By creating a single-volume sourcebook of core Christian stories, Jacobus de Voragine (c. 1229-98) attracted a huge audience across Europe. This selection of over seventy biographies ranges from the first Apostles and Roman martyrs to near-contemporaries such as St Dominic, St Francis of Assissi and St Elizabeth of Hungary. Here, witnesses to the true faith endure horrific tortures; reformed prostitutes win divine forgiveness; while other women live disguised as monks or nobly resist lustful tyrants. Lucid and compelling, The Golden Legend offers an enthralling insight into the medieval mind.

    Today, urban art has traveled to nearly every corner of the globe, shifting and morphing into a highly complex and ornate art form. Displaying their art within what is effectively the largest, most open museum in the world, urban artists unveil their beliefs and imaginations to a public unable to avoid their work. Yet, at its best, urban art is not simply an aesthetic based on slogans, political posturing, or personal promotion: it is an art form deeply committed to the diversity of the street and to a spontaneous creativity that is topographically connected to the architecture of the metropolis.From Inkie in Bristol to Steve Powers in Philadelphia, and from JR in Paris to Os Gêmeos in Brazil and Drewfunk in Australia, The World Atlas of Street Art and Graffiti is the definitive reference guide to international urban art. It focuses on the most influential and significant urban artists across the world and identifies the key locations of their work. Organized geographically, the text focuses on the individual practitioners within each country or region and explores the historical background to their works. This book strives toward a more nuanced understanding of what has become a widespread art practice.Since the lives and works of urban artists are inextricably bound to streets and places, this definitive reference locates the meeting point between art and atlas, between urban artists and their personal understanding of public spaces, not via a cartographic bird’s-eye view, but through a more intimate, human-centered perspective that challenges contemporary ideas about the mapping of urban space.

    In 1943, the final year of her life, unable to join the resistance movement in France, she worked in London for the Free French government in exile. Here she was commissioned to outline a plan for the renewal of Europe after the scourge of Nazism. The Need for Roots was the direct result. In it she seized the opportunity to denounce the false values of contemporary civilisation. In the cult of materials she witnessed a devastating loss of spirit and consequently of human values. To counteract this she sets out a radical vision for spiritual and political renewal with a passion for truth which sweeps through these pages. The book has become a lasting spiritual testament for our age, where we are confronted, as T.S. Eliot comments, by a 'genius akin to that of the saints'.

    Relying on new research and improved translations, Davis uncovers some amazing questions and contradictions about what the Bible really says. Jericho's walls may have tumbled down because the city lies on a fault line. Moses never parted the Red Sea. There was a Jesus, but he wasn't born on Christmas and he probably wasn't an only child.Davis brings readers up-to-date on findings gleaned from the Dead Sea Scrolls and Gnostic Gospels that prompt serious scholars to ask such serious questions as: Who wrote the Bible? Did Jesus say everything we were taught he did? Did he say more? By examining the Bible historically, Davis entertains and amazes, provides a much better understanding of the subject, and offers much more fun learning about it.

    The facts of Joan of Arc's life are straightforward: she was born in 1412, in Domremy, France, to a peasant family; she participated in the Hundred Years' War but was in active military service for only a year; and she was burned at the stake at 19. Novelist Gordon, who has always been fascinated by the young heroine, emphasizes Joan the girl. She acknowledges that the 17-year-old could have been a wife and mother, a fully adult member of her community. But Gordon's Joan "has a young girl's heedlessness, sureness, readiness for utter self-surrender". This biography rehearses the well-known highlights in Joan's short life: the voices she heard who charged her with the mission to save France; her participation in the Battle of Orleans and the coronation of King Charles VII; her trial by an ecclesiastical court, where she was charged with witchcraft, heresy and idolatry. The judges, Gordon tells us in a deft and clever interpretation, connected "Joan's cross-dressing to the sin of idolatry. (They) were accusing Joan of making an idol of herself". Gordon recounts Joan's excommunication and execution in spare and arresting detail. The strength of this "biographical meditation" lies in the penultimate chapter, in which Gordon investigates the numerous re-creations of Joan on stage and screen, from Carl Dreyer's 1928 film The Passion of Joan of Arc to Verdi's opera Giovanna d'Arco -- a chapter that comes like an unexpected dessert at the end of a rich feast.

    Ignatius of Loyola is the core work of religious formation for members of the Society of Jesus, the single largest religious order within the Roman Catholic Church. For four and a half centuries  in many thousands of editions in all languages, The Exercises have embodied fundamental spiritual principles essential to authentic Christian living. The mystical insight informing Ignatius's own relationship with God--which he distilled in The Exercises--is that the divine love of God is providentially present in all the details of our existence. Here Ignatius shows how the faithful can be joined to God in all things, according to the Jesuit motto, Ad majorem Dei gloriam, "For the greater glory of God."

    "A Christian should use these arts to the glory of God, not just as tracts, mind you, but as things of beauty to the praise of God." Many Christians, wary of creating graven images, have steered clear of artistic creativity. But the Bible offers a robust affirmation of the arts. The human impulse to create reflects our being created in the image of a creator God. Art and the Bible has been a foundational work for generations of Christians in the arts. In this book's classic essays, Francis Schaeffer first examines the scriptural record of the use of various art forms, and then establishes a Christian perspective on art. With clarity and vigor, Schaeffer explains why "the Christian is the one whose imagination should fly beyond the stars.

    Inspired by the order and beauty inherent in nature, his groundbreaking work sets out the principles of distance, dimension and proportion; instructs the painter on how to use the rules of composition, representation, light and colour to create work that is graceful and pleasing to the eye; and stipulates the moral and artistic pre-requisites of the successful painter. On Painting had an immediate and profound influence on Italian Renaissance artists including Ghiberti, Fra Angelico and Veneziano and on later figures such as Leonardo da Vinci, and remains a compelling theory of art.

    Following the success of Isms: Understanding Art and Isms: Understanding Architectural Styles, this guide sorts the great classic films and directors according to the significant movements that have shaped the development of cinema. Beginning with the early silent era, it spans the entire range of movie history up to the present wave of indie films and the growing fascination with international cinema. Each spread is devoted to a distinct movement and explains when it first emerged, the principal directors, themes, and representative films, and is illustrated with film stills, posters, and photos. Important international cinematic breakthroughs are also highlighted, as well as the careers of international auteurs like Kurosawa, Fellini, and Almodóvar. From prewar Expressionism to twenty-first-century Dystopianism, Film Isms… offers an engaging, new way of understanding movie history.

    But the crusaders never made it to the Holy Land. Steered forward by the shrewd Venetian doge, they descended instead on Constantinople, wreaking terrible devastation. The crusaders spared no one: They raped and massacred thousands, plundered churches, and torched the lavish city. By 1204, one of the great civilizations of history had been shattered. Here, on the eight hundredth anniversary of the sack, is the extraordinary story of this epic catastrophe, told for the first time outside of academia by Jonathan Phillips, a leading expert on the crusades. Knights and commoners, monastic chroniclers, courtly troubadours, survivors of the carnage, and even Pope Innocent III left vivid accounts detailing the events of those two fateful years. Using their remarkable letters, chronicles, and speeches, Phillips traces the way in which any region steeped in religious fanaticism, in this case Christian Europe, might succumb to holy war.

    God in Search of Man combines scholarship with lucidity, reverence, and compassion as Dr. Heschel discusses not man's search for God but God's for man--the notion of a Chosen People, an idea which, he writes, "signifies not a quality inherent in the people but a relationship between the people and God." It is an extraordinary description of the nature of Biblical thought, and how that thought becomes faith.

    Here the trials and triumphs of the early Muslims as individuals are well-portrayed. Their various paths to Islam - sometimes direct, sometimes long and tortuous, their devotion to the noble Prophet, their endeavours in peace time and their exploits in war - all serve to cast them in a heroic mould. This is the first of two (formerly published as a series of three) books based on original Arabic sources and written in a style that is lively and often gripping. The lives of the Sahabah or Companions of the Prophet, may God bless him and grant him peace, is a rich storehouse of knowledge, guidance and inspiration. The men and women whose stories are told here helped to lay the foundations of a new world order, and it is only fitting that they should be more widely known.

    His darkly dramatic Conan the Barbarian oils and the equally powerful and erotic compositions for the works of Edgar Rice Burroughs have become the ultimate standards of excellence in the fantasy and adventure field. Icon was Franzetta’s first major retrospective in his 55-year career. Lavish full-color reproduction on deluxe art paper showcases over 65 major finished oil paintings, 25 drawings, and other pieces. This new softcover edition contains 32 new pages of additional, never-before-published art and photos. New material includes paintings of Woody Allen and Peter Sellers; concepts of Clint Eastwood for the movie poster to The Gauntlet; original concepts for the Conan book cover paintings; and character drawings for the Broadway production of Li'l Abner.

    Karen L. King tells the story of the recovery of this remarkable gospel and offers a new translation. This brief narrative rejects Jesus' suffering and death as a path to eternal life and exposes the view that Mary Magdalene was a prostitute for what it is--a piece of theological fiction. The Gospel of Mary of Magdala offers a fascinating glimpse into the conflicts and controversies that shaped earliest Christianity.

    Medieval Spaniards introduced Europeans to papermanufacture, Hindu-Arabic numerals, philosophical classics, algebra, citrus fruits, cotton, and new medical techniques. Her mystics penned classics of Kabbalah and Sufism. More astonishing than Spain's wide-ranging accomplishments, however, was the simple fact that until the destruction of thelast Muslim Kingdom by King Ferdinand and Queen Isabella in 1492, Spain's Muslims, Christians, and Jews often managed to bestow tolerance and freedom of worship on the minorities in their midst. A Vanished World chronicles this panoramic sweep of human history and achievement, encompassing both the agony of Jihad, Crusades, and Inquisition, and the glory of a multi-religious, multi-cultural civilization that forever changed the West. Lowney shows how these three controversialreligious groups once lived and worked together in Spain, creating commerce, culture, art, and architecture. He reveals how these three faith groups eventually veered into a thicket of resentment and violence, and shows how our current policies and approaches might lead us down the same path. Rising above politics, propaganda, and name-calling, A Vanished World provides a hopeful meditation on how relations among these three faith groups have gone wrong and some ideas on how to make their interactions right.