Now, all these years later, the two friends have an uncommon bond, the sort that can be fashioned only in serendipitous ways and fortified through shared experiences. Miller draws from his remarkable moments with The Champ to give us a beautifully written portrait of a great man physically devastated but spiritually young—playing mischievous tricks on unsuspecting guests, performing sleight of hand for any willing audience, and walking ten miles each way to grab an ice cream sundae. Informed by great literary journalists such as Joan Didion, Tom Wolfe, and Gay Talese, but in a timeless style that is distinctly his own, Miller gives us a series of extraordinary stories that coalesce into an unprecedentedly humanizing, intimate, and tenderly observed portrait of one of the world’s most loved men.

    Punk rock was a life-changing discovery. The buzz-saw guitars, the messed-up clothing and hair, the rejection of society and the DIY approach to building a new one: in their gray surroundings, where everyone’s future was preordained by some communist apparatchik, punk represented a revolutionary philosophy—quite literally, as it turned out. But as these young kids tried to form bands and became more visible, security forces—including the dreaded secret police, the Stasi—targeted them. They were spied on by friends and even members of their own families; they were expelled from schools and fired from jobs; they were beaten by police and imprisoned. Instead of conforming, the punks fought back, playing an indispensable role in the underground movements that helped bring down the Berlin Wall. This secret history of East German punk rock is not just about the music; it is a story of extraordinary bravery in the face of one of the most oppressive regimes in history. Rollicking, cinematic, deeply researched, highly readable, and thrillingly topical, BurningDown the Haus brings to life the young men and women who successfully fought authoritarianism three chords at a time—and is a fiery testament to the irrepressible spirit of revolution.

    Little did he know his quest would consume a fortune and take thirty years to reach its dramatic conclusion.Thwarted at first by the fact that his brother’s body could not be located and a new district attorney reluctant to prosecute as a result, Kergen had to keep track of the killers from New Orleans’ notorious French Quarter to Las Vegas and points in between and wait for a break in the case that seemed like it would never come. Then nearly thirty years later, science, detective work and especially a brother's love and tenacity would combine for a resolution that would end in a dramatic trial in which one of the killers' diary would be a star witness.

    Alone, starving, freezing at times, and running and hiding for her life, Musia sought refuge in the forest for two years while Holocaust death camps loomed nearby. Child of the Forest is based on the true story and tribulations of Shulamit "Musia" Perlmutter, born in 1929 to Simcha and Fruma Perlmutter, and stands as a memorial to her extraordinary courage.

    At 11 she won her first international prize. She worked with many violins, waiting for the day she would play 'the one'. At 21 she found it: a rare 1696 Stradivarius, perfectly suited to her build and temperament. Her career soared. She recorded the Brahms concerto and a world tour was planned.Then, in a train station café, her violin was stolen. In an instant her world collapsed. She descended into a terrifying limbo land, unable to play another note.This is Min's extraordinary story - of a young woman staring into the void, wondering who she was, who she had been. It is a story of isolation and dependence, of love, loss and betrayal, and the intense, almost human bond that a musician has with their instrument. Above all it's a story of hope through a journey back to music.

    Martin Parr is Europe's premier contemporary photographer, and The Last Resort is the book that is considered to have launched his career. Taken at the height of the Thatcher years, it depicts the "great British seaside" in all its garish glory. Described by some as cruel and voyeuristic and by others as a stunning satire on the state of Britain, early editions are now much sought after by collectors worldwide. Includes a new essay by Gerry Badger, photographer, architect, curator, and critic.

    With cocktail recipes.  Being a new mom is “AHHHH! WHAT HAVE I DONE?” hard. Why are all these tiny clothes so expensive? Who wrote these mind-numbing board books? Will Mommy ever carry a purse again that’s not a diaper bag? And how is she even functioning off so little sleep? Reasons Mommy Drinks is a fresh, insightful, and hilarious collection of the various struggles faced by new parents—from mommy groups and single-people envy to the end of maternity leave—with a well-deserved cocktail recipe to go with each one. This must-have resource will help sleep-deprived new moms survive the baby years with their sense of humor, if not their lives as they once knew them, intact.

    In Go Big or Go Home, she writes candidly about her greatest desires, fears, successes and failures, and shares how she has dealt with them. In seven thematic essays, Kat addresses issues close to her heart—such as individuality, independence, and altruism—and draws upon her own experiences and those of her many clients.Filled with Kat's sketches, handwriting, drawings of tattoos, and process photos, as well as specially commissioned photographs of the finished large-scale tattoos by celebrity and fashion photographer Patrick Hoelck, Go Big or Go Home covers a wide range of her astounding work on regular citizens, as well as the many celebrities who seek her out her artistry.

    They provide examples of a dozen alphabet styles, as well as many decorative details. Color photography reveals more than merely the necessary brush and pen techniques—it also shows a vast range of ideas for using calligraphy in new and surprising ways.

    But photography has surely changed during these many decades. The rigs and gear of old have given way-first slowly, then all at once-to sleek miracle machines that process pixels and have made the darkroom obsolete. The casual photog puts eye to lens, sets everything on auto and captures a photograph that is . . . perfectly fine. One of LIFE's master shooters-in fact, the final in the long line of distinguished LIFE staff photographers-was Joe McNally, and he has always believed that with a little preparation and care, with a dash of enthusiasm and daring added to the equation, anyone can make a better photo-anyone can turn a "keeper" into a treasure. This was true in days of yore, and it's true in the digital age. Your marvelous new camera, fresh from its box, can indeed perform splendid feats. Joe explains in this book how to take best advantage of what it was designed to do, and also when it is wise to outthink your camera or push your camera-to go for the gold, to create that indelible family memory that you will have blown up as large as the technology will allow, and that will hang on the wall forevermore. As the storied LIFE photographer and photo editor John Loengard points out in his eloquent foreword to this volume, there are cameras and there are cameras, and they've always been able to do tricks. And then there is photography. Other guides may give you the one, two, three of producing a reasonably well exposed shot, but Joe McNally and the editors of LIFE can give you that, and then can show you how to make a picture. In a detailed, friendly, conversational, anecdotal, sometimes rollicking way, that's what they do in these pages. Prepare to click.

    In 1912, Korczak established a unique orphanage that is to this day a beacon for educators. There he gave children the freedom to develop and manage their talents. They learned about mutual responsibility and caring and how to create a righteous human society. Korczak was murdered by the Nazis at the Treblinka Death Camp when he refused to abandon his children. I will never forget those times; this is a memorial volume The author, Itzchak Belfer, was raised and educated in Korczak's orphanage. We read of his flight from the Nazis through the Polish forests to Russia to become the only survivor in his large family and his attempt to immigrate to Israel, only to be waylaid in a Cypress deportation camp, where he studied art. Then of his renewed life in Israel, where his art commemorates Janusz Korczak, the Holocaust, and the family he lost. Scroll up now to get your copy of White House in a Gray City!

    Only after they arrived at their destinations did some of them realize how much they missed female companionship..One way for men living on the frontier to meet women was through subscriptions to heart-and-hand clubs. The men received newspapers with information, and sometimes photographs, about women, with whom they corresponded. Eventually, a man might convince a woman to join him in the West, and in matrimony. Social status, political connections, money, companionship, or security were often considered more than love in these arrangements. Complete with historic photographs and actual advertisements from both women seeking husbands and males seeking brides, Object Matrimony includes stories of courageous mail order brides and their exploits as well as stories of the marriage brokers, mercenary matchmakers looking to profit as merchants did off of the miners and settlers. Some of these stories end happily ever after; others reveal desperate situations that robbed the brides of their youth and sometimes their lives.

    This Boston-based alternative pop/German-like cabaret duo hand-designed this book which includes art, photos, commentary and 11 songs from their 2004 release. Songs included are: Bad Habit * Coin Operated Boy * Girl Anachronism * Good Day * Gravity * Half Jack * The Jeep Song * Missed Me *Perfect Fit * Slide * Truce.

    Then he wanted the whole world to know it. After brutally killing a 16-year-old girl, he called the local NBC and told an editor precisely where to find the body.

    John’s mother, a well-known Times reporter and editor, tried to keep alive the dream of raising her two sons in ideal surroundings. When that proved impossible, she collapsed emotionally and physically. But along the way she created such a powerful myth of the father-hero who gave his life for his family, country, and the fourth estate that John followed his footsteps into the same newsroom. Decades after his father’s death, John and his brother, the historian Robert Darnton, began digging into the past to uncover the truth about their parents. To discover who the real-life Barney Darnton was—and in part who he himself is—John delves into turn-of-the-century farm life in Michigan, the anything-goes Jazz Age in Greenwich Village, the lives of hard-drinking war correspondents in the Pacific theater, and the fearful loneliness of the McCarthy years in Washington, D.C. He ends his quest on a beach in Papua New Guinea, where he learns about his father’s last moments from an aged villager who never forgot what he saw sixty-five years earlier.