Reviewing the work in The New Republic, James Wood wrote that this groundbreaking volume "represents a triumph of translating, editing, and publishing. Beautiful to hold, scholarly and also popularly accessible, it is an enactment of love." Considered one of the greatest writers of the twentieth century, Isaac Babel has left his mark on a generation of readers and writers. This book will stand as Babel's final, most enduring legacy. Winner of the Koret Jewish Book Award; A New York Times Notable Book, a and Library Journal Best Book, a Washington Post Book World Rave, a Village Voice Favorite Book of the Year.

    He was judged by his colleagues to be the best television reporter of the war, however, the traumatic stories Laurence covered became a personal burden that he carried long after the war was over. In this evocative, unflinching memoir, laced with humor, anger, love, and the unforgettable story of Mé a cat rescued from the battle of Hue, Laurence recalls coming of age during the war years as a journalist and as a man. Along the way, he clarifies the murky history of the war and the role that journalists played in altering its course.The Cat from Huéi> has earned passionate acclaim from many of the most renowned journalists and writers about the war, as well as from military officers and war veterans, book reviewers, and readers. This book will stand with Michael Herr's Dispatches, Philip Caputo's A Rumor of War, and Neil Sheehan's A Bright, Shining Lie as one of the best books ever written about Vietnam-and about war generally.

    The only definitive collection of photographs spanning the entire career of war photographer Robert Capa.

    Drawing on a wide range of unpublished material and observations gathered from his visit to Yugoslavia in 1999, Michael Parenti challenges mainstream media coverage of the war and uncovers hidden agendas behind the Western talk of genocide, ethnic cleansing, and democracy.

    This book was conceived on a grand scale that does justice to his extraordinary life and the events he has witnessed. It forms one of the great documents of the latter part of the last century.The book begins and ends in the Somerset landscape that surrounds McCullin's home, but the whole sequence of more than two hundred photographs encompasses a ravaged northern England, war in Cyprus, Biafra, Vietnam, Cambodia, Beirut and riots in Derry. The climax of the book is among the cannibals and tribespeople deep in the jungles of Irian Jaya, where McCullin focuses on humanity in an almost Stone Age condition.The introduction by Harold Evans, the acclaimed newspaper editor and authority on photojournalism, is drawn from his long experience of working with McCullin. The distinguished novelist and essayist, Susan Sontag, has contributed an essay on McCullin and the role of witness to conflict - a subject of timely pertinence.

    But above all, Amis is concerned with literature, and with the deadly cliches–not only of the pen, but of the mind and the heart. In The War Against Cliché, Amis serves up fresh assessments of the classics and plucks neglected masterpieces off their dusty shelves. He tilts with Cervantes, Dickens and Milton, celebrates Bellow, Updike and Elmore Leonard, and deflates some of the most bloated reputations of the past three decades. On every page Amis writes with jaw-dropping felicity, wit, and a subversive brilliance that sheds new light on everything he touches.

    The response was immediate and overwhelming—readers almost instantly began asking when the second volume of Royko columns would appear. With more than a hundred vintage Royko columns and a foreword by Roger Ebert, For the Love of Mike was the answer.Royko, a nationally syndicated Pulitzer Prize winner, wrote for three major Chicago newspapers in the course of his 34 years as a daily columnist. Chosen from more than 7,000 columns, For the Love of Mike brings back more than a hundred vintage Royko pieces-most of which have not appeared since their initial publication-for readers across the country to enjoy. This second collection includes Royko's riffs on the consequences of accepting a White House dinner invitation (not surprisingly, he turned it down); his explanation of the notorious Ex-Cub Factor in World Series play; and his befuddlement at a private screening of Beyond the Valley of the Dolls, to which he was invited by his pal Ebert, the screenplay's author. The new collection also illuminates Royko's favorite themes, topics he returned to again and again: his skewering of cultural trends, his love of Chicago, and his rage against injustice. By turns acerbic, hilarious, and deeply moving, Royko remains a writer of wit and passion who represents the best of urban journalism. "To read these columns again is to have Mike back again, nudging, chuckling, wincing, deflating pomposity, sticking up for the little guy, defending good ideas against small-minded people," writes Roger Ebert in his foreword to the book. For the Love of Mike does indeed bring Mike back again, and until a Chicago newspaper takes up Ebert's suggestion that it begin reprinting each of Royko's columns, one a day, this collection will more than satisfy Royko's loyal readers.

    Photographs and time lines also commemorate important dates and events. An Army Air Corps veteran who enlisted in 1941 at age seventeen writes to describe the Bataan Death March. A black nurse tells of her encounter with wartime segregation. Other members of the Greatest Generation describe their war--in such historic episodes as Guadalcanal, the D-Day invasion, the Battle of the Bulge, and Midway--as well as their lives on the home front. Starting with the Depression and Pearl Harbor, moving on through the war years in Europe, in the Pacific, and at home, this unique book preserves a people's rich historical heritage and the legacy of a nation's heroism in war and its courage in peace--in the shaping of their lives and of the world we have today.

    A re-creation of Philip Jones Griffiths’ classic book on the Vietnam War – one of the most important and acclaimed works of photojournalism – with a foreword to the new edition by Noam Chomsky.

    That summer, Canada lost its innocence and the shocking story of Steven Truscott became imprinted on the nation’s memory. First published in 2001, “Until You Are Dead” revealed new witnesses, leads and evidence never presented to the courts. Now this national bestseller is fully revised and updated, and takes readers from that fateful night in 1959 up to the new appeal granted to Truscott in 2006. Julian Sher’s award-winning and insightful chronicle details Steven Truscott’s dramatic final battle – with the help of his family, investigative journalists and lawyers – to clear his name once and for all.

    She won international fame for her reporting on the Chechen wars and, more generally, on Russian state corruption. Nothing but the Truth is a defining collection of Anna Politkovskaya's best writing for Novaya gazeta, published between 1999 and 2006.Beginning with a brief introduction by the author about her pariah status, Nothing but the Truth demonstrates the great breadth of her reportage, from the Chechen wars to domestic Russian affairs, the Moscow theatre hostage-taking in which she became involved, the Beslan school siege, and pieces about politicians, oligarchs and ordinary citizens. Elsewhere are illuminating accounts of interviews and encounters with western leaders including Lionel Jospin, Tony Blair, George W. Bush, and exiled figures including Boris Berezovsky, Akhmed Zakaev, and Vladimir Bukovsky. Her non-political writing is also represented here, revealing her delightful personality, as are international reactions to her murder.Nothing but the Truth will also stand as a tribute to Anna Politkovskaya's matter-of-fact personal courage, disclosing information glossed over or omitted completely about the dangers she faced and the threats she received in the course of her work. It is a lasting and inspiring book from one of the great reporters of our age.

    With a "genius for illuminating that sometimes ephemeral apogee in people's lives when they prove capable of generating a brightly burning spark" "(Columbia Journalism Review), " Robert McG. Thomas Jr. commemorated fascinating, unconventional lives with signature style and wit."The New York Times" received countless letters over the years from readers moved to tears or laughter by a McG. Eschewing traditionally famous subjects, Thomas favored unsung heroes, eccentrics, and underachievers, including: Edward Lowe, the inventor of Kitty Litter ("Cat Owner's Best Friend"); Angelo Zuccotti, the bouncer at El Morocco ("Artist of the Velvet Rope"); and Kay Halle, a glamorous Cleveland department store heiress who received sixty-four marriage proposals ("An Intimate of Century's Giants"). In one of his classic obituaries, Thomas described Anton Rosenberg as a "storied sometime artist and occasional musician who embodied the Greenwich Village hipster ideal of 1950's cool to such a laid-back degree and with such determined detachment that he never amounted to much of anything." Thomas captured life's ironies and defining moments with elegance and a gift for making a sentence sing. He had an uncanny sense of the passion and personality that make each life unique, and the ability, as Joseph Epstein wrote, to "look beyond the facts and the rigid formula of the obit to touch on a deeper truth."Compiled by Chris Calhoun, one of Thomas's most dedicated readers, and with a fittingly sharp introduction from acclaimed novelist and critic Thomas Mallon, "52 McGs." will win legions of new fans to the masterful writer who transformed the obituary into an art form.

    Beginning with Paul Revere’s own narrative of his legendary ride in April 1775 and ending with a moving account of George Washington’s resignation from the command of the Continental Army in December 1783, the volume contains writing that describes the major events of the conflict—the early battles of Lexington, Concord, and Bunker Hill; the failed American invasion of Canada; the 1776 campaign in New York and New Jersey; the crucial battle of Saratoga; the bitter fighting in the South and along the western frontier; and the decisive triumph at Yorktown.Included are writings by famous figures—Washington Franklin, Jefferson, Benedict Arnold, John and Abigail Adams—and by lesser known participants: Samuel Blachley Webb describing courage and panic at Bunker Hill; Sarah Hodgkins writing longingly to her absent soldier husband; Jabez Fitch recounting the last hours of a wounded American officer in Brooklyn; Albigence Waldo chronicling the privations and miseries of Valley Forge; Otho Holland Williams recording with appealing candor American defeats and victories in South Carolina. The volume also contains writings by American Loyalists and by British officers and officials serving in America that provide provocative insights into the losing side of an epochal conflict. All selections are written by people who were in America at the time of the conflict.The American Revolution also includes a chronology of events, biographical and explanatory notes, and an index.

    Conceived, designed, written and made by hand as a prototype by master photographer Roy DeCarava (b.1919) in the early 1960s, yet unpublished for nearly half a century, The Sound I Saw has largely existed as a legend among the cognoscenti of the photography world. Presented as a stream of 196 soulful images interspersed with DeCarava's own evocative poetry, the book is, in its form and effect, the printed equivalent of jazz. "This is a book about people, about jazz, and about things. The work between its covers tries to present images for the head and for the heart and, like its subject matter, is particular, subjective, and individual," writes the author. DeCarava is a life-long New Yorker who from his immediate world creates images that transcend the specific to depict universal themes of joy, anticipation, pain and survival. Largely unpublished, he was first recognized for his images of daily life in Harlem (the subject of The Sweet Flypaper of Life, his 1955 collaboration with Harlem Renaissance poet Langston Hughes) and portraits of musicians like Duke Ellington and Billie Holiday. It is these two themes, Harlem and jazz, interwoven and inseparable, that are the ostensible subject of the book. However, the seemingly casual yet deeply felt compositions and the deep, rich tones of DeCarava's photographs stir emotions that resonate far beyond one neighbourhood and one era.

    She draws on recently discovered material to shed new light on Wright's relationships with Langston Hughes, Ralph Ellison, and others, and on his self-imposed exile in France (widely blamed for his so-called decline as a writer). In this lively, finely crafted narrative, Wright -- passionate, complex, courageous, and flawed -- comes vibrantly to life.

    -- Profiles the lives and careers of women whose accomplishments have contributed to our society-- Fully illustrated with photographs and paintings

    Here, for the first time in paperback, the work of more than 50 remarkable reporters has been drawn from original newspaper and magazine reports, radio transcripts, and wartime books to capture the intensity of World War II's unfolding drama. This volume includes the work of Ernie Pyle, A. J. Liebling, E. B. White, William L. Shirer, John Steinbeck, Margaret Bourke-White, Edward R. Murrow, Martha Gellhorn, James Agee, John Hersey-whose Hiroshima appears in full-and many more. Also included are: A detailed chronology (1933-1945) Maps Profiles of the journalists Helpful notes A glossary of military terms, and Notes on the texts

    It was a scorching Manila morning, and in thirty minutes Ali would go to war with Joe Frazier for the third and final time. Ali yawned and stared at the ceiling of his dressing room. "Just another day's work," he said. "Just gotta go beat on another man." The reporter did what a reporter is supposed to do. He listened and wrote down Ali's words.And so began just another day's work for Dick Schaap, who in the past half-century has carved out his own legend, not with his fists but with his reportorial verve, his indefatigable curiosity, and his irrepressible wit. Now, in Flashing Before My Eyes, the longtime ABC correspondent and host of ESPN"s The Sports Reporters recounts a charmed career in which he has met almost everyone and seen almost everything. He has played golf with Bill Clinton, tennis with Bobby Fischer, cards with Wilt Chamberlain. He has written books with Joe Namath and Joe Montana. He has taken Brigitte Bardot to dinner and Lenny Bruce to a World Series. He saw the Baltimore Colts beat the New York Giants in sudden-death overtime, and the Green Bay Packers beat the Dallas Cowboys in the Ice Bowl. He saw Bill Mazeroski end a World Series with a home run, and Willis Reed lift the New York Knicks to an NBA title. He has covered murders and riots, presidential campaigns and Broadway openings. He introduced Muhammad Ali to Billy Crystal, and Billy Crystal to Joe DiMaggio. He walks with sluggers and senators, cops and comedians, authors and actresses, and he shares the sights he sees and the words he hears in stories that make you laugh and cry.With an introduction by Tuesdays with Morrie author Mitch Albom, Schaap's memoir gives the reader the ultimate highlight reel of the last fifty years and makes a compelling case that if Dick Schaap wasn't there to see it, it didn't happen.

    Photographs from the Getty collection. Fascinating photographs put images of the power of an event or the zaniness of new trends right before the viewers' eyes. The force of war and political conflict is just as important a theme as world-shaking innovations in science and technology. These are accompanied by portraits of great personalities in art, politics, and society.

    Book by Meltzer, Dave

    And for over fifty years Ernest Withers has documented the Memphis music scene in and around Beale Street. So many of the great musicians and performers are included: W. C. Handy, Muddy Waters, B.B. King, Elvis Presley, Sam Cooke, Otis Redding, Aretha Franklin, Ike and Tina Turner, Al Green, Isaac Hayes, and many more. And Withers photographed them in situ: in the dancehalls, recording studios, auditoriums, churches, and streets of Memphis. These photographs are a fundamental visual archive of the musical legacy of Memphis -- and one powerful aspect of the photographic legacy of Ernest WithersThe photographs are reproduced in stunning duotone plates and were selected by award-winning author Daniel Wolff who also wrote the introduction and the extended captions. See Ray Charles playing piano at the WDIA Goodwill Revue, Elvis Presley bumping and grinding at the Club Paradise in 1960, Aretha Franklin and Coretta Scott King at the SCLC Convention in 1968, and Count Basie jamming with Billy Eckstine at the Hippodrome in 1953, and many more. No serious fan of blues, rock and roll, or soul can afford to be without this handsome photographic portrait of a whole world of American music.

    A collection of Ayn Rand's works in a compact electronic searchable form.

    The section began in the first issue, in 1925. But it wasn't until a couple of years later, when E. B. White and James Thurber arrived, that the Talk of the Town story became what it is today: a precise piece of journalism that always gets the story and has a little fun along the way.The Fun of It is the first anthology of Talk pieces that spans the magazine's life. Edited by Lillian Ross, the longtime Talk reporter and New Yorker staff writer, the book brings together pieces by the section's most original writers. Only in a collection of Talk stories will you find E. B. White visiting a potter's field; James Thurber following Gertrude Stein at Brentano's; Geoffrey Hellman with Cole Porter at the Waldorf Towers; A. J. Liebling on a book tour with Albert Camus; Maeve Brennan ventriloquizing the long-winded lady; John Updike navigating the passageways of midtown; Calvin Trillin marching on Washington in 1963; Jacqueline Onassis chatting with Cornell Capa; Ian Frazier at the Monster Truck and Mud Bog Fall Nationals; John McPhee in virgin forest; Mark Singer with sixth-graders adopting Hudson River striped bass; Adam Gopnik in Flatbush visiting the ìgrandest theatre devoted exclusively to the movies; Hendrik Hertzberg pinning down a Sulzberger on how the Times got colorized; George Plimpton on the tennis court with Boris Yeltsin; and Lillian Ross reporting good little stories for more than forty-five years. They and dozens of other Talk contributors provide an entertaining tour of the most famous section of the most famous magazine in the world.

    Known as "the father of Harlem radicalism, ' and a leading Socialist party speaker who advocated that socialists champion the cause of the Negro as a revolutionary doctrine, Harrison had an important influence on a generation of race and class radicals, including Marcus Garvey and A. Philip Randolph.Harrison envisioned a socialism that had special appeal to African-Americans, and he affirmed the duty of socialists to oppose race-based oppression. Despite high praise from his contemporaries, Harrison's legacy has largely been neglected. This reader redresses the imbalance; Harrison's essays, editorials, reviews, letters, and diary entries offer a profound, and often unique, analysis of issues, events and individuals of early twentieth-century America. His writings also provide critical insights and counterpoints to the thinking of W. E. B. DuBois, Booker T. Washington and Marcus Garvey.The reader is organized thematically to highlight Harrison's contributions to the debates on race, class, culture, and politics of his time. The writings span Harrison's career and the evolution of his thought, and include extensive political writings, editorials, meditations, reviews of theater and poetry, and deeply evocative social commentary.

    Featuring agenerous and diverse sampling of more than sixty works, this collection includes beautiful, disturbing, and instructive works of literary memoir by such writers as Mary McCarthy, Annie Dillard, and Judy Ruiz; smart, funny, and moving personal essays by authors ranging from E.B. White to PhillipLopate to Ntozake Shange; and incisive, vivid, and quirky examples of literary journalism by Truman Capote, Barbara Ehrenreich, Sebastian Junger, and many others. This unique volume also contains examples of captivating nature writing, exciting literary travel writing, brilliant essays in science, surprising creative cultural criticism, and moving literary diaries and journals, incorporating several classic selections to set a context for the contemporary work. The editor's general introduction and introductions to each of the five sections provide useful definitions, crucial history, critical context, and abundant issues to debate. Ideal for undergraduate and graduate courses in creative nonfiction, literary journalism, essay writing, and all levels of composition, Contemporary Creative Nonfiction: The Art of Truth is also an essential resource for all nonfiction writers, fromnovices to professionals.

    Howard K. Smith worked as a young reporter in Berlin during Hitler's rise to power, and for the first two years of the Second World War. Finally granted a visa to leave the country--coincidentally on December 7th, 1941--he wrote everything censors had forbidden about the physical, emotional, and psychological manipulation of the German people by Hitler, Goebbels, and their lackeys. His personal experiences under difficult circumstances are extraordinary enough, but his descriptions of people forced to join the war, compulsory Nazi Youth groups, and of the German high command read like a chilling thriller.

    Kertész was a Hungarian who worked in Paris in the 1920s and 1930s, becoming a mentor to photographers such as Capa, Brassaï, and Cartier-Bresson. As an intuitive artist with an innovative visual language of playful humour and surrealism, as well as a pioneer of 'spontaneous' imagery, his influence and importance within the field cannot be underestimated. The book includes an introductory essay by Noël Bourcier, the leading expert on Kertész.

    He spends the money on a ticket to Saigon. Here is the war as he saw it, including the mission that became the novel Incident at Muc Wa and the acclaimed Burt Lancaster film Go Tell the Spartans. "A riveting account of the Vietnam War in its openings round. Recommended to students, veterans, and historians." (Annals of Vietnam, February 2002)

    Revealing Seal’s active role in many of the nation’s most notorious scandals—including the Bay of Pigs, the Kennedy assassination, Watergate, and the Iran-Contra Affair—and featuring primary documents previously unseen by the public, this unique history explores the Faustian bargains made by the U.S. government and the secret pasts of some of today’s politicians.

    FOOL'S PARADISE presents the best writings of one of America's most incisive and influential thinkers on subjects from rainmakers to agribusiness, party politics to the internment of Japanese Americans during World War II. "I never lost a feeling for the importance of idealism in keeping alive the belief that injustices can be corrected and inequalities lessened." So wrote McWilliams, historian, journalist, activist, and iconoclast who chronicled the history of California and the West for a period of nearly sixty years. With an introduction by Gray Brechin and a forward by McWilliams' son, Wilson Carey McWilliams.

    In this gripping account, Anthony Collings takes us into the world of independent journalists, and the daily challenges they face confronting dictators, hostile military, and narcoterrorists. Unfettered by any ties to those in positions of power, these guerrilla journalists are often the first on a story whether reporting on corruption in Mexico, organized crime in Russia, or sexual scandal in the Middle East and accordingly face the brunt of their subject's wrath.Collings, who has himself been held captive while on assignment, here focuses less on those nations in which the press is either largely free (such as the U.S. or Western European democracies) or aggressively restricted (as in China), and more on those battleground countries where the eventual outcome of the struggle between state and fourth estate remains unclear. Relying on interviews, professional contacts, and his own experiences, Collings explores the dilemmas and strategies of journalists who persevere in the face of war, repressive governments, and criminal aggression, with particular emphasis on the role of the Internet.At a time when journalism is increasingly a profession under siege, Words of Fire forces into the spotlight a more positive side of the profession, those who pursue journalism not for profit or fame but as a personal crusade.

    The Warren Companion is the ultimate compendium to the great comics of Warren Publishing, examining all the titles including Creepy, Eerie, Vampirella, Blazing Combat, Help!, The Spirit, and many more! Including the most cross-indexed artist and writer listing, this tome also features a new painted cover by Alex Horley, reams of unpublished art, archival photos, examinations of Warren's competition, plus exhaustive details on Warren merchandise, conventions, top strips, most prolific contributors, foreign publications, and many other fascinating oddities! Also featuring new articles on Richard Corben, Frank Frazetta, Steve Ditko and others, and interviews with Bernie Wrightson, Jim Warren, Will Eisner, Neal Adams, Gene Colan and many more.

    The Awards are the magazine equivalents to the Pulitzer Prizes of the newspaper industry. Each year, hundreds of editors-in-chief, journalism professors, and art directors winnow more than a thousand submissions to about seventy-five nominees in categories such as Reporting, Feature Writing, Profiles, Public Interest, Essays, Reviews and Criticism. Interest in the nominees is keen, and this collection will allow people both in the magazine world and beyond to find in one place, read, and admire the year's best. It is a wonderful, browsable volume of interest to writers and readers who appreciate magazine writing and journalism at its highest level.

    For over thirty-four years, he wrote stories about corruption from county, state, and federal levels. He had an almost magnetic effect to these kinds of stories, and it was almost as if the stories found him. It was his gift, and, ultimately, it was his downfall.He was best known for his story Dark Alliance, written for the San Jose Mercury News in 1996. In it Webb linked the CIA to the crack-cocaine epidemic in Los Angeles during the Iran Contra scandal. His only published book, Dark Alliance is still a classic of contemporary journalism. But his life consisted of much more than this one story, and The Killing Game is a collection of his best investigative stories from his beginning at the Kentucky Post to his end at the Sacramento News & Review. It includes Webb's series at the Kentucky Post on organized crime in the coal industry, at the Cleveland Plain Dealer on Ohio State’s negligent medical board, and on the US military’s funding of first-person shooter video games. The Killing Game is a dedication to his life’s work outside of Dark Alliance, and it’s an exhibition of investigative journalism in its truest form.

    After a crash training course (the documents for which are reproduced here), he was appointed a Talks Producer responsible for features, talks and commentaries on the war, to be broadcast to India. He wrote at least 220 news commentaries for, and broadcast to, India and occupied Malaya and Indonesia, of which Orwell read fifty-six.. This volume shows that formal censorship was not as great a problem as has been supposed, though it obviously occurred and Orwell's brushes with censors are shown in detail.Along with Volumes 14 and 15 of the Complete Works, Volume 13 shows the enormous efforts he made to disseminate culture rather than crude propaganda. It is in this volume that the origins of 'Room 101' are to be found; it has examples of his first 'courses' for Indian university student - the forerunner of the Open University; the first issue of his broadcast poetry magazine, 'Voice', and a nubmer of his own broadcasts, including 'The Re-discovery of Europe'. He continued to review, to write essays, and to contribute to Partisan Review and he was still active in the Home Guard.

    Through historical and present-day analysis, the authors show how race-based attitudes, policy making, and administrative policies have long had a negative impact on public assistance programs. The book adds an important and controversial voice to the current welfare debates surrounding the recent legilation that abolished the AFDC.

    With an international scope of compassion and escalating tension, Maggie Helwig uses the voices and stories of a strong and varied cast of characters to shape a world in which it’s far too “easy to lose people.” A book about disappearance and surveillance, Where She Was Standing contrasts involuntary and overtly political tragedies with the dirty little secrets of our big cities, the deliberate invisibility of society’s dangerous fringe and the emotional unavailability of scarred and scared individuals.  The murder of Lisa James, a young black Canadian photographer, in Indonesian-occupied East Timor, unifies everyone; the presence of her absence, her life, memory, and principles guide both her mother and boyfriend, as well as a journalist, a doctor, and a human rights activist she has never met, through fragile and subterranean explorations of the heart and soul. Their quest is simple, their quest is impossible: their quest is the truth. With both its poetry and its treacherous political landscape, Where She Was Standing is as suspenseful as it is breath-taking. This rare combination has led Helwig to produce something rarer still: an utterly essential page-turner.

    It introduces readers to Jim in a friendly and intimate way. Much of the biographical imformation comes from interviews with Jim's family, a sister, his mother, including a chapter written by his son and daughter. Jim and his mother opened the family archives and provided the family photos, which apper in the biographical chapters. Jim's Enquirer family contributes most of the text, and his partner in the Zits comic strip, Jerry Scott, gives you the inside story on how the strip began. (from introduction)

    In it Auberon Waugh muses on subjects of national importance and discusses more parochial happenings near his Somerset home. How should he, as President, Chairman and only known member of Vespa, the Venerable Society for the Protection of Adulterers, react to the news that scientists have produced a device that can trace the exact location of errant husbands? And what can he do to ensure the church fete's underwater baby-racing competition takes place despite safety warnings from the Royal Society for the Prevention of Accidents? Certain threads run through his columns - the battle against draconian drink-driving laws, the beneficial effects of smoking on children, the efforts to enshrine the memory of Fred Hill, who died while in Pentonville prison, jailed for refusing to wear a motorcycle helmet. There are a few triumphs - Waugh allows himself some pleasure when it is revealed that, as he had been saying for years, hamburgers and mar

    Contrary to those who isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she shows that the photographic album must be taken as a whole and interpreted as a visual and verbal performance that extends oral consciousness.Suspended Conversations brings to light a rich collection of photographic travelogues, memoirs, thematic collections, and family sagas compiled between 1860 and 1960 and held by the McCord Museum of Canadian History. Martha Langford not only provides a fascinating glimpse of a previous century's preoccupations and mores but brings photography into the great conversation about how we remember and how we send our stories into the future.

    The book uses real-world examples that journalists encounter on a daily basis.

    The United States was attacked by an unknown terrorist organization. Word of this attack spread instantaneously around the world. Billions of people woke up on September 12 to find that the front page of their local newspaper was devoted to the tragedy of the World Trade Center and the Pentagon.September 11, 2001 is a collection of 150 front pages of major newspapers throughout the world.

    Told in a hard-edged, investigative style, it spans the American Century, from 1884, when the Chandler family gained control of the just-born daily, through April 2000, when they sold it to the Tribune Company. Above all, Privileged Son chronicles the life of Otis Chandler, the Times' chief architect after 1960, whose flamboyant exploits in and out of the publisher's suite changed the perspective of the newspaper, and Los Angeles, forever.Using scores of insider sources, Dennis McDougal, the best-selling author of The Last Mogul, will surprise readers with his findings, including accounts of political graft and early mob connections among one of L.A.'s most prominent families. The Chandlers, who helped establish the national careers of Richard Nixon, Ronald Reagan, and several other major political figures, controlled Los Angeles and the Times Mirror Corporation with a capriciousness that is seldom seen, even in the most dysfunctional media dynasties.Privileged Son is a thoroughly compelling page-burner that will keep readers engaged from its opening paragraphs. But it is also a numbing morality tale that extends far beyond Otis Chandler to highlight the greed that brought down one of America's richest family dynasties and one of its most prominent newspapers.

    Hearn's influence on our perceptions of New Orleans, however, has unjustly remained unknown.In ten years of serving as a correspondent and selling his writing in such periodicals as the New Orleans Daily Item, Times-Democrat, Harper's Weekly, and Scribner's Magazine he crystallized the way Americans view New Orleans and its south Louisiana environs. Hearn was prolific, producing colorful and vivid sketches, vignettes, news articles, essays, translations of French and Spanish literature, book reviews, short stories, and woodblock prints.He haunted the French Quarter to cover such events as the death of Marie Laveau. His descriptions of the seamy side of New Orleans, tainted with voodoo, debauchery, and mystery made a lasting impression on the nation. Denizens of the Crescent City and devotees who flock there for escapades and pleasures will recognize these original tales of corruption, of decay and benign frivolity, and of endless partying. With his writing, Hearn virtually invented the national image of New Orleans as a kind of alternative reality to the United States as a whole.S. Frederick Starr, a leading authority on New Orleans and Louisiana culture, edits the volume, adding an introduction that places Hearn in a social, historical, and literary context.Hearn was sensitive to the unique cultural milieu of New Orleans and Louisiana. During the decade that he spent in New Orleans, Hearn collected songs for the well-known New York music critic Henry Edward Krehbiel and extensively studied Creole French, making valuable and lasting contributions to ethnomusicology and linguistics.Hearn's writings on Japan are famous and have long been available. But Inventing New Orleans: Writings of Lafcadio Hearn brings together a selection of Hearn's nonfiction on New Orleans and Louisiana, creating a previously unavailable sampling. In these pieces Hearn, an Anglo-Greek immigrant who came to America by way of Ireland, is alternately playful, lyrical, and morbid. This gathering also features ten newly discovered sketches. Using his broad stylistic palette, Hearn conjures up a lost New Orleans which later writers such as William Faulkner and Tennessee Williams used to evoke the city as both reality and symbol.Lafcadio Hearn (1850-1904) was a prolific writer, critic, amateur engraver, and journalist. His many books-on a diverse range of subjects-include La Cuisine Creole: A Collection of Culinary Recipes (1885), Gombo Zhebes (1885), Chita (1889), and Glimpses of Unfamiliar Japan (1894).

    Spanning 35 years, the book covers trouble-spots in regional locations from South East Asia, Africa, South America to the USA and UK and Pilger praises the courage and integrity of the photographers in the face of warfare, political upheaval and tense circumstances.

    'In my lap, hopping atop my thighs as the truck lurches, as my body shivers, sits a sturdy canvas Domke bag filled with Nikons and Kodachrome film, which I'm hoping to use to photograph the pull-out of the Soviet troops from Afghanistan. Actually, I have no idea how to photograph a Soviet pull-out. Though this is my second story as a professional photojournalist, I'm still not clear on what it is photojournalists actually do in a real war.' What follows is the hilarious and winning memoir of a young woman finding and fighting her way through the war zones of the world. It is a thrilling coming-of-age story, told with humour and uncommon wisdom, about how one woman fought her way on to battlefields, and the danger, pain, truths and love she discovered there.

    This book uses a brisk, conversational style to teach readers how to develop an individualized, more sophisticated organization routine for beginning the writing process. It is uniquely devoted to the writer's mental organization-the moments between the last scrawl in the reporter's notebook and the first stroke at the keyboard. Newsthinking brings years of experience and insight to readers and provides practical strategies for crafting great journalism. For beginning journalists, or anyone interested in improving their writing techniques.

    From that first interview with Tom Higgins to his longawaited victory in the race he most wanted to win, the Daytona 500; from a country boy from Kannapolis, North Carolina, to one of the most recognizable sports figures in the world, here is a look back at the career of a champion. The new epilogue covers Earnhardt's career from 1998 until his tragic death in 2001.

    He traveled widely, interviewed Russian officers and enlisted men, civilians and German prisoners. His diary entries and description of why and how the Russians managed to turn back the Nazi invasion make this a fascinating book to read.

    Noted contributors approach a variety of media with a solid grounding in the history of each, and an eye for which may be vulnerable and which may thrive in the new technological age. Trends such as interactivity and niche building will affect everything from the newspaper to public relations, and this collection of essays provides a fascinating guide to where the next decades may take us.Regardless of the visual, aural, or printed form, "Mass Media in 2025" illustrates the degree to which older media will have to incorporate the level of interaction and specialization offered by newer media if they are to survive. These effects can already be seen in the proliferation of television channels, in the ironic bent of advertising, in the rise of infotainment in news organizations. This book shows not only how all of this has come to be, but also, more importantly, where it will go.

    It’s also fun to read about one of the South’s most important twentieth-century journalists.”—David E. Summer, Ball State UniversityMore than a decade before the civil rights movement, newspaperman Ralph McGill broke the social code of silence that kept white southerners from publicly debating any change in the system of racial segregation. From his editorial perch at the Atlanta Constitution, McGill dared to question the South’s voting laws and its so-called “separate but equal” school system.In the North, McGill was hailed as the conscience of the South, but on his home turf he was branded a traitor and a Communist—“Red Ralph,” some called him. The Ku Klux Klan picketed his newspaper offices. Reactionaries sent him hate mail, threatened him by telephone, tossed garbage on his lawn, and used his mailbox for target practice. But in his thirty-one years as an editor and publisher, McGill’s columns were eagerly read, even by those who hated him. And those who admired him, including young journalists, began confronting a subject that for generations of white southerners remained a taboo.For this biography, Leonard Teel has drawn on many archival sources not previously used, including files of the Federal Bureau of Investigation, as well as public and private archives of McGill’s papers and correspondence, interviews with his colleagues and family, and the vast storehouse of his opinion columns in both Nashville and Atlanta.By tracing McGill’s decades-long career from his early days as a foreign correspondent in Cuba in the 1930s to his steadfast support for the Vietnam War, Teel reveals a man who, in his unique way, embodied twentieth-century liberalism in all its complexities and contraditions. Most important, Teel shows how McGill’s brand of liberalism influenced thw way he grappled with the greatest issue of his time: the ending of the Jim Crow era in the South.The Author: Leonard Ray Teel is an associate professor of communications at Georgia State University, where he founded the Center for International Media Education. He has worked at CNN, the Atlanta Journal-Constitution, the Evening Star in Washington, D.C., and the Miami Herald. His books include Erma: A Black Woman Remembers, 1912–1980 (with Erma Calderon, edited by Toni Morison) and Into the Newsroom: An Introduction to Journalism (with Ron Taylor), which has now been translated into Chinese, Arabic, and Spanish.