In The Memo, Minda Harts offers a much-needed career guide tailored specifically for women of color.Drawing on knowledge gained from her past career as a fundraising consultant to top colleges across the country, Harts now brings her powerhouse entrepreneurial experience as CEO of The Memo to the page. With wit and candor, she acknowledges "ugly truths" that keep women of color from having a seat at the table in corporate America. Providing straight talk on how to navigate networking, office politics, and money, while showing how to make real change to the system, The Memo offers support and long-overdue advice on how women of color can succeed in their careers.

    In it, he shares acrid and poignant stories of blacks colliding--sometimes humorously, but often tragically--with whites throughout the 1920s and 1930s.The book consists of fourteen moving stories:"Cora Unashamed""Slave on the Block""Home""Passing""A Good Job Gone""Rejuvenation Through Joy""The Blues I'm Playing""Red-Headed Baby""Poor Little Black Fellow""Little Dog""Berry""Mother and Child""One Christmas Eve""Father and Son"

    Where were we?Right, you and I left off in October 2017, when my first book came out. The weeks before were filled with dreams of loss. Pets dying. My husband leaving me. Babies not being born. My therapist told me it was my soul preparing for my true self to emerge after letting go of my grief. I had finally spoken openly about my fertility journey. I was having second thoughts—in fact, so many thoughts they were organizing to go on strike. But I knew I had to be honest because I didn’t want other women going through IVF to feel as alone as I did. I had suffered in isolation, having so many miscarriages that I could not give an exact number. Strangers shared their own journeys and heartbreak with me. I had led with the truth, and it opened the door to compassion.When I released We’re Going to Need More Wine, the response was so great people asked when I would do a sequel. The New York Times even ran a headline reading “We’re Going to Need More Gabrielle Union.” Frankly, after being so open and honest in my writing, I wasn’t sure there was more of me I was ready to share. But life happens with all its plot twists. And new stories demand to be told. This time, I need to be more vulnerable—not so much for me, but anyone who feels alone in what they’re going through.A lot has changed in four years—I became a mom and I’m raising two amazing girls. My husband retired. My career has expanded so that I have the opportunity to lift up other voices that need to be heard. But the world has also shown us that we have a lot we still have to fight for—as women, as black women, as mothers, as aging women, as human beings, as friends. In You Got Anything Stronger?, I show you how this ever-changing life presents challenges, even as it gives me moments of pure joy. I take you on a girl’s night at Chateau Marmont, and I also talk to Isis, my character from Bring It On. For the first time, I truly open up about my surrogacy journey and the birth of Kaavia James Union Wade. And I take on racist institutions and practices in the entertainment industry, asking for equality and real accountability.You Got Anything Stronger? is me at my most vulnerable. I have recently found true strength in that vulnerability, and I want to share that power with you here, through this book.

    Our aquatic cousins are queer, fierce, protective of each other, complex, shaped by conflict, and struggling to survive the extractive and militarized conditions our species has imposed on the ocean. Gumbs employs a brilliant mix of poetic sensibility and naturalist observation to show what they might teach us, producing not a specific agenda but an unfolding space for wondering and questioning. From the relationship between the endangered North Atlantic Right Whale and Gumbs’s Shinnecock and enslaved ancestors to the ways echolocation changes our understandings of “vision” and visionary action, this is a masterful use of metaphor and natural models in the service of social justice.

    Moving from the emotionally fraught political arena to the intimate realm of the personal, the poems in this volume express a conflicted consciousness and the disillusionment shared by so many during the early 1970s, when the dreams of the Civil Rights era seemed to have evaporated. First published in 1978, this classic will remind her readers why they were first drawn to Nikki Giovanni and enthrall new readers who are just now coming to these timeless poems.As a witness to three generations, Nikki Giovanni has perceptively and poetically recorded her observations of both the outside world and the gentle yet enigmatic territory of the self. When her poems first emerged from the Black Rights Movement in the late 1960s, she immediately became a celebrated and controversial poet of the era. Written in one of the most commanding voices to grace America'ss political and poetic landscape at the end of the twentieth century, Nikki Giovanni's poems embody the fearless passion and spirited wit for which she is beloved and revered.A pivotal work in Nikki Giovanni's career, Cotton Candy on a Rainy Day is one of the most poignant and introspective of all Giovanni's collections. Moving from the emotionally fraught political arena to the intimate realm of the personal, the poems in this volume express a conflicted consciousness and the disillusionment shared by so many during the early 1970s, when the dreams of the Civil Rights era seemed to have evaporated. First published in l978, this classic will remind her readers why they were first drawn to Nikki Giovanni and enthrall new readers who are just now coming to these timeless poems. As a witness to three generations, Nikki Giovanni has perceptively and poetically recorded her observations of both the outside world and the gentle yet enigmatic territory of the self. When her poems first emerged from the Black Rights Movement in the late 1960s, she immediately became a celebrated and controversial poet of the era. Written in one of themost commanding voices to grace America's political and poetic landscape at the end of the twentieth century, Nikki Giovanni's poems embody the fearless passion and spirited wit for which she is beloved and revered."Nikki Giovanni is one of our national treasures. For decades she has offered her wit and wisdom, her bruising honesty, and, above all, her unbounded love through these poems as a healing for herself, her community, and her country." --Gloria Naylor

    Arrested along with hundreds of others and sentenced to six months hard labor in prison, Jezile returns home to find her child dying of starvation. When her husband is arrested for stealing milk to save the child, Jezile must fight to ensure her family’s survival.

    This is Maya Angelou talking from the heart, down to earth and real, but also inspiring. This is a book to treasured, a book about being in all ways a woman, about living well, about the power of the word, and about the power do spirituality to move and shape your life. Passionate, lively, and lyrical, Maya Angelou's latest unforgettable work offers a gem of truth on every page. "From the Paperback edition."

    Today, nearly every black woman writer of significance—including Maya Angelou, Toni Morrison, and Alice Walker—acknowledges Hurston as a literary foremother, and her 1937 masterpiece Their Eyes Were Watching God has become a crucial part of the modern literary canon. Wrapped in Rainbows, the first biography of Zora Neale Hurston in more than twenty-five years, illuminates the adventures, complexities, and sorrows of an extraordinary life. Acclaimed journalist Valerie Boyd delves into Hurston’s history—her youth in the country’s first incorporated all-black town, her friendships with luminaries such as Langston Hughes, her sexuality and short-lived marriages, and her mysterious relationship with vodou. With the Harlem Renaissance, the Great Depression, and World War II as historical backdrops, Wrapped in Rainbows not only positions Hurston’s work in her time but also offers riveting implications for our own.

    Mary Antin recounts "the process of uprooting, transportation, replanting, acclimitization, and development that took place in my own soul," and reveals the impact of a new culture and new standards of behavior on her family. A feeling of divisions—between Russia and America, Jews and Gentiles, Yiddish and English—ever-present in her narrative, is balanced by insights, amusing and serious, into ways to overcome them. In telling the story of one person, The Promised Land illuminates the lives of hundreds of thousands. This Penguin Twentieth-Century Classics edition includes eighteen black-and-white photographs from the book's first edition and reprints for the first time Antin's essay "How I wrote The Promised Land."

    After the death of her parents, Angela moves to New York to escape the racism she believes is her only obstacle to opportunity. What she soon discovers is that being a woman has its own burdens that don't fade with the color of one's skin, and that love and marriage might not offer her salvation.

    Building on legacies of feminist of color scholarship in particular, Ahmed offers a poetic and personal meditation on how feminists become estranged from worlds they critique—often by naming and calling attention to problems—and how feminists learn about worlds from their efforts to transform them. Ahmed also provides her most sustained commentary on the figure of the feminist killjoy introduced in her earlier work while showing how feminists create inventive solutions—such as forming support systems—to survive the shattering experiences of facing the walls of racism and sexism. The killjoy survival kit and killjoy manifesto, with which the book concludes, supply practical tools for how to live a feminist life, thereby strengthening the ties between the inventive creation of feminist theory and living a life that sustains it.

    From the opening sequence, "Cameos", to the civil rights struggle of the final sequence, she explores the intersection of individual fate and history.

    Sister Lilith - Honoree Fanonne JeffersThe Comet - W.E.B. Du Bois Chicage 1927 - Jewelle GomezBlack No More (novel excerpt) - George S. Schuyler separation anxiety - Evie Shockley Tasting Songs - Leone RossCan You Wear My Eyes - Kalamu ya SalaamLike Daughter - Tananarive Due Greedy Choke Puppy - Nalo Hopkinson Rhythm Travel - Amiri Baraka Buddy Bolden - Kalamu ya SalaamAye, and Gomorrah... - Samuel R. Delany Ganger (Ball Lightning) - Nalo HopkinsonThe Becoming - Akua Lezli HopeThe Goophered Grapevine - Charles W. ChestnuttThe Evening and the Morning and the Night - Octavia E. Butler Twice, at Once, Separated - Linda Addison Gimmile's Songs - Charles R. Saunders At the Huts of Ajala - Nisi Shawl The Woman in the Wall - Steven Barnes Ark of Bones - Henry Dumas Butta's Backyard Barbecue - Tony Medina Future Christmas (novel excerpt) - Ishmael ReedAt Life's Limits - Kiini Ibura Salaam The African Origins of UFOs (novel excerpt) - Anthony JosephThe Astral Visitor Delta Blues - Robert Fleming The Space Traders - Derrick Bell The Pretended - Darryl A. Smith Hussy Strutt - Ama PattersonEssays. Racism and Science Fiction - Samuel R. DelanyWhy Blacks Should Read (and Write) Science Fiction - Charles R. Saunders Black to the Future - Walter MosleyYet Do I Wonder - Paul D. MillerThe Monophobic Response - Octavia E. Butler

    Long a target of J. Edgar Hoover's campaign to defame, infiltrate, and criminalize Black nationalist organizations and their leaders, Shakur was incarcerated for four years prior to her conviction on flimsy evidence in 1977 as an accomplice to murder.This intensely personal and political autobiography belies the fearsome image of JoAnne Chesimard long projected by the media and the state. With wit and candor, Assata Shakur recounts the experiences that led her to a life of activism and portrays the strengths, weaknesses, and eventual demise of Black and White revolutionary groups at the hand of government officials. The result is a signal contribution to the literature about growing up Black in America that has already taken its place alongside The Autobiography of Malcolm X and the works of Maya Angelou.Two years after her conviction, Assata Shakur escaped from prison. She was given political asylum by Cuba, where she now resides.

    The result is an extraordinary, complex portrait of "white girls," as Als dubs them—an expansive but precise category that encompasses figures as diverse as Truman Capote and Louise Brooks, Malcolm X and Flannery O’Connor. In pieces that hairpin between critique and meditation, fiction and nonfiction, high culture and low, the theoretical and the deeply personal, Als presents a stunning portrait of a writer by way of his subjects, and an invaluable guide to the culture of our time.