The author, a political activist, reflects upon the people & incidents that have influenced her life & commitment to global liberation of the oppressed.

    Now in its 30th printing, this classic presents historical, archaeological, and anthropological evidence to support the theory that ancient Egypt was a black civilization.N.B (translation of sections of Antériorité des civilisations négres and Nations nègres et culture)

    Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin's story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions-affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche.

    I still think there is no other work that tells and visualizes a story of such misery with seriousness, humor, grace and triumph.”—Toni MorrisonSeventeenth-century sketches of Africans as they appeared to marauding European traders. Nineteenth-century slave auction notices. Twentieth-century sheet music for work songs and freedom chants. Photographs of war heroes, regal in uniform. Antebellum reward posters for capturing runaway slaves. An 1856 article titled “A Visit to the Slave Mother Who Killed Her Child.”In 1974, Middleton A. Harris and Toni Morrison led a team of gifted, passionate collectors in compiling these images and nearly five hundred others into one sensational narrative of the black experience in America—The Black Book. Now in a newly restored hardcover edition, The Black Book remains a breathtaking testament to the legendary wisdom, strength, and perseverance of black men and women intent on freedom. Prominent collectors Morris Levitt, Roger Furman, and Ernest Smith joined Harris and Morrison (then a Random House editor, ultimately a two-time Pulitzer Prize–winning Nobel Laureate) to spend months studying, laughing at, and crying over these materials—transcripts from fugitive slaves’ trials and proclamations by Frederick Douglass and celebrated abolitionists, as well as chilling images of cross burnings and lynchings, patents registered by black inventors throughout the early twentieth century, and vibrant posters from “Black Hollywood” films of the 1930s and 1940s. Indeed, it was an article she found while researching this project that provided the inspiration for Morrison’s masterpiece, Beloved.A labor of love and a vital link to the richness and diversity of African American history and culture, The Black Book honors the past, reminding us where our nation has been, and gives flight to our hopes for what is yet to come. Beautifully and faithfully presented and featuring a foreword and original poem by Toni Morrison, The Black Book remains a timeless landmark work.

    "On a cold January morning in 1969, a young white graduate student from Massachusetts, stumbling along the dim trail of a long-defunct radical organization of the 1930s, the Alabama Sharecropper Union, heard that there was a survivor and went looking for him. In a rural settlement 20 miles or so from Tuskegee in east-central Alabama he found him—the man he calls Nate Shaw—a black man, 84 years old, in full possession of every moment of his life and every facet of its meaning. . . . Theodore Rosengarten, the student, had found a black Homer, bursting with his black Odyssey and able to tell it with awesome intellectual power, with passion, with the almost frightening power of memory in a man who could neither read nor write but who sensed that the substance of his own life, and a million other black lives like his, were the very fiber of the nation's history." —H. Jack Geiger, New York Times Book Review

    That opinion, so decisive a part of the chauvinism afflicting the nation, is shown to be false in this book and in the material accumulated since its initial appearance has further substantiated this thesis; namely, that the African-American people, in slavery, forged a record of discontent and of resistance comparable to that marking the history of any other oppressed people.

    In these and in a summary chapter on the dialectics of revolution the authors furnish a picture of the principal aspects of Marxism, Leninism, Maoism, and the other currents of Marxism active in the revolutions of our times. A second section is devoted to the United States, and begins with a survey of the class forces in American history from the settlement of the original thirteen colonies to the present, with special attention to the enslaved black population. Thereafter, the authors present their ideas on the objects and means of an American Revolution.Includes new introduction by Grace Lee Boggs.

    and 28mins.©1974 Philip S. Foner, Foreword 2017 Robin D.G. Kelley (P)2019 Audible, Inc.

    The irony was made more bitter as black troops struggled with the racist policies of the American military itself. The overwhelming majority were assigned to labor companies; those selected for combat were under-trained, poorly equipped, ad commanded by white officers who insisted on black inferiority. Still, African Americans performed admirably under fire: the 369th Infantry regiment was in continuous combat loner than any other American unit, and was the first Allied regiment to cross the Rhine in the offensive against Germany.The Unknown Soldiers, the only full-scale examination of the subject, chronicles the rigid segregation; the limited opportunities for advancement; the inadequate training, food, medical attention, housing, and clothing; the verbal harassment and physical abuse, including lynchings; the ingratitude, unemployment, and unprecedented racial violence that greeted their return. The Unknown Soldiers is an unforgettable, searing study of those wartime experiences that forced African Americans to realize that equality and justice could never be earned in Jim Crow America, but only wrested from its strangling grip.

    Routledge is an imprint of Taylor & Francis, an informa company.