As private investigators, they come with a unique skill: Sully can see the ghosts of homicide victims.Focused on piecing together the circumstances surrounding Gabe’s disappearance, the brothers quickly find themselves embroiled in a murder case.Unexpected connections between the teenager and the ghost lead Sully and Dez deep into a traumatic incident that shattered lives.Uncovering the secret could cost them theirs.The Braddock & Gray Case Files—a series of standalone ghostly mysteries—follow the events in The Sullivan Gray Series. Enjoyed by fans of Odd Thomas and the brother dynamic of Supernatural.

    She has a 12 years old sister who lives with her aunt. To be able to live together, Soda promised her sister to have a stable job. She was hired to be a housemaid in a mansion which was built in the middle of a lake and located 80 km from the city. The first day of her staying, she realized that the owner of this house doesn't need a housemaid but they need a virgin girl to marry to a mysterious ancient sword.There is one way in but there is no way out...

    He's young. He's bright. He's ambitious. Mitch could have the pick of the big firms in New York and Chicago, but he's chosen the Memphis tax firm of Bendini, Lambert & Locke. They're selective. They pay outrageous salaries. They have a turnover rate of zero. And Mitch is about to find out why.Several events fuel Mitch's growing suspicions: two of the partners die in a suspicious diving accident off Grand Cayman; the senior partners seem unduly proud of the fact that no one has ever resigned; and security measures at the office are, even for a company with billionaire clients, more than a little extreme. Then Mitch makes an explosive discovery: The firm is owned and operated by the most powerful organized crime family in Chicago. Even as Mitch discovers the truth, he finds himself caught between the FBI, who wants an informant inside the firm, and the firm itself, which will make him a very rich man—or a very dead one.The ChamberAdam Hill is in his first year at a top Chicago law firm. He volunteers for the toughest assignment any lawyer could ask for. His prospective client doesn't want Adam or his law firm. He is an unrepentent and outspoken racist with a violent past. He is on Death Row for the murder of two Jewish children in a horrific bombing in 1967.Why would he take on Adam, a complete novice, to defend him? And why would Adam want his case so desperately? The answer lies in the past, in a twenty-year-old secret buried in the madness of another time...

    Joseph Muller, Secret Service detective of the Imperial Austrian police, is one of the great experts in his profession. In personality he differs greatly from other famous detectives. He has neither the impressive authority of Sherlock Holmes, nor the keen brilliancy of Monsieur Lecoq. Muller is a small, slight, plain-looking man, of indefinite age, and of much humbleness of mien. A naturally retiring, modest disposition, and two external causes are the reasons for Muller's humbleness of manner, which is his chief characteristic. One cause is the fact that in early youth a miscarriage of justice gave him several years in prison, an experience which cast a stigma on his name and which made it impossible for him, for many years after, to obtain honest employment. But the world is richer, and safer, by Muller's early misfortune. For it was this experience which threw him back on his own peculiar talents for a livelihood, and drove him into the police force. Had he been able to enter any other profession, his genius might have been stunted to a mere pastime, instead of being, as now, utilised for the public good.

    Wimbourne Books presents the first in a series of rare or out-of-print ghost stories from Victorian authors. With an introduction by author Alastair Gunn, Volume 1 in the series spans the years 1852 to 1899 and includes stories from a wide range of female authors; English, Irish, Scottish, Welsh and American. Includes tales by Mary Elizabeth Braddon, Charlotte Riddell, Isabella Banks and Gertrude Atherton. Readers new to this genre will discover its pleasures; the Victorian quaintness, the sometimes shocking difference in social norms, the almost comical politeness and structured etiquette, the archaic and precise language, but mostly the Victorians’ skill at stoking our fears and trepidations, our insecurities and doubts. Even if you are already an aficionado of the ghostly tale there is much within these pages to interest you. Wait until the dark of the stormy night arrives, lock the doors, shutter the windows, light the fire, sit with your back to the wall and bury yourself in the Victorian macabre. Try not to let the creaking floorboards, the distant howl of a dog, the chill breeze that caresses the candle, the shadows in the far recesses of your room, disturb your concentration.

    Tressa is determined to prove there's more to this cockeyed cowgirl than meets the eye and she’s just been handed the perfect opportunity to get "Ranger Rick" and a skeptical citizenry to finally take her seriously. How? By solving a murder no one else believes happened...No one, that is, except the killer. CALAMITY JAYNE RIDES AGAINTressa’s off to the State Fair to work at her Uncle Frank’s ice cream concession stand. But when a soft-serve saboteur appears at the same time her cousin, Frankie, goes missing, it's another fine, sticky mess she's gotten herself into. With a string of malicious pranks, to scary, psycho dunk-tank clowns, two geriatric Jessica Fletcher wannabes, a dishy state trooper, and a sister who may have her eye on a certain ranger-type, and it's mayhem on the midway time. GHOULS JUST WANT TO HAVE FUNTressa thinks she on to a scoop when eccentric and reclusive bestselling writer, Elizabeth Courtney Howard comes to Grandville to finish her latest book. So, what's stopping Tressa from scoring this journalistic coup? Only the fact that the skeletons to uncover in this little exposé are all in a closet in Haunted Holloway Hall--a house only Norman Bates could love.CALAMITY JAYNE GOES TO COLLEGEAce cub reporter Tressa Jayne Turner is back in college and nothing’s going to stop Tressa from making the grade. Well, except for a wrinkled roommate rekindling an old flame, maid of honor madness run amok, a botched betrothal that’s more than just schoolyard gossip and a campus criminal out to teach the student body a lesson—one one crime at a time. Failure is so not an option.CALAMITY JAYNE HEADS WESTTressa Jayne Turner’s off to Arizona to see her gammy hitched. Her cousin’s keeping secrets, Ranger Rick Townsend is sending signals—more of the smokin’ than smoke variety—and it seems Tressa’s not the only person with an attachment to “Kookamunga”, the fertility figurine she picked up at a roadside stand. Throw in a washed-up actress out to kick-start her career, a suspect spiritual advisor, locals with a cause, and a ten-year-old who’s a chip off a certain ranger’s blockhead and it’ll be a vision quest to make Thelma and Louise’s southwestern spree seem like amateur night at the OK Corral. May the best spirit guide win.ANCHORS AWEIGHTressa Jayne is off on a post-wedding cruise. Good food. Warm beaches. Romantic sunsets. Nothing can take the wind out of Tressa’s sails this time. Nothing that is except this particular Love Boat has Iceberg ahead! written all over it. Why? It’s a lo-cal “biggest loser” cruise, Tressa’s bad-boy faux fiancé and his marriage-minded aunt Mo are stowaways, and Tressa’s barely got her sea les before a dastardly murder plot bobs to the surface and Tressa Jayne knows just how Capt. Jack Sparrow feels when the rum is gone. Yo ho ho and a bottle of V-8!

    To help teachers decide if Agatha Christie’s Murder on the Orient Express is right for their students, we’ve created this free e-book that features sample chapters from the book and a teaching guide.

    Real true crime is not for everyone. The stories in this book represent humanity at its absolute worst. Pure evil. Television crime shows and news articles often skip the gruesome parts of true crime stories. The real details are just too grisly for the average viewer or reader.In my books, however, I do my best to include the details, regardless of how unsettling they may be. Each story requires hours of research. I search through old newspaper articles, court documents, police reports, autopsy results, and first-hand descriptions. Some of the specifics can be disconcerting. I choose to include the details not to shock, but to give the reader a deeper view into the mind of the killer. Although it’s unlikely any of us will understand the motives of a diabolical monster, the level of depravity will keep you turning pages.That being said, if you are overly squeamish about the details of true crime, this book may not be for you. If you’re okay with it… then let’s begin.Volume 7 features: Longer stories, more photos, a bonus chapter, and an online appendix with additional photos, videos, and documents. Volume 7 of True Crime Case Histories features twelve new stories from the past fifty years.A sampling of the stories include:You’ll read about a law enforcement officer that took advantage of the trust associated with his uniform. His brutal reign of terror lasted eight years. It took the bravery of two young women that escaped his grasp to bring him down.There’s the story of the recent law school graduate with a crush on his neighbor. Rather than asking her out on a date, he stalked and spied on his classmate, eventually taking her life. There’s also the heartbreaking story of a single mom, drowning in debt, that did the unthinkable for insurance money.Seven of the stories in this book feature women killers, two of which took the time to meticulously dismember their victims—a task that can take great strength. Another woman manipulated her two teenage boys into killing for her. Yet another woman staged an elaborate hoax to get rid of her loving husband rather than go through the agony of a messy divorce.You’ll also read of a sadistic group of up to twelve killers that took joy in abducting and torturing young men in Australia. Sadly, only one of the mysterious group has been brought to justice.Plus many more disturbing stories.The twelve stories in this volume are shocking and disturbing, but they’re true. These things really happen in the world. We may never understand why killers do what they do, but at least we can be better informed. You may have heard of a few of the stories in this volume, but there are several I’m almost certain you haven’t.

    But before he can dig into this latest case, he comes face to face again with Arrington Calder, the one woman who still holds a key to his affections. Stone and his partner, Dino, comb the glittering streets of Palm Beach and begin to suspect that more than one person might be after Allison: one so clever he manages never to show his face, but even more frightening, another man everybody has long forgotten. The Short Forever: Stone's new client, John Bartholomew, asks Stone to fly to London in search of a young woman whom he suspects has taken up with a mysterious character. Bartholomew asks Stone to see what he can find to discredit the man, Cabot. What Stone finds is more bizarre than he had expected. The woman in question isn't related to Bartholomew in quite the way he had implied. And it appears that Bartholomew and Cabot, who once worked together on a secretive assignment, now have very different versions of what went wrong. When Stone himself is implicated in a shocking double murder, he and his partner, Dino, know they have stepped into a strange case unlike any other.

    A gang-infested school. A vengeful teacher. After his star pupil, Rina Ogawa, is sexually assaulted in a school restroom, Edward Clifford sets out on a journey to find the truth and bring her attackers to justice. He finds himself delving head-first into the lives of his other students—lives filled with crime, violence, and hatred. What starts as a desperate attempt to achieve justice quickly sends Edward down the path of vengeance... Who attacked Rina Ogawa? Can Edward bring her attackers to justice? Or will he take matters into his own hands? From the provocative author of The Law of Retaliation and Grandfather’s House, Jon Athan brings you a shocking thriller packed with mystery, suspense, and extreme violence. This is a story of human horror. WARNING: This novel contains graphic content. Reader discretion is advised.

    Then his body is discovered. Her cousin Michael is found guilty of his murder and incarcerated in a secure psychiatric unit.Four years later, now divorced and back in the police force, Rachel discovers that Michael is being released to a less secure step-down unit, with his freedom a likely eventuality. Unable to cope with this, she decides upon revenge, assuming a new identity to hunt him down and kill him. However, as she closes in on her target, her friend Jonathan, a journalist, uncovers some unnerving information about her mother and others in her family and begins to suspect that Rachel’s perception of the truth might not be as accurate as she thinks – that she might be about to murder the wrong man…

    Struggling with severe depression after witnessing the death of her friends, she’s unable to work, drowning in a sea of debt, and dependent on alcohol to get her through the day.When a desperate family in the Oregon wilderness appeals to her for help, she isn’t the slightest bit interested. But Nat can no longer ignore the call of duty when the family’s young daughter calls her screaming in the middle of the night.Is hunting the Sasquatches that are terrorizing the hapless family Nat’s ticket back to herself and true survival? Or will she just become another casualty, destined to join her slaughtered friends and become lost in the Shadow of the Sasquatch?

    A thriller that actually manages to thrill, and a very dark comedy that twists and spirals towards a completely unexpected ending. This is one play where seeing isn't quite believing and reading the text is the only way to uncover all the clues.

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    Since then, the recurring nightmares, creepy hallucinations and overpowering fear are gone. That's good, right? I mean, no one in their right minds wants to feel like that. I am starting to wonder if I'm in my right mind anymore...When a lady in my neighborhood died, I couldn't help but stick my nose in, to see what happened. I should just get on with things–I've got some new friends, and a cool boy named Chris has taken an interest in me. Everyone is telling me to just leave this weird murder alone.But I can't stop myself. The more I find out about her death, the more twisted everything is.I think there’s a predator in Narrowdale. And now it’s hunting me…What have I gotten myself into?