He fakes suicides to shock his self-obsessed mother, drives a customized Jaguar hearse, and attends funerals of complete strangers. Seventy-nine-year-old Maude Chardin, on the other hand, adores life. She liberates trees from city sidewalks and transplants them to the forest, paints smiles on the faces of church statues, and “borrows” cars to remind their owners that life is fleeting—here today, gone tomorrow! A chance meeting between the two turns into a madcap, whirlwind romance, and Harold learns that life is worth living. Harold and Maude started as Colin Higgins’ master’s thesis at UCLA Film School, and the script was purchased by Paramount. The film, directed by Hal Ashby, was released in 1971 and it bombed. But soon this quirky, dark comedy began being shown on college campuses and at midnight-movie theaters, and it gained a loyal cult following. This novelization was written by Higgins and published shortly after the film’s release but has been out of print for more than 30 years. Even fans who have seen the movie dozens of times will find this companion valuable, as it gives fresh elements to watch for and answers many of the film’s unresolved questions.

    Something Beautiful for God interprets her life through her conversations with Malcolm Muggeridge, the quintessential worldly skeptic who experienced a remarkable conversion to Christianity because of her exemplary influence. He hails her as a "light which could never be extinguished."

    One of the ship's crew of 10 is a human empath whose role as ship's Sensor is to detect any presence of intelligent life, but upon their arrival they find vast forests and open fields of grasses, without animals of any kind ... not even an insect. Unable to stand the irritatating emotional excreta of his fellow crewmates, the empath sets up an outpost to do a species count on the local flora, but when he fails to report in on the radio, the others suspect the native vegetation may not be as harmless as it seems. Locus Poll Award Nominee, Hugo Award Nominee

    ...y no se lo trago la tierra won the first national award for Chicano literature in 1970 and has become the standard literary text for Hispanic literature classes throughout the country. It is now an award-winning, motion picture entitled And the Earth Did Not Swallow Him.... and the Earth did not devour him / Tomás Rivera --from Voices of the fields: children of migrant farmworkers tell their stories / S. Beth Atkin --Christmas / Langston Hughes --Children for hire / Verena Dobnik and Ted Anthony --First confession / Frank O'Connor --Aria: a memoir of a bilingual childhood / Richard Rodriguez

    The author team includes the most preeminent and respected researchers in abnormal psychology today. Now, the exciting revision of this classic introduces new topics and fresh insights, as well as a streamlined writing style and a sharper focus on research in psychopathology. The esteemed author team of Butcher, Mineka, and Hooley offers students the most thoroughly researched and up-to-date explanation of psychopathology, creating a learning experience that invokes thought, increases awareness, and takes students to levels of understanding that other books do not offer.

    Tracing the history of early ships and seamanship from pre-dynastic Egypt to the Roman empire, from skiffs and barges to huge oared warships and royal yachts, Casson describes not only the ships themselves, but also the make-up and training of the crews, placement of weaponry, how cargo was stored, methods of navigation, harbor facilities, and the ways ships were named.

    

    Emphasis is placed upon the theoretical basis of each type of instrument, its optimal area of application, its sensitivity, its precision, and its limitations. The text also introduces students to elementary integrated circuitry, microprocessors and computers, and treatment of analytical data.

    The fifth edition includes: cutting-edge research, improved organization, and new coverage of problems that arise in late adolescence/early adulthood.

    Works well with any general chemistry text, where the instructor wants more qualitative analysis in conjunction with regular class work.

    Oliver's introductory essay "The Negro and the American Theater" as well as nine plays from the period 1959-1969. The collection also boasts both biographical and introductory material on the plays and playwrights by Clinton Oliver and Stephanie Sills. The plays in this anthology are Lorraine Hansberry's A Raisin in the Sun, Ossie Davis's Purlie Victorious, Adrienne Kennedy's Funnyhouse of a Negro, Amiri Baraka's Dutchman (this book was published in 1971 so here he is credited as Leroi Jones), James Baldwin's Blues for Mister Charlie, Douglas Turner Ward's short plays Happy Ending and Day of Absence, Ed Bullins' The Gentleman Caller, and Charles Gordone's No Place to Be Somebody.