Frankenstein. The Scarlet Letter. You’re familiar with these pillars of classic literature. You have seen plenty of Frankenstein costumes, watched the film adaptations, and may even be able to rattle off a few quotes, but do you really know how to read these books? Do you know anything about the authors who wrote them, and what the authors were trying to teach readers through their stories? Do you know how to read them as a Christian? Taking into account your old worldview, as well as that of the author?   In this beautiful cloth-over-board edition bestselling author, literature professor, and avid reader Karen Swallow Prior will guide you through Jane Eyre. She will not only navigate you through the pitfalls that trap readers today, but show you how to read it in light of the gospel, and to the glory of God.   This edition includes a thorough introduction to the author, context, and overview of the work (without any spoilers for first-time readers), the full original text, as well as footnotes and reflection questions throughout to help the reader attain a fuller grasp of Jane Eyre.   The full series currently includes: Heart of Darkness, Sense and Sensibility, Jane Eyre, and Frankenstein. Make sure to keep an eye out for the next classics in the series.

    What follows is a penetrating exploration of fluctuating literary power and authorial privilege, about whiteness and what we really mean by the term empathy, that examines writers from William Styron to Peter Ho Davies to Jeanine Cummins. Lucid, reflective, and astute, Appropriate presents a generous new framework for one of the most controversial subjects in contemporary literature.

    But from this life, Austen drew inspiration for six novels that all rank as literary masterpieces, including the widely beloved Pride and Prejudice. So, what do we really know about Austen’s life and influences? With Professor Devoney Looser of Arizona State University, you will get invaluable insight into Austen’s everyday reality in the elegant and tumultuous Regency period and a more thorough understanding of her influence and lasting legacy. Over the course of the 24 lessons of The Life and Works of Jane Austen, you will explore her six completed works, as well as her raucous teenage writings and unfinished novels. You will also get a guided tour of Austen’s world - the politics, social dynamics, major events, cultural markers, and class structures that defined the late 18th and early 19th centuries in Great Britain - and how these elements shaped her life and inspired her work. While there may always be a certain amount of mystery about Austen’s life, this course offers a fuller understanding of her world and how she brilliantly captured it on the page. Jane Austen’s work was shaped profoundly by the world she lived in, and The Life and Works of Jane Austen offers you the chance to explore this world and to see how the novels Austen published over two centuries ago continue to engage and entertain readers and influence popular culture through countless adaptations on page and screen. Whether you are a fan, a casual reader - or even someone who has always been a little confused by “Austenmania” - this course will illuminate the worlds, both real and imagined, of Austen’s fiction and her astonishing contributions to literature.

    This claim, made by one of his first biographers, has led to the widely accepted view that Tolkien was dismissive of modern culture, and that The Hobbit and The Lord of the Rings are fundamentally medieval and nostalgic in their inspiration. In fact, as Holly Ordway demonstrates in this major corrective, Tolkien enjoyed a broad range of contemporary works, engaged with them in detail and depth, and even named specific titles as sources for and influences upon his creation of Middle-earth. Drawing on meticulous archival research, Ordway shows how Tolkien appreciated authors as diverse as James Joyce and Beatrix Potter, Rider Haggard and Edith Nesbit, William Morris and Kenneth Grahame. She surveys the work of figures such as S.R. Crockett and J.H. Shorthouse, who are forgotten now but made a significant impression on Tolkien. He even read Americans like Longfellow and Sinclair Lewis, assimilating what he read in characteristically complex ways, both as positive example and as influence-by-opposition. Tolkien's Modern Reading not only enables a clearer understanding of Tolkien's epic, it also illuminates his views on topics such as technology, women, empire, and race. For Tolkien's genius was not simply backward-looking: it was intimately connected with the literature of his own time and concerned with the issues and crises of modernity. Ordway's ground-breaking study reveals that Tolkien brought to the workings of his fantastic imagination a deep knowledge of both the facts and the fictions of the modern world.

    G. Sebald W. G. Sebald was one of the most extraordinary and influential writers of the twentieth century. Through books including The Emigrants, Austerlitz and The Rings of Saturn, he pursued an original literary vision that combined fiction, history, autobiography and photography and addressed some of the most profound themes of contemporary literature: the burden of the Holocaust, memory, loss and exile.The first biography to explore his life and work, Speak, Silence pursues the true Sebald through the memories of those who knew him and through the work he left behind. This quest takes Carole Angier from Sebald's birth as a second-generation German at the end of the Second World War, through his rejection of the poisoned inheritance of the Third Reich, to his emigration to England, exploring the choice of isolation and exile that drove his work. It digs deep into a creative mind on the edge, finding profound empathy and paradoxical ruthlessness, saving humour, and an elusive mix of fact and fiction in his life as well as work. The result is a unique, ferociously original portrait.

    But those stances emerge from an evangelical world with its own institutions—institutions that shape imagination as much as they shape ideology. In this unique exploration of evangelical subculture, Daniel Silliman shows readers how Christian fiction, and the empire of Christian publishing and bookselling it helped build, is key to understanding the formation of evangelical identity. With a close look at five best-selling novels—Love Comes Softly, This Present Darkness, Left Behind, The Shunning, and The Shack—Silliman considers what it was in these books that held such appeal and what effect their widespread popularity had on the evangelical imagination. Reading Evangelicals ultimately makes the case that the worlds created in these novels reflected and shaped the world evangelicals saw themselves living in—one in which romantic love intertwines with divine love, humans play an active role in the cosmic contest between angels and demons, and the material world is infused with the literal workings of God and Satan. Silliman tells the story of how the Christian publishing industry marketed these ideas as much as they marketed books, and how, during the era of the Christian bookstore, this—every bit as much as politics or theology—became a locus of evangelical identity.

    Although she loved the Narnia books to bursting, others took their place as she grew up. For years they sat unopened on her shelves. She began to wonder why. Had they simply become too familiar? Had the charm faded? What might they mean to her as an adult? From Spare Oom to War Drobe is a love letter to that early passion, as well as a reappraisal of The Chronicles of Narnia in the light of maturity and changing tastes. It brilliantly evokes her initial sense of childish wonder, and in a close reading of the novels, including analysis of the context in which other critics have placed them, she gives us a superbly rich, enlightening, and immensely readable guide to the world of these evergreen stories.

    Shakespeare borrowed an episode from it for King Lear; Virginia Woolf saw it as “some luminous globe” wherein “all the seeds of English fiction lie latent.” In Gallery of Clouds, Renaissance scholar Rachel Eisendrath has written an extraordinary homage to Arcadia in the form of a book-length essay divided into passing clouds: “The clouds in my Arcadia, the one I found and the one I made, hold light and color. They take on the forms of other things: a cat, the sea, my grandmother, the gesture of a teacher I loved, a friend, a girlfriend, a ship at proud sail, my mother. These clouds stay still only as long as I look at them, and then they change.”Gallery of Clouds opens in New York City with a dream, or a vision, of meeting Virginia Woolf in the afterlife. She holds out her manuscript to her—an infinite moment passes—and Woolf takes it and begins to read. From here, in this act of magical reading, the book scrolls out in a series of reflective pieces connected through an association of metaphors and ideas. Golden threadlines tie each part to the next: a rupture of time in a Pisanello painting; Montaigne’s practice of revision in his essays; a segue through Vivian Gordon Harsh, the first African-American librarian in the Chicago public library system; a fragment of Spenser; a brief history of prose style; a meditation on the active versus the contemplative life; the story of Sarapion, a fifth-century monk; the persistence of the pastoral; image-making and thought; reading Willa Cather to her grandmother in her Chicago apartment; the deviations of Benjamin’s “scholarly romance” The Arcades. Eisendrath’s wondrously woven hybrid work extols the materiality of reading, its pleasures and delights, with wild leaps and bounding grace.

    Using the classic structure of a magical hero fighting against a tyrannical emperor, Avatar creates an inquisitive, empathetic narrative about redemption and renewal in the aftermath of a debilitating war that has raged for a century. Through its three seasons and sixty-one episodes, Avatar contemplates not only what it means to be just, but what it means to build a just society. It interrogates our relationships with each other, with ourselves, and with our natural environment.Viewing Avatar from the perspective of philosophers past and present, The Philosophy of Avatar demonstrates how the show offers both timeless and timely wisdom. The show carries the spirits of both the ancient Athenian teacher Plato and the modern American environmentalist Rachel Carson. Just as Avatar warns against drawing wisdom from only one source, The Philosophy of Avatar takes care to examine the series from a variety of perspectives so as to better demonstrate the wisdom it can offer about understanding ourselves and our world. Whether you're an Avatar fan or a philosophy aficionado, The Philosophy of Avatar will delight and challenge you.Joshua Fagan is a critic, novelist, and essayist from Colorado Springs. Since 2016, he has written extensively about Avatar. He is the founder and editor-in-chief of the science-fiction magazine Orion's Belt. His YouTube channel has received over one million views.

    Directed by Isao Takahata at Studio Ghibli and based on an autobiographical story by Akiyuki Nosaka, the story of two Japanese children struggling to survive in the dying days of the Second World War unfolds with a gritty realism unprecedented in animation. Grave of the Fireflies has since been hailed as a classic of both anime and war cinema. In 2018, USA Today ranked it the greatest animated film of all time. Yet Ghibli's sombre masterpiece remains little analysed outside Japan, even as its meaning is fiercely contested - Takahata himself lamented that few had grasped his message. In the first book-length study of the film in English, Alex Dudok de Wit explores its themes, visual devices and groundbreaking use of animation, as well as the political context in which it was made. Drawing on untranslated accounts by the film's crew, he also describes its troubled production, which almost spelt disaster for Takahata and his studio.

    Slightly Foxed introduces its readers to books that are no longer new and fashionable but have lasting appeal. Good-humoured, unpretentious and a bit eccentric, it’s more like a well-read friend than a literary magazine.In this issueAnthony Wells marvels at Montaigne • Ursula Buchan shelves her literary assumptions • Andy Merrills gets the lowdown on Lyndon B. Johnson • Alice Jolly stays up late with Dr Spock • C. J. Driver spends a month in the country • Sue Gaisford feels the dawn wind • Christopher Rush hears the clock strike thirteen • Ysenda Maxtone Graham gets stuck on the mezzanine • Selina Hastings pays a visit to Don Otavio • Chris Saunders goes tramping, and much more besides . . .The Pram in the Hall • LAURA FREEMANBarbara Hepworth, A Pictorial AutobiographyBefore the Slaughter • JUSTIN MAROZZILaurie Lee, As I Walked Out One Midsummer MorningGrowing Pains • MARTIN SORRELLFred Uhlman, ReunionLyndon B. Johnson, Dad and Me • ANDY MERRILSRobert Caro, The Path to Power; Means of Ascent; Master of the Senate; The Passage of PowerThe Nightmare of Room 101 • CHRISTOPHER RUSHGeorge Orwell, Nineteen Eighty-FourMurder and Walnut Cake • JULIE WELCHHazel Holt’s Mrs Malory crime novelsTorrington’s Tours • ROGER HUDSONThe diaries of John Byng, Lord TorringtonLove at First Sight • CHARLES HEBBERTThe novels of Antal SzerbThank You, Dr Spock • ALICE JOLLYBenjamin Spock, Dr Spock’s Baby and Child CareJudgement Day • C. J. DRIVERJ. L. Carr, A Month in the CountryLight in the Dark Ages • SUE GAISFORDRosemary Sutcliff, Dawn WindA Kind of Cosmic Refugee • NIGEL ANDREWThe novels of Julia StracheyWalking for the Sun and the Wind • CHRIS SAUNDERSStephen Graham, The Gentle Art of TrampingBruised, Shocked, but Elated • SELINA HASTINGSSybille Bedford, A Visit to Don OtavioThe Great Self-Examiner • ANTHONY WELLSThe essays of Michel de MontaigneMaking a Meal of It • YSENDA MAXTONE GRAHAMNicholson Baker, The MezzanineShelving My Assumptions • URSULA BUCHANVolunteering in a local public library

    In Tolstoy Together: 85 Days of War and Peace, Yiyun Li invites you to travel with her through Tolstoy’s novel—and with fellow readers around the world who joined her for an online book club and an epic journey during a pandemic year.“I’ve found that the more uncertain life is,” Yiyun Li writes, “the more solidity and structure War and Peace provides.” Tolstoy Together expands the epic novel into a rich conversation about literature and ways of reading, with contributions from Garth Greenwell, Elliott Holt, Carl Phillips, Tom Drury, Sara Majka, Alexandra Schwartz, and hundreds of fellow readers.Along with Yiyun Li’s daily reading journal and a communal journal with readers’ reflections—with commentary on craft and technique, historical context, and character studies, Tolstoy Together: 85 Days of War and Peace includes a schedule and framework, providing a daily motivating companion for Tolstoy’s novel and a reading practice for future books.

    We have phones that speak to us, cars that drive themselves, and connected devices that communicate with each other in languages we don't understand. Depending the news of the day, we inhabit either a technological utopia or Brave New World nightmare. This volume in the MIT Press Essential Knowledge surveys the uses of science fiction. It focuses on what is at the core of all definitions of science fiction: a vision of the world made otherwise and what possibilities might flow from such otherness.

    O. Scott - Mona Simpson - Stacey Vanek Smith - Wen Stephenson - Robert Sullivan - Amor Towles - Sherry Turkle - Geoff Wisner - Rafia Zakaria - and a cartoon by Sandra BoyntonThe world is never done catching up with Henry David Thoreau (1817-1862), the author of Walden, "Civil Disobedience," and other classics. A prophet of environmentalism and vegetarianism, an abolitionist, and a critic of materialism and technology, Thoreau even seems to have anticipated a world of social distancing in his famous experiment at Walden Pond. In Now Comes Good Sailing, twenty-seven of today's leading writers offer wide-ranging original pieces exploring how Thoreau has influenced and inspired them--and why he matters more than ever in an age of climate, racial, and technological reckoning.Here, Lauren Groff retreats from the COVID-19 pandemic to a rural house and writing hut, where, unable to write, she rereads Walden; Pico Iyer describes how Thoreau provided him with an unlikely guidebook to Japan; Gerald Early examines Walden and the Black quest for nature; Rafia Zakaria reflects on solitude, from Thoreau's Concord to her native Pakistan; Mona Simpson follows in Thoreau's footsteps at Maine's Mount Katahdin; Jennifer Finney Boylan reads Thoreau in relation to her experience of coming out as a trans woman; Adam Gopnik traces Thoreau's influence on the New Yorker editor E. B. White and his book Charlotte's Web; and there's much more.The result is a lively and compelling collection that richly demonstrates the countless ways Thoreau continues to move, challenge, and provoke readers today.

    But the Nobel laureate spent four decades in Berkeley--more time than any other single place he lived--and he wrote many of his most enduring works there. This is the first book to look at his life through a California lens. Filled with original research and written with the grace and liveliness of a novel, it is both an essential volume for his most devoted readers and a perfect introduction for newcomers.Milosz was a premier witness to the sweep of the twentieth century, from the bombing of Warsaw in World War II to the student protests of the sixties and the early days of the high-tech boom. He maintained an open-minded but skeptical view of American life, a perspective shadowed by the terrors he experienced in Europe. In the light of recent political instability and environmental catastrophe, his poems and ideas carry extra weight, and they are ripe for a new generation of readers to discover them. This immersive portrait demonstrates what Milosz learned from the Golden State, and what Californians can learn from him.

    He shows how researchers extract knowledge from the widest range of sources, such as government documents, newspapers, unpublished manuscripts, images, interviews, and datasets. He demonstrates how to use archives and libraries, read sources critically, present claims supported by evidence, tell compelling stories, and much more.Featuring a wealth of examples that illustrate the methods used by seasoned experts, The Princeton Guide to Historical Research reveals that, however varied the subject matter and sources, historians share basic tools in their quest to understand people and the choices they made.Offers practical step-by-step guidance on how to do historical research, taking readers from initial questions to final publicationConnects new digital technologies to the traditional skills of the historianDraws on hundreds of examples from a broad range of historical topics and approachesShares tips for researchers at every skill level

    Start with Chaucer, Dickens, and Larkin in Westminster Abbey. Spend an afternoon at Colliers Wood Nature Reserve in Nottinghamshire and take in the lake D. H. Lawrence described as "all grey and visionary, stretching into the moist, translucent vista of trees and meadow." Venture south to Cornwall and work your way up to the Scottish Highlands, taking detours to Northern Ireland in the west and Norfolk in the east. There are gardens, monuments, museums, churches, and a surprising quantity of stained glass. There are walks both urban and rural, where you can explore real landscapes or imaginary haberdasher’s shops. There‘s the club where Buck’s Fizz was invented and a pub where you can eat Sherlock’s Steak & Ale Pie. And there’s a railway station where you can stroke the muzzle of one of the world’s most famous and endearing bears. Wherever you are in the United Kingdom, you're never far from something associated with a good book.

    G. Wells to the punishing dystopian visions of 1984 and beyond, the evolution of science fiction from the 1890s to the 1960s is a fascinating journey to undertake. Setting out this span of years as what we can now recognize as the ‘classic’ period of the genre, Mike Ashley takes us on a tour of the stars, utopian and post-apocalyptic futures, worlds of AI run amok and techno-thriller masterpieces asking piercing questions of the present. This book does not claim to be definitive; what it does offer is an accessible view of the impressive spectrum of imaginative writing which the genre’s classic period has to offer. Towering science fiction greats such as Asimov and Aldiss run alongside the, perhaps unexpected, likes of C. S. Lewis and J. B. Priestley and celebrate a side of science fiction beyond the stereotypes of space opera and bug-eyed monsters; the side of science fiction which proves why it must continue to be written and read, so long as any of us remain in uncertain times.

    and with each visit you learn new things about yourself and about the story.' — Mykaela Saunders on Carpentaria by Alexis WrightAll writers begin as readers.This is an ode, a love letter, to the magic of reading. To the spark that's set off when the reader thinks ... I can do this too. Here, twenty-six writers take us through these moments of revelation through the dog-eared pages of their favourite Australian books. Among them, poet Ellen van Neerven finds kin on the page with Miles Franklin-winner Tara June Winch. A.S. Patrić finds a dark mirror for our times in David Malouf’s retelling of an episode from the Iliad. Ashley Hay pens letters of appreciation and friendship to Charlotte Wood.These and many more writers come together to draw knowledge from the distinctive personal and sensory stories of this country: its thefts and losses, and its imagined futures. Australian fiction shows us what it is possible to say and, perhaps, what still needs to be said.Reading Like an Australian Writer is a delightful, inspirational and heartfelt collection of essays that will enrich your reading of Australian stories and guide you in your own writing.

    As in his previous well-received collections, you will also be offered suggestions for recondite reading in overlooked books that ought to be better known: an interplanetary fantasy by a Welsh squire; a timeslip into a mysterious England by a priest once called the original of Dorian Gray; an avant-garde novel about a tea-party and the Holy Grail.Whether he is discussing old inn signs, Cornish tin mine ruins, how to play Cat-at-the-Window, or the joys of book-collecting expeditions, the author shares with us an array of enthusiasms and explorations, told in an enquiring and engaging way.Contents:‘Introduction’, ‘“Change Here for the Dark Age”: Edward Shanks’ The People of the Ruins’, ‘The Interplanetary Jacobite: H.M. Vaughan’, ‘Sombre Gloom: The Macabre Thrillers of Riccardo Stephens’, ‘The Magician and the Book: E. Temple Thurston’s Man in a Black Hat’, ‘The Cry of the Curlew: Anne Douglas Sedgwick’s The Third Window’, ‘A Visit to Old Haunts: Cynthia Asquith’s Ghost Book’, ‘Brushed by Moth Wings: The Fleeting Fame of Francis Bourdillon’, ‘Apocalypse and Marrow Jam: Pilgrim from Paddington by Naomi Royde-Smith’, ‘Phoenician Rites and Chaldee Roots’, ‘A Map of Old Dunwich, and Egypt in England’, ‘The Summoner of the Sphinx’, ‘Cricket in Babylon’, ‘The Atlantean Angel in Nightingale Lane’, ‘Racing Cheetahs: Kenneth Gandar-Dower, Explorer and Eccentric’, ‘The “Wonder Unlimited”: Hope Hodgson’s Tales of Captain Gault’, ‘“A Strange and Striking Fragment”: Gerald Warre Cornish’s Beneath the Surface’, ‘The First Master Villain: Guy Boothby’s Dr Nikola’, ‘An Experiment in the Sensational: Gerald Cumberland’s The Cypress Chest’, ‘Three Regency Fantasias’, ‘Cat-at-the-Window: A Note on a Late Victorian Game’, ‘Three Literary Mysteries of the 1930s’, ‘A Dry Patrician Wine: John Gray’s Park, A Fantastic Story’, ‘The Fall of a Cup: Philip Toynbee’s Tea with Mrs Goodman’, ‘Twinned Destinies: Helen Simpson’s Cups Wands and Swords’, ‘Tarot in the 1950s: A Note on Bernard Bromage’, ‘Three Strange Novels of the Sixties’, ‘Tin Mine Gothic (& others also lost)’, ‘The Road to Caermaen: Arthur Machen in the 1980s’, ‘“A Fashion in Shrouds”: What Do Ghosts Wear?’, ‘Stuck in a Book’, ‘The Saracen’s Head’, ‘Passages in the West’, ‘Acknowledgements’.

    It means a person or thing without equal, and Georgette Heyer is certainly that. Her historical works inspire a fiercely loyal, international readership and are championed by literary figures such as A. S. Byatt and Stephen Fry.Georgette Heyer, History, and Historical Fiction brings together an eclectic range of chapters from scholars all over the world to explore the contexts of Heyer’s career. Divided into four parts – gender; genre; sources; and circulation and reception – the volume draws on scholarship on Heyer and her contemporaries to show how her work sits in a chain of influence, and why it remains pertinent to current conversations on books and publishing in the twenty-first century. Heyer’s impact on science fiction is accounted for, as are the milieu she was writing in, the many subsequent works that owe Heyer’s writing a debt, and new methods for analysing these enduring books.From the gothic to data science, there is something for everyone in this volume; a celebration of Heyer’s ‘nonesuch’ status amongst historical novelists, proving that she and her contemporary women writers deserve to be read (and studied) as more than just guilty pleasures.

    Who is a Muslim? destabilizes traditional constructions of postcolonial literary histories through the specific example of Urdu by suggesting that this North-India vernacular, far from secular or progressive, has been shaped as the authority designate around the intertwined questions of piety, national identity, and citizenship.

    Nabokov himself spoke a number of times about reality as a term that always has to be put in scare quotes. Consequently, many critics and readers have thought of him as a writer uninterested in the world outside literature. Robert Alter shows how Nabokov was passionately concerned with the real world and its complexities, from love and loss to exile, freedom, and the impact of contemporary politics on our lives.In these illuminating and exquisitely written essays, Alter spans the breadth of Nabokov's writings, from his memoir, lectures, and short stories to major novels such as Lolita. He demonstrates how the self-reflexivity of Nabokov's fiction becomes a vehicle for expressing very real concerns. What emerges is a portrait of a brilliant stylist who is at once serious and playful, who cared deeply about human relationships and the burden of loss, and who was acutely sensitive to the ways political ideologies can distort human values.Offering timeless insights into literature's most fabulous artificer, Nabokov and the Real World makes an elegant and compelling case for Nabokov's relevance today.

    In this fresh reading of C. S. Lewis' science fiction trilogy, the members of the Cosmic Colloquy draw on their diverse backgrounds to create a commentary filled with observations, interpetations, and significance.

    K. Chesterton shed light on our understanding of North American Indigenous art and history? This unexpected connection forms the basis of these discerning reflections by the art historian Matthew Milliner. In this fifth volume in the Hansen Lectureship Series, Milliner appeals to Chesterton's life and work--including The Everlasting Man, his neglected poetry, his love for his native England, and his own visits to America--in order to understand and appreciate both Indigenous art and the complex, often tragic history of First Nations peoples, especially in the American Midwest. The Hansen Lectureship series offers accessible and insightful reflections by Wheaton College faculty on the transformative work of the Wade Center authors.

    One part retrospect, one part analysis, prepare for nostalgia, rabbit holes, and hopefully an altered (if not improved) understanding of Final Fantasy IX.Contents:A Voice From the Past, Joining Yours and Mine...ForewordIntroductionThe PartyPlot SummaryWhat it Means to be AliveAuthenticity & The ArtificialEither You Do, Or You Don'tThe Iifa Tree & The Angels of DeathIdentity & AutonomyRaison D'êtreVivi: Golem Among GolemsThe Genomes With Soul: Zidane, Kuja and MikotoGarnet x2 (or x3 or x4!)A Knight's DutyLost & ForgottenMusic & NarrativeEchoes, Reflections and ForeshadowingNot AloneMelodies of LifeSomething to ProtectThe Storybook Motif & NostalgiaLegend, Lore and CallbacksLife's a Play, The World a StageWho's the Bad Guy?Hierarchy & RebellionDecadent JestersThe Will to Live vs. The Will to PowerEt Tu, Kuja?Life Cycles & Internal and External ConflictGaia & TerraEternal Life/StrifeExistentialism: The Reality of MortalityLove, Fealty & Self-DeterminationRelationshipsWhy These Characters Work (And Work Together)RomancePersonal InfluenceRespectCamaraderieAnd So it Goes, On and On...AfterwordA Few Things You May Know...Acknowledgments

    Tolkien's seminal fantasy creations, the role of the classical world - the literature and thought of ancient Greece and Rome - has received far less attention. This volume of essays explores various ways in which Tolkien's literary creations were shaped by classical epic, myth, poetry, history, philosophy, drama, and language. In making such connections, the contributors to this volume are interested not simply in source-hunting but in how a reception of the classical world can shape the meaning we derive from Tolkien's masterworks.The contributions to this volume by Philip Burton, Lukasz Neubauer, Giuseppe Pezzini, Benjamin Eldon Stevens, Graham Shipley, and several other scholars should pave the way for further discussions between classical studies and fantasy studies.

    

    In the latest volume in Ig’s acclaimed Bookmarked series, award-wining author Justin St. Germain writes about a trip he took to Holcomb, Kansas, the site of the Clutter murders In Cold Blood claims to be about. Within the story of the trip, St. Germain talks about his obsession with Capote’s classic, and its influence on the book he was writing at the time about his mother’s murder, which became his award-winning memoir, Son of A Gun.

    It critiques the valorisation of the local in cultural theories, typically accompanied by a rejection of universal categories since the latter are viewed as Eurocentric projections. This privileging of the local, however, usually results in an exoticisation of the South. In contrast, Majumdar offer that we can reject Eurocentrism while embracing a non-parochial form of universalism.

    Armitage tries to identify a 'common sense' approach to an artform that can lend itself to grand statements and vacuous gestures, questioning both the facile and obscure ends of the poetry spectrum, asserting certain fundamental qualities that separate the genre from near-neighbours such as prose and song lyrics, examining who poetry is written for and its values in contemporary society. Above all, these are personal essays that enquire into the volatile and disputed definitions of poetry from the point of view of a dedicated reader, a practising writer and a lifelong champion of its power and potential.

    But what is the real connection between literature and human rights? In this short polemical book, Lyndsey Stonebridge shows how the history of human rights owes much to the creative imagining of writers.Yet, she argues, it is not enough to claim that literature is the empathetic wing of the human rights movement.� At a time when human rights are so blatantly under attack, the writers we need how are the political truthtellers, the bold callers out of easy sympathy and comfortable platitudes.

    Mary Wollstonecraft's response to one of her early critics points to the fact that fiction has long been employed by authors to cast a vision for social change. Less acknowledged, however, has been the role of the Christian faith in such works. In this latest volume in IVP Academic's Studies in Theology and the Arts series, literary scholar Dalene Joy Fisher explores the work of four beloved female novelists: Jane Austen, Anne Bront�, Elizabeth Gaskell, and Mary Wollstonecraft. Each of these authors, she argues, appealed to the Christian faith through their heroines to challenge cultural expectations regarding women, especially in terms of marriage. Although Christianity has all too often been used to oppress women, Fisher demonstrates that in the hands of these novelists and through the actions of their characters, it could also be a transformative force to liberate women.

    While the Bible is filled with stories of rape, scholarly approaches to sexual violence in the scriptures remain exhausted, dated, and in some cases even un-feminist, lagging far behind contemporary discourse about sexual violence and rape culture. Graybill responds to this disconnect by engaging contemporary conversations about rape culture, sexual violence, and #MeToo, arguing that rape and sexual violence - both in the Bible and in contemporary culture - are frequently fuzzy, messy, and icky, and that we need to take these features seriously. Texts after Terror offers a new framework informed by contemporary conversations about sexual violence, writings by victims and survivors, and feminist, queer, and affect theory. In addition, Graybill offers significant new readings of biblical rape stories, including Dinah (Gen. 34), Tamar (2 Sam. 13), Bathsheba (2 Sam. 11), Hagar (Gen. 16), Daughter Zion (Lam. 1-2), and the unnamed woman known as the Levite's concubine (Judges 19). Texts after Terror urges feminist biblical scholars and readers of all sorts to take seriously sexual violence and rape, while also holding space for new ways of reading these texts that go beyond terror, considering what might come after.

    Gilbert and Susan Gubar map the literary history of feminism’s second wave.From its stirrings in the midcentury—when Sylvia Plath, Betty Friedan, and Joan Didion found their voices and Diane di Prima, Lorraine Hansberry, and Audre Lorde discovered community in rebellion—to a resurgence in the new millennium in the writings of Alison Bechdel, Claudia Rankine, and N. K. Jemisin, Gilbert and Gubar trace the evolution of feminist literature. They offer lucid, compassionate, and piercing readings of major works by these writers and others, including Adrienne Rich, Ursula K. Le Guin, Maxine Hong Kingston, Susan Sontag, Gloria Anzaldúa, and Toni Morrison. Activists and theorists like Nina Simone, Gloria Steinem, Andrea Dworkin, Eve Kosofsky Sedgwick, and Judith Butler also populate these pages as Gilbert and Gubar examine the overlapping terrain of literature and politics in a comprehensive portrait of an expanding movement.As Gilbert and Gubar chart feminist gains—including creative new forms of protests and changing attitudes toward gender and sexuality—they show how the legacies of second wave feminists, and the misogynistic culture they fought, extend to the present. In doing so, they celebrate the diversity and urgency of women who have turned passionate rage into powerful writing.