Once loved and respected in their community and in their church, they are ostracized by their neighbors, led by their church leader, and a seventeen-year feud between the Delaneys and the church ensues. Ava and her family are displaced from the community even as they continue to live within it, trapped inside their creaky, shadowy old house.When a mysterious woman arrives unexpectedly for a visit, her presence stirs up the past and ghosts and other restless things begin to emerge. And something is reignited in Ava: the indifferent woman she has become begins to give way to the wild girl, and the passionate artist, she used to be. But not without a struggle that threatens her well-being and, ultimately, her life.Mia McKenzie is a winner of the Astraea Foundation's Writers Fund Award and the Leeway Foundation's Transformation Award. She describes herself as "a black feminist and a freaking queer." Her work has been recommended by The Root, Colorlines, Feministing, Angry Asian Man, and Crunk Feminist Collective, among others. She is the creator of the blog BlackGirlDangerous.org.

    He found his tribe in New York's East Village, a neighborhood noted in the 1970s and '80s for drugs, blight, and a burgeoning art scene. His creativity spilled out in paintings, photographs, films, texts, installations, and in his life and its recounting-creating a sort of mythos around himself. His circle of East Village artists moved into the national spotlight just as the AIDS plague began its devastating advance, and as right-wing culture warriors reared their heads. As Wojnarowicz's reputation as an artist grew, so did his reputation as an agitator-because he dealt so openly with his homosexuality, so angrily with his circumstances as a Person With AIDS, and so fiercely with his would-be censors.Fire in the Belly is the untold story of a polarizing figure at a pivotal moment in American culture-and one of the most highly acclaimed biographies of the year.

    Take, for instance, the Kentucky Club on Avenida Juárez two blocks south of the Rio Grande. It's a touchstone for each of Sáenz's stories. His characters walk by, they might go in for a drink or to score, or they might just stay there for a while and let their story be told. Sáenz knows that the Kentucky Club, like special watering holes in all cities, is the contrary to borders. It welcomes Spanish and English, Mexicans and gringos, poor and rich, gay and straight, drug addicts and drunks, laughter and sadness, and even despair. It's a place of rich history and good drinks and cold beer and a long polished mahogany bar. Some days it smells like piss. "I'm going home to the other side." That's a strange statement, but you hear it all the time at the Kentucky Club.Benjamin Alire Sáenz is a highly regarded writer of fiction, poetry, and children's literature. Like these stories, his writing crosses borders and lands in our collective psyche. Poets & Writers Magazine named him one of the fifty most inspiring writers in the world. He's been a finalist for the Los Angeles Times Book Prize and PEN Center's prestigious award for young adult fiction. Sáenz is the chair of the creative writing department of University of Texas at El Paso.Awards:PEN/Faulkner Award for FictionLambda Literary AwardSouthwest Book Award

    Suddenly, a different sort of beauty catches her eye -- the vivacious track star, Kase-san. Although the two girls don't seem to have much in common, they soon start a romance where each must learn an important lesson in tending their budding relationship. Can the two girls, so different from each other, learn how to make their first love blossom?

    Hanging with her drug dealing older brother, she was more partial to boxing and basketball than ballet and Barbies.Following in the footsteps of her brother, she eventually inherited the block's hustling cocaine trade. That meant thinking like a man. Most men like guns, grenades and girls—Dre was no exception.With childhood friend Ramel by her side, Dre takes New York by storm. She's gunning for the number one spot and will stop at nothing to get it.

    It was an anthology of erotic comics, with contributions from some of the best and the brightest creators. There were three issues, and they were AWESOME. But that was it. The third Smut Peddler mini was followed by a years-long publishing hiatus...UNTIL NOW.

    and you survived?When it happens to Gwen Farris, she knows what to do without a doubt. Find the would be killers and stop them, before they can do it again. Stabbing a girl in the heart can be taken a little personally after all.The only problem is that she finds herself in a different world, one of industrial magic and steampunk style, a place both more polite, and unimaginably harsh, than the one she left behind.Thanks to her new friend, Constabulary Detective Bethany Westmorland, Gwen just might be able to make it in this strange place she'd never even dreamed could exist.But it will take everything she can bring to play, and more, before it's done.

    It is joined in this major new retrospective with many other pieces that for the first time present the full range of Brainard's writing in all its deadpan wit, madcap inventiveness, self-revealing frankness, and generosity of spirit. The Collected Writings of Joe Brainard gathers intimate journals, jottings, stories, one-liners, comic strips, mini-essays, and short plays, many of them available until now only as expensive rarities, if at all. "Brainard disarms us with the seemingly tossed- off, spontaneous nature of his writing and his stubborn refusal to accede to the pieties of self-importance," writes Paul Auster in the introduction to this collection. "These little works . . . are not really about anything so much as what it means to be young, that hopeful, anarchic time when all horizons are open to us and the future appears to be without limits." Assembled by the author's longtime friend and biographer Ron Padgett and including fourteen previously unpublished works, here is a fresh and affordable way to rediscover a unique American artist.

    The book would go on to inspire legions of women for decades and would later become the subject and title of a hugely popular movie in the fall of 2010. While the film was selling out movie theaters, young black gay men were literally committing suicide in the silence of their own communities.When a young Rutgers University student named Tyler Clementi took his own life after a roommate secretly videotaped him in an intimate setting with another young man, syndicated columnist and author Dan Savage created a YouTube video with his partner Terry to inspire young people facing harassment. Their message, It Gets Better, turned into a popular movement, inspiring thousands of user-created videos on the Internet. Savage's project targeted people of all races, backgrounds and colors, but Boykin has created something special "for colored boys."The new book, For Colored Boys, addresses longstanding issues of sexual abuse, suicide, HIV/AIDS, racism, and homophobia in the African American and Latino communities, and more specifically among young gay men of color. The book tells stories of real people coming of age, coming out, dealing with religion and spirituality, seeking love and relationships, finding their own identity in or out of the LGBT community, and creating their own sense of political empowerment. For Colored Boys is designed to educate and inspire those seeking to overcome their own obstacles in their own lives.

    Not on this earth but elsewhere . . .Determined to make his mark like those before him, Pharus is hell-bent on being the best choir leader in the school's fifty-year history. First he must gain the respect of his peers, but he's an outsider in a world steeped in rites and rituals, a community that demands he conform.Tarell Alvin McCraney's piercing new play set in an all boys, all black American prep school scores a gospel refrain of the politics of minority and masculinity.Choir Boy premiered at the Theatre Upstairs at the Royal Court, London, in September 2012. It was commissioned by, and is a co-production with Manhattan Theatre Club and was supported by The Andrew W. Mellon Foundation.

    Getting them out is hard. Women love Cleopatra Giovanni and she loves them back – in ways they’ll never forget. The masculine but very pretty butch radiates charisma and a magnetism that attracts flocks of women – some are random strangers, and some show up because they’ve heard of her infamous skills as a lover (and her “snake”). But those single-minded women are short-term. Cleopatra enjoys their bodies, all the while hoping that the one who will make her believe in forever will come along. The womanizing ways of this successful New York City real estate executive come to a sudden halt the moment she meets the incredibly gorgeous Jacqueline Tripp. Jacqueline, a naïve but determined closeted lesbian, has been watching Cleopatra for some time, and goes above and beyond to possess her in a way no one ever has. Theirs is a passionate love affair, and life is beautiful as they pleasure each other in ways both wild and sweet. No one has ever had such power over Cleopatra. In the clutches of this beautiful liar, will she be conquered by obsessive love? Secrets, reckless ways, ghosts of the past, deceptions, and destroyed dreams complicate their love and lead Cleopatra back to old behaviors that feed her desire, but will never make her happy. Ultimately – Jacqueline wants her. The question is – how far will she go? Accompanied by a captivating cast of characters ranging from loving family members around the Thanksgiving table to famous porn stars in the bedroom, from best friends and ex-lovers to Brooklyn strippers and African princesses, the struggle for love and the drama and humor that ensue will win readers’ hearts as Cleopatra and Jacqueline wrestle with the way things are in order to create the way things should be.

    Through her poetry, essays, stories, and performances, Ryka Aoki has challenged, informed, and shared with queer audiences across the United States. Available on Amazon, as well as directly from the press at Trans-Genre.net.

    Coyote's wry, honest stories about gender and identity have captivated audiences everywhere. Ivan's eighth book is her first for LGBT youth, written for anyone who has ever felt different or alone in their struggles to be true to themselves. Included are stories about Ivan's tomboy youth and her adult life, where she experiences cruelty and kindness in unexpected places.Funny, inspiring, and full of heart, One in Every Crowd is about embracing and celebrating difference and feeling comfortable in one's own skin.Ivan E. Coyote was also featured in the anti-bullying anthology It Gets Better.

    In If It's a Choice, My Zygote Chose Balls: Making Sense of Senseless Controversy, Jeremy continues that style, blending a unique mix of memoir and social commentary that argues for equal rights based on relatable human principles.Hooper leads readers through his own life story, revealing the positive and unnecessarily encumbered aspects of growing up gay in contemporary society. The noted author and activist writes in a sometimes humorous, sometimes serious, but always sharply informed style, opening a window into the realities of family rejection and acceptance. Whether offering direct guidance for would-be straight allies or sharing the inner monologue of a boy who knew who he was long before early adulthood would allow him to own it, Hooper provides a wealth of insight and argument to push the equality conversation forward."From constant talk about marriage to the popular parlor game 'Which celebrity is gay?' our world is, in many ways, obsessed with LGBT topics," says Hooper. "However, there is serious neglect in terms of actually tackling the issues at hand. I want to address the weighty topics head on, but in a relatable way."As someone who spends ten to twelve daily hours slogging through the "culture war" for his celebrated website, Jeremy Hooper knows better than anyone how far the LGBT community still has to go in order to obtain full equality. At the same time, his focused lens had led him to believe that some of the usual LGBT activism has isolated the fight and stories, leaving much of the continued struggle to go unrealized by the population at large. So Hooper's answer is to present relatable tales that are just as proactive in changing hearts and minds as any textbook gay rights treatment, but doing so in a package that pops with universal heart and wit. Hooper calls out the B.S. for what it is, while keeping an equal focus on uniting folks from all walks of life for the common causes of peace, equality, acceptance, and, ironically enough-family values. All of this while remembering to keep his tongue in or around the cheek region.Written to engage and entertain, as well as inspire further discussion and action, the book is aimed at a wide range of readers interested and open to learning.

    This book is a collection of those lectures, along with new and (a few) previously-published essays.

    28 authors from North America converge in a single volume to showcase the future of trans literature and the next great movements in queer art.

    The collection is edited by leading scholars in the field and presents:individual introductory notes that situate each work within its historical, disciplinary and theoretical contextsessays grouped by key subject areas including Genealogies, Sex, Temporalities, Kinship, Affect, Bodies, and Borderswritings by major figures including Eve Kosofsky Sedgwick, Judith Butler, David M. Halperin, Jose Esteban Munoz, Elizabeth Grosz, David Eng, Judith Halberstam and Sara Ahmed.The Routledge Queer Studies Reader is a field-defining volume and presents an illuminating guide for established scholars and also those new to Queer Studies.

    While misunderstandings surrounding these communities prevail, BDSM sexuality cuts across race, gender, nationality, and sexual orientation. BDSM describes forms of sexuality that incorporate restraint, pressure, sensation, training, and elements of both erotic and non-erotic power exchange between the engaged parties. Some BDSM "scenes" include role-playing, spanking, blindfolds, ropes, and erotic costuming. Sexual Outsiders is designed as a guide for BDSM community members who must wade through the quagmire of unique problems they face: coming out to family, friends and partners; distinguishing abusive relationships from healthy consensual ones; finding and developing community; overcoming shame and denial; exploring whether BDSM sexuality can be a healing tool; gaining access to quality, culturally competent psychotherapy; and finding strategies to develop a healthy sexual self-esteem in the face of current medical and social standards that view them as sick or pathological. The book also serves as an educational primer for those whose partners, friends, and family members are involved in BDSM. In terms of challenges faced by BDSM communities, the most significant is living with a stigmatized sexuality shame, prejudice, discrimination, isolation, depression, and a lack of adequate, competent mental health care. Issues such as coming out as a sexual minority, finding community and partners, and dealing with scenes and relationships that go wrong are some the common experiences shared by members of BDSM communities. Sexual Outsiders employs common sense, good humor, and vivid anecdotes while incorporating basic ideas about human behavior, psychology, philosophy, interviews, history, and clinical case studies to illustrate the real lives and experiences of men and women in BDSM communities. Anyone wanting to learn more about this unique, and more-common-than-you-think expression of sexuality, will find in these pages insight into the various challenges BDSM practitioners face, and the many strengths that people in the BDSM communities have developed in the face of social stigma and prejudice.

    In The Harder She Comes, we meet girls salivating at the sight of well-filled and packed jeans and bois dreaming of having a beautiful girl’s red lipstick smeared across their mouths. D. L. King has curated a singular set of stories filled with sexy sirens luring unsuspecting butches to their demise on the rocky shores of love and hot, confident women in silk and lace during the day who will do anything to serve their daddies' needs at night. The Harder She Comes is great writing with characters that will stay with the reader for a long, long time — sometimes sweet, always sexy, often romantic, and more than a little dangerous.

    A comical memoir about a klutz's sex change, Bumbling into Body Hair shows how a sense of humor - and true love - can triumph over hair disasters, resurrected breasts, and even the most crippling self-doubt.

    But things get rough when the spirits start flaking out, the Goddess of Discord throws a few cursed apples, and an online gossip site sics an angry football player on her. Then there's her slipping grades, the vampire owls, and the cute roller derby chick looking for romance. And even worse, Jamie's hero-hating mom is starting to get suspicious. Can Jamie defeat her mysterious nemesis without tearing her family apart? And more importantly, will she score her first kiss?

    

    This first book by Rae (who uses "they" as a pronoun) is a candid, powerful story about a young person growing up queer in a strict Pentecostal family in rural Canada.The narrator attends church events and Billy Graham rallies faithfully with their family before discovering the music that becomes their salvation and means of escape. As their father's schizophrenia causes their parents' marriage to unravel, the narrator finds solace and safety in the company of their siblings, in their nascent feelings for a girl at school, and in their growing awareness that they are not the person their parents think they are. With a heart as big as the prairie sky, this is a quietly devastating, heart-wrenching coming-of-age book about escaping dogma, surviving abuse, finding love, and risking everything for acceptance.Rae Spoon lives in Montreal, Quebec.

    But is Lady Ella truly worth the ugly price the monster demands?"Seek" is a dark fantasy short story about desire and how strange love can be. "Seek" is part of the forthcoming collection LOVE DEVOURS: TALES OF MONSTROUS ADORATION, Sarah Diemer's first anthology, a collection of queer dark fantasy and science fiction stories.

    It is being renewed and validated by the haunting images of ancestors. It is the ebullient voices of kinfolk on Sunday afternoons. It is the tongues of the brothers and sisters who have struggled and sacrificed, reclaiming their language. It is the spirit proclaiming and exalting in life and love beyond the limitations of gender and constructed notions of masculinity. This is the emotion that grows inside me as I enter the world of Tim'm West's Red Dirt Revival. West is a bold critic of the status quo. He speaks many truths to the complexities of power. As he declares the notion of Black Men loving Black Men as a revolutionary act, he also challenges the limitations of gender in an in depth essay, A letter to Helen Cixous. West writes, "My mutha gave birth to a Toya, my lil' sista'. I sometimes wonder if I was supposed to be her and she me, or both of us indistinguishable —both with affinities for whatever color boyblue and girlpink make when they consolidate. What color would that be?" In Red Dirt Revival language is used to validate cultural identity. The words of the "folk" who are at family reunions, on street corners, behind academic or prison walls, become a collective voice in the work of Tim'm West. It is the phonetic harmonies that West brings to his poems and observations that has moved me to cry, smile or just sit and think awhile. He signifies, he rhytes, he speaks "blakk" at you and with you, he praises, he religiously creates a lens for us to see the ambiguous and contradictory nature of human classifications. Yah dig? West is an observer of love and human relationships. He expresses the urgency of this human need for a deeper spiritual love of one another, transcending labels and identities that are not easily defined. In "Magnetix" he writes: `I have loved black men/ agitated by the thick of it/ guarded like when they anticipate/the sting of a racial slur/or a gender reprimand /for not being a manly enough boy…" Tim'm West is a political thinker, deconstructing how one's identity determines their fate. In "Pro-Lifer" he says "Metaphors don't come sweet these days/Cause niggaboys and girls/Are pronounced dead at birth". I feel in Red Dirt Revival, we are being asked to challenge and praise the blakkness in ourselves. We are being pushed to inwardly examine our concepts of queerness, femininity, and masculinity. And what does love got to do with it? It is through his words that Tim'm West allows us entrance into our own revivals. We are given permission to feel the pain, joy, and bewilderment from our shared existence, and our individual lives.

    Fortunately, before he sinks into depression, Christian finds a new group of friends, who are also gay. Christian soon learns that his friends have their own problems, from desperately seeking attention to abusive family members.This is the first book in an exciting new series that follows the high and lows of Christian and his friends through their senior year as they seek acceptance and love while dealing with hostility and homophobia. Will all of them survive to see graduation... or will they lose somebody along the way?

    Her characters evolve before our eyes, learning how to love in the strange confines of normalcy. In these six wonderful melancholies, we travel from a suburban Red Lobster to a Baltimore sex stakeout, from brief earthly heavens and to a very literal Hell. The characters grapple with loss, survival, and faith as they try to navigate the complicated ins and outs of the everyday world. In “Reasonably In-Shape Women,” a young woman attends a backyard barbecue where she witnesses an affecting act of love, in “Worse Than,” a high school student learns the power of storytelling, and in “Heaven for Everyone” a cancer patient faces her own mortality. On every page, Matthews exposes our fears and illustrates our reactions to them as something very beautiful.

    It assembles writings that explore the new queer vitalities within their wider context of structural violence and neglect. Moving between diverse geopolitical contexts—the US and the UK, Guatemala and Palestine, the Philippines, Iran and Israel—the chapters in this volume interrogate claims to queerness in the face(s) of death, both spectacular and everyday.Queer Necropolitics mobilises the concept of 'necropolitics' in order to illuminate everyday death worlds, from more expected sites such as war, torture or imperial invasion to the mundane and normalised violence of racism and gender normativity, the market, and the prison-industrial complex. Contributors here interrogate the distinction between valuable and pathological lives by attending to the symbiotic co-constitution of queer subjects folded into life, and queerly abjected racialised populations marked for death. Drawing on diverse yet complementary methodologies, including textual and visual analysis, ethnography and historiography, the authors argue that the distinction between 'war' and 'peace' dissolves in the face of the banality of death in the zones of abandonment that regularly accompany contemporary democratic regimes.The book will appeal to activist scholars and students from various social sciences and humanities, particularly those across the fields of law, cultural and media studies, gender, sexuality and intersectionality studies, race, and conflict studies, as well as those studying nationalism, colonialism, prisons and war. It should be read by all those trying to make sense of the contradictions inherent in regimes of rights, citizenship and diversity.