It included Hebrew, a touch of the Romance and Slavic languages, and a large helping of German. In a world of earthly wandering, this pungent, witty, and infinitely nuanced speech, full of jokes, puns, and ironies, became the linguistic home of the Jews, the bond that held a people together.Here is the remarkable story of how this humble language took vigorous root in Eastern European shtetls and in the Jewish quarters of cities across Europe; how it achieved a rich literary flowering between the wars in Europe and America; how it was rejected by emancipated Jews; and how it fell victim to the Holocaust. And how, in yet another twist of destiny, Yiddish today is becoming the darling of academia. Yiddish is a history as story, a tale of flesh-and-blood people with manic humor, visionary courage, brilliant causes, and glorious flaws. It will delight everyone who cares about language, literature, and culture.

    Endorsements: "The New Perspective on Paul has, sadly, been more controversial than illuminative of a neglected dimension of Paul's teaching on justification by faith. Professor Yinger most helpfully explains both aspects. . . . [T]his is as good an Introduction to the New Perspective and the related Pauline teaching as you will find." --James D. G. Dunn author of The New Perspective on Paul: Collected Essays "Kent Yinger has made a complex and often emotive debate about Paul and Justification accessible to a wider audience. This book isn't beating any drum, it's not an apology for the 'New Perspective' thing, nor is it a declaration of war on any party. Rather, this is a map of the key terrain, a list of who is who in the zoo of debate, and a flashlight on several dark alleys of contested interpretations. At the same time, Yinger gives us some good and sensible commentary along the way. If you're lost in the maelstrom of theological polemics and Pauline interpretation, this book is one of the ways to help you get your bearings." --Michael F. Bird Lecturer in Theology and Bible Crossway College, Brisbane, Australia "For those who want to know what all the fuss is about and whether and how it matters, this is just the book. Kent Yinger, while thoroughly conversant with the huge amount of discussion generated by the New Perspective on Paul, has the gift of making the key issues accessible to others. Here is a readable, succinct, clear, accurate, and fair-minded introduction to the ongoing debate. For both the academy and the church Yinger provides a much needed perspective on the New Perspective. --Andrew Lincoln Portland Professor of New Testament University of Gloucestershire "Kent Yinger set out to write a book that offers a fair-minded, easy-to-read explanation of the so-called New Perspective on Paul (NPP), which neither critiques nor defends it. His aim was to navigate between the faddish innovations of some biblical scholars and the deeper insights that come from a better understanding of Scripture. He sought to answer four basic questions regarding NPP: (1) What is it? (2) Where did it come from? (3) What are the potential dangers? and (4) What good is it? After reading this book, I have only one thing to say to Dr. Yinger: Bull's eye!" --Charles J. Conniry Jr. Vice President and Dean George Fox Seminary/George Fox University Author Biography: Kent L. Yinger is Professor of New Testament at George Fox Evangelical Seminary (George Fox University) in Portland Oregon. He is the author of Paul, Judaism, and Judgment According to Deeds (1999).

    The classic Robertson/Broadus Harmony of the Gospels, newly revised for students of the New International Version.

    Such interest is set to expand even more in this centenary year of the war's outbreak.In the midst of her studies at Oxford when war broke out across Europe, Vera Brittain left university in 1915 to become a V.A.D (Voluntary Aid Detachment) nurse, treating soldiers in London, Malta and Etaples in France. The events of the First World War were to have an enormous impact on her life. Four of Brittain's closest friends including her fiancé Roland Leighton and her brother Edward Brittain MC were killed in action, sparking a lifelong commitment to pacifism. In 1933 she published Testament of Youth, the first of three books dealing with her experience of war. In equal measures courageous, tragic and deeply fascinating, Testament of Youth is one of the most compelling and important works of war literature ever to have been written by a British woman.Mark Bostridge's Vera Brittain and the First World War, published to coincide with the film of Testament of Youth, explores the effects of the First World War on Vera Brittain, both in terms of her personal life and in terms of its effect on her development as a writer and her eventual decision to become a pacifist. Taking advantage of the interest generated by the film, it will bring her story to a new generation and incorporate the most up-to-date research. It will also include a short essay 'From Book to Film', describing the process of turning Testament of Youth into a major feature film. This will include interviews with the production staff and actors, as well as with members of Vera Brittain's family, including Shirley Williams.The film, which has been scripted by Juliette Towhidi and is being produced by BBC Films and Heyday Films, the makers of Harry Potter, is currently in production. Alicia Vikander (Anna Karenina) stars as Brittain, with Kit Harington (Game of Thrones, Pompeii) playing her fiancé Roland Leighton.

    It has many illustrations.

    Weatherhead cleared out the cobwebs, let me know that I could wonder about some things, even believe other things, and still be a Christian, still accept the living Jesus in my life. In fact, reading this book helped make it possible. This was one of the most important books in my life.

    In gripping narrative accounts they bring these conflicts and eras to vivid life, detailing the cultural imperatives that led inexorably to the battlefield, the experiences of the common soldiers who fought and died, and the legendary commanders and statesmen who matched wits, will, and nerve for the highest possible stakes.   From the great clashes of antiquity to the high-tech wars of the twenty-first century, here are the stories of the twenty most consequential battles ever fought, including   • Marathon, where Greece’s “greatest generation” repelled Persian forces three times their numbers—and saved Western civilization in its infancy • Adrianople, the death blow to a disintegrating Roman Empire • Trafalgar, the epic naval victory that cemented a century of British supremacy over the globe • Saratoga, the first truly American victory, won by united colonial militias, which ensured the ultimate triumph of the Revolution • Midway, the ferocious World War II sea battle that broke the back of the Japanese navy • Dien Bien Phu, the climactic confrontation between French imperial troops and Viet Minh rebels that led to American intervention in Vietnam and marked the rise of a new era of insurgent warfare • Operation Peach, the perilous 2003 mission to secure a vital bridge over the Euphrates River that would open the way to Baghdad   Historians and armchair generals will argue forever about which battles have had the most direct impact on history. But there can be no doubt that these twenty are among those that set mankind on new trajectories. Each of these epochal campaigns is examined in its full historical, strategic, and tactical context—complete with edge-of-your-seat you-are-there battle re-creations. With an eye for the small detail as well as the bigger picture, Lacey and Murray identify the elements that bind these battles together: the key decisions, critical mistakes, and moments of crisis on which the fates of entire civilizations depended.   Some battles merely leave a field littered with the bodies of the fallen. Others transform the map of the entire world. Moment of Battle is history written with the immediacy of today’s news, a magisterial tour d’horizon that refreshes our understanding of those essential turning points where the future was decided.A MAIN SELECTION OF THE HISTORY BOOK CLUB AND THE MILITARY BOOK CLUB  “Two world-class historians present, eloquently and persuasively, twenty battles that fundamentally changed the course of history. Moment of Battle is a must acquisition for anyone seeking to understand the nature of human development—and its turning points.”—Dennis E. Showalter, professor of history, Colorado College, author of Armor and Blood  “In a single volume, James Lacey and Williamson Murray have distilled a lifetime of learning and insight into the most influential battles in world history. This is a readable and compelling primer and a feast for the student of military history.”—James D. Hornfischer, author of Neptune’s Inferno: The U.S. Navy at Guadalcanal

    Furst's book lies in the fact that he quotes at great length from the Cayce readings, and this should please the people who have been tantalized by brief quotations in other, earlier books."--Nashville Tennessean

    Now, The View from the Cheap Seats brings together for the first time ever more than sixty pieces of his outstanding nonfiction. Analytical yet playful, erudite yet accessible, this cornucopia explores a broad range of interests and topics, including (but not limited to): authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the title piece, at turns touching and self-deprecating, which recounts the author’s experiences at the 2010 Academy Awards in Hollywood.

    so you can live a new storyThe Books of the Bible New Testament is a revolutionary presentation of Scripture that strips away centuries of artificial formatting, leaving behind nothing but pure Bible text in a format that brings you closer to the original Scriptures than ever before. The Books of the Bible encourages better Bible reading, making it easier for you to read and understand whole books. The format of this Bible provides the story and history of the Early Church in chronological order of the growth of the church.

    The paintings are in brilliant color and each features the Japanese parasol.Matsuo Basho (1644 - 1694) was born Matsuo Kinsaku during the early Edo period in Japan. During his lifetime, Basho was recognized for his work in a poetic form that was a precursor to the haiku. Over the course of time, Basho became recognized as an unparalleled master of the haiku. His work is internationally renowned, and his poems are reproduced at many historical sites in Japan.

    Using translation as his lens, David Bellos shows how much we can learn about ourselves by exploring the ways we use translation, from the historical roots of written language to the stylistic choices of Ingmar Bergman, from the United Nations General Assembly to the significance of James Cameron's Avatar.Is That a Fish in Your Ear? ranges across human experience to describe why translation sits deep within us all, and why we need it in so many situations, from the spread of religion to our appreciation of literature; indeed, Bellos claims that all writers are by definition translators. Written with joie de vivre, reveling both in misunderstanding and communication, littered with wonderful asides, it promises any reader new eyes through which to understand the world. In the words of Bellos: "The practice of translation rests on two presuppositions. The first is that we are all different: we speak different tongues, and see the world in ways that are deeply influenced by the particular features of the tongue that we speak. The second is that we are all the same—that we can share the same broad and narrow kinds of feelings, information, understandings, and so forth. Without both of these suppositions, translation could not exist. Nor could anything we would like to call social life. Translation is another name for the human condition."

    The best authors put painstaking--sometimes obsessive--effort into each element of their stories, from plot and character development to dialogue and point of view.What made Nabokov choose the name Lolita? Why did Fitzgerald use first-person narration in The Great Gatsby? How did Kerouac, who raged against revision, finally come to revise On the Road? Veteran editor and teacher Richard Cohen draws on his vast reservoir of a lifetime's reading and his insight into what makes good prose soar. Here are Gabriel Garc�a M�rquez's thoughts on how to start a novel ("In the first paragraph you solve most of the problems with your book"); Virginia Woolf offering her definition of style ("It is all rhythm. Once you get that, you can't use the wrong words"); and Vladimir Nabokov on the nature of fiction ("All great novels are great fairy tales").Cohen has researched the published works and private utterances of our greatest authors to discover the elements that made their prose memorable. The result is a unique exploration of the act and art of writing that enriches our experience of reading both the classics and the best modern fiction. Evoking the marvelous, the famous, and the irreverent, he reveals the challenges that even the greatest writers faced--and shows us how they surmounted them.Praise for How to Write Like Tolstoy"The highest compliment one can pay How to Write Like Tolstoy is that it provokes an overwhelming urge to read and write, to be in dialogue or even doomed competition with the greatest creative minds . . . . That Mr. Cohen is an editor, that his love of literature comes in large part from awe in the presence of better writers than he, is no small matter. His love is infectious, and regardless of how well he ends up teaching us to write, that is miracle enough."--Wall Street Journal"[A] perfect tasting menu . . . the homage of a passionate reader to the writers who have provided his 'main pastime.' "--The Sunday Times (U.K.)"This book is a wry, critical friend to both writer and reader. It is filled with cogent examples and provoking statements. You will agree or quarrel with each page, and be a sharper writer and reader by the end."--Hilary Mantel "These twelve essays are like twelve perfect university lectures on the craft of writing fiction. The professor--or, in this case, author--succeeds in being not only knowledgeable but also interesting, charming, and engaging."--Library Journal (starred review)"Insightful . . . [Cohen] escorts his readers to Iris Murdoch for sage counsel on launching a novel, to Salman Rushdie for shrewd guidance on developing an unreliable narrator, to Rudyard Kipling for a cagey hint on creating memorable minor characters, and to Leo Tolstoy for a master's help in transforming personal experience into fictional art."--Booklist

    Each work of literature featured here is a seminal work key to understanding and appreciating the written word.The featured works have been handpicked by a team of international critics and literary luminaries, including Derek Attridge (world expert on James Joyce), Cedric Watts (renowned authority on Joseph Conrad and Graham Greene), Laura Marcus (noted Virginia Woolf expert), and David Mariott (poet and expert on African-American literature), among some twenty others.Addictive, browsable, knowledgeable--1001 Books You Must Read Before You Die will be a boon companion for anyone who loves good writing and an inspiration for anyone who is just beginning to discover a love of books. Each entry is accompanied by an authoritative yet opinionated critical essay describing the importance and influence of the work in question. Also included are publishing history and career details about the authors, as well as reproductions of period dust jackets and book designs.

    But it is also much more than that: in talk and writing, in music and images, in film and television, genres actively generate and shape our knowledge of the world. Understanding genre as a dynamic process rather than a set of stable rules, this book explores:*the relation of simple to complex genres*the history of literary genre in theory*the generic organisation of implied meanings*the structuring of interpretation by genre*the uses of genre in teaching.John Frow’s lucid exploration of this fascinating concept will be essential reading for students of literary and cultural studies.