He excelled in his studies of Jewish law, studied with the Sadducees, Pharisees, and the Essenes, eventually aligning himself with the Pharisees. He went to Rome to free some imprisoned priests. After accomplishing this mission through the intercession of Nero's wife, Poppaea, he returned to Jerusalem to find the country in revolt against Rome. Josephus wrote a history of the Jewish War, wroteAntiquities of the Jews, Against Apion and his autobiography The Life of Josephus. Josephus was an eyewitness to history, and his writings are considered authoritative.

    Written in a readable style, with more detailed interaction with scholarly discussion found in the various excursuses, this commentary draws on the best new insights from a number of disciplines (narratological studies of Luke-Acts, archaeological and social scientific study of the New Testament, rhetorical analysis of Acts, comparative studies in ancient historiography) to provide the reader with the benefits of recent innovative ways of analyzing the text of Acts. In addition there is detailed attention to major theological and historical issues, including the question of the relationship of Acts to the Pauline letters, the question of early Christian history and how the church grew and developed, the relationship between early Judaism and early Christianity, and the relationship between Christianity and the officials of the Roman Empire. Acts is seen as a historical monograph with affinities with the approaches of serious Greek historians such as Thucydides and Polybius in terms of methodology, and affinities with some forms of Jewish historiography (including Old Testament history) in terms of content or subject matter. The book is illustrated with various pictures and charts, which help to bring to light the character and setting of these narratives.

    It begins with brief treatments of the background to the Bible and its translation, the various approaches to translation, and the specific origins of nine translation versions in wide use in the English-speaking world today. It then proceeds to compare those versions on nine points of translation, ranging from individual terms, to difficult passages, to whole categories of grammar. The book serves to inform readers of the forces at work shaping the meaning of the Bible, to help in their selection of Bible translations, and to act as a critical catalyst for the improvement of Bible translations through more careful attention to the risk of bias in the translation process.

    Friedman is a fascinating, intellectual, yet highly readable analysis and investigation into the authorship of the Old Testament. The author of Commentary on the Torah, Friedman delves deeply into the history of the Bible in a scholarly work that is as exciting and surprising as a good detective novel. Who Wrote the Bible? is enlightening, riveting, an important contribution to religious literature, and as the Los Angeles Times aptly observed in its rave review, “There is no other book like this one.”

    Sadly, many are only defining themselves by what they don't do, as Christians who simply “don’t go to church.” It’s time for these believers to catch a vision for genuine spiritual community, outside the walls of organized Christianity, a way of being the church without going to church. Unchurching: Christianity Without Churchianity will challenge everything you thought you knew about church. Unchurching boldly examines whether organized churches are even biblical. It thoroughly deconstructs the idea of special church buildings, paid pastors, weekly sermons, mandatory tithes and offerings, gender inequality in church leadership, and much more. Unchurching is intended to empower believers who are done with organized church but aren’t ready to abandon their faith. It will give non-churchgoing Christians a vision for genuine spiritual community that simply functions like an extended spiritual family. And it will equip them with the language to finally articulate that vision to others. Here's what others are saying about Unchurching: "I have written several books about church myself, but this one is better than any of the ones I have written." – Jeremy Myers, author of The Atonement of God "If you are searching for the truth about the way we 'do' church … this is the book for you! I guarantee that it will completely rock your world." – Milt Rodriguez, author of The Community Life of God "Richard Jacobson has been on both sides of this shift and is uniquely qualified to write about it—which he does well, with insight, humility, and scholarship … Highly recommended." – Felicity Dale, author of An Army of Ordinary People "As I read this book I felt my pulse quicken and my heart leap for joy because everything Richard writes about is centered on, around, and in relation to the One who would rather die than live without us." – Keith Giles, author of This Is My Body: Ekklesia As God Intended "Unchurching will help you capture a vision for a fresh start that is built upon the Lord Jesus Christ … " – Jon Zens, author of A Church Building Every 1/2 Mile

     The influence of ancient Greece and Rome can be seen in every aspect of our lives. From calendars to democracy to the very languages we speak, Western civilization owes a debt to these classical societies. Yet the Greeks and Romans did not emerge fully formed; their culture grew from an active engagement with a deeper past, drawing on ancient myths and figures to shape vibrant civilizations. In "The Birth of Classical Europe," the latest entry in the Penguin History of Europe, historians Simon Price and Peter Thonemann present a fresh perspective on classical culture in a book full of revelations about civilizations we thought we knew. In this impeccably researched and immensely readable history we see the ancient world unfold before us, with its grand cast of characters stretching from the great Greeks of myth to the world-shaping Caesars. A landmark achievement, "The Birth of Classical Europe" provides insight into an epoch that is both incredibly foreign and surprisingly familiar.

    He also explores the character of Yahweh, who Bloom argues has more in common with Mark's Jesus than he does with God the Father of the Christian and rabbinic Jewish traditions. In fact, Bloom asserts, the Hebrew Bible of the Jews and the Christian Old Testament are very different books with very different purposes. At a time when religion has taken center stage in the political arena, Bloom's controversial examination of the incompatible Judeo-Christian traditions will make readers rethink everything they take for granted about what they believe is a shared heritage.

    All these everyday phrases owe their popularity to the King James Bible. Indeed, it is said that this astonishing Bible has contributed more to the color and grace of the English language than almost any other literary source.In Begat, best-selling language expert David Crystal offers a stimulating tour of the verbal richness and incredible reach of the King James Bible. How can a work published in 1611 have had such a lasting influence on the language? To answer this question, Crystal offers fascinating discussions of phrases such as The skin of one's teeth or Out of the mouth of babes, tracing how these memorable lines have found independent life in the work of poets, playwrights, novelists, politicians, and journalists, and how more recently they have been taken up with enthusiasm by advertisers, Hollywood, and hip-hop. He shows, for instance, how Let there be light has resurfaced as Let there be lite, the title of a diet cookbook, and Let there be flight, the title of an article about airport delays. Along the way, Crystal reminds us that the King James Bible owes much to earlier translations, notably those by Wycliffe in the fourteenth century and Tyndale in the sixteenth. But he also underscores crucial revisions made by King James's team of translators, contrasting the memorable Am I my brother's keeper with Wycliffe's Am I the keeper of my brother.Language lovers and students of the Bible will be equally enthralled by Begat and its engaging look at the intersection of religion and literature.

    Leading us chapter by chapter through its most important stories--from the Creation and the Tree of Knowledge through the Exodus from Egypt and the journey to the Promised Land--James Kugel shows how a group of anonymous, ancient interpreters radically transformed the Bible and made it into the book that has come down to us today.Was the snake in the Garden of Eden the devil, or the Garden itself "paradise"? Did Abraham discover monotheism, and was his son Isaac a willing martyr? Not until the ancient interpreters set to work. Poring over every little detail in the Bible's stories, prophecies, and laws, they let their own theological and imaginative inclinations radically transform the Bible's very nature. Their sometimes surprising interpretations soon became the generally accepted meaning. These interpretations, and not the mere words of the text, became the Bible in the time of Jesus and Paul or the rabbis of the Talmud.Drawing on such sources as the Dead Sea Scrolls, ancient Jewish apocrypha, Hellenistic writings, long-lost retellings of Bible stories, and prayers and sermons of the early church and synagogue, Kugel reconstructs the theory and methods of interpretation at the time when the Bible was becoming the bedrock of Judaism and Christianity. Here, for the first time, we can witness all the major transformations of the text and recreate the development of the Bible "As It Was" at the start of the Common era--the Bible as we know it.

    Drawing on a wide range of Roman writing—from essays on rhetoric to a surviving Roman joke book—Mary Beard tracks down the giggles, smirks, and guffaws of the ancient Romans themselves. From ancient “monkey business” to the role of a chuckle in a culture of tyranny, she explores Roman humor from the hilarious, to the momentous, to the surprising.  But she also reflects on even bigger historical questions. What kind of history of laughter can we possibly tell? Can we ever really “get” the Romans’ jokes?

    Metzger's classic work is the most up-to-date manual available for the textual criticism of the New Testament. The Text of the New Testament, Fourth Edition, has been invigorated by the addition of Bart D. Ehrman--author of numerous best-selling books on the New Testament--as a coauthor. This revision brings the discussion of such important matters as the early Greek manuscripts and methods of textual criticism up to date, integrating recent research findings and approaches into the body of the text (as opposed to previous revisions, which compiled new material and notes into appendices). The authors also examine new areas of interest, including the use of computers in the collection and evaluation of manuscript evidence and the effects that social and ideological influences had upon the work of scribes. The standard text for courses in biblical studies and the history of Christianity since its first publication in 1964, The Text of the New Testament is poised to become a definitive resource for a whole new generation of students.

    Bringing writers to the nation from all corners of the globe, it aimed to break the cultural siege imposed by the Israeli military occupation, to strengthen artistic links with the rest of the world, and to reaffirm, in the words of Edward Said, "the power of culture over the culture of power."Celebrating the tenth anniversary of PalFest, Annexe is a collection of essays, poems, and sketches from some of the world's most distinguished artists, responding to their experiences at this unique festival. Both heartbreaking and hopeful, their gathered work is a testament to the power of literature to promote solidarity and hope in the most desperate of situations.Contributing authors include J. M. Coetzee, China Mieville, Alice Walker, Geoff Dyer, Claire Messud, Henning Mankell, Michael Ondaatje, Kamila Shamsie, Michael Palin, Deborah Moggach, Mohammed Hanif, Richard Ford, Gillian Slovo, Adam Foulds, Susan Abulhawa, Ahdaf Soueif, Jeremy Harding, Brigid Keenan, Rachel Holmes, Suad Amiry, Gary Younge, Jamal Mahjoub, Molly Crabapple, Najwan Darwish, Nathalie Handal, Omar Robert Hamilton, Pankaj Mishra, Raja Shehadeh, Selma Dabbagh, William Sutcliffe, Atef Abu Saif, Yasmin El-Rifae, Sabrina Mahfouz, Alaa Abd El Fattah, Mercedes Kemp, Ru Freeman."

    This book describes the early Christians and their preoccupations. It follows the reflection and controversy these notions generated among Christian writers. It is intended for classicists and medievalists.

    Brown wants his readers to believe that he is revealing the long-concealed truth about Jesus, Mary Magdalene, and early Christianity, a truth that he says has been suppressed by the malevolent and conspiratorial forces of the Catholic Church. The novel alleges that there has been throughout history a secret group of true followers of a Gnostic Jesus and his wife, Mary Magdalene, the true "Holy Grail". Almost everything most Christians and non-Christians think they know about Jesus, according to Dan Brown, is completely wrong, the result of Catholic propaganda designed to hide the truth from the world.But are The Da Vinci Code's claims fact or just plain fiction? Is the novel well-researched as claimed? What is the truth about Jesus, Mary Magdalene, and the early Church? Has the Catholic Church distorted the real Jesus? Why is the novel so popular? What about the anti-Catholic, anti-Christian agenda behind the novel?Best selling author Carl Olson and journalist Sandra Miesel answer these and other important questions. Their painstaking research intoThe Da Vinci Code and its sources reveals some surprising truths. No one who has read or heard about The Da Vinci Code should miss this provocative and illuminating book.

    Gradually he learns the violent history of the house's owner, the fierce, saturnine Heathcliff and the thwarted love that has led him to exact terrible revenge on the two families that have sought to oppose him.Since its original publication in 1847, Emily Bronte's only novel, whether repelling, captivating or intriguing different generations of readers, has never relaxed its powerful grip on the public, and the figure of the haunted, brutal Heathcliff has become part of Britain's cultural mythology.This edition also includes over sixty of Emily Bronte's poems, an introduction, notes, text summary, selected criticism and a chronology of Emily Bronte's life and times.(back cover)