seattle Times, The Oregonian, People, Entertainment Weekly, New York Newsday, American Theatre, and many other publications. She lives in Seattle.

    I am more afraid of her than ever...I get in more trouble for anything I do or say. Now I find that I'm always in trouble and I don't know why. Now that David is gone, I'm afraid that she will try to kill me, like she tried to kill him. I'm afraid that she will treat me like an animal like she did him. I'm afraid that now I'm her IT. The Pelzer family's secret life of fear and abuse was first revealed in Dave Pelzer's inspiring New York Times bestseller, A Child Called "It," followed by The Lost Child and A Man Called Dave. Here, for the first time, Richard Pelzer tells the courageous and moving story of his abusive childhood. From tormenting his brother David to becoming himself the focus of his mother's wrath to his ultimate liberation-here is a horrifying glimpse at what existed behind closed doors in the Pelzer home. Equally important, Richard Pelzer's touching account is a testament to the strength of the human heart and its capacity to triumph over almost unimaginable trauma.

    Twenty years later S. R. Reynolds connects the dots and finds herself caught up in a real-life drama. Justice can come in many forms.  When the girl went missing in 1987, Reynolds, then a clinical social worker, warned the DA and police that the case was being mishandled. Michelle's classmates and her mother were unanimous in saying she had no reason to run away. A decade later, after having moved from Knoxville, Tennessee to another state, Reynolds learns from a cold case TV program that Michelle’s skeletal remains had been found two years after she went missing.Through a synchronistic meet-up with her former professor, famed forensic anthropologist Dr. William (Bill) Bass, who had been interviewed on the TV program and who is the founder of the University of Tennessee's Body Farm, Reynolds's curiosity suddenly becomes a commitment when Bass offers to send her his files. It begins a saga in which she travels extensively to seek out and meet with surviving victims, the murdered girl’s mother, and former police and FBI investigators who worked on the case after the girl’s remains had been found. As Reynolds presses neglected pieces of the puzzle into place, she unearths a string of brutal kidnappings and rapes across the South, crimes that span decades. A picture forms and patterns appear. All evidence points to one man: convicted sex offender Larry Lee Smith. But Larry Lee is about to be released from a Georgia prison where he is serving time for a related crime—a similar transaction. We find that prison means nothing more to Larry Lee than waiting until he can repeat his actions.During the seven years of pursuing this case, Reynolds joins with the former victims and the mother to form The Band of Sisters to seek Justice for Michelle's murder. As a result, the police department reopens the long cold-case of Michelle Anderson’s murder. A savvy prosecutor enters the scene as they join together in this true life saga. Similar Transactions is the recipient of the eLit Gold Award for True Crime, IAN True Crime Book of the Year, and is among the top five books named The Best of Everything Nonfiction by author, critic, and screenwriter Emilio Corsetti III.

    There are countless studies and works of art made about male violence. However, when women are featured in stories about murder, they are rarely portrayed as predators. They’re the prey. This common dynamic is one of the reasons that women are so enthralled by female murderers. They do the things that women aren’t supposed to do and live the lives that women aren’t supposed to want: lives that are impulsive and angry and messy and inconvenient. Maybe we feel bad about loving them, but we eat it up just the same. Residing squarely in the middle of a Venn diagram of feminism and true crime, She Kills Me tells the story of 40 women who murdered out of necessity, fear, revenge, and even for pleasure.