She is a warrior, a priestess, and a threat to the powers of Ancient Rome. This breathtaking saga from acclaimed newcomer Donna Gillespie unveils a fascinating world of pagans and slaves, warriors and nobles--and the extraordinary life of a legendary woman they called the Light Bearer.

    Eventually she learns that being different is a secret that all humans share—from her mother who flees into madness, to her friend Georg whose parents pretend he's a girl, to the Jews Trudy harbors in her cellar.Ursula Hegi brings us a timeless and unforgettable story in Trudi and a small town, weaving together a profound tapestry of emotional power, humanity, and truth.

    Its political and cultural lessons retain uncanny relevance for all who seek to understand the tensions and possibilities of our age. The Weimar Republic Sourcebook represents the most comprehensive documentation of Weimar culture, history, and politics assembled in any language. It invites a wide community of readers to discover the richness and complexity of the turbulent years in Germany before Hitler's rise to power.Drawing from such primary sources as magazines, newspapers, manifestoes, and official documents (many unknown even to specialists and most never before available in English), this book challenges the traditional boundaries between politics, culture, and social life. Its thirty chapters explore Germany's complex relationship to democracy, ideologies of "reactionary modernism," the rise of the "New Woman," Bauhaus architecture, the impact of mass media, the literary life, the tradition of cabaret and urban entertainment, and the situation of Jews, intellectuals, and workers before and during the emergence of fascism.While devoting much attention to the Republic's varied artistic and intellectual achievements (the Frankfurt School, political theater, twelve-tone music, cultural criticism, photomontage, and urban planning), the book is unique for its inclusion of many lesser-known materials on popular culture, consumerism, body culture, drugs, criminality, and sexuality; it also contains a timetable of major political events, an extensive bibliography, and capsule biographies. This will be a major resource and reference work for students and scholars in history; art; architecture; literature; social and political thought; and cultural, film, German, and women's studies.

    One of the most popular media used by the German Expressionists was the woodcut, important in the history of German art from the time of Albrecht Dürer (1471–1528), and especially suited to Expressionism's bold graphics.This superb collection presents over 100 finely reproduced woodcuts from the work of nearly 30 major artists in the movement who worked in the woodcut medium. Among them are Ernst Barlach, Max Beckmann, Lyonel Feininger, Ernst Ludwig Kirchner, Käthe Kollwitz, Franz Marc, Emil Nolde, Max Pechstein, and many others. Most of the woodcuts reproduced here date from the first three decades of the twentieth century. They are powerful works, ranging in mood from Felix Müller's pensive portrait of Carl Sternheim (1925) to Franz Marc's electric Riding School (1913) and Ernst Barlach's profoundly moving Christ on the Mount of Olives (1920).Readers interested in the art of the woodcut as well as students and enthusiasts of twentieth-century art will find this volume ideal for browsing and study. Individual captions for each selection, notes on each artist, and an informative introduction to the art of the woodcut and the German Expressionist movement add to the book's value as a reference work.

    A philosophic champion of human freedom, she was among the first to draw the now-evident parallel between Nazism and Bolshevism and to identify totalitarianism as a threat inherent to the modern world. Jerome Kohn, Arendt's longtime assistant, has compiled, edited, and annotated her manuscripts for publication, beginning with some of her earliest published work and including essays on Augustine, Rilke, Kierkegaard, and figures of the nineteenth-century "Berlin Salon"; the loyalties of immigrant groups within the United States; the unification or "federation" of Europe; "the German problem"; religion, politics, and intellectual life; the dangers of isolation and careerism in American society; the logical consequences of "scientific" theories of Nature and History; the terror that was the organizing principle of both the Nazi and the Communist states. Two seminal essays have never before been published in complete form: On the Nature of Totalitarianism: An Essay in Understanding (1953) and Concern with Politics in Recent European Philosophical Thought (1954).

    Bursting with intellectual and sexual energies, resuscitating the German language after two decades of Nazi subjugation, these novellas revolutionized German literature in the 1950s and retain their power to shock and delight forty years later.Schmidt has been called a "giant of the modernist tradition, an enormously important talent in the fictional line of cruel comedy that runs from Rabelais through Swift and Joyce" (New York Review of Books). This edition of his collected fiction should restore Schmidt to his rightful place at the forefront of 20th-century writing.

    Offering a uniquely new perspective on the psyches of Germany and Japan after World War II, an expert on those two countries' politics and history explores how each country dealt with its past and their legacies of guilt in light of the atrocities which were committed during the war.

    This complex and covert series of operations was known as the 'euthanasia' programme. It provided many of the personnel and the technical expertise later deployed in the 'Final Solution'. This is the first full-scale study in English of the 'euthanasia' programme. It considers the role of all those involved in these policies: bureaucrats, doctors, nurses, health officials, lawyers, clerics, and also parents, relatives, and the patients themselves. Using a wealth of original archival material, it highlights many of the moral issues involved in a way that is profoundly disquieting. The book concludes by showing the ease with which many of the perpetrators filtered back into German society after 1945.

    the forgotten victims of nazism, [gays] and [lesbians] were targeted for persecution and extermination, Their fate is studied in this disturbing [history] ,with archive material from east germany which remained lost until the fall of the Berlin Wal

    Here were sixteen days of heroism, aesthetic and athletic perfection, and a triumph of determination and will - not least by the legendary artist Leni Riefenstahl. The filmmaker and photographer was commissioned to document these spectacular games for posterity. Her film Olympia is one of the results of this experiment. The other is this volume, Olympia, a startling collection of images of athletes, of sport, and of intense drive resulting from these games. Riefenstahl utilized innovative and ground-breaking camera angles, techniques, and styles in order to create her vision of the Olympics. Her stark realism is revealed in these shots of strength and determination. The artist presents divers, swimmers, sprinters, jumpers, vaulters, and others as specimen, the ultimate practitioners of their art forms, and by these efforts, the portraits of these men and women reach a zenith of Riefenstahl's own art. Leni Riefenstahl's visual genius is fully evident in this remarkable collection of black and white photographs. Through her lens, we view the epitome of the beauty of athleticism, the excitement of competition, and the pressure of the political atmosphere. Olympia is a remarkable record of human idealism, Olympic excellence, and photographic skill.

    What is little known is the fate of fifteen million German civilians who found themselves on the wrong side of new postwar borders. All over Eastern Europe, the inhabitants of communities that had been established for many centuries were either expelled or killed. Over two million Germans did not survive. Some of these people had supported Hitler, but the great majority were guiltless. In A Terrible Revenge, de Zayas describes this horrible retribution. This new edition includes an updated foreword, epilogue and additional information from recent interviews with the children of the displaced.

    

    Now, for the fist time, we have a comprehensive, objective, and deeply researched account of the brigade's experience in Spain and what happened to the survivors when they returned to the United States. (About one-third of the volunteers died in Spain). The book is largely based on previously unused sources, including the newly opened Russian archives, and more than 100 oral histories.The author charts the volunteers' motivations for enlisting in the fight against Spanish fascism and places their actions in the context of the Depression era. The battleground experiences of the brigade have never before been depicted in such vivid detail, and such battles as Jarama, Belchite, and the Ebro come alive in the participants' words. The author uses the military aspects of the war to illuminate such related issues as the influence of political ideology on military events and the psychology of a volunteer army. He also closely examines the role of the Communist party in the conduct of the war, including the "Orwell question"—allegations of a Communist reign of terror in Spain—and investigates the alleged racial problems within the brigade, the first fully integrated military unit in American history.The book continues the saga of the brigade by relating the problems of the surviving volunteers with the U.S. Army during World War II; their opposition to the Cold War, the Vietnam war, and U.S. intervention in Central America; the persecution during the Red Scare of the 1950s; and their involvement with the civil rights movement.

    Charlie Martin, company sergeant-major in the Queen’s Own, was with his beloved A Company in all of the significant Normandy actions.

    Designed for maximum practicality, it sets the Hitler years in their wider context, with most sections spanning the Weimar Republic and the rise of Nazism as well as the Third Reich itself. In addition to political chronologies and anatomies of the Nazi party and the police state, there is detailed information on economy, society and culture; diplomacy, rearmament and war; and racial politics and the Holocaust. Biographies, glossary and a rich annotated bibliography complete an invaluable study aid.

    

    Hanfstaengl graduated from Harvard and ran the family business in New York for a dozen years before returning to Germany in 1921. There by chance he heard Adolf Hitler. Hanfstaengl befriended Hitler and welcomed him into his home. He saw himself as a civilizing influence on the volatile politician, and for a time he was. But later, after Hitler was jailed in Landsberg, their relationship began to change. It was there Hitler wrote Mein Kampf, honing his fanatical theories and ideas - especially his growing anti-Semitism - and surrounding himself with rabid extremists like Goering, Hess, Rosenberg, and Goebbels.

    These eleven essays explore the tension between Hitler's vision of an armed economyand the reality of German economic and social life. Richard Overy argues that the German economy was much less crisis-ridden in 1939 than its enemies supposed, and that Hitler, far from limiting his war effort, tried to mobilize the economy for total war from 1939 onwards. Only the poororganization of the Nazi state and the interference of the military prevented higher levels of military output. Many of these essays challenge accepted views of the Third Reich. In his introduction Richard Overy reflects on the issues the essays raise, and the ways in which the subject is changing. Often thought-provoking, always informed, War and Economy opens a window on a essential aspect of Hitler's Germany.

    This volume features prominent voices in the filed of bioethics reflecting on a wide rang of topics and issues. Amid all contemporary discussions of ethical in science, many ethicists, historians, Holocaust specialists and medical professionals strongly feel that we should understand the past in order to make more enlightened ethical decisions.