Throughout 2015, Kingsley traveled to 17 countries along the migrant trail, meeting hundreds of refugees making epic odysseys across deserts, seas and mountains to reach the holy grail of Europe. This is Kingsley's unparalleled account of who these voyagers are. It's about why they keep coming, and how they do it. It's about the smugglers who help them on their way, and the coastguards who rescue them at the other end. The volunteers that feed them, the hoteliers that house them, and the border guards trying to keep them out. And the politicians looking the other way. The New Odyssey is a work of original, bold reporting written with a perfect mix of compassion and authority by the journalist who knows the subject better than any other.

    This book by Sunday Times political editor Tim Shipman is the first to tell the full story of how and why Britain voted to leave the European Union and how the vote shattered the political status quo.Based on unrivalled access to all the key politicians and their advisors – including Boris Johnson, Michael Gove, George Osborne, Nigel Farage and Dominic Cummings, the mastermind of Vote Leave – Shipman has written a political history that reads like a thriller, and offers a gripping, day-by-day account of what really happened behind-the-scenes in Downing Street, both Leave campaigns, the Labour Party, Ukip and Britain Stronger in Europe.Shipman gives his readers a ringside seat on how decisions were made, mistakes justified and betrayals perpetrated. Filled with stories, anecdotes and juicy leaks the book does not seek to address the rights and wrongs of Brexit but to explore how and why David Cameron chose to take the biggest political gamble of his life and explain why he lost.This is a story of calculation, attempted coups, individuals torn between principles and loyalty. All the events are here – from David Cameron’s pledge to hold a referendum, through to the campaign itself, his resignation as prime minister, the betrayals and rivalries that occurred during the race to find his successor to the arrival of Theresa May in Downing Street as Britain’s second female prime minister.All Out War is a book about leaders and their closest aides, the decisions they make and how and why they make them, as well as how they feel when they turn out to be wrong. It is about men who make decisions that are intellectually consistent and – by their own measure – morally sound that are simultaneously disastrous for themselves and those closest to them. It is about how doing what you know has worked before doesn’t always work again. Most of all it is about asking the question: how far are you prepared to go to win?

    Both young men were disadvantaged students with significant physical disabilities. Dartanyon Crockett, the team’s best wrestler, was legally blind as a result of Leber’s disease; Leroy Sutton lost both his legs at eleven, when he was run over by a train. Brought together by wrestling, they had developed a brother-like bond as they worked to overcome their disabilities. In their time developing the segment together, Fenn formed a profound connection with Dartanyon and Leroy. After earning their trust and their love, she realized she couldn’t just walk away when filming ended. These boys had had to overcome the odds too many times. Instead, Fenn dedicated herself to ensuring their success long after the reporting wqs finished and the story aired—and an unlikely family of three was formed. The years ahead would be fraught with complex challenges, but Fenn stayed with the boys every step of the way—teaching them essential life skills, helping them heal old wounds and traumatic pasts, and providing the first steady and consistent support system they’d ever had.This powerful memoir is one of love, hope, faith, and strength—a story about an unusual family and the courage to carry on, even in the most extraordinary circumstances.

    If they search in the right places and offer the appropriate price, there is always a facilitator who can get the job done. This book is a sneak preview of those searches, the middlemen who do those jobs, and the many opportunities that the fast-growing economy offers.'Josy Joseph draws upon two decades as an investigative journalist to expose a problem so pervasive that we do not have the words to speak of it. The story is big: that of treacherous business rivalries, of how some industrial houses practically own the country, of the shadowy men who run the nation's politics. The story is small: a village needs a road and a hospital, a graveyard needs a wall, people need toilets.A Feast of Vultures is an unprecedented, multiple-level inquiry into modern India, and the picture it reveals is both explosive and frightening. Within these covers is unimpeachable evidence against some of the country's biggest business houses and political figures, and the reopening of major scandals that have shaped its political narratives. Through hard-nosed investigations and the meticulous gathering of documentary evidence, Joseph clinically examines and irrefutably documents the non-reportable. It is a troubling narrative, but also a call to action and a cry for change. A tour de force through the wildly beating heart of post-socialist India, the book is a must-read for anyone interested in understanding the large, unwieldy truth about this nation.

    Shortly thereafter he was working freelance for Arab news sources and got a call that a busload of Italian tourists were massacred at a Cairo museum. This is his first view of the carnage these years would pile on. Over two decades Engel has been under fire, blown out of hotel beds, taken hostage. He has watched Mubarak and Morsi in Egypt arrested and condemned, reported from Jerusalem, been through the Lebanese war, covered the whole shooting match in Iraq, interviewed Libyan rebels who toppled Gaddafi, reported from Syria as Al-Qaeda stepped in, was kidnapped in the Syrian crosscurrents of fighting. He goes into Afghanistan with the Taliban and to Iraq with ISIS. In the page-turning And Then All Hell Broke Loose, he shares his adventure tale.Engel takes chances, though not reckless ones, keeps a level head and a sense of humor, as well as a grasp of history in the making. Reporting as NBC’s Chief-Foreign Correspondent, he reveals his unparalleled access to the major figures, the gritty soldiers, and the helpless victims in the Middle East during this watershed time. We can experience the unforgettable suffering and despair of the local populations. Engel’s vivid description is intimate and personal. Importantly, it is a succinct and authoritative account of the ever-changing currents in that dangerous land.

    Marketplace’s Rob Schmitz is one of them. He immerses himself in his neighborhood, forging deep relationships with ordinary people who see in the city’s sleek skyline a brighter future, and a chance to rewrite their destinies. There’s Zhao, whose path from factory floor to shopkeeper is sidetracked by her desperate measures to ensure a better future for her sons. Down the street lives Auntie Fu, a fervent capitalist forever trying to improve herself with religion and get-rich-quick schemes while keeping her skeptical husband at bay. Up a flight of stairs, musician and café owner CK sets up shop to attract young dreamers like himself, but learns he’s searching for something more. As Schmitz becomes more involved in their lives, he makes surprising discoveries which untangle the complexities of modern China: A mysterious box of letters that serve as a portal to a family’s – and country’s – dark past, and an abandoned neighborhood where fates have been violently altered by unchecked power and greed.  A tale of 21st century China, Street of Eternal Happiness profiles China’s distinct generations through multifaceted characters who illuminate an enlightening, humorous, and at times heartrending journey along the winding road to the Chinese Dream. Each story adds another layer of humanity and texture to modern China, a tapestry also woven with Schmitz’s insight as a foreign correspondent. The result is an intimate and surprising portrait that dispenses with the tired stereotypes of a country we think we know, immersing us instead in the vivid stories of the people who make up one of the world’s most captivating cities.

    There are over 320 million in their teens and twenties, more than the population of the USA. Born after Mao, natives of a nation on the rise, they are destined to have an unprecedented influence on global affairs.These millennials, offspring of the only child policy, face fierce competition and pressure to succeed. Dislocated from their country's tumultuous past, they are caught between tradition and modernity. Their struggles are also the same as those of young people all over the world: moving out of home, starting a career, falling in love.Wish Lanterns tells the stories of six young Chinese. Dahai is a military child and a rebel; 'Fred' is a daughter of the Party. Lucifer is an aspiring superstar; Snail a country migrant addicted to online gaming. Xiaoxiao is a hipster from the freezing north; and Mia a skinhead fashionista from Xinjiang in the far west.Alec Ash, a writer in Beijing of the same generation, has given us a vivid, gripping account of young China as it comes of age. Through individual lives, Wish Lanterns shows with empathy and insight the conflicts and challenges, dreams and wishes of China's - and the world's - future. It is a vibrant and intimate book, for readers of Katherine Boo's Behind the Beautiful Forevers and Barbara Demick's Nothing to Envy.

    Beginning with the US-led invasion of Afghanistan, Cockburn explores the vast geopolitical struggle that is the Sunni-Shia conflict, a clash that shapes the war on terror, western military interventions, the evolution of the insurgency, the civil wars in Yemen, Libya and Syria, the Arab Spring, the fall of regional dictators, and the rise of Islamic State. As Cockburn shows in arresting detail, Islamic State did not explode into existence in Syria in the wake of the Arab Spring, as conventional wisdom would have it. The organization gestated over several years in occupied Iraq, before growing to the point where it can threaten the stability of the whole region. Cockburn was the first Western journalist to warn of the dangers posed by Islamic State. His originality and breadth of vision make The Age of Jihad the most in-depth analysis of the regional crisis in the Middle East to date.

    For one thing, he was blessed with extraordinary talent. Those who played alongside and watched him in the Manchester United youth team in the early 1990s insist he was as good as Ryan Giggs - possibly even better. Giggs, who played on the opposite wing, says he is inclined to agree.Doherty was also an eccentric - by football standards, at least. When his colleagues went to Old Trafford to watch the first team on Saturday afternoons, he preferred to take the bus into Manchester to go busking. He wore second-hand clothes, worshipped Bob Dylan, read about theology and French existentialism and wrote songs and poems. One team-mate says "it was like having Bob Dylan in a No 7 shirt".On his 17th birthday, Doherty was offered a five-year contract - unprecedented for a United youngster at that time - and told by Alex Ferguson that he was destined for stardom. But what followed over the next decade is a tale so mysterious, so shocking, so unusual, so amusing but ultimately so tragic, that you are left wondering how on earth it has been untold for so long.The stories of Doherty's contemporaries, that group of Manchester United youngsters who became known as the "Class of '92", are well known. Giggs ended up as the most decorated player in United's history; David Beckham became the most recognisable footballer on the planet; Gary Neville, Paul Scholes and others are household names. The story you don't know is about the player who, having had the world at his feet, died the day before his 27th birthday following an accident in a canal in Holland.

    He is an intellectual bomb thrower, who continues to confront American empire in the most incisive, challenging ways. The kinds of insights he provides into the deeply troubled state of our democracy cannot be found anywhere else. Like many of our most important thinkers, he has been relegated to the margins because of ideas deemed too radical—or true—for public consumption. Whether it is covering the dissolution of former Soviet states or embedding in the Middle East to understand the post-9/11 world, he has been a singular voice pushing against mainstream media disinformation and the amnesia of establishment received wisdom. He is an intellectual heir to American radical heroes such as Thomas Paine and Noam Chomsky, and is dedicated to reigniting a shared commitment to radical equality and honesty.Hedges here speaks up about the most pressing issues that currently face our nation. He tackles the rise of a fascist right in support of Donald Trump, which advocates xenophobia and violence in a push for American totalitarianism. He rails against the posturing of inclusivity from establishment elites on both sides of the aisle, who post-Occupy-Wall-Street continue to advocate for policies that make America uninhabitable for all but the ultra-rich and, as lackeys for corporate interests, continue to expand income inequality in all directions. He tears into the contemporary glamorization of the military and the unchecked, unchallenged hawkishness that defines contemporary American foreign policy. Moreover, he shows his support for contemporary revolts against this twisted order—such as Black Lives Matter—that represent Americans refusing to take the destruction of their country lying down. And that’s just the start.He possesses a clear understanding of the challenges that lie before us, and has proven to be ahead of the curve time and again. All of which is to say, Chris Hedges is unafraid to say what is necessary and true—and has always been. If we are to combat the intellectual and moral decay that have come to grip American life, we must listen to him and the urgent message he brings in this book.

    Every morning, well before dawn, they were bussed to a processing plant to eviscerate turkeys in return for food, lodging, and $65 a month. From 1974 until 2009, the men lived in near servitude, enduring increasing neglect, exploitation, and physical and emotional abuse—until state social workers, local journalists, and one tenacious government lawyer helped these men achieve their freedom.New York Times columnist Dan Barry reveals how these men in an Iowa schoolhouse remained nearly forgotten for more than three decades. Drawing on exhaustive interviews, he dives deeply into their lives, recording their memories and suffering, their tender moments of joy and persistent hopefulness—their endurance of harrowing circumstances. Barry explores why this small heartland town remained all but blind to the men’s plight, details how those responsible for such profound neglect justified their actions, and chronicles the lasting impact of a dramatic court case that has spurred advocates—as well as President Obama—to push for just pay and improved working conditions for people with disabilities.A luminous work of social justice, told with compassion and compelling detail, The Boys in the Bunkhouse is inspired storytelling and a clarion call for vigilance—an American tale that holds lasting reverberations for all of us.

    Along the way he has written major stories for American outlets, including a remarkable New York Times Magazine cover story. Now comes the powerful new work that has always been his ultimate goal, The Way to the Spring.We are familiar with brave journalists who travel to bleak or war-torn places on a mission to listen and understand, to gather the stories of people suffering from extremes of oppression and want: Katherine Boo, Ryszard Kapuściński, Ted Conover, and Philip Gourevitch among them. Palestine is, by any measure, whatever one's politics, one such place. Ruled by the Israeli military, set upon and harassed constantly by Israeli settlers who admit unapologetically to wanting to drive them from the land, forced to negotiate an ever more elaborate and more suffocating series of fences, checkpoints, and barriers that have sundered home from field, home from home, this is a population whose living conditions are unique, and indeed hard to imagine. In a great act of bravery, empathy and understanding, Ben Ehrenreich, by placing us in the footsteps of ordinary Palestinians and telling their story with surpassing literary power and grace, makes it impossible for us to turn away.

    To them, its violence is beautiful and holy, and the caliphate a fulfillment of prophecy and the only place on earth where they can live and die as Muslims.The Way of the Strangers is an intimate journey into the minds of the Islamic State’s true believers. From the streets of Cairo to the mosques of London, Wood interviews supporters, recruiters, and sympathizers of the group. We meet an Egyptian tailor who once made bespoke suits for Paul Newman and now wants to live, finally, under Shariah; a Japanese convert who believes that the eradication of borders—one of the Islamic State’s proudest achievements—is a religious imperative; and a charming, garrulous Australian preacher who translates the group’s sermons and threats into English and is accused of recruiting for the organization. We also learn about a prodigy of Islamic rhetoric, now stripped of the citizenship of the nation of his birth and determined to see it drenched in blood. Wood speaks with non–Islamic State Muslim scholars and jihadists, and explores the group’s idiosyncratic, coherent approach to Islam. The Islamic State is bent on murder and apocalypse, but its followers find meaning and fellowship in its utopian dream. Its first caliph, Abu Bakr al Baghdadi, has declared that he is the sole legitimate authority for Muslims worldwide. The theology, law, and emotional appeal of the Islamic State are key to understanding it—and predicting what its followers will do next.Through character study and analysis, Wood provides a clear-eyed look at a movement that has inspired so many people to abandon or uproot their families. Many seek death—and they will be the terror threat of the next decade, as they strike back against the countries fighting their caliphate. Just as Lawrence Wright’s The Looming Tower informed our understanding of Al Qaida, Graeme Wood’s The Way of the Strangers will shape how we see a new generation of terrorists.Advance praise for The Way of the Strangers “Indispensable and gripping . . . Graeme Wood’s quest to understand the Islamic State is a round-the-world journey to the end of the night. As individuals, the men he encounters are misfits, even losers. But their millenarian Islamist ideology makes them the most dangerous people on the planet.”—Niall Ferguson, senior fellow, Hoover Institution, Stanford University, author of The War of the World “Over the course of its short life, the Islamic State has inspired millions, thousands of whom have rallied to its cause in search of a glorious death. But why? Are its devotees nothing more than sadists and two-bit mafiosi for whom religion is a fig leaf and who will fade away in the face of military defeat? In this essential book, Graeme Wood draws on more than a decade of reporting to demolish these and other comforting deceptions.”—Reihan Salam, executive editor, National Review “Graeme Wood is America’s foremost interpreter of ISIS as a world-historical phenomenon. In The Way of the Strangers, he has given us the definitive work to date on the origins, plans, and meaning of the world’s most dangerous terrorist organization.

    Through encrypted channels, he then receives documents revealing how the president of Argentina has sequestered millions of dollars of state money for private use. This is just the beginning. Obermayer and fellow Suddeutsche journalist Frederik Obermaier find themselves immersed in the secret world where complex networks of letterbox companies help the super-rich to hide their money. Faced with the contents of the largest data leak in history, they activate an international network of journalists to follow every possible line of inquiry. Operating in the strictest secrecy for over a year, they uncover cases involving European prime ministers and international dictators, emirs and kings, celebrities and aristocrats. The real-life thriller behind the story of the century, The Panama Papers is an intense, unputdownable account that proves, once and for all, that there exists a small elite living by a different set of rules and blows their secret world wide open.

    It would mark the beginning of a long relationship with the country, starting with her coverage of the peaceful uprising and continuing as the situation quickly turned into one of the most brutal, internecine conflicts in recent history. Drawn to the stories of the ordinary people caught up in the conflict, Syria came to consume her every moment, her every emotion.Speaking to those directly involved in the war, di Giovanni relays here the personal stories of rebel fighters thrown in jail at the least provocation; of children and families forced to watch loved ones taken and killed by regime forces with dubious justifications; and the stories of the elite, holding pool parties in Damascus hotels, trying to deny the human consequences of the nearby shelling.Delivered with passion, fearlessness and sensitivity, The Morning They Came For Us is an unflinching account of a nation on the brink of disintegration, charting an apocalyptic but at times tender story of life in a jihadist war – and an unforgettable testament to human resilience in the face of devastating, unimaginable horrors.

    Today it is the largest public media collaboration in the US. This important book looks back over the past twenty years of Democracy Now! and the powerful movements and charismatic leaders who are re-shaping our world. Goodman takes us along as she goes to where the silence is, bringing out voices from the streets of Ferguson to Staten Island, Wall Street, and South Carolina to East Timor—and other places where people are rising up to demand justice. Giving voice to those who have been forgotten, forsaken, and beaten down by the powerful, Democracy Now! pays tribute to those progressive heroes—the whistleblowers, the organizers, the protestors—who have brought about remarkable, often invisible change over the last couple of decades in seismic ways. This is “an impassioned book aiming to fuel informed participation, outrage, and dissent” (Kirkus Reviews).

    This is the book that brings you the uncut version of The Killing Season, taking you behind the cameras to reveal the untold stories and candid moments that didn’t go to air. For the first time a more complete version of the truth is revealed.Kevin Rudd and Julia Gillard dominate the drama as they strain to claim the narrative of Labor’s years in power. The journey to screen for each of their interviews is telling in itself. Rudd gives his painful account of the period and recalls in vivid detail the events of losing the prime ministership. Gillard is frank and unsparing of her colleagues.More than a hundred people were interviewed for The Killing Season—ministers, backbenchers, staffers, party officials, pollsters and public servants—recording their graphic accounts of the public and private events that made the Rudd and Gillard governments and then brought them undone. It is a damning portrait of a party at war with itself—of the personal rivalries and bitter defeats that have come to define the Rudd-Gillard era.It is also a remarkable insight into the work of Sarah Ferguson, one of Australia’s top journalists.

    By posing the question, "What does the loss of any one life mean to the rest of the nation?" Lowery examines the cumulative effect of decades of racially biased policing in segregated neighborhoods with failing schools, crumbling infrastructure and too few jobs.Studded with moments of joy, and tragedy, They Can't Kill Us All offers a historically informed look at the standoff between the police and those they are sworn to protect, showing that civil unrest is just one tool of resistance in the broader struggle for justice. As Lowery brings vividly to life, the protests against police killings are also about the black community's long history on the receiving end of perceived and actual acts of injustice and discrimination. They Can't Kill Us All grapples with a persistent if also largely unexamined aspect of the otherwise transformative presidency of Barack Obama: the failure to deliver tangible security and opportunity to those Americans most in need of both. They Can't Kill Us All is a galvanizing book that offers more than just behind-the-scenes coverage of the story of citizen resistance to police brutality. It will also explain where the movement came from, where it is headed and where it still has to go.

    Goulden, Washington Times   “Satter . . . persuasively supplies evidence for his claim that a series of residential bombings in 1999 were part of an elaborate conspiracy orchestrated by Vladimir Putin, who used them as a smoke screen to invade Chechnya and catapult himself to the presidency.”—Publisher’s Weekly   In December 2013, David Satter became the first American journalist to be expelled from Russia since the Cold War. The Moscow Times said it was not surprising he was expelled, “it was surprising it took so long.” Satter is known in Russia for having written that the apartment bombings in 1999, which were blamed on Chechens and brought Putin to power, were actually carried out by the Russian FSB security police.   In this book, Satter tells the story of the apartment bombings and how Boris Yeltsin presided over the criminalization of Russia, why Vladimir Putin was chosen as his successor, and how Putin has suppressed all opposition while retaining the appearance of a pluralist state. As the threat represented by Russia becomes increasingly clear, Satter’s description of where Russia is and how it got there will be of vital interest to anyone concerned about the dangers facing the world today.

    It explains how it was a premeditated, orchestrated deception, using science to impose a political agenda. It fooled a majority including most scientists. They assumed that other scientists would not produce science for a political agenda. German Physicist and meteorologist Klaus-Eckart Puls finally decided to look for himself. Here is what he discovered. Ten years ago I simply parroted what the IPCC told us. One day I started checking the facts and data—first I started with a sense of doubt but then I became outraged when I discovered that much of what the IPCC and the media were telling us was sheer nonsense and was not even supported by any scientific facts and measurements. To this day I still feel shame that as a scientist I made presentations of their science without first checking it.…scientifically it is sheer absurdity to think we can get a nice climate by turning a CO2 adjustment knob. This book uses the same approach used in investigative journalism. It examines the Who, What, Where, When, Why, and How.

    His influence was felt in the political sphere, major social movements, literary culture, and even international affairs. His resounding words tell not only his own remarkable story, but also that of a burgeoning nation forced to reckon with its tremulous moral ground. This compact volume offers a full course on a necessary historical figure, giving voice once again to a man whose guiding words are needed now as urgently as ever.The Portable Frederick Douglass includes the full range of Douglass's writings, from autobiographical writings that span from his life as a slave child to his memories of slavery as an elder statesman in the late 1870s; his protest fiction (one of the first works of African American fiction); his brilliant oratory, constituting the greatest speeches of the Civil War era, which launched his political career; and his journalistic essays that range from cultural and political critique to art, literature, law, history, philosophy, and reform.

    The so-called "war on drugs" has been a brutal and chaotic failure (more than 160,000 lives have been lost). The drug cartels and the forces of law and order are often in collusion, corruption is everywhere. Life is cheap and inconvenient people - the poor, the unlucky, the honest or the inquisitive - can be "disappeared" leaving not a trace behind (in September 2015, more than 26,798 were officially registered as "not located"). Yet people in all walks of life have refused to give up.Diego Enrique Osorno and Juan Villoro tell stories of teenage prostitution and Mexico's street children. Anabel Hernández and Emiliano Ruiz Parra give chilling accounts of the "disappearance" of forty-three students and the murder of a self-educated land lawyer. Sergio González Rodríguez and Marcela Turati dissect the impact of the violence on the victims and those left behind, while Lydia Cacho contributes a journal of what it is like to live every day of your life under threat of death. Reading these accounts we begin to understand the true nature of the meltdown of democracy, obscured by lurid headlines, and the sheer physical and intellectual courage needed to oppose it.This is reportage at its bravest and most necessary - writing that has the power to change the world's view of Mexico and by the force of its truth to start to heal the country's many sorrows.

    Joining the trio is a childhood friend and former Marine whose past service in Iraq adds an unexpected and sometimes unwelcome viewpoint, both to the people they come across and perhaps even themselves.As the crew works their way through Turkey, Iraq, and Syria, Glidden observes the reporters as they ask civilians, refugees, and officials, “Who are you?” Everyone has a story to tell: the Iranian blogger, the United Nations refugee administrator, a taxi driver, the Iraqi refugee deported from the US, the Iraqis seeking refuge in Syria, and even the American Marine.Glidden (How to Understand Israel in 60 Days or Less) records all that she encounters with a sympathetic and searching eye. Painted in her trademark soft, muted watercolors and written with a self-effacing humor, Rolling Blackouts cements Glidden’s place as one of today’s most original nonfiction voices.

    It covers nearly seventy years of practice from World War II to the present day.The extraordinary situations described here are the result of more than 1,000 years of hands-on bedside knowledge. The vignettes contain wisdom and insight gained the hard way, from long experience in the trenches (sometimes in actual trenches) performing tasks that range from the most humble to the most skilled.These true stories run the gamut from birth to death. They deal with everything from war, ER, ICU, to childbirth, pediatrics, adult care, surgery, home and homeless healthcare, the psych ward, oncology, the nursing home, and finally hospice.The sacrifice and service of these nurses--their courage, kindness, and determination--is breathtaking.If you've ever wanted to know what goes on behind the scenes of a hospital--you've come to the right place.

    With humour and passion, she explains the struggles all writers face and reveals how to overcome them. Whether you’re already published or just starting out, writing for others or purely for self-expression, Use Your Words has the tips, tricks, techniques and honest truths to get you writing. You’ll learn how creativity is a like a vending machine, how writing is like a magnet and how not to die with your light inside you.Wait no longer – smash through procrastination and fear and get those words on the page.

    Borger recounts how Radovan Karadžić and Ratko Mladić—both now on trial in The Hague—were finally tracked down, and describes the intrigue behind the arrest of Slobodan Milosevic, the Yugoslav president who became the first head of state to stand before an international tribunal for crimes perpetrated in a time of war. Based on interviews with former special forces soldiers, intelligence officials, and investigators from a dozen countries—most speaking about their involvement for the first time—this book reconstructs a fourteen-year manhunt carried out almost entirely in secret. Indicting the worst war criminals that Europe had known since the Nazi era, the ICTY ultimately accounted for all 161 suspects on its wanted list, a feat never before achieved in political and military history.

    This collection draws on several articles he wrote while researching that book as well as many that he's written since, following where and how al-Qaeda and its core cultlike beliefs have morphed and spread. They include an indelible impression of Saudi Arabia, a kingdom of silence under the control of the religious police; the Syrian film industry, then compliant at the edges but already exuding a feeling of the barely masked fury that erupted into civil war; the 2006-11 Israeli-Palestinian conflict in Gaza, a study in disparate values of human lives. Others continue to look into al-Qaeda as it forms a master plan for its future, experiences a rebellion from within the organization, and spins off a growing web of terror in the world. The American response is covered in profiles of two FBI agents and a chief of the CIA. It ends with the recent devastating piece about the capture and beheading by ISIS of four American journalists and aid workers, and how our government failed to handle the situation.

    The truth is that I am just a journalist who asks questions, but one who does in fact take a stand."—Jorge Ramos After 30 fascinating years uncovering the hard truth, Emmy Award-winning journalist Jorge Ramos opens up for the first time about life-altering lessons by sharing captivating never-before-told stories. Widely recognized for his unapologetic, no-holds-barred approach to interviewing global leaders, business titans, democratic policy makers and dictators who threaten to derail those principles, Ramos unearths their one common trait—they are all rebels.   Rebels are different. At some point they decided to challenge the prevailing status quo. Sometimes they rebelled to change a regime, other times to prevent abuse or discrimination, but in all cases they strived to correct an injustice.In Take a Stand, Ramos looks back on groundbreaking interviews with rebels such as President Barack Obama, Supreme Court Justice Sonia Sotomayor, Spike Lee, Barbara Walters, Fidel Castro and more. Candid and at times controversial, Ramos draws invaluable awareness of issues that influence the mindset of the largest minority in the country and how they will undoubtedly shape not only Presidential elections but also the future of America.

    Released after a long and incredibly difficult legal battle, after surviving torture and solitary confinement, Mohammad Aamir Khan remains committed to the secular and democratic values that he grew up with. He refuses to be defeated, or to give up any of the dreams he has for himself, his family and the country that nearly destroyed him.

    Most have died from their injuries. Author Tsering Woeser is a prominent voice of the Tibetan movement, and one of the few Tibetan authors to write in Chinese. Her stirring acts of resistance have led to her house arrest, where she remains under close surveillance to this day. Tibet On Fire is her account of the oppression Tibetans face and the ideals driving those who resist, both the self-immolators and other Tibetans like herself.With a cover image designed by Chinese dissident artist Ai Weiwei, Tibet on Fire is angry and cogent: a clarion call for the world to take action.

    The Science Writers' Essay Handbook will show you how to:*Recognize and develop essay ideas*Research and report for the essay form*Organize your material before you write*Develop a distinctive authorial voice*Revise and polish your essays for publication*Apply your essay-writing skills to stories of all kinds, from magazine features to multimedia productions to social-media postsNo matter what kind of science storyteller you are, The Science Writers' Essay Handbook will give you new tools to bring out the best in your work.

    Though considered democratic, the Erdogan government has increasingly begun to resemble a dictatorship, jailing it opponents and violently suppressing dissent. And though Turkey is notionally secular, the Justice and Development Party’s power has fed the creeping influence of religious conservatism, with figures in the party denouncing abortion rights and attempting to criminalize adultery. Having long occupied an uneasy middle ground between a secular West and Islamic East, Turkey has been drawn into the conflicts of its neighbors, including the Arab Spring, the Syrian civil war, and the rise of ISIS. In this fascinating portrait of a nation in turmoil, the renowned Turkish journalist and novelist Ece Temelkuran provides a vivid and deeply personal account of the crisis afflicting modern Turkey.   Temelkuran identifies a long-running culture of repression and authoritarianism that has plagued Turkey throughout its history, a culture she traces back to the fall of the Ottomans and the continued climate of denial around the Armenian genocide. But, she firmly believes there is still a strong voice of dissent in Turkey, and she argues that the Gezi Park protests of 2013 represented a glimmer of hope that has not yet been fully extinguished and may still grow to rejuvenate democracy in the country. Providing unique insight into Turkey’s ongoing political turmoil, this is a timely look at a country that is caught at the center of many of the changes and much of the turmoil of the Middle East today.

    Reaching from the mean streets of South Auckland to the highest court in the Commonwealth, this is the story not just of Tim’s quest, but also of how an innocent man who was left rotting in a prison cell for two decades found the inner strength to rise above the dark places to which he had been condemned.

    A look back at more than three decades of music in Minneapolis through the lens of one of the most prolific and renowned photographers on the scene.

     a ground-breaking study ... a fascinating and important work.' Sunday Times 'Immaculately researched... A powerful reminder that reporters can serve the public good... Should make journalists proud - and may even help to make the world a better place' Peter Oborne, New Statesman Who do our politicians work for? The public, or big business? If you want to understand why British politics isn't working, the first place to start is here. Parliament Ltd reveals the financial interests that British politicians would rather you didn't hear about. From banks and private corporations, to lobbying and the arms trade, there are MPs making millions by moonlighting in second jobs. Where does their loyalty belong - to us or to their paymasters? Meanwhile - years after the expenses scandal - they are now claiming more than ever before. In his enthralling journey to the dark heart of British politics, Martin Williams exposes a hidden, shocking culture of greed and corruption.

    Over the next five decades of reporting, he often returned to scenes of racial tension. Now, for the first time, the best of Trillin’s pieces on race in America have been collected in one volume.   In the title essay of Jackson, 1964, we experience Trillin’s riveting coverage of the pathbreaking voter registration drive known as the Mississippi Summer Project—coverage that includes an unforgettable airplane conversation between Martin Luther King, Jr., and a young white man sitting across the aisle. (“I’d like to be loved by everyone,” King tells him, “but we can’t always wait for love”).   In the years that follow, Trillin rides along with the National Guard units assigned to patrol black neighborhoods in Wilmington, Delaware, long after the riots there have ended; looks into a Boston disco whose doormen ask black patrons for more photo IDs than most people carry; reports on the case of a black homeowner accused of manslaughter in the death of a white teenager in an overwhelmingly white Long Island suburb; and chronicles the remarkable fortunes of the Zulu Social Aid & Pleasure Club, a black carnival krewe in New Orleans whose members parade on Mardi Gras in blackface.   He takes on issues that are as relevant today as they were when he wrote about them. Excessive sentencing is examined in a 1970 piece about a black militant in Houston sentenced to thirty years in prison for giving away one marijuana cigarette. The role of race in the use of deadly force by police is highlighted in a 1975 article about an African American shot by a white policeman in Seattle.   Uniting all these pieces is Trillin’s unflinching eye and graceful prose. Jackson, 1964 is an indispensable account of a half-century of race and racism in America, through the lens of a master journalist and writer who was there to bear witness.  Praise for Calvin Trillin  “[A writer] of painterly, impeccably crafted journalism.”—People   “There can never be enough of Calvin Trillin. He has become a literary treasure over the past four decades.”—The Washington Times   “Without false rhetoric . . . [Trillin] can suddenly bring into focus the whole confused story of Civil Rights by examining in detail one particularly significant episode.”—The Times Literary Supplement

    Sometimes, she does so in person—as during President Obama’s speech at the National Defense University, or during a reception for drone manufacturers and members of Congress, or in Cairo, where she was assaulted by police. Here, she’s researching the sinister nature of the relationship between the U.S. and Saudi Arabia.In seven succinct chapters followed by a meditation on prospects for change, Benjamin—cited by the L.A. Times as “one of the high-profile members of the peace movement”—shines a light on one of the most perplexing elements of American foreign policy. What is the origin of this strange alliance between two countries that seemingly have very little in common? Why does it persist, and what are its consequences? Why, over a period of decades and across various presidential administrations, has the United States consistently supported a regime shown time and again to be one of the most powerful forces working against American interests? Saudi Arabia is perhaps the single most important source of funds for terrorists worldwide, promoting an extreme interpretation of Islam along with anti-Western sentiment, while brutally repressing non-violent dissidents at home.With extremism spreading across the globe, a reduced U.S. need for Saudi oil, and a thawing of U.S. relations with Iran, the time is right for a re-evaluation of our close ties with the Saudi regime.

    20 stated that the National Science Foundation ‘funded a study on Jell-O wrestling at the South Pole.’ That is incorrect. The event took place during off-duty hours without NSF permission and did not involve taxpayer funds.”  Corrections such as this one from the Miami Herald have become a familiar sight for readers, especially as news cycles demand faster and faster publication. While some factual errors can be humorous, they nonetheless erode the credibility of the writer and the organization. And the pressure for accuracy and accountability is increasing at the same time as in-house resources for fact-checking are dwindling. Anyone who needs or wants to learn how to verify names, numbers, quotations, and facts is largely on their own. Enter The Chicago Guide to Fact-Checking, an accessible, one-stop guide to the why, what, and how of contemporary fact-checking. Brooke Borel, an experienced fact-checker, draws on the expertise of more than 200 writers, editors, and fellow checkers representing the New Yorker, Popular Science, This American Life, Vogue, and many other outlets. She covers best practices for fact-checking in a variety of media—from magazine articles, both print and online, to books and documentaries—and from the perspective of both in-house and freelance checkers. She also offers advice on navigating relationships with writers, editors, and sources; considers the realities of fact-checking on a budget and checking one’s own work; and reflects on the place of fact-checking in today’s media landscape. “If journalism is a cornerstone of democracy, then fact-checking is its building inspector,” Borel writes. The Chicago Guide to Fact-Checking is the practical—and thoroughly vetted—guide that writers, editors, and publishers need to maintain their credibility and solidify their readers’ trust.

    there is a let down. Anytime you get an adrenaline rush like that, there's a letdown. Hard enough where it puts you to sleep." - Curtis Dean Anderson from jail. This is the story behind the Anthony and Macavity-award nominated book, Blessed are the Dead. Letters from a Serial Killer is a novella-length true crime/memoir about two women and their quest to find Xiana Fairchild, who was snatched off the streets of Vallejo on her way to the school bus stop and never seen again. It is about the mother who raised Xiana and the newspaper reporter who covered the story. In this book, Kristi Belcamino and Stephanie Kahalekulu share details of their jailhouse conversations with the man who took Xiana, the letters he sent from behind bars and how they are forever bonded by their dealings with a monster, but more than that—by their quest for justice for Xiana.

    You can't eat artistic integrity. It tastes like sawdust.’ This gonzo guide is a lesson in the practicalities of writing: how to be productive, professional and maybe one day even pay the rent. Topics covered include ‘How to slay writer’s block’, ‘What the hell is workflow?’, ‘How to write 10,000 words in a day’ and ‘The best apps for writers’. How to Be a Writer is a kick-ass writing guide with a tough-love approach, written for the internet generation. John Birmingham is lauded as a prolific writer working across multiple genres. Here he shares his secrets. And some hard-core, real-world practical advice. And a few excellent descriptions of explosions.

    And only in Louisiana could a small-town lawmaker flip that script with the help of private investigators, a rogue sheriff, a purple party bus, a gaggle of trial lawyers, and an ad blitz questioning the front runner’s choice of “prostitutes over patriots.” Long Shot is the story of Louisiana’s 2015 race for governor — but the story of John Bel Edwards’ improbable victory over David Vitter holds lessons for candidates and voters in all 50 states. It’s an inconceivable and sometimes hysterical odyssey that unfolds against the unique backdrop of Louisiana’s back roads, bayous, barrooms, and ballrooms. Tyler Bridges and Jeremy Alford, two veteran political reporters in Louisiana, take readers deep into the inner workings of the Edwards and Vitter campaigns. To document this unforgettable ride, they interviewed more than 100 of the people who cut the deals, launched the attacks, and even played both sides. Clancy DuBos, one of the state’s foremost political analysts, brought his tremendous knowledge to bear as he edited the book. Long Shot is a can’t-put-it-down romp about the unforgiving terrain of Bayou State politics and the people who are trying to tame it. With never-before-published details on the 2015 race as well as Louisiana’s storied past, this is a must-have addition to any serious political bookshelf. By Tyler Bridges and Jeremy Alford, with a foreword by James Carville & Mary Matalin Published by The Lisburn Press. Ebook created by W2G Publishing / Write2Grow LLC Political Non-fiction

    It is the American conservatism that we don't know that concerns George Hawley in this book. During its ascendancy, leaders within the conservative establishment have energetically policed the movement's boundaries, effectively keeping alternative versions of conservatism out of view. Returning those neglected voices to the story, Right-Wing Critics of American Conservatism offers a more complete, complex, and nuanced account of the American right in all its dissonance in history and in our day.The right-wing intellectual movements considered here differ both from mainstream conservatism and from each other when it comes to fundamental premises, such as the value of equality, the proper role of the state, the importance of free markets, the place of religion in politics, and attitudes toward race. In clear and dispassionate terms, Hawley examines localists who exhibit equal skepticism toward big business and big government, paleoconservatives who look to the distant past for guidance and wish to turn back the clock, radical libertarians who are not content to be junior partners in the conservative movement, and various strains of white supremacy and the radical right in America.In the Internet age, where access is no longer determined by the select few, the independent right has far greater opportunities to make its many voices heard. This timely work puts those voices into context and historical perspective, clarifying our understanding of the American right--past, present, and future.

    Thirteen definitive profiles of our agents of change are presented in this volume, with new insight from their authors on their place in contemporary Indian history: Praveen Donthi on finance minister Arun Jaitley; Leena Reghunath on Swami Aseemanand; Krishn Kaushik on former Attorney-General Goolam Vahanvati; Mira Sethi on Pakistan Prime Minister Nawaz Sharif; Deepak Adhikari on Nepal Prime Minister Prachanda; Mark Bergen on Raghuram Rajan; Samanth Subramanian on Sameer Jain; Mehboob Jeelani on Ponty Chadha; Rahul Bhatia on N. Srinivasan; T.M. Krishna on musician M.S. Subbulakshmi; Ali Sethi on Farida Khanum; Baradwaj Rangan on Vikram; and Vinod K. Jose on Prime Minister Manmohan Singh.In this invaluable collection, the pioneering journal presents a valuable and far-reaching record of our times for readers, citizens and students of journalism alike.

    His books and articles chronicling these experiences, including the award-winning Newjack: Guarding Sing Sing, have made him one of the premier practitioners of immersion reporting. In immersion reporting—a literary cousin to ethnography, travel writing, and memoir—the writer fully steps into a new world or culture, participating in its trials, rites, and rituals as a member of the group. The end results of these firsthand experiences are familiar to us from bestsellers such as Nickel and Dimed and Behind the Beautiful Forevers. But in a world of wary strangers, where does one begin? Conover distills decades of knowledge into an accessible resource aimed at writers of all levels. He covers how to “get into” a community, how to conduct oneself once inside, and how to shape and structure the stories that emerge. Conover is also forthright about the ethics and consequences of immersion reporting, preparing writers for the surprises that often surface when their piece becomes public. Throughout, Conover shares anecdotes from his own experiences as well as from other well-known writers in this genre, including Alex Kotlowitz, Anne Fadiman, and Sebastian Junger. It’s a deep-in-the-trenches book that all aspiring immersion writers should have in hand as they take that first leap into another world.

    In fast-paced and dramatic fashion, Turse reveals the harsh reality of modern warfare in the developing world and the ways people manage to survive the unimaginable.Next Time They’ll Come to Count the Dead isn’t about combat, it’s about the human condition, about ordinary people thrust into extraordinary circumstances, about death, life, and the crimes of war in the newest nation on earth.

    Flyboy 2 provides a panoramic view of the last thirty years of Tate's influential work. Whether interviewing Miles Davis or Ice Cube, reviewing an Azealia Banks mixtape or Suzan Lori Parks' Topdog/Underdog, discussing visual artist Kara Walker or writer Clarence Major, or analyzing the ties between Afro-futurism, Black feminism, and social movements, Tate's resounding critical insights illustrate how race, gender, and class become manifest in American popular culture. Above all, Tate demonstrates through his signature mix of vernacular poetics and cultural theory and criticism why visionary Black artists, intellectuals, aesthetics, philosophies, and politics matter to twenty-first-century America.

    Scott Savitt, one of the first American exchange students in Beijing, picks up his guitar and begins strumming Blackbird. He’s soon surrounded by Chinese students who know every word to every Beatles song he plays. Scott stays on in Beijing, working as a reporter for Asiaweek Magazine. The city’s first nightclubs open; rock ‘n’ roll promises democracy. Promoted to foreign correspondent for the Los Angeles Times then United Press International, Scott finds himself drawn into China’s political heart.Later, at 25 years old, Scott is the youngest accredited foreign correspondent in China with an intimate knowledge of Beijing’s backstreets. But as the seven week occupation of Tiananmen Square ends in bloodshed on June 4, 1989, his greatest asset is his flame-red 500 cc. Honda motorcycle—giving Scott the freedom to witness first-hand what the Chinese government still denies ever took place. After Tiananmen, Scott founds the first independent English language newspaper in China, Beijing Scene. He knows that it’s only a matter of time before the authorities move in, and sure enough, in 2000 he’s arrested, flung into solitary confinement and, after a month in jail, deported.Scott Savitt’s memoir turns this complex political-historical subject into an extraordinary adventure story.

    . . and her uncanny ability to ask difficult questions . . . have endeared her to readers and listeners."—Carol ShieldsEleanor Wachtel is one of the English-speaking world's most respected interviewers. This book, celebrating her show's twenty-five-year anniversary, presents her best conversations from the show, including Jonathan Franzen, Alice Munro, J.M. Coetzee, Zadie Smith, W.G. Sebald, Toni Morrison, Seamus Heaney, and nearly a dozen others who share their views on process and the writing life.

    Totten returns with a riveting tour of some of the worst places on earth in the early 21st century. From crumbling Havana, Cuba—still stubbornly communist decades after the fall of the Berlin Wall—to a comparatively upscale Hanoi, Vietnam, still struggling to free itself from Chinese-style authoritarian rule. From a nightmarish Libya under the deranged Moammar Qaddafi, to an exhausted, polarized and increasingly fanatical Egypt before the Arab Spring finally ripped the region to pieces. From the Lebanese border during the devasting war between Israel and Hezbollah, to Iraq in the grips of an insurgency mounted by the murderous precursor to ISIS. Partly a collection of Totten’s best previously published work, Dispatches includes plenty of new material from Latin America, Southeast Asia, the Middle East and the dysfunctional quarters of Europe. He goes to rough places so you don’t have to, and his dispatches are by turns entertaining, harrowing and occasionally even hilarious despite the dark subject matter. Whether you're an established fan or discovering the author for the first time, this one is not to be missed. Praise for Michael J. Totten “Totten…practices journalism in the tradition of Orwell: morally imaginative, partisan in the best sense of the word, and delivered in crackling, rapid-fire prose befitting the violent realities it depicts.” Sohrab Ahmari, Commentary “It is extremely rare to read such an accurate account of anything to which one was oneself a witness.” – Christopher Hitchens, author of God is Not Great. “One of America’s premier foreign correspondents.” – Damien Penny, Seattle Post-Intelligencer “Of all the journalists now alive and writing in English, ther are few whose reporting interests me more than Michael Totten’s—in fact, none that I can think of offhand.” – Claire Berlinski, author of Menace in Europe “Michael J. Totten is one of a rare breed. Moving from front to front, he brings experience and context and the willingness to go where few men dare.” – Michael Yon, author of Moment of Truth in Iraq

    The conventional wisdom is that greater experience should compensate for a loss of youthful energy, but with so many of the world elite currently in their twenties, chess is increasingly looking like a young man’s game. By making a number of case studies and interviewing players who have stayed strong into their forties, fifties and beyond, the authors show in detail how players can steer their games towards positions where their experience can shine through. Interviewees include:•GM John Nunn•GM Yasser Seirawan•GM Nigel Short•GM Judit Polgar•GM Keith Arkell•GM Pia Cramling•FM Terry Chapman•GM Jon Speelman•GM Sergei Tiviakov•WIM Ingrid LauterbachBy examining so many aspects of chess, the authors have written a work that ends up transcending its subject-matter, and becomes a text on how and why we love chess, the means by which we can play successfully whatever our age and level of play, and how chess is truly a game for life.Matthew Sadler is one of the strongest British players of recent decades. Having become a GM in his teens, he twice won the British Championship and was awarded an individual gold medal at the 1996 Olympiad. After concentrating on an IT career for more than a decade, he returned to high-level chess in 2010 and quickly regained a spot in the world top 100. Matthew’s struggles to bring his game back up to speed after his long break were part of the inspiration for this book. Natasha Regan is a Women’s International Master from England who achieved a degree in mathematics from Cambridge University. While pursuing a successful career as an actuary in the insurance industry, she has raised a family and maintained a strong interest in chess and other board games, including Go.

    Intimate portraits of family and community life, they are universal in feel, although they represent an enormous diversity of geographical locations and cultural backgrounds. Each one captures a rich story about the human condition, and invites the viewer to experience scenes of family, magic, love and tradition.Throughout his career, Davis's central aim has been to convey a visceral sense of the mystery and wealth of human culture, the embodiment of all that we are and all that we have created as a species. Through his words and photographs, he sheds light on the great peril that many traditions face, and the danger of losing forever the rich cultural heritages that have sustained us for thousands of years.

    He was almost always correct on Iraq.” —Sidney Blumenthal in an email to then-Secretary of State Hillary Clinton“Quite simply, the best Western journalist at work in Iraq today.” —Seymour Hersh“Has anyone covered this nightmare [in the Greater Middle East] better than the world’s least embedded reporter, Patrick Cockburn? Not for my money. He’s had the canniest, clearest-eyed view of developments in the region for years.” —Tom Engelhardt, TomDispatchFrom 2001 to the present day, Patrick Cockburn’s reporting from the conflicts that have roiled the Middle East and beyond has been peerless. Filing stories untrammeled by preconceptions but drawing on extensive first-hand experience of the region and a deep knowledge of its history, Cockburn’s ability to make the correct call in the midst of often complex crises has been remarkable in its consistency. Thus he anticipated the unsustainability of the Western invasions in Afghanistan and Iraq, the likelihood that rebels in Libya would end up fighting each other, and the spilling over of the Sunni rebellion in Syria into neighboring Iraq. Perhaps most strikingly, he reported on the emergence of ISIS as a major force before even government intelligence agencies were aware of the threat it posed, leading the judges of the British Journalism Awards to wonder “whether the Government should consider pensioning off the whole of MI6 and hire Patrick Cockburn instead.”Presented in compelling diary form, this substantial volume draws together a careful selection of Cockburn’s writings from the frontlines of the conflicts in Afghanistan, Iraq, Libya and Syria, interspersed with thoughtful analyses and contemporary, original reflection. What emerges is the fine grain and nuance of an unfolding tragedy in which, in contrast to the often facile proclamations of politicians and much of the media: “These are not black-and-white situations, good guys against bad, vile tyrant against a risen people like a scene out of Les Miserables. It is astonishing and depressing to see Western governments … committing their countries to wars without recognizing this basic fact.”The conflicts being fueled by such misunderstandings are today spilling over to cities in the West, provoking a backlash that learns little from recent history and is likely only to make things worse. In this fervid situation, the measured, erudite work of a journalist like Patrick Cockburn becomes simply indispensable.

    Hundreds of the most riveting articles from the archives of the Times including firsthand accounts of major events and little-known anecdotes have been selected for inclusion in The New York Times: The Complete World War II. The book covers the biggest battles of the war, from the Battle of the Bulge to the Battle of Iwo Jima, as well as moving stories from the home front and profiles of noted leaders and heroes such as Winston Churchill and George Patton.A respected World War II historian and writer, editor Richard Overy guides readers through the articles, putting the events into historical context. The enclosed DVD-ROM gives access to more day-by-day coverage of World War II in The New York Times -- from the invasion of Poland to V-J day with access to over 98,000 articles.Beautifully designed and illustrated with hundreds of maps and historical photographs, it's the perfect gift for any war, politics, or history buff.

    It had pride of place in the courts of Chalukya kings and Mughal emperors. It was embraced by Hinduism and its epics and has led its own untroubled revolution against the caste system. The British loved it when they first came to India, then rejected it during the freedom struggle. No, wrestling has never been marginal – even if it is largely ignored in modern-day narratives of sport and culture.From the Great Gama to Sushil Kumar – whose two Olympic medals yanked the kushti out of rural obscurity and on to TV screens – and the many, many pehalwans in between, Enter the Dangal goes behind the scenes to the akharas that quietly defy urbanization. It travels to villages and small towns to meet the intrepid women who fight their way into this ‘manly’ sport. Beyond the indifferent wrestling associations and an impervious media is an old, old sport. Enter the dangal and you may never leave.

    Selections include Paul Ford's ambitious "What Is Code?" (Bloomberg Businessweek), an innovative explanation of how programming works, and "The Really Big One," by Kathryn Schulz (The New Yorker), which exposes just how unprepared the Pacific Northwest is for a major earthquake. Joining them are Meaghan Winter's exposé of crisis pregnancy centers (Cosmopolitan) and a chilling story of police prejudice that allowed a serial rapist to run free (the Marshall Project in partnership with ProPublica). Also included is Shane Smith's interview with Barack Obama about mass incarceration (Vice).Other selections demonstrate a range of long-form styles and topics across print and digital publications. The imprisoned hacker and activist Barrett Brown pens hilarious dispatches from behind bars, including a scathing review of Jonathan Franzen's fiction (The Intercept). "The New American Slavery" (Buzzfeed) documents the pervasive exploitation of guest workers, and Luke Mogelson explores the purgatorial fate of an undocumented man sent back to Honduras (New York Times Magazine). Joshua Hammer harrowingly portrays Sierra Leone's worst Ebola ward as even the staff succumb to the disease (Matter). And in "The Friend," Matthew Teague's wife is afflicted with cancer, his friend moves in, and the result is a devastating narrative of relationships and death (Esquire). The collection concludes with Jenny Zhang's "How It Feels," an unconventional meditation on the intersection of teenage cruelty and art (Poetry).

    Wissing s poignant and eye-opening journey across insurgency-wracked Afghanistan casts an unyielding spotlight on greed, dysfunction, and predictable disaster while celebrating the everyday courage and wisdom of frontline soldiers, idealistic humanitarians, and resilient Afghans. As Wissing hauls a hundred pounds of body armor and pack across the Afghan warzone in search of the ground truth, US officials frantically spin a spurious victory narrative, American soldiers try to keep their body parts together, and Afghans try to stay positive and strain to figure out their next move after the US eventually leaves. As one technocrat confided to Wissing, "I am hopeless but optimistic."Wissing is everywhere in Afghanistan, sharing an impressionistic view from little white taxis coursing across one of the world s most mine-ridden places; a perilous view from outside the great walls surrounding America s largest base, sequestered Bagram Air Field; and compelling inside views from within embattled frontline combat outposts, lumbering armored gun trucks and flitting helicopters, brain trauma clinics, and Kabul s Oz-like American embassy. It s Afghan life on the streets; the culture and institutions that anneal them; the poetry that enriches them. It includes the perspectives of cynical military lifers and frightened short-timers; true believers and amoral grabbers; Americans and Afghans trying to make sense of two countries surreally contorted by war-birthed extractive commerce.Along with a deep inquiry into the 21st-century American way of war and an unforgettable glimpse of the enduring culture and legacy of Afghanistan, Hopeless but Optimistic includes the real stuff of life: the austere grandeur of Afghanistan and its remarkable people; warzone dining, defecation, and sex; as well as the remarkable shopping opportunities for men whose job is to kill."

    But today the movement to privatize K-12 education is stronger than ever. A veteran teacher and administrator, Samuel E. Abrams examines the rise of market forces in public education and reveals how a commercial mindset has taken over.For decades, Milton Friedman and his disciples contended that private markets could deliver better schooling than governments. In the 1990s, this belief was put to the test by Edison Schools and other for-profit educational management organizations (EMOs). Edison grew rapidly, running schools in Baltimore, Philadelphia, and many other cities across the country. Yet disappointing academic and financial outcomes soon pushed the company and its competitors to the margins. The focus of EMOs on efficiency and results nevertheless found expression in federal policy with No Child Left Behind in 2002 and Race to the Top in 2009. The new ethos also defined nonprofit charter management organizations (CMOs) like KIPP that surfaced in the wake of EMOs and flourished. But the dependence of CMOs on philanthropists, tireless teachers, and students capable of abiding by rigid expectations limits their reach.Abrams argues that while the commercial mindset sidesteps fundamental challenges, public schools should adopt lessons from the business world. Citing foreign practices, he recommends raising teacher salaries to attract and retain talent, conferring more autonomy on educators to build ownership, and employing sampling techniques rather than universal assessments to gauge student progress.

    draws attention to human connections across time, culture, and geography that all generations can appreciate. As a photojournalist, Ted Polumbaum documented some of the most important news events and social movements of the second half of the twentieth century. On assignment for the era’s great picture magazines as well as through independent projects, he photographed athletes, artists, parades,protests,and more. Above all, traveling throughout the Americas and around the world, he chronicled the lives and aspirations of ordinary people. Along with cameos of political and cultural icons, the book offers a clear and generous vision of the human condition in all its commonality and variety.

    A poll fought between two wildly ambitious men who want to win their first election, whatever it takes. Mark Di Stefano finds out what is happening behind the scenes and how the two campaigns manufacture, massage and manipulate their parties, policies and principles. What a time to be alive documents the daily ride of an historic election campaign, week by long week, taking you into the bizarre world of staged photo ops, booze-drenched regrets and dirty direct messages. The exposure of the unscripted moments with political leaders, their over-worked staff and secretive minders, shows how the sausage that is this Australian election, is made and reveals what is really inside.

    Gleason recorded many in-depth interviews with some of the greatest jazz musicians of all time. These informal sessions, conducted mostly in Gleason’s Berkeley, California, home, have never been transcribed and published in full until now.   This remarkable volume, a must-read for any jazz fan, serious musician, or musicologist, reveals fascinating, little-known details about these gifted artists, their lives, their personas, and, of course, their music. Bill Evans discusses his battle with severe depression, while John Coltrane talks about McCoy Tyner's integral role in shaping the sound of the Coltrane quartet, praising the pianist enthusiastically. Included also are interviews with Dizzy Gillespie, Sonny Rollins, Quincy Jones, Jon Hendricks, and the immortal Duke Ellington, plus seven more of the most notable names in twentieth-century jazz.

    a scenic search for elusive human happiness through music, magazines, silly jokes, stupid shoes, useless blokes, hopeless homes, booze, drugs, love, loss, A&E, death, disillusion and hope - while trying to make Prince laugh, startle Beyoncé, cheer Eminem up, annoy Madonna, drink with Shaun Ryder and finish off Westlife forever (with varying degrees of success).In 1986, Sylvia Patterson boarded a train to London armed with a tea-chest full of vinyl records, a peroxide quiff and a dream: to write about music, for ever. She got her wish.Escaping a troubled home, Sylvia embarks on a lifelong quest to discover The Meaning of It All. The problem is she's mostly hanging out with flaky pop stars, rock 'n' roll heroes and unreliable hip-hop legends. As she encounters music's biggest names, she is confronted by glamour and tragedy; wisdom and lunacy; drink, drugs and disaster. And Bros.Here is Madonna in her Earth Mother phase, flinging her hands up in horror at one of Sylv's Very Stupid Questions. Prince compliments her shoes while Eminem threatens to kill her. She shares fruit with Johnny Cash, make-up with Amy Winehouse and several pints with the Manics' lost soul-man Richey Edwards. She finds the Beckhams fragrant in LA, a Gallagher madferrit in her living room and Shaun Ryder and Bez as you'd expect, in Jamaica.From the 80s to the present day, I'm Not with the Band is a funny, barmy, utterly gripping chronicle of the last thirty years in music and beyond. It is also the story of one woman's wayward search for love, peace and a wonderful life. And whether, or not, she found them.

    Three simple words that provided Kathryn Johnson, a reporter for The Associated Press's Atlanta bureau, unprecedented access to the grieving widow in the days following her husband's death. Johnson was on her way to a movie date when word came from Memphis that Martin Luther King Jr. had been assassinated. She immediately headed for the King home where, despite resistance from authorities on the scene, she was the only reporter allowed inside. Johnson's many years covering King and his family had earned her the trust to be a discreet, observant witness to the aftermath of a defining moment in American history. Kathryn Johnson covered the Civil Rights movement across the South in the 1960s, often risking her own safety to observe first-hand the events of this great era. Her stories took her from witnessing the integration of the University of Georgia by dressing as a student, to hiding unobserved under a table near an infamous schoolhouse door in Alabama, to marching with the massive crowd from Selma to Montgomery. Johnson, one of the only female reporters on the scene, threw herself into charged situations with a determination to break the news no matter what. Including never-before-published photos, her personal account of this period is a singular addition to the story of the Civil Rights movement.

    The end of work as we know it will hit at the worst moment imaginable: as capitalism fosters permanent stagnation, when the labor market is in decrepit shape, with declining wages, expanding poverty, and scorching inequality. Only the dramatic democratization of our economy can address the existential challenges we now face. Yet, the US political process is so dominated by billionaires and corporate special interests, by corruption and monopoly, that it stymies not just democracy but progress.The great challenge of these times is to ensure that the tremendous benefits of technological progress are employed to serve the whole of humanity, rather than to enrich the wealthy few. Robert W. McChesney and John Nichols argue that the United States needs a new economy in which revolutionary technologies are applied to effectively address environmental and social problems and used to rejuvenate and extend democratic institutions. Based on intense reporting, rich historical analysis, and deep understanding of the technological and social changes that are unfolding, they propose a bold strategy for democratizing our digital destiny -- before it's too late -- and unleashing the real power of the Internet, and of humanity.

    When insiders like former NSA analyst Edward Snowden or ex-FBI agent Coleen Rowley or Big Tobacco truth-teller Jeffrey Wigand blow the whistle on high-level lying, lawbreaking or other wrongdoing—whether it's government spying, corporate murder or scientific scandal—the public benefits enormously. Wars are ended, deadly products are taken off the market, white-collar criminals are sent to jail. The whistleblowers themselves, however, generally end up ruined. Nearly all of them lose their jobs—and in many cases their marriages and their health—as they refuse to back down in the face of increasingly ferocious official retaliation. That moral stubbornness despite terrible personal cost is the defining DNA of whistleblowers. The public owes them more than we know.In Bravehearts, Hertsgaard tells the gripping, sometimes darkly comic and ultimately inspiring stories of the unsung heroes of our time. A deeply reported, impassioned polemic, Bravehearts is a book for citizens everywhere—especially students, teachers, activists and anyone who wants to make a difference in the world around them.

    She flew from her adopted home of Ireland to her birthplace in Iran so her 14-month-old daughter, Rojha, could be introduced to the child's father. When the violent and unstable father refused to allow his daughter to leave and demanded that Samieh renew their relationship, a two-week holiday became a desperate five-year battle to get her daughter out of Iran. If Samieh could not do so before Rojha turned seven, the father could take sole custody—forever. The father's harassment and threats intensified, eventually resulting in an allegation of adultery that was punishable by stoning, but Samieh—a single mother trapped in a country she saw as restricting the freedom and future of her daughter—never gave up, gaining inspiration from other Iranian women facing similar situations. As both the trial for adultery and her daughter's seventh birthday loomed the Irish government was unable to help, leaving Samieh to attempt multiple illegal escapes in an unforgettable, epic journey to freedom. Trapped in Iran is the harrowing and emotionally gripping story of how a mother defied a man and a country to win freedom for her daughter.

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    The authors treat ethnography as a methodology that includes the whole process of ethnography, from being fully present while engaging with the experience to analyzing representing, and communicating the results, with the hope of capturing different kinds of knowledge and experiencesThe book is structured around various methodologies sensing, walking, writing, performing, and recording and includes innovative exercises that allow both seasoned and aspiring ethnographers to develop a practice that can deepen and extend ethnographic inquiry."

    A master of word painting, Pyle honed the skills that would win him a 1944 Pulitzer Prize for his battlefront reporting by traveling across America, writing columns about the people and places he encountered. At Home with Ernie Pyle celebrates Pyle’s Indiana roots, gathering for the first time his writings about the state and its people. These stories preserve a vivid cultural memory of his time. In them, we discover the Ernie Pyle who was able to find a piece of home wherever he wandered. By focusing on his family and the lives of people in and from the Hoosier state, Pyle was able to create a multifaceted picture of the state as it slowly transformed from a mostly rural, agrarian society to a modern, industrial one. Here is the record of a special time and place created by a master craftsman, whose work remains vividly alive three quarters of a century later.

    An important book that reads like a political thriller, it is also a testament to the critical importance of journalism today; an inspiring love story that made front-page news; and a profoundly personal drama of one man's fight for freedom.On the night of December 29, 2013, Egyptian security forces, in a dramatic raid on the Marriott Hotel, seized Fahmy (Canadian-Egyptian Bureau Chief for Al Jazeera English) and two of his colleagues, Peter Greste and Baher Mohamed, accusing them of fabricating news as members of the outlawed Muslim Brotherhood. Their trials became a global cause c�l�bre condemned as a travesty. But Fahmy also never stopped being a journalist: inside Scorpion he found himself cheek by jowl with notorious Muslim Brotherhood leaders, Al Qaeda fighters, and ISIS sympathizers. Always intrepid, he took advantage of the situation to interview the Brotherhood about their aims, gaining exclusive insight into the geopolitical feuds between Egypt, Saudi Arabia, and the UAE on one hand and Qatar and its allies, including Turkey on the other--interviews that led him to sue his former employer, Al Jazeera, from prison. The complex power brokering of Middle Eastern and Western governments left three men trapped in a web he describes as Global McCarthyism. But at the heart of the book is an inspiring story of two strong women: Fahmy's wife, Marwa Omara, who used every means possible to fight for his release, bravely risking her safety; and his courageous international human-rights lawyer, Amal Clooney, who championed his battle for freedom.

    As a leader of the Student Nonviolent Coordinating Committee (SNCC), Moses presented himself as a mere facilitator of grassroots activism rather than a charismatic figure like Martin Luther King Jr. His self-effacing demeanor and his success, especially in steering the events that led to the volatile 1964 Freedom Summer and the formation of the Mississippi Freedom Democratic Party, paradoxically gave him a reputation of nearly heroic proportions. Examining the dilemmas of a leader who worked to cultivate local leadership, historian Laura Visser-Maessen explores the intellectual underpinnings of Moses's strategy, its achievements, and its struggles.This new biography recasts Moses as an effective, hands-on organizer, safeguarding his ideals while leading from behind the scenes. By returning Moses to his rightful place among the foremost leaders of the movement, Visser-Maessen testifies to Moses's revolutionary approach to grassroots leadership and the power of the individual in generating social change.

    When she arrived in Belfast in 1974 she initially worked on Chinese language programmes for the BBC before starting the first evening class for Chinese immigrants living in Northern Ireland in 1978. A qualified social worker, she worked for the Chinese Welfare Association in Belfast and was later the first vice-chair of the Northern Ireland Council for Ethnic Minorities. She was made an MBE in 1999 for work with the Chinese immigrant community and entered local politics in 2007, standing for the Alliance party in the assembly elections. She was elected to the Stormont parliament and re-elected in the South Belfast constituency four years later, when she topped the poll.In her memoir, she writes for the first time about her extraordinary journey - how it was to arrive in Belfast at the height of the Troubles; her work with the Chinese community from the early 1980s and the difficulties its members faced, including access to health, housing and other public services, as well as racist harassment; her time as a social worker; her children's experiences of life in Northern Ireland; her extraordinary political career, including the racial harassment she experienced; and her life away from the spotlight.

    A Midwest Connections pick of the Midwest Independent Booksellers Association, Fracture: Essays, Poems, and Stories on Fracking in America brings together a choir of established and emerging writers, giving voice to the complexities of hydraulic fracturing across the United States.

    In the coal-mining region of Central Appalachia, mountaintop-removal mining and coal-industry-related flooding, water contamination, and illness have led to the emergence of a grassroots, women-driven environmental justice movement. But the number of local activists is small relative to the affected population, and recruiting movement participants from within the region is an ongoing challenge.In Fighting King Coal, Shannon Elizabeth Bell examines an understudied puzzle within social movement theory: why so few of the many people who suffer from industry-produced environmental hazards and pollution rise up to participate in social movements aimed at bringing about social justice and industry accountability. Using the coal-mining region of Central Appalachia as a case study, Bell investigates the challenges of micromobilization through in-depth interviews, participant observation, content analysis, geospatial viewshed analysis, and an eight-month "Photovoice" project--an innovative means of studying, in real time, the social dynamics affecting activist involvement in the region. Although the Photovoice participants took striking photographs and wrote movingly about the environmental destruction caused by coal production, only a few became activists. Bell reveals the importance of local identities to the success or failure of local recruitment efforts in social movement struggles, ultimately arguing that, if the local identities of environmental justice movements are lost, the movements may also lose their power.

    Crimmins' novel brings us into the day to day life of this unique genius, who arrived in America as an immigrant who barely spoke English yet twenty years later developed and edited two of the biggest newspapers in the nation. Pulitzer's run-ins with the other newspaper titans of the Gilded Age show us the men who laid the foundations of American journalism, and his confrontations with the wealthy robber barons brings us into the drama of how Pulitzer began a surge for reform that was so very important to improve the quality of American life. Pulitzer's wife tries desperately to comfort the man whom she deeply loves, yet their romance is shattered by how Pulitzer's workaholic Napoleonic ambitions came to cause him a terrible breakdown, causing this newspaper widow further to the sidelines in this captivating drama of American life. Crimmins' dramatic novel brings us into fundamental elements at the heart of American society, describing the life of a man who fought essential political battles that changed life as we know it in the United States.

    Returning thirty years later as the bureau chief for The New York Times, she found a vastly different country: one defined as much by aspiration and possibility—at least by the illusion of possibility—as it is by the structures of sex and caste. The End of Karma is an exploration of this new India through the lens of young people from different worlds: a woman who becomes a Maoist rebel; a brother charged for the murder of his sister, who had married the “wrong” man; a woman who opposes her family and hopes to become a police officer. Driven by aspiration—and thwarted at every step by state and society—they are making new demands on India’s democracy for equality of opportunity, dignity for girls, and civil liberties. Sengupta spotlights these stories of ordinary men and women, weaving together a groundbreaking portrait of a country in turmoil.

    Whatever hopes people may have for the region are being dashed over and over, in country after country. Nicolas Pelham, a veteran correspondent for The Economist, has seen much of the tragedy first hand, but in Holy Lands he presents a strikingly original and startlingly optimistic argument.The Middle East was notably more tolerant than Western Europe during the nineteenth century, because the Ottoman Empire permitted a high degree of religious pluralism and self-determination within its vast borders. European powers broke up the empire and tried to turn it into a collection of secular nation-states; it was a spectacular failure. Rulers turned religion into a force for nationalism and the result has been ever increasing sectarian violence. The solution, Pelham argues, is to accept the Middle East for the deeply religious region it is, and try to revive its tradition of pluralism.Holy Lands is a work of vivid reportage--from Turkey and Iraq, Israel and Palestine, Abu Dhabi and Dubai, Bahrain and Jordan--that is animated by a big idea. It makes a region that is all too familiar from news reports feel fresh.

    Although commentary frequently lauds freelancers as ideal workers for the information age – adaptable, multi-skilled, and entrepreneurial – Nicole Cohen argues that freelance media work is increasingly precarious, marked by declining incomes, loss of control over one’s work, intense workloads, long hours, and limited access to labour and social protections. Writers’ Rights provides context for freelancers’ struggles and identifies the points of contention between journalists and big business. Through interviews and a survey of freelancers, Cohen highlights the paradoxes of freelancing, which can be simultaneously precarious and satisfying, risky and rewarding. She documents the transformation of freelancing from a way for journalists to resist salaried labour in pursuit of autonomy into a strategy for media firms to intensify exploitation of freelance writers’ labour power, and presents case studies of freelancers’ efforts to collectively transform their conditions. A groundbreaking and timely intervention into debates about the future of journalism, organizing precariously employed workers, and the transformation of media work in a digital age, Writers’ Rights makes clear what is at stake for journalism’s democratic role when the costs and risks of its production are offloaded onto individuals.

    Central Time, UPI White House reporter Merriman Smith broke the news that shots had been fired at President Kennedy's motorcade. Most people think Walter Cronkite was the first to tell America about the assassination. But when Cronkite broke the news on TV, he read from one of Smith’s dispatches. At Parkland Hospital, Smith saw President Kennedy’s blood-soaked body in the back of his limousine before the emergency room attendants arrived. Two hours later, he was one of three journalists to witness President Johnson’s swearing-in aboard Air Force One. Smith rightly won a Pulitzer Prize for the vivid story he wrote for the next day’s morning newspapers.Smith’s scoop is journalism legend. But the full story of how he pulled off the most amazing reportorial coup has never been told. As the top White House reporter of his time, Smith was a bona fide celebrity and even a regular on late-night TV. But he has never been the subject of a biography.With access to a trove of Smith’s personal letters and papers and through interviews with Smith’s family and colleagues, veteran news reporter Bill Sanderson will crack open the legend. Bulletins from Dallas tells for the first time how Smith beat his competition on the story, and shows how the biggest scoop of his career foreshadowed his personal downfall.Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

    He was a crusading journalist, who ultimately developed into a national leader, and, in the process, became a millionaire. As a newspaper editor, he influenced and molded the opinions of millions of Negroes in the United States, and therefore his career is of unique interest—indeed, his extraordinary achievement is a triumphant American success story. The roots of greatness should be sought in a man’s formative years. Until now, most Negroes who have achieved anything noteworthy seemingly have no traceable background—notably Booker T. Washington and George Washington Carver—and like Topsy seem merely to have “growed up.” But Abbott’s accomplishments represent continuity of family enterprise and perseverance. However, the purpose of this volume is not at all genealogical. Essentially, this is a biography of a people, for Abbott’s life and times spanned the most triumphant period of the Negro in the United States. Born three years after the promulgation of the Emancipation Proclamation, he lived to see and chronicle the spectacular progress of his people. In May 1905 Robert S. Abbott started publishing the Chicago Defender. The paper attacked racial injustice, particularly lynching in the south. The Defender did not use the words “Negro” or “black” in its pages. Instead, African Americans were referred to as “the Race” and black men and women as “Race men and Race women.” Many places in the south effectively banned the paper, especially when, during World War I, Abbott actively tried to convince southern blacks to migrate to the north. Abbott managed to get railroad porters to carry his papers south and he ran articles, editorials, cartoons -even train schedules and job listings to convince the Defender’s southern readers to come north. The “Great Northern Migration,” as it was called in the Defender, resulted in more than one million blacks migrating north, about 100,000 of them coming to Chicago. The Defender was passed from person to person, and read aloud in barbershops and churches. It is estimated that at its height each paper sold was read by four to five African Americans, putting its readership at over 500,000 people each week. In the burgeoning economic times of the 1920s, with hundreds of new products and the growth of advertising, the Defender became an economic success and Abbott became one of the first African American millionaires.

    In 2014, the notebooks from 1931 to 1941 were published, sparking immediate controversy. It has long been acknowledged that Heidegger was an enthusiastic supporter of the Nazi Party in the early 1930s. But the notebooks contain a number of anti-Semitic passages—often referring to the stereotype of “World-Jewry”—written even after Heidegger became disenchanted with the Nazis themselves. Reactions from the scholarly community have ranged from dismissal of the significance of these passages to claims that the anti-Semitism in them contaminates all of Heidegger's work. This volume offers the first collection of responses by Heidegger scholars to the publication of the notebooks. In essays commissioned especially for the book, the contributors offer a wide range of views, addressing not only the issues of anti-Semitism and Nazism but also the broader questions that the notebooks raise.

    Today Yemen is breaking free from the shackles of covert imperialism, learning once more to stand tall in the face of oppression. And though the impoverished nation is undergoing the growing pain of political empowerment, stumbling at times as a new generation of leaders are being made in the trenches of the Resistance movement, the sons of Hamdan are defiantly reclaiming their history, their land, their nation. As Yemen rises once more, it is a nation-state which will reclaim its place at the world table - with Yemen, Southern Arabia could witness the rise not of a political giant but a liberation movement echoing of the hopes first enounced by Ayatollah Ruhollah Khomeini (1979), when he first proposed an alternative to western capitalism as the only democratic model. Betrayed by their leadership, lost to corruption and bogged down by poverty Yemen’s long descent to the abyss can be traced back to 1994, when former President Ali Abdullah Saleh made a pact with Riyadh - military and financial support against the Southern Secessionist Movement - in exchange for Yemen’s heart and soul. Those Highlands the kingdom knew it could not militarily over-run, it chose to insidiously transform through the export of Wahhabism and Salafism. Former President Saleh opened Yemen up to Al Saud’s ideological devolution in the name of territorial unity. And if Yemen’s house stood united for a while, forced into a marriage of political and economic convenience by those ambitious men who failed to see past Saudi Arabia’s imperial manipulations, the poison of sectarianism came to undo. Yemen’s road to freedom would come by way of a counter-revolution, or rather a liberation, as the rise of the Houthis would mark the country’s real democratic awakening. Often dismissed by local political observers as they carry the stigma of the former regime, the Houthis, a Zaidi group organised under the leadership of Abdel-Malek Al-Houthi with a tribal base in northern Sa'ada, have long shed their "rebel group" label. They have been reborn as a powerful and popular political movement. If the Houthis, a formerly obscure band of tribal fighters, could be sneered at back in 2009 and shrugged off as wannabe Shia rebels by Yemen's high and mighty, the 2011 uprising levelled the political field to such an extent that they have come out of the revolutionary storm like a shiny new penny.

    Eking out a living as a foreign correspondent in the Baltic states, the pattern of his life is dictated by the visits of foreign dignitaries, the whims of local officials and occasional outbursts of civil unrest. Yet despite his lack of ambition and world-weary air, journalism sometimes becomes important, even to Beacon...'Baltic Byline' follows the inglorious progress of Beacon, his rivals, his brother hacks and his cat through twelve short stories, each building upon the other until... something unexpected happens.Imagine Graham Greene's seedy journalist Minty from 'England Made Me' crossed with Evelyn Waugh's 'Scoop' and recast in the form of Somerset Maugham's 'Ashenden' and you're on the right track for 'Baltic Byline'.

    It was the staging ground for the armies of the Mongol Empire, for the nineteenth-century struggle between the Russian and British empires, and for the NATO campaign in Afghanistan. Today, multinationals and nations compete for the oil and gas reserves of the Caspian Sea and for control of the pipelines. Yet “Stanland” is still, to many, a terra incognita, a geographical blank.Beginning in the mid-1990s, academic and journalist David Mould’s career took him to the region on Fulbright Fellowships and contracts as a media trainer and consultant for UNESCO and USAID, among others. In Postcards from Stanland, he takes readers along with him on his encounters with the people, landscapes, and customs of the diverse countries—Kazakhstan, Kyrgyzstan, Tajikistan, and Uzbekistan—he came to love. He talks with teachers, students, politicians, environmental activists, bloggers, cab drivers, merchants, Peace Corps volunteers, and more.Until now, few books for a nonspecialist readership have been written on the region, and while Mould brings his own considerable expertise to bear on his account—for example, he is one of the few scholars to have conducted research on post-Soviet media in the region—the book is above all a tapestry of place and a valuable contribution to our understanding of the post-Soviet world.

    They enlisted the help of Hoffer’s sister, journalist Fannie Kahan, and worked closely with her to document the religious ceremony and write a history of peyote, culminating in a defense of its use as a healing and spiritual agent. Although the text shows its mid-century origins, with dated language and at times uncritical analysis, it advocates for indigenous legal, political and religious rights and offers important insights into how psychedelic researchers, who were themselves embattled in debates over the value of spirituality in medicine, interpreted the peyote ceremony. Ultimately, they championed peyotism as a spiritual practice that they believed held distinct cultural benefits. A Culture’s Catalyst: Historical Encounters with Peyote and the Native American Church in Canada revives a historical debate. Revisiting it now encourages us to reconsider how peyote has been understood and how its appearance in the 1950s tested Native-newcomer relations and the Canadian government’s attitudes toward Indigenous religious and cultural practices.

    Uncover the rules, conventions and policies on spelling, grammar and usage followed by the journalists, contributors and editors working on the Times newspaper.Royal Family or royal family? Frontrunner or front-runner? Assure or ensure? Affect or effect? Even the most accomplished writer will run up against these and many similar problems in the quest for clear, elegant and grammatical writing.The Times editors answer these and hundreds of other usage conundrums with a comprehensive collection of entries covering the quirky minefield of the English language.Although no literary straitjacket, this authoritative guide is the foundation of correct English usage for all Times journalists and contributors and provides a benchmark style, the essential ingredient of all well-written English.

    With the passage of timethe offenses have been forgotten and the innovations inserted into a triumphal narrative about the rise of modernism.Far from manifesting the autonomy proclaimed by modernism's defenders, though, Flaubert's and Baudelaire's works remain enmeshed in their socio-historical contexts. To that end, The Censorship Effect argues that the stylistic features that prompted the criminal indictment of Madame Bovary and LesFleurs du Mal--Flaubert's free indirect style and Baudelaire's multiple poetic personae--were much more the products of an intense struggle with a culture of censorship than they were hallmarks of autonomous or autoreferential works of art. They exhibit signs of self-censorship and collaborationwith a regime of ethical and political censorship that not only shaped their very composition but affected their reception and continues to operate in the field of literary criticism. Indeed, as William Olmsted compellingly demonstrates, French modernism begins and remains deeply embedded in aculture of censorship whose proprieties, both literary and social, Baudelaire and Flaubert nevertheless challenged and transgressed.Exploring the censorship effect as it played out for Baudelaire and Flaubert, from their trials to their monuments, The Censorship Effect recaptures some sense of their original anger as well as its ongoing suppression by new orthodoxies and reveals how the effect of censorship has implicationsbeyond Flaubert and Baudelaire, beyond authors, but for us as readers too.