It is thinking through a vision, a strategy, and then figuring out who your targets are, always being concerned about power, always being concerned about how you're going to actually build power in order to be able to push your issues, in order to be able to get the target to actually move in the way that you want to."What if social transformation and liberation isn't about waiting for someone else to come along and save us? What if ordinary people have the power to collectively free ourselves? In this timely collection of essays and interviews, Mariame Kaba reflects on the deep work of abolition and transformative political struggle.With chapters on seeking justice beyond the punishment system, transforming how we deal with harm and accountability, and finding hope in collective struggle for abolition, Kaba's work is deeply rooted in the relentless belief that we can fundamentally change the world. As Kaba writes, "Nothing that we do that is worthwhile is done alone."

    Border and Rule explores a number of seemingly disparate global geographies with shared logics of border rule that displace, immobilize, criminalize, exploit, and expel migrants and refugees. With her keen ability to connect the dots, Walia demonstrates how borders divide the international working class and consolidate imperial, capitalist, ruling class, and racist nationalist rule. Ambitious in scope and internationalist in orientation, Border and Rule breaks through American exceptionalist and liberal responses to the migration crisis and cogently maps the lucrative connections between state violence, capitalism, and right-wing nationalism around the world.Illuminating the brutal mechanics of state formation, Walia exposes US border policy as a product of violent territorial expansion, settler-colonialism, enslavement, and gendered racial exclusion. Further, she compellingly details how Fortress Europe and White Australia are using immigration diplomacy and externalized borders to maintain a colonial present, how temporary labor migration in the Arab Gulf states and Canada is central to citizenship regulation and labor control, and far-right nationalism is escalating deadly violence in the US, Israel, India, the Philippines, Brazil, and across Europe, while producing a disaster of statelessness for millions elsewhere.A must-read in these difficult times of war, inequality, climate change, and global health crisis, Border and Rule is a clarion call for revolution. The book includes a foreword from renowned scholar Robin D. G. Kelley and an afterword from acclaimed activist-academic Nick Estes.

    We—Indigenous, Black and people of color, women and trans folks, migrants, and working people—did not create this disaster, but we have inherited it. We have barely a decade to turn back the tide of climate disaster. It is time to reclaim the life and destiny that has been stolen from us and rise up together to confront this challenge and build a world where all life can thrive. Only mass movements can do what the moment demands. Politicians may or may not follow--it is up to them--but we will design, build, and lead this movement with or without them.The Red Deal is a call for action beyond the scope of the US colonial state. It’s a program for Indigenous liberation, life, and land—an affirmation that colonialism and capitalism must be overturned for this planet to be habitable for human and other-than-human relatives to live dignified lives. The Red Deal is not a response to the Green New Deal, or a “bargain” with the elite and powerful. It’s a deal with the humble people of the earth; a pact that we shall strive for peace and justice and a declaration that movements for justice must come from below and to the left.

    It has become a watchword in the current era of global climate crisis. But what - and for whom - is the Green New Deal?In this concise and urgent book, Max Ajl provides an overview of the various mainstream Green New Deals. Critically engaging with their proponents, ideological underpinnings and limitations, he goes on to sketch out a radical alternative: a 'People's Green New Deal' committed to decommodification, working-class power, anti-imperialism and agro-ecology.Ajl diagnoses the roots of the current socio-ecological crisis as emerging from a world-system dominated by the logics of capitalism and imperialism. Resolving this crisis, he argues, requires nothing less than an infrastructural and agricultural transformation in the Global North, and the industrial convergence between North and South. As the climate crisis deepens and the literature on the subject grows, A People's Green New Deal contributes a distinctive perspective to the debate.

    This is an increase of over 500% since 1980 and the numbers continue to grow. Yet, despite this prescription epidemic, levels of mental illness of all types have actually increased in number and severity.Using a wealth of studies, interviews with experts, and detailed analysis, Dr James Davies argues that this is because we have fundamentally mischaracterised the problem. Rather than viewing most mental distress as an understandable reaction to wider societal problems, we have embraced a medical model which situates the problem solely within the sufferer and their brain.Urgent and persuasive, Sedated systematically examines why this individualistic view of mental illness has been promoted by successive governments and big business – and why it is so misplaced and dangerous.

    Published by Freedom Road Socialist Organization - frso.org. About the Author: Frank Chapman is a community organizer, Executive Director of the National Alliance Against Racist and Political Repression, Field Organizer of the Chicago Alliance Against Political Repression, and part of the Central Committee of Freedom Road Socialist Organization. He is also a published writer, with articles on Truthout and Freedomways. In 2019, Frank published his first book, a memoir entitled The Damned Don't Cry: Pages from the Life of a Black Prisoner and Organizer.

    

    It is way down in the bush. The light is soft, the air and the earth are cool, and the smell is of leaves and the river. I cannot presume to know what he is doing when he lies here, but it seems that he is taking himself back to an ecology not wrought by the terror of the fires, not fuelled by our violence on the earth. He is letting another earth heal him. Philosopher Danielle Celermajer’s story of Jimmy the pig caught the world’s attention during the Black Summer of 2019­­-20.Gathered here is that story and others written in the shadow of the bushfires that ravaged Australia. In the midst of the death and grief of animals, humans, trees and ecologies Celermajer asks us to look around – really look around – to become present to all beings who are living and dying through the loss of our shared home.At once a howl in the forest and an elegy for a country’s soul, these meditations are lyrical, tender and profound.

    But on-camera labor is only the beginning of the story. Porn Work takes readers behind the scenes to explore what porn performers think of their work and how they intervene to hack it. Blending extensive fieldwork with feminist and antiwork theorizing, Porn Work details entrepreneurial labor on the boundaries between pleasure and tedium. Rejecting any notion that sex work is an aberration from straight work, it reveals porn workers' creative strategies as prophetic of a working landscape in crisis. In the end, it looks to what porn has to tell us about what's wrong with work, and what it might look like to build something better.

    

    At the same time, as a new wave of nationalism and right-wing politics spreads across the world, fewer and fewer people are being convinced that socialism could improve their everyday lives, let alone save us from our own destruction.In this timely and explosive book, philosopher and YouTuber Jonas Čeika (aka Cuck Philosophy) re-invigorates socialism for the twenty-first century. Leaving behind its past associations with bureaucracy and state tyranny, and it's lifeless and drab theoretical accounts, Čeika instead uses the works of Marx and Nietzsche to reconnect socialism with its human element, presenting it as something not only affecting, but created by living, breathing, suffering human individuals.At a time when ecological collapse is hurtling towards us, and capitalism offers no solution except more growth and exploitation, How to Philosophise with a Hammer and Sickle shows us the way forward to a socialism grounded in human experience and accessible to all.

    We've spoken to over 40 successful business people to help you gain from their advice and create space for your own personal growth. Twice As Hard is an exploration of Black identity in the working world and a blueprint for success. You will learn what obstacles limit opportunity for Black professional progress, how to understand and overcome racial stereotypes, be productive, find purpose, and ultimately thrive in business.Authors Opeyemi and Raphael Sofoluke explore their own personal brand of ethics, the challenges they have faced in their careers, and the learnings they took from them, before inviting other successful business people in a broad range of industries to share their experiences and the practical measures they take to realise their goals, too. Featuring tips on entrepreneurship, as well as insights on the corporate world, this book aims to empower and inspire Black professionals, get everyone thinking and talking about their actions, and continue the fight for a truly inclusive, understanding society.

    In Spinoza's Religion, she sets out a bold interpretation of Spinoza through a lucid new reading of his masterpiece, the Ethics. Putting the question of religion centre-stage but refusing to convert Spinozism to Christianity, Carlisle reveals that "being in God" unites Spinoza's metaphysics and ethics. Spinoza's Religion unfolds a powerful, inclusive philosophical vision for the modern age-one that is grounded in a profound questioning of how to live a joyful, fully human life.Like Spinoza himself, the Ethics doesn't fit into any ready-made religious category. But Carlisle shows how it wrestles with the question of religion in strikingly original ways, responding both critically and constructively to the diverse, broadly Christian context in which Spinoza lived and worked. Philosophy itself, as Spinoza practiced it, became a spiritual endeavor that expressed his devotion to a truthful, virtuous way of life. Offering startling new insights into Spinoza's famously enigmatic ideas about eternal life and the intellectual love of God, Carlisle uncovers a Spinozist religion that integrates self-knowledge, desire, practice, and embodied ethical life to reach toward our "highest happiness"-to rest in God.Seen through Carlisle's eyes, the Ethics prompts us to rethink not only Spinoza but also religion itself.

    The coherence of defined autonomous categories—such as religion, science, and art—has collapsed under the weight of postmodern critiques, calling into question the possibility of progress and even the value of knowledge. Jason Ānanda Josephson Storm aims to radicalize and move beyond these deconstructive projects to offer a path forward for the humanities and social sciences using a new model for theory he calls metamodernism.Metamodernism works through the postmodern critiques and uncovers the mechanisms that produce and maintain concepts and social categories. In so doing, Storm provides a new, radical account of society’s ever-changing nature—what he calls a “Process Social Ontology”—and its materialization in temporary zones of stability or “social kinds.” Storm then formulates a fresh approach to philosophy of language by looking beyond the typical theorizing that focuses solely on human language production, showing us instead how our own sign-making is actually on a continuum with animal and plant communication. Storm also considers fundamental issues of the relationship between knowledge and value, promoting a turn toward humble, emancipatory knowledge that recognizes the existence of multiple modes of the real. Metamodernism is a revolutionary manifesto for research in the human sciences that offers a new way through postmodern skepticism to envision a more inclusive future of theory in which new forms of both progress and knowledge can be realized.

    In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory.

    Together they provide what no previous book on the assassination has done--incontrovertible proof that JFK was killed in a crossfire.Last Second in Dallas is not a conspiracy book. No theory of who did it is offered or discussed. Among the discoveries: The test showing that all recovered bullet fragments came from Oswald's rifle was mistaken. Several fragments could have come from bullets of any manufacturer and any caliber. The sudden two-inch forward movement of the president's head in the Zapruder film just before his head explodes is revealed to be an optical illusion caused by the movement of Zapruder's camera. This leaves without further challenge clear evidence that this shot came from a specific location to the right front of the limousine. Detailed analysis of film frames matched by the newly validated acoustic evidence show a second shot struck the president's head from behind less than a second later. Result: two killing shots to the head from opposite directions in the final second of the shooting--hence the book's title.At once a historical detective story and a deeply personal narrative by a major figure in the field, Last Second in Dallas captures the drama and sweep of events, detailing government missteps and political bias as well as the junk science, hubris, and controversy that have dogged the investigation from the beginning. Into this account Thompson weaves his own eventful journey, that of a Yale-educated scholar who in 1976 resigned his tenured professorship in philosophy to become a private investigator in San Francisco, developing a national reputation.Profusely illustrated, Last Second in Dallas features dozens of archive photographs, including Zapruder film frames reproduced at the highest clarity ever published.

    It connects theories with the existential trajectories of the thinkers who elaborated them, by sketching the diverse profiles of revolutionary intellectuals—from Marx and Bakunin to Luxemburg and the Bolsheviks, from Mao and Ho Chi Minh to José Carlos Mariátegui, C. L. R. James, and other rebellious spirits from the South—as outcasts and pariahs. And finally, it analyzes the entanglement between revolution and communism that so deeply shaped the history of the twentieth century. This book thus merges ideas and representations by devoting an equal importance to theoretical and iconographic sources, offering for our troubled present a new intellectual history of the revolutionary past.

    Taking examples from across the globe, he argues that wherever Black people have been emancipated from slavery and colonization, a potential freedom has been thwarted. Walcott names this condition the long emancipation—the ongoing interdiction of potential Black freedom and the continuation of the juridical and legislative status of Black nonbeing. Stating that Black people have yet to experience freedom, Walcott shows that being Black in the world is to exist in the time of emancipation in which Black people must constantly fashion alternate conceptions of freedom and reality through expressive culture. Given that Black unfreedom lies at the center of the making of the modern world, the attainment of freedom for Black people, Walcott contends, will transform the human experience worldwide. With The Long Emancipation, Walcott offers a new humanism that begins by acknowledging that present conceptions of what it means to be human do not currently include Black people.

    Their work--from Deana Lawson's disarmingly intimate portraits to Arthur Jafa's videos of the everyday beauty and grit of the Black experience, from Kahlil Joseph's films and Dawoud Bey's photographs to the embodied and multimedia artistic practice of Okwui Okpokwasili, Simone Leigh, and Luke Willis Thompson--requires viewers to do more than simply look; it solicits visceral responses to the visualization of Black precarity.Campt shows that this new way of seeing shifts viewers from the passive optics of looking at to the active struggle of looking with, through, and alongside the suffering--and joy--of Black life in the present. The artists whose work Campt explores challenge the fundamental disparity that defines the dominant viewing practice: the notion that Blackness is the elsewhere (or nowhere) of whiteness. These artists create images that flow, that resuscitate and revalue the historical and contemporary archive of Black life in radical ways. Writing with rigor and passion, Campt describes the creativity, ingenuity, cunning, and courage that is the modus operandi of a Black gaze.

    In-depth interviews and close observation are essential to the work of social scientists, but inserting one’s researcher-self into the lives of others can be daunting, especially early on.  Esteemed sociologist Annette Lareau is here to help. Lareau’s clear, insightful, and personal guide is not your average methods text. It promises to reduce researcher anxiety while illuminating the best methods for first-rate research practice.   As the title of this book suggests, Lareau considers listening to be the core element of interviewing and observation. A researcher must listen to people as she collects data, listen to feedback as she describes what she is learning, listen to the findings of others as they delve into the existing literature on topics, and listen to herself in order to sift and prioritize some aspects of the study over others. By listening in these different ways, researchers will discover connections, reconsider assumptions, catch mistakes, develop and assess new ideas, weigh priorities, ponder new directions, and undertake numerous adjustments—all of which will make their contributions clearer and more valuable.   Accessibly written and full of practical, easy-to-follow guidance, this book will help both novice and experienced researchers to do their very best work. Qualitative research is an inherently uncertain project, but with Lareau’s help, you can alleviate anxiety and focus on success.

    With quotes from the Combahee River Collective, Mao, Lenin, bell hooks, Assata Shakur, 2pac, Malcolm X, Stalin, Les Feinberg, Fred Hampton, Fanon, and more, this book is bound to inspire the revolutionary spirit inside you and your comrades to organize, educate, and revolt!Full list of authors:Jamil Abdullah Al-AminMumia Abu-JamalSundiata AcoliJames BaldwinAmilcar CabralFidel CastroChe GuevaraCombahee River CollectiveAngela DavisDimitrovFrederick DouglassFriedrich EngelsFrantz FanonLes FeinbergPaulo FreireAnuradha GhandyFred HamptonHarry HaywoodHo Chi Minbell hooksEnver HoxhaDolores IbarruriKim Il-SungGeorge JacksonJonathan JacksonMarsha P. JohnsonClaudia JonesFrida KahloGhasson KanafaniLeila KhaledMartin Luther King, Jr.Alexandra KollantaiJames and Grace Lee BoggsVladimir LeninAudre LordeRosa LuxemburgNelson MandelaMao Tse-TungSub MarcosJosé MariáteguiCarlos MarighellaKarl MarxChico MendesEvo MoralesToni MorrisonHuey P. NewtonKwame NkrumahMichael ParentiRashidPaul RobesonWalter RodneyArundhati RoyThomas SankaraBobby SealeChief SeattleAssata ShakurTupac ShakurNina SimoneBhagat SinghJoseph StalinSukarnoKwame TureMalcolm XXi JinpingMalala Yousafzai

    For years, Ross has provided English-language readers with an in-depth analysis of China's economic and foreign relations policies, the history of its socialist project, and China's position in the global economy. More importantly, Ross has cut through the anti-Communist and Sinophobic narrative of China perpetuated by Western media to give readers a clear view of what is possible for socialist countries around the world.

    Erika Balsom, clearly a kindred spirit in her regard for these movies, has not just studied TEN SKIES, unfolding hidden intricacies of meaning, but apprehends it on instinct, too. The results are precise and also wise.’Rachel Kushner‘Part of the epic achievement of Benning’s TEN SKIES is to confound expectations of minimalism with a mesmerising study of time, light, movement and moisture that traces the shifting relations between clouds and earth, nature and people, teaching us how to look and listen in the process. Erika Balsom’s study – ‘a punch of clean rigour’, like the film she describes – recognises and extends those lessons with crystalline prose, a comparable sense of (and access to) depths, and an exhilarating, maximalist intimation of what criticism can do and become.’Jonathan Rosenbaum‘Erika Balsom brings you from the film itself into the mind of the artist, through the history of experimental cinema, to philosophical musings and art historical scholarship, and back into Benning’s thoughtful imagery. Take this little book, put it in your pocket, and wander the landscape until you find the perfect spot to sit and read, pausing now and then to look at the sky.’Sharon LockhartPart of the Decadent Editions series.About the filmTen shots of the sky, each ten minutes long. That’s all it takes to describe James Benning’s film from 2004. And yet, this simplicity conceals a rich and absorbing drama, one of the great works of the American avant-garde.About the authorErika Balsom is a scholar and critic based in London. She is Reader in Film Studies at King’s College London, a frequent contributor to Artforum, 4Columns and Cinema Scope, and the author of four books, including An Oceanic Feeling: Cinema and the Sea (2018) and After Uniqueness: A History of Film and Video Art in Circulation (2017).

    

    Musical, literary, and mystic practices become utopian enclaves in which Black people engage in modes of creative worldmaking. Brown explores the lives and work of Black women mystics Sojourner Truth and Rebecca Cox Jackson, musicians Alice Coltrane and Sun Ra, and the work of speculative fiction writers Samuel Delany and Octavia Butler as they decenter and destabilize the human, radically refusing liberal humanist ideas of subjectivity and species. Brown demonstrates that engaging in utopian practices Black subjects imagine and manifest new genres of existence and forms of collectivity. For Brown, utopia consists of those moments in the here and now when those excluded from the category human jump into other onto-epistemological realms. Black people—untethered from the hope of rights, recognition, or redress—celebrate themselves as elements in a cosmic effluvium.

    "Where there is no emergency there is likely no real experiment," she writes.In conversation with other writers across the continent identified with current queer/feminist avant-garde trajectories, including l’écriture-au féminin moment in Québec, and queer continental new narrative, Permanent Revolution is an evolutionary snapshot of contemporaneous Fe-male ground-breaking prose fiction."A writer may do as she pleases with her epoch. Except ignore it," said Scott. With Permanent Revolution, the writer interrogates her era, twice. Belonging in the canon alongside Maggie Nelson, Lydia Davis and Renee Gladman, Gail Scott is an important feminist thinker of our time.

    But, Catherine Knight Steele argues that Black women’s relationship to technology began long before the advent of Twitter or Instagram. To truly “listen to Black women,” Steele points to the history of Black feminist technoculture in the United States and its ability to decenter white supremacy and patriarchy in a conversation about the future of technology. Using the virtual beauty shop as a metaphor, Digital Black Feminism walks readers through the technical skill, communicative expertise, and entrepreneurial acumen of Black women’s labor—born of survival strategies and economic necessity—both on and offline.Positioning Black women at the center of our discourse about the past, present, and future of technology, Steele offers a through-line from the writing of early twentieth-century Black women to the bloggers and social media mavens of the twenty-first century. She makes connections among the letters, news articles, and essays of Black feminist writers of the past and a digital archive of blog posts, tweets, and Instagram stories of some of the most well-known Black feminist writers of our time. Linking narratives and existing literature about Black women’s technology use in the nineteenth, twentieth, and twenty-first century, Digital Black Feminism traverses the bounds between historical and archival analysis and empirical internet studies, forcing a reconciliation between fields and methods that are not always in conversation. As the work of Black feminist writers now reaches its widest audience online, Steele offers both hopefulness and caution on the implications of Black feminism becoming a digital product.

    

    

    Here Rorty offers his culminating thoughts on the influential version of pragmatism he began to articulate decades ago in his groundbreaking Philosophy and the Mirror of Nature.Marking a new stage in the evolution of his thought, Rorty’s final masterwork identifies anti-authoritarianism as the principal impulse and virtue of pragmatism. Anti-authoritarianism, on this view, means acknowledging that our cultural inheritance is always open to revision because no authority exists to ascertain the truth, once and for all. If we cannot rely on the unshakable certainties of God or nature, then all we have left to go on—and argue with—are the opinions and ideas of our fellow humans. The test of these ideas, Rorty suggests, is relatively simple: Do they work? Do they produce the peace, freedom, and happiness we desire? To achieve this enlightened pragmatism is not easy, though. Pragmatism demands trust. Pragmatism demands that we think and care about what others think and care about, which further requires that we account for others’ doubts of and objections to our own beliefs. After all, our own beliefs are as contestable as anyone else’s.A supple mind who draws on theorists from John Stuart Mill to Annette Baier, Rorty nonetheless is always an apostle of the concrete. No book offers a more accessible account of Rorty’s utopia of pragmatism, just as no philosopher has more eloquently challenged the hidebound traditions arrayed against the goals of social justice.

    Spanning the whole of his career, this collection includes classic theoretical essays such as “The Whites of Their Eyes” (1981) and “Race, the Floating Signifier” (1997). It also features public lectures, political articles, and popular pieces that circulated in periodicals and newspapers, which demonstrate the breadth and depth of Hall's contribution to public discourses of race. Foregrounding how and why the analysis of race and difference should be concrete and not merely descriptive, this collection gives organizers and students of social theory ways to approach the interconnections of race with culture and consciousness, state and society, policing and freedom.

    

    

    But the cruelty, violence, and depredations that have accompanied the COVID-19 pandemic aren’t merely detritus in the wake of its spread; they characterize the necrocapitalism of this conjuncture.” – from the PrologueAs the pandemic transitioned from science fiction to reality in early 2020, a number of writers and thinkers in the imperialist metropoles declared the impossibility of writing in the face of a future that is foreclosed. And yet, due to the nightmare that capitalism has been since its beginning, numerous writers and thinkers from the margins have always written in the face of such foreclosure. Meanwhile, other contemporary thinkers sought to conceptualize the unfolding pandemic according to conceptions of bio/necropolitics, forgetting the foundation upon which these conceptions have always existed.The M.I. Asma writing group came together to stake out a different terrain, thinking through the pandemic as events unfolded while also always working to think beyond the capitalist imaginary. Writing between April 2020 and May 2021, the authors set out to produce a serial theoretical­philosophical project focused on class struggle in the midst of the COVID­-19 pandemic. The authors approached the pandemic as an occasion to think capitalism according to what it always has been, what the pandemic reveals about its current ideological deployment, and how we can think about a communist alternative in the face of exterminism.This book collects, with some revisions and with a new epilogue, the entries from the On Necrocapitalism blog, where M.I. Asma’s interventions first appeared. M.I. Asma is the collective designation for six authors from Canada and the United States, representing a variety of revolutionary anticapitalist theoretical persuasions: J. Moufawad-Paul, Devin Zane Shaw, Mateo Andante, Johannah May Black, Alyson Escalante, and D. W. Fairlane. What People Are Saying“Framing the ongoing present––and deadly non-futurity(ies)––of the COVID-19 pandemic within the historical framework of ‘necrocapitalism,’ this dynamic, multivocal project is a radical testimonial against the thick normality of targeted peoples’ casualties, suffering, and immiseration. Unapologetically, joyfully, and simultaneously theoretical, narrative, and polemical in presentation, the authors defend as they illuminate the possibilities of a communism for the present as well as the endangered future. What might it mean to apprehend the outpouring of humanist concern, charity and philanthropy, emergency funding, and outraged demands for care under the terms of pandemic as evidence of necrocapitalism’s advancement, rather than signs of its collapse or momentary dysfunction? I urge readers to bask in the writers’ incisive, explosive, and utterly necessary dismantling of liberal ideology as an extension of racial capitalist, white nationalist domestic and global warfare––that is, of liberal discourse as fundamentally complementary to the spectrum of contemporary right-wing reaction, not antagonistic to it.”Dylan Rodríguez, Professor of Media and Cultural Studies at the University of California Riverside, former President of the American Studies Association, and author of White Reconstruction“A live and immediate snapshot of thinking in and through the COVID-19 pandemic, On Necrocapitalism stands as an important document of an indelible year. ‘M.I. Asma’ insists on the rigor and energy of a non-universalist ‘we’ that refuses to return to business—literally—as usual.”Anjuli Fatima Raza Kolb, Associate Professor of English at the University of Toronto, and author of Epidemic Empire“Is the pandemic really unprecedented? Not according to these authors, who demonstrate that the events of the last two years are wholly predictable within the logic and imprisoned imaginary of capitalism itself. Part manifesto, part chronicle, part theoretical rumination, On Necrocapitalism recasts debates about defunding police, essential workers, dystopian codification, and reformist temptations, providing necessary revivification of communist horizons that de-exceptionalize crisis and dispense with pragmatism. An inspiring read.”Jasbir K. Puar, Professor and Graduate Director of Women’s and Gender Studies at Rutgers University, and author of The Right to Maim and Terrorist Assemblages

    Explicitly attending to processes of writing and revising, Rand pursues interruption, rethinking, and redirection to challenge standard methods of argumentation and traditional markers of heft and fluff. She writes about topics including a trans shout-out in a Super Bowl ad, the heyday of lavender dildos, ballet dancer Misty Copeland, the criticism received by figure skater Debi Thomas and tennis great Serena Williams for competing in bodysuits while Black, and the gendering involved in identifying the remains of people who die trying to cross into the United States south of Tucson, Arizona. Along the way, Rand encourages making muscle memory of experimentation and developing an openness to being conceptually knocked sideways. In other words, to be hip-checked.

    Theory was more than just a succession of ideas: it was an article of faith, a claim to truth, a lifestyle. It spread among its adherents in cheap paperbacks and triggered heated debates in seminar rooms and cafes. The Frankfurt School, Structuralism, Post-Structuralism, Adorno, Derrida, Foucault: these and others were the exotic schools and thinkers whose ideas were being devoured by young minds. But where did the fascination for dangerous thoughts come from?In his magnificently written book, Philipp Felsch follows the hopes and dreams of a generation that entered the jungle of difficult texts. His setting is West Germany in the decades from the 1960s to the 1990s: in a world frozen in the Cold War, movement only came from big ideas. It was the time of apocalyptic master thinkers, upsetting reading experiences and glamorous incomprehensibility. As the German publisher Suhrkamp published Adorno's Minima Moralia and other High Theory works of the Frankfurt School, a small publisher in West Berlin, Merve Verlag, provided readers with a steady stream of the subversive new theory coming out of France.By following the adventures of the publishers who provided the books and the reading communities that consumed and debated them, Philipp Felsch tells the remarkable story of an intellectual revolt when the German Left fell in love with Theory.

    He shows it to be constitutively incomplete as their project was an attempt to understand our contemporary situation which is constantly changing and can therefore never be understood in a complete way. Clustered around five main themes - Method, Film, Space, Analysis and Assemblages - Buchanan's book will appeal to experts as well as those new to Deleuze and Guattari working across literary criticism, film studies, cultural studies, political theory and philosophy.

    They are notoriously difficult to define, and yet we know one when we see one. No wonder: they were among the global cultural phenomena that ushered in the 21st century. They have become a bulwark of mainstream culture, cultural commodity, status, butt of all jokes and ready-made meme.But frightening as it is to imagine, for more than a century hipsters have been lurking among us. Defined by their appearances and the cloud of meaning attached to them—the cool vanguard of gentrification, the personification of capitalism with a conscience—hipsters are all looks, and these looks are a visual timeline to America’s past and present.Underlining this timeline is the pattern of American popular culture’s love/hate/theft relationship with Black culture. Yet the pattern of recycling has reached a chilling point: the 21st century hipster made all possible past fads into new trends, including and especially the old uncool. In Decolonize Hipsters, Grégory Pierrot gives us a field guide to the phenomenon, a symptom and vanguard of the wave of aggressive white supremacist sentiment now oozing from around the globe.“Ever since Norman Mailer styled himself as a "White Negro" and Anatole Broyard passed as a white jazz fan, the hipster has been a subject of fascination in cultural criticism, a symbol of the love and theft at the heart of American popular culture. Grégory Pierrot's fiercely illuminating short book dissects the political complacency and racial delusions of hipsterism, but it does so with a verve, swagger and irreverence. Pierrot provides us not only an anatomy of hipsterism's past, but a vision of its possible future. ” —Adam Shatz, editor of Prophets Outcast

    In Atmospheres of Violence, theorist and organizer Eric A. Stanley shows how this seeming contradiction reveals the central role of racialized and gendered violence in the United States. Rather than suggesting that such violence is evidence of individual phobias, Stanley shows how it is a structuring antagonism in our social world. Drawing on an archive of suicide notes, AIDS activist histories, surveillance tapes, and prison interviews, they offer a theory of anti-trans/queer violence in which inclusion and recognition are forms of harm rather than remedies to it. In calling for trans/queer organizing and worldmaking beyond these forms, Stanley points to abolitionist ways of life that might offer livable futures.

    Edith Young's forty color palettes and accompanying essays reveal the systems of color that underpin everything we see, allowing original and, at times, even humorous themes to emerge. Color Scheme is the perfect book for anyone interested in learning more about, or rethinking, how we see the world around us.

    Critical Race Studies Across Disciplines includes essays by scholars of African American studies from various disciplines, who directly and indirectly incorporate CRT through signaling a commitment to scholar-activism or scholactivism. Scholactivists hope to understand the roots of anti-Black racism and to actively oppose all forms of oppression. Drawing on CRT, the volume counters the colorblind rhetoric of those who dismiss the notion of systemic racism, discount racial inequities, and disregard racial justice advocates as malcontents fanning the flames of racial dissension. The contributors of this collection challenge racism centering the stories, perspectives, and counter-narratives of African American soldiers, teachers, students, writers, psychologists, and theologians who continually defy and resist oppression in myriad ways.

    The participatory planning procedures proposed provide workers in self-managed councils and consumers in neighbourhood councils with autonomy over their own activities while ensuring that they use scarce productive resources in socially responsible ways without subjecting them to competitive market forces.Certain mathematical and economic skills are required to fully understand and evaluate the planning procedures discussed and evaluated in technical sections in a number of chapters. These sections are necessary to advance the theory of democratic planning, and should be of primary interest to readers who have those skills. However, the book is written so that the main argument can be followed without fully digesting the more technical sections. Democratic Economic Planning is written for dreamers who are disenamored with the economics of competition and greed want to know how a system of equitable cooperation can be organized; and also for sceptics who demand hard proof that an economy without markets and private enterprise is possible.

    In order to accomplish this, Gabriel Tupinambá analyzes the socioeconomic practices that underlie the current institutional existence of the Lacanian community—its political position as well as its institutional history—in relation to theoretical production.By focusing on the underlying dynamic that binds clinical practice, theoretical work, and institutional security in Lacanian psychoanalysis today, Tupinambá is able to locate sites for conceptual innovation that have been ignored by the discipline, such as the understanding of the role of money in clinical practice, the place of analysands in the transformation of psychoanalytic theory, and ideological dead-ends that have become common sense in the Lacanian field. The Desire of Psychoanalysis thus suggests ways of opening up psychoanalysis to new concepts and clinical practices and calls for a transformation of how psychoanalysis is understood as an institution.

    When composition is condensed to a series of logical steps, itcan then be taught and learned more efficiently. With this approach in mind, Jorge Variego offers a variety of practical exercises to help student composers and instructors to create tangible work plans with high expectations and successful outcomes.Each chapter starts with a brief note on terminology and general recommendations for the instructor. The first five chapters offer a variety of exercises that range from analysis and style imitation to the use of probabilities. The chapter about pre-compositional approaches offers originaltechniques that a student composer can implement in order to start a new work. Based on lateral thinking, the last section of the book fosters creative connections with other disciplines such as math, visual arts, and architectural acoustics.The one hundred exercises contain a unique set of guidelines and constraints that place students in a specific compositional framework. These compositional boundaries encourage students to produce creative work within a given structure. Using the methodologies in this book, students will be able tocreate their own outlines for their compositions, making intelligent and educated compositional choices that balance reasoning with intuition.

    Each section describes a specific epoch, including a brief snapshot of how the reader of that period is envisioned and characterized by researchers and teachers, as well as a deep discussion of the ideas and contextual events of that era. These developmental waves are organized in rough historical sequence by a series of shifts in underlying theoretical and scholarly lenses--from the behavioral to the psycholinguistic to the cognitive to the sociocultural to the critical to the multimodal to the global. The book closes with a discussion of the various research frames and methodological approaches that paralleled these developments. The common thread across all the chapters is making meaning. For each wave, the authors unearth and interrogate the assumptions about making meaning with text as well as the practices to promote it--whether the meaning making is inspired by print, image, sound, or some multimodal mash-up. This unique resource is a must-own for every literacy professor and graduate scholar.Book Features: Animates some of the revolutionary developments related to reading education and literacy in modern times. Each development is accompanied by a discussion of the aspirational reader that sets the stage for contemplating these shifts and their significance. Traces the research and theoretical developments to illustrate the origins of the shifts and their influences. Supported by a website with video lectures and conversations tied to the various waves of development.

    In this, a collection of difficult to find essays, some of which are published for the first time, Williams emerges as not only one of the great writers of materialist criticism, but also a thoroughly engaged political writer.

    This collection of Hall's key writings on Marxism surveys the questions central to his interpretations of and investments in Marxist theory and practice. It includes Hall's readings of canonical texts by Marx and Engels, Gramsci, and Althusser; his exchanges with other prominent thinkers about Marxism; his use of Marxist frameworks to theorize specific cultural phenomena and discourses; and some of his later work in which he distanced himself from his earlier attachments to Marxism. In addition, editor Gregor McLennan's introduction and commentary offer in-depth context and fresh interpretations of Hall's thought. Selected Writings on Marxism demonstrates that grasping Hall's complex relationship to Marxism is central to understanding the corpus of his work.

    It critiques the valorisation of the local in cultural theories, typically accompanied by a rejection of universal categories since the latter are viewed as Eurocentric projections. This privileging of the local, however, usually results in an exoticisation of the South. In contrast, Majumdar offer that we can reject Eurocentrism while embracing a non-parochial form of universalism.

    True Tracks is a ground-breaking work that paves the way for the respectful and ethical engagement with Indigenous cultures. Using real-world cases and personal stories, award-winning Meriam/Wuthathi lawyer Dr Terri Janke draws on twenty years of professional experience and personal stories to inform and inspire leaders across many industries - from art and architecture, to film and publishing, dance, science and tourism. How will your project affect and involve Indigenous communities? What Indigenous materials and knowledge are you using? Who owns Indigenous languages? True Tracks helps answer these questions and many more, and provides invaluable guidelines that enable Indigenous peoples to actively practise, manage and strengthen their cultural life, keeping tracks into the future to empower the next generations. If we keep our tracks true, Indigenous culture and knowledge can benefit everyone.

    The contributors--all former students of the distinguished Columbia University historian Eric Foner--explore the uses and politics of history through key episodes across a wide range of struggles for freedom. They shed new light on how different groups have defined and fought for freedom throughout American history, as well as the ways in which the ideal of freedom remains unrealized today. Covering a broad range of topics, these essays offer insight into how historians practice their craft in different ways and illuminate what it means to be a socially and politically engaged historian.

    Creating Comics brings together in one volume an authoritative guide to the creative process, with practical drawing exercises throughout and an anthology of comics demonstrating the eclectic possibilities of the form. Creating Comic covers: · Using images to conceive and develop characters and stories· The complete range of possible relationships between two images· The step-by-step structure of visual narratives· How to approach each page like a unique canvas· Combining words and images to create new meanings Fully integrated with the main guide, the anthology section includes work by creators including: Lynda Barry, Alison Bechdel, Jaime Hernandez, Marjane Satrapi, Adrian Tomine, and many others.

    From his early critique of the West to the ongoing challenges he leveled at disciplinary and intellectual boundaries and formations, Trouillot centered the Caribbean as a site both foundational to the development of Western thought and critical to its undoing. Trouillot Remixed offers a representative cross section of his work that includes his most famous writings and lesser-known and harder-to-find texts essential to his oeuvre. Encouraging readers to engage with Trouillot's scholarship in new ways, this collection demonstrates the breadth of his writing, his enduring influence on Caribbean studies, and his relevance to politically engaged scholarship more broadly.

    One of the great classics of early Hasidism, The Light of the Eyes is a collection of homilies on the Torah, reading the entire Five Books of Moses as a guide to spiritual awareness and cultivation of the inner life. This is the first English translation of any major work from Hasidism's earliest and most creative period. Arthur Green's introduction and annotations survey the history of Hasidism and outline the essential religious and moral teachings of this mystical movement. The Light of the Eyes, by Rabbi Menahem Nahum of Chernobyl, offers insights that remain as fresh and relevant for the contemporary reader as they were when first published in 1798.

    Paasonen argues instead that network connectivity is a matter of infrastructure and necessary for the operations of the everyday. Dependencies on it do not equal addiction but speak to the networks within which our agency can take shape.

    In studies of chicken, fish, milk, barbecue, fake meat, animal sacrifice, cannibalism, exotic meat, frozen meat, and other manifestations of meat, they highlight meat's entanglements with race, gender, sexuality, and disability. From the imperial politics embedded in labeling canned white tuna as “the chicken of the sea” to the relationship between beef bans, yoga, and bodily purity in Hindu nationalist politics, the contributors demonstrate how meat is an ideal vantage point from which to better understand transnational circuits of power and ideology as well as the histories of colonialism, ableism, and sexism. Contributors. Neel Ahuja, Irina Aristarkhova, Sushmita Chatterjee, Mel Y. Chen, Kim Q. Hall, Jennifer A. Hamilton, Anita Mannur, Elspeth Probyn, Parama Roy, Banu Subramaniam, Angela Willey, Psyche Williams-Forson

    In Susanna Clarke’s fantasy novel Jonathan Strange and Mr. Norrell, the era is also witness to the unexpected return of magic.Locating the consequences of this eruption of magical unreason within the context of England’s imperial history, this study examines Merlin and his legacy, the roles of magicians throughout history, the mythology of disenchantment, the racism at work in the character of Stephen Black, the meaning behind the fantasy of magic’s return, and the Englishness of English magic itself. Looking at the larger historical context of magic and its links to colonialism, this inaugural treatment offers both a fuller understanding of the ethical visions underlying Clarke’s groundbreaking novel of madness intertwined with magic, while challenging readers to rethink connections among national identity, rationality, and power.“In a dazzling new reading, Peter D. Mathews reveals Susanna Clarke’s Jonathan Strange and Mr. Norrell as exposing myths of British self-satisfaction and enacting a destabilizing, exhilarating ‘change in the night sky’ of the world we think we know. This is first-rate criticism that opens a wonderful book to its readers as never before.”—Nicholas Birns, New York University“With Jonathan Strange and Mr. Norrell, Susanna Clarke managed to combine the forms of the historical novel and modern fantasy, evoking the realities of Europe in the time of Napoleon and Lord Nelson alongside wizardry and wild romance, and making both come vividly to life. Peter D. Mathews’s English Magic and Imperial Madness is a study worthy of this achievement, as it evinces deep literary and philosophical scholarship while artfully connecting an analysis of the powers of fantasy with an anti-colonial politics. Thus, Mathews effectively shows how modern fantasy literature can profoundly affect our understanding of the world and its history. It is a remarkable achievement, and a must-read for scholars of fantasy and of world literature more broadly.”—Robert T. Tally Jr., Texas State University“Peter D. Mathews weaves some magic of his own in English Magic and Imperial Madness, his spellbinding analysis of the “anti-colonial politics” of Susanna Clarke’s brilliant Jonathan Strange and Mr. Norrell. Triangulating sorcery, insanity, and political power, Mathews adeptly situates Clarke’s novel within the contexts of English history, literature, and culture, equipping the reader with the background necessary to appreciate Clarke’s critique of British imperialism. Mathews’ erudite consideration of myth, magic, fantasy, and politics will serve as the indispensable grimoire for those seeking to unravel the mysteries of Clarke’s rich fantasy novel.”—Jeffrey Andrew Weinstock, professor of English, Central Michigan University

    These methods, she argues, encode segregation, eugenics, and identity politics through their default assumptions and conditions. Correlation, which grounds big data's predictive potential, stems from twentieth-century eugenic attempts to "breed" a better future. Recommender systems foster angry clusters of sameness through homophily. Users are "trained" to become authentically predictable via a politics and technology of recognition. Machine learning and data analytics thus seek to disrupt the future by making disruption impossible.Chun, who has a background in systems design engineering as well as media studies and cultural theory, explains that although machine learning algorithms may not officially include race as a category, they embed whiteness as a default. Facial recognition technology, for example, relies on the faces of Hollywood celebrities and university undergraduates--groups not famous for their diversity. Homophily emerged as a concept to describe white U.S. resident attitudes to living in biracial yet segregated public housing. Predictive policing technology deploys models trained on studies of predominantly underserved neighborhoods. Trained on selected and often discriminatory or dirty data, these algorithms are only validated if they mirror this data.How can we release ourselves from the vice-like grip of discriminatory data? Chun calls for alternative algorithms, defaults, and interdisciplinary coalitions in order to desegregate networks and foster a more democratic big data.

      New Indigenous movements are gaining traction in North America: the Missing and Murdered Women and Idle No More movements in Canada, and the Native Lives Matter and NoDAPL movements in the United States. These do not represent new demands for social justice and treaty rights, which Indigenous groups have sought for centuries. But owing to the extraordinary visibility of contemporary activism, Indigenous people have been newly cast as terrorists—a designation that justifies severe measures of policing, exploitation, and violence. Red Scare investigates the intersectional scope of these four movements and the broader context of the treatment of Indigenous social justice movements as threats to neoliberal and imperialist social orders.   In Red Scare, Joanne Barker shows how US and Canadian leaders leverage the fear-driven discourses of terrorism to allow for extreme responses to Indigenous activists, framing them as threats to social stability and national security. The alignment of Indigenous movements with broader struggles against sexual, police, and environmental violence puts them at the forefront of new intersectional solidarities in prominent ways. The activist-as-terrorist framing is cropping up everywhere, but the historical and political complexities of Indigenous movements and state responses are unique. Indigenous criticisms of state policy, resource extraction and contamination, intense surveillance, and neoliberal values are met with outsized and shocking measures of militarized policing, environmental harm, and sexual violence. Red Scare provides students and readers with a concise and thorough survey of these movements and their links to broader organizing; the common threads of historical violence against Indigenous people; and the relevant alternatives we can find in Indigenous forms of governance and relationality.

    Drawing on black studies, continental philosophy, queer theory, experimental poetics, and work by several writers and artists, Zolf asks what it means to witness from the excessive, incalculable position of No One. In a fragmentary and recursive style that enacts the monstrous speech it pursues, No One's Witness demonstrates the necessity of confronting the Nazi holocaust in relation to transatlantic slavery and its afterlives. Thinking along with black feminist theory's notions of entangled swarm, field, plenum, chorus, No One's Witness interrogates the limits and thresholds of witnessing, its dangerous perhaps. No One operates outside the bounds of the sovereign individual, hauntologically informed by the fleshly no-thingness that has been historically ascribed to blackness and that blackness enacts within, apposite to, and beyond the No One. No One bears witness to becomings beyond comprehension, making and unmaking monstrous forms of entangled future anterior life.

    Recent decades have seen a resurgence of religion on the social and political scene, which have driven thinkers across many disciplines to grapple with the Christian theological inheritance of the modern world.Adam Kotsko provides a unique guide to this fraught terrain. The title essay establishes a fresh and unexpected redefinition of theology and its complex and often polemical relationship with its sister discipline of philosophy. Subsequent essays build on this framework from three different perspectives. In the first part, Kotsko demonstrates the continued vibrancy of Christian theology as a creative and constructive pursuit outside the walls of the church, showing that theological concepts can underwrite a powerful critique of the modern world. The second approaches Christian theology from the perspective of a range of contemporary philosophers, showing how philosophical thought is drawn to theology even despite itself. The concluding section is devoted to the unexpected theological roots of the modern world-system, making a case that the interplay of state and economy and the structure of modern racial oppression both build on theological patterns of thought.Kotsko's book ultimately shows that theology is not a scholarly game or an edifying spiritual discipline, but a world-shaping force of great power. Lives are at stake when we do theology--and if we don't do it, someone else will.