In Conquest, Smith places Native American women at the center of her analysis of sexual violence, challenging both conventional definitions of the term and conventional responses to the problem.Beginning with the impact of the abuses inflicted on Native American children at state-sanctioned boarding schools from the 1880s to the 1980s, Smith adroitly expands our conception of violence to include environmental racism, population control and the widespread appropriation of Indian cultural practices by whites and other non-natives. Smith deftly connects these and other examples of historical and contemporary colonialism to the high rates of violence against Native American women—the most likely women in the United States to die of poverty-related illnesses, be victims of rape and suffer partner abuse.Essential reading for scholars and activists, Conquest is the powerful synthesis of Andrea Smith’s intellectual and political work to date. By focusing on the impact of sexual violence on Native American women, Smith articulates an agenda that is compelling to feminists, Native Americans, other people of color and all who are committed to creating viable alternatives to state-based “solutions.”

    In 1992, the year she completed her studies at Glasgow School of Art, her graduation exhibition sold out. Most notably, one painting was bought by Charles Saatchi and, since then, her international reputation has grown at a rapid and steady pace.Jenny Saville is described as a "New Old Master" for the technical proficiency of her oversize nudes that have earned her comparisons to Rubens and Lucian Freud and universal praise from critics and art historians alike. For the conceptual underpinnings of her work, she has been hailed as one of the most interesting artists of the last decade. Her work has been shown alongside that of Damien Hirst and the other Young British Artists in the acclaimed and seminal survey of new British art Sensation at the Royal Academy (London, 1997) and the Brooklyn Museum of Art (New York, 2000).This is the only monograph devoted to the critically acclaimed young artist and features all of Jenny Saville's paintings to date-including many previously unpublished. This volume is being published in association with the Gagosian Gallery in London. The power of her brilliant and relentless embodiment of our worst anxieties about our own corporeality and gender is what distinguishes Saville from other paint-obsessed representers of the naked human body. To my eye, no other artist in recent memory has combined empathy and distance with such visual and emotional impact. -Linda Nochlin, Art in America, March 2000

    Even though the glass ceiling is cracked, most women stay comfortably beneath it, and everywhere we hear about vitally important “hardwired” differences between male and female brains. The neuroscience we read about in magazines, newspaper articles, books, and sometimes even scientific journals increasingly tells a tale of two brains, and the result is more often than not a validation of the status quo. Women, it seems, are just too intuitive for math, men too focused for housework.Drawing on the latest research in neuroscience and psychology, Cordelia Fine debunks the myth of hardwired differences between men’s and women’s brains, unraveling the evidence behind such claims as men’s brains aren’t wired for empathy, and women’s brains aren’t made to fix cars. She then goes one step further, offering a very different explanation of the dissimilarities between men’s and women’s behavior. Instead of a “male brain” and a “female brain,” Fine gives us a glimpse of plastic, mutable minds that are continuously influenced by cultural assumptions about gender.Delusions of Gender provides us with a much-needed corrective to the belief that men’s and women’s brains are intrinsically different--a belief that, as Fine shows with insight and humor--all too often works to the detriment of ourselves and our society.

    Jacqui Alexander is one of the most important theorists of transnational feminism working today. Pedagogies of Crossing brings together essays she has written over the past decade, uniting her incisive critiques, which have had such a profound impact on feminist, queer, and critical race theories, with some of her more recent work. In this landmark interdisciplinary volume, Alexander points to a number of critical imperatives made all the more urgent by contemporary manifestations of neoimperialism and neocolonialism. Among these are the need for North American feminism and queer studies to take up transnational frameworks that foreground questions of colonialism, political economy, and racial formation; for a thorough re-conceptualization of modernity to account for the heteronormative regulatory practices of modern state formations; and for feminists to wrestle with the spiritual dimensions of experience and the meaning of sacred subjectivity.In these meditations, Alexander deftly unites large, often contradictory, historical processes across time and space. She focuses on the criminalization of queer communities in both the United States and the Caribbean in ways that prompt us to rethink how modernity invents its own traditions; she juxtaposes the political organizing and consciousness of women workers in global factories in Mexico, the Caribbean, and Canada with the pressing need for those in the academic factory to teach for social justice; she reflects on the limits and failures of liberal pluralism; and she presents original and compelling arguments that show how and why transgenerational memory is an indispensable spiritual practice within differently constituted women-of-color communities as it operates as a powerful antidote to oppression. In this multifaceted, visionary book, Alexander maps the terrain of alternative histories and offers new forms of knowledge with which to mold alternative futures.

    Peeling away notions of a rigid pre-modern Islamic gender system, Afsaneh Najmabadi provides a compelling demonstration of the centrality of gender and sexuality to the shaping of modern culture and politics in Iran and of how changes in ideas about gender and sexuality affected conceptions of beauty, love, homeland, marriage, education, and citizenship. She concludes with a provocative discussion of Iranian feminism and its role in that country's current culture wars. In addition to providing an important new perspective on Iranian history, Najmabadi skillfully demonstrates how using gender as an analytic category can provide insight into structures of hierarchy and power and thus into the organization of politics and social life.

    Because later theologians and scribes could not believe (or wanted to suppress) that Paul had numbered a woman among the earliest churches' apostles, Junia's name was changed in Romans to a masculine form. Despite the fact that the earliest churches met in homes and that other women were clearly leaders in the churches (e.g., Prisca and Lydia), calling Junia an apostle seemed too much for the tradition. Epp tracks how this happened in New Testament manuscripts, scribal traditions, and translations of the Bible. In this thoroughgoing study, Epp restores Junia to her rightful place.

    Through original oral history interviews with key activists and analysis of previously unexamined organizational records, Kimberly Springer traces the emergence, life, and decline of several black feminist organizations: the Third World Women’s Alliance, Black Women Organized for Action, the National Black Feminist Organization, the National Alliance of Black Feminists, and the Combahee River Collective. The first of these to form was founded in 1968; all five were defunct by 1980. Springer demonstrates that these organizations led the way in articulating an activist vision formed by the intersections of race, gender, class, and sexuality.The organizations that Springer examines were the first to explicitly use feminist theory to further the work of previous black women’s organizations. As she describes, they emerged in response to marginalization in the civil rights and women’s movements, stereotyping in popular culture, and misrepresentation in public policy. Springer compares the organizations’ ideologies, goals, activities, memberships, leadership styles, finances, and communication strategies. Reflecting on the conflicts, lack of resources, and burnout that led to the demise of these groups, she considers the future of black feminist organizing, particularly at the national level. Living for the Revolution is an essential reference: it provides the history of a movement that influenced black feminist theory and civil rights activism for decades to come.

    Within the vast scholarship on this wave of immigration, however, little attention has been paid to queer immigrants of color. Focusing particularly on migration from Mexico, Cuba, El Salvador, and the Philippines, Queer Migrations brings together scholars of immigration, citizenship, sexuality, race, and ethnicity to provide analyses of the norms, institutions, and discourses that affect queer immigrants of color, also providing ethnographic studies of how these newcomers have transformed established immigrant communities in Miami, San Francisco, and New York.

    Their intimate, impassioned dialogues yield profound insights into one of the most striking cases of tragic irony in history: the country that prides itself on religious freedom has resolutely denied those same rights to its own indigenous people. With remarkable erudition and curiosity--and respectfully framing his questions in light of the revelation that his discovery of Native American religion helped him round out his views of the world's religions--Smith skillfully helps reveal the depth of the speakers' knowledge and experience. American Indian leaders Vine Deloria, Jr. (Standing Rock Sioux), Winona LaDuke (Anishshinaabeg), Walter Echo-Hawk (Pawnee), Frank Dayish, Jr. (Navajo), Charlotte Black Elk (Oglala Lakota), Douglas George-Kanentiio (Mohawk-Iroquois), Lenny Foster (Dine/Navajo), Tonya Gonnella Frichner (Onondaga), Anthony Guy Lopez (Lakota-Sioux), and Oren Lyons (Onondaga) provide an impressive overview of the critical issues facing the Native American community today. Their ideas about spirituality, politics, relations with the U.S. government, their place in American society, and the continuing vitality of their communities give voice to a population that is all too often ignored in contemporary discourse. The culture they describe is not a relic of the past, nor a historical curiosity, but a living tradition that continues to shape Native American lives.

    Nearly two decades in the making, the book conveys all that she encountered along the way as a woman in the most testosterone-charged of men's worlds.

    Focusing on 'normal' sexual activity as well as what was seen as transgressive, the chapters cover topics such as chastity, sex within marriage, the role of the church, and non-reproductive activity.Sexuality in Medieval Europe is essential reading for all those who study medieval history, or who have an interest in the way sexuality and sexual identity have been viewed in the past.

    As Peter Jennings once put it, more than anyone else in legal studies, she has made it easier for other women to seek justice. This collection, the first since MacKinnon's celebrated Feminism Unmodified appeared in 1987, brings together previously uncollected and unpublished work in the national arena from 1980 to the present, defining her clear, coherent, consistent approach to reframing the law of men on the basis of the lives of women.By making visible the deep gender bias of existing law, MacKinnon has recast legal debate and action on issues of sex discrimination, sexual abuse, prostitution, pornography, and racism. The essays in this volume document and illuminate some of the momentous and ongoing changes to which this work contributes; the recognition of sexual harassment, rape, and battering as claims for sexual discrimination; the redefinition of rape in terms of women's actual experience of sexual violation; and the reframing of the pornography debate around harm rather than morality. The perspectives in these essays have played an essential part in changing American law and remain fundamental to the project of building a sex-equal future.

    Sex and the Slayer explores one of the most talked-about topics in relation to this pioneering TV series--gender. As fantasy, Buffy potentially opens up a space for alternative representations of gender. But how alternative can popular television be? Taking a feminist cultural studies approach, Jowett explores the ways in which the series represents femininity, masculinity, and gendered relations, including sexuality and sexual orientation. Written for undergraduates, Sex and the Slayer provides an introduction to the most important theoretical and historical underpinnings of contemporary gender criticism as it examines a range of thought-provoking issues: role reversal, the tension between feminism and femininity, the "crisis" of masculinity, gender hybridity, the appeal of bad girls, romance, and changing family structures. Through this introductory analysis, Jowett shows that Buffy presents a contradictory mixture of "subversive" and "conservative" images of gender roles and as such is a key example of the complexity of gender representation in contemporary television.

    Melissa W. Wright explains how this notion proliferates, both within and beyond factory walls, through the telling of a simple story: the myth of the disposable Third World woman. This myth explains how young women workers around the world eventually turn into living forms of waste. Disposable Women and Other Myths of Global Capitalism follows this myth inside the global factories and surrounding cities in northern Mexico and in southern China, illustrating the crucial role the tale plays in maintaining not just the constant flow of global capital, but the present regime of transnational capitalism. The author also investigates how women challenge the story and its meaning for workers in global firms. These innovative responses illustrate how a politics for confronting global capitalism must include the many creative ways that working people resist its dehumanizing effects.

    The inhabitants, visitors, guests, and hosts used it as a weekend headquarters for a regular “girl’s life.” Someone—probably “Susanna” or the matriarch—nailed a wonder board on a tree proclaiming it “Casa Susanna,” and thus a Queendom was born. Through these wonderfully intimate shots—perhaps never intended to see the light of day outside the sanctum of the “house”—Susanna and her gorgeous friends styled era-specific fashion shows and dress-up Christmas and tea parties. As gloriously primped as these documentary snaps are, it is in the more private and intimate life at Casa Susanna, where the girls sweep the front porch, cook, knit, play Scrabble, relax at the nearby lake and, of course, dress for the occasion, that the stunning insight to a very private club becomes nothing less than brilliant and awe inspiring in its pre-glam, pre-drag-pose ordinariness and nascent preening and posturing in new identities. It is not glamour for the stage but for each other, like other women who dress up to spend time with friends, flaunting their own sense of style. There is an evident pleasure of being here, at Casa Susanna, that is a liberation, a simplification of the conflicts inherent in a double life.

    Several aspects of women's everyday existence are investigated, including the lives of wives, widows, women with children, female slaves, women as patrons, household leaders, and teachers. In addition, several key themes emerge: hospitality, dining practices, and the extent of female segregation.

    Its members proudly date their history back at least as far as the nineteenth century, with the global wanderings and eventual settlement of colonial African seamen. Jacqueline Nassy Brown analyzes how this worldly origin story supports an avowedly local Black politic and identity--a theme that becomes a window onto British politics of race, place, and nation, and Liverpool's own contentious origin story as a gloriously cosmopolitan port of world-historical import that was nonetheless central to British slave trading and imperialism.This ethnography also examines the rise and consequent dilemmas of Black identity. It captures the contradictions of diaspora in postcolonial Liverpool, where African and Afro-Caribbean heritages and transnational linkages with Black America both contribute to and compete with the local as a basis for authentic racial identity. Crisscrossing historical periods, rhetorical modes, and academic genres, the book focuses singularly on place, enabling its most radical move: its analysis of Black racial politics as enactments of English cultural premises. The insistent focus on English culture implies a further twist. Just as Blacks are racialized through appeals to their assumed Afro-Caribbean and African cultures, so too has Liverpool--an Irish, working-class city whose expansive port faces the world beyond Britain--long been beyond the pale of dominant notions of authentic Englishness. Dropping Anchor, Setting Sail studies race through clashing constructions of Liverpool.

     Covers a wide range of subjects, including Greek pederasty and the symposium, ancient prostitution, representations of women in Greece and Rome, and the public regulation of sexual behavior. Introduces readers to the bitter theoretical debates that have been fought about gender and sexuality in the classical world. The material is ordered chronologically. Draws parallels between ancient sexual ideology and contemporary culture. Draws on literary, artistic and archaeological sources, as well as secondary scholarly sources. Theoretically sophisticated and skillfully argued, yet accessible.

    Now 27, she is the unmarried mother of three and is raising her kids in one of Philadelphia's poorest neighborhoods. Would she and her children be better off if she had waited to have them and had married their father first? Why do so many poor American youth like Millie continue to have children before they can afford to take care of them? Over a span of five years, sociologists Kathryn Edin and Maria Kefalas talked in-depth with 162 low-income single moms like Millie to learn how they think about marriage and family. Promises I Can Keep offers an intimate look at what marriage and motherhood mean to these women and provides the most extensive on-the-ground study to date of why they put children before marriage despite the daunting challenges they know lie ahead.Read an excerpt here: Promises I Can Keep: Why Poor Women Put Motherhood before Marriage, With a New Prefaceby Kathryn Edin and M... by University of California Press

    on gender, nation, sexuality. reviews history, cinema, poetry, fiction, links tradition and contemporary issues. also addresses communalism. a provocative collection

    Written in a clear, balanced fashion, Joey Sprague's treatment of qualitative and quantitative methods shows that all can be used effectively by progressive researchers. She describes and evaluates a wide array of methodological options for the production of knowledge. Unique to this volume, Sprague avoids the stereotype that tarnishes all quantitative research as inherently anti-feminist, showing through an analysis of model studies how surveys and experimental designs are being used by critical scholars. She traces how the social organization of the academy has produced a bias against feminist methodology and proposes a program to overcome these limitations. Sprague's book will be of value to scholars of many disciplines, and a essential text or supplement for methods classes."

    With the rise of Japanese immigration to the United States, Japanese midwives (sanba) served as cultural brokers as well as birth attendants for Issei women. They actively participated in the creation of Japanese American community and culture as preservers of Japanese birthing customs and agents of cultural change. Japanese American Midwives reveals the dynamic relationship between this welfare state and the history of women and health. Susan L. Smith blends midwives' individual stories with astute analysis to demonstrate the impossibility of clearly separating domestic policy from foreign policy, public health from racial politics, medical care from women's caregiving, and the history of women and health from national and international politics. By setting the history of Japanese American midwives in this larger context, Smith reveals little-known ethnic, racial, and regional aspects of women's history and the history of medicine.

    Garrard that challenge art history from a feminist perspective. Following their Feminism and Art History: Questioning the Litany (1982) and The Expanding Discourse: Feminism and Art History (1992), this new volume identifies female agency as a central theme of recent feminist scholarship. Framed by a lucid and stimulating critical introduction, twenty-three essays on artists and issues from the Renaissance to the present, written in the 1990s and after, offer a nuanced critique of the poststructuralist premises of 1980s feminist art history. Contributors: Allison Arieff, Janis Bergman-Carton, Babette Bohn, Norma Broude, Anna C. Chave, Julie Cole, Bridget Elliott, Mary D. Garrard, Sheila ffolliott, Darcy Grimaldo Grigsby, Ruth E. Iskin, Geraldline A. Johnson, Amelia Jones, Maud Lavin, Julie Nicoletta, Carol Ockman, Erica Rand, John B. Ravenal, Lisa Saltzman, Mary D. Sheriff

    This book takes a critical look at the organizations and officials that process rape victims to see how the structure of their respective organizations often prevent them from providing responsive care.

    Based on new research in French and British archives and libraries, the book uncovers little-known writings by British women, and argues that these writers developed a distinct antinationalism, in some cases even a feminist cosmopolitanism, in their responses to the European revolutionary crisis.

    Her idea was to empower every woman who's ever said "I wish I could..." to go out and do it. Whether "it" is learning to tango or getting her finances in shape, this workbook will help readers chart their journey. It features practical exercises for identifying long-lost ambitions and breaking through obstacles, as well as encouraging quotes from successful women. Plenty of lined pages provide a welcoming space on which to ponder the possibilities and record progress. An address section and roomy pockets help collect important information. As encouraging as it is practical, the You Can Do It! Workbook is the perfect companion to the original book.The workbook includes: - Space to create want-to-do lists - Ample journal pages to record the journey toward fulfilling dreams - Guided exercises to help you identify your passions - Targeted advice for overcoming obstacles - Hundreds of ideas for new activitiesWith roomy pockets for brochures, cards, and clippings, and a contacts section for support networks, this creative journal holds dreams close in hand.

    Concerned with articulating an inclusive sociology that goes beyond looking at a particular group of people from the detached viewpoint of the researcher, this is a method of inquiry for people, incorporating the expert's research and language into everyday experience to examine social relations and institutions. The book begins by examining the foundations of institutional ethnography in women's movements, differentiating it from other related sociologies; the second part offers an ontology of the social; and the third illustrates this ontology through an array of institutional ethnography examples. This will be a foundational text for classes in sociology, ethnography, and women's studies.

    The goal of the collection is to rethink the category of visual theory through women of color. It also explores the political and social ramifications of visual imagery for women of color, and the political consciousness that can emerge alongside a critical understanding of the impact of visual imagery. The book begins with a general exploration of what it means to develop a women of color criticism (rather than an analysis of women of color), and goes on to look specifically at topics such as 90s fashion advertisements, the politics of cosmetic surgery, and female fans of East LA rock bands.

    This book draws upon the archive of the Gay and Lesbian Association and incorporates first-hand documents from the time as well as essays by participants in the events and later commentators.

    Too often, urban and suburban spaces support stereotypically male activities and planning methodologies reflect a male-dominated society.To document and analyze the connection between gender and planning, the editors of this volume have assembled an interdisciplinary collection of influential essays by leading scholars. Contributors point to the ubiquitous single-family home, which prevents women from sharing tasks or pooling services. Similarly, they argue that public transportation routes are usually designed for the (male) worker's commute from home to the central city, and do not help the suburban dweller running errands. In addition to these practical considerations, many contributors offer theoretical perspectives on issues such as planning discourse and the construction of concepts of rationality.While the essays call for an awareness of gender in matters of planning, they do not over-simplify the issue by moving toward a single feminist solution. Contributors realize that not all women gravitate toward communal opportunities, that many women now share the supposedly male commute, and that considerations of race and class need to influence planning as well. Among various recommendations, contributors urge urban planners to provide opportunities that facilitate women's needs, such as childcare on the way to work and jobs that are decentralized so that women can be close to their children.Bringing together the most important writings of the last twenty-five years, this book is essential reading for students and scholars of planning theory as well as anyone concerned with gender and diversity.

    While other scholars have studied Oliveros as a disciple of John Cage and a contemporary of composers Terry Riley, Lou Harrison, Gordon Mumma, and Robert Ashley, Sounding Out resituates Pauline Oliveros in a gynecentric network of feminist activists, writers, artists and musicians. This book shows how the women in Oliveros's life were central sources of creative energy and exchange during a crucial moment in feminist and queer cultural history. Crafting a dynamic relationship between feminism and music-making, this book offers a queerly original analysis of Oliveros's work as a musical form of feminist activism and argues for the productive role of experimental music in lesbian feminist theory.Sounding Out combines key elements of feminist theories of lesbian sexuality with Oliveros's major compositions, performances, critical essays, and interviews. It also includes previously unpublished correspondence between Oliveros and Edith Guttierez, Jill Johnston, Annea Lockwood, Kate Millett, and Jane Rule.

    Nonetheless, as the work of Amnesty International has shown, violence against women (whatever their sexual orientation), gay men, trans-gendered and transsexual persons remains an appallingly constant phenomenon, both in countries that have an official commitment to fighting these forms of discrimination and in those that do not.These essays seek to explore some of the inter-connections between human rights, gender, and sexuality. The contributors are united in their belief that it is a serious human rights violation unjustly to penalize people because of their sex or sexual orientation. Many difficult questions are considered. How do we understand and categorize human rights abuses related to a person's sex or sexual orientation, for example? Does their inclusion within the remit of human rights abuses require us to refine what we mean by human rights? What weight, if any, should be given to demands made in the name of particular religious and cultural traditions which seek to restrict the rights of women and sexual minority groups? And how far have we come, and how far have we left to go, in the quest for a world in which discrimination based on sex and sexual orientation is a thing of the past?

    Given that women represent a very large proportion of the victims of these conflicts and authoritarianism, and that women arguably experience conflicts in a distinct manner, it makes sense to examine whether reparations programs can be designed to redress women more fairly and efficiently and seek to subvert gender hierarchies that often antecede the conflict. Focusing on themes such as reparations for victims of sexual and reproductive violence, reparations for children and other family members, as well as gendered understandings of monetary, symbolic, and collective reparations, The Gender of Reparations gathers information about how past or existing reparations projects dealt with gender issues, identifies best practices to the extent possible, and articulates innovative approaches and guidelines to the integration of a gender perspective in the design and implementation of reparations for victims of human rights violations.

    Among the celebrities Atwood photographs in their playful, revealing homes are Edward Albee, Todd Oldham, John Waters, Ross Bleckner, Joel Schumacher, Junior Vasquez, Michael Cunningham, Simon Doonan, Andrew Solomon, Ned Rorem, James Dale, David Del Tredici, Tommy Tune, John Ashbery, Edmund White, and John Bartlett. Atwood also documents the bohemians, beatniks, mavericks, and iconoclasts, an urban community that is slowly disappearing. Capturing whimsical, intimate moments of daily life and portraying the complexity and diversity of this loosely linked society, Atwood reveals some of the most intriguing characters and homes in gay America. These beautiful fine art prints—shifting between the pictorial and the theatrical—become both a witness and a celebration.Photographer of Year, Worldwide Photo Gala Awards

    Harrison's collection of essays focuses on the intersections between race, gender, sexuality, class, and nationality that exert a huge influence on human rights conflicts around the world. Using compelling examples, the authors illustrate the central premise that understanding the dynamics of these intersections has important implications for effectively confronting oppression and constructing positive change. Investigating conflicts in Europe, the Americas, Asia, Africa, and Australia, they also reflect upon political concerns and anxieties worldwide that have grown out of the catasrophe of 9/11. The contributors comprise an internationally diverse group of anthropologists and human rights activists concerned with global, culturally diverse, gendered experiences. This anthology will be valuable to instructors, human rights workers, and applied professionals in anthropology, gender studies, ethnic studies, and international human rights.

    This collection, which considers not only Gender Trouble but also Bodies That Matter, Excitable Speech, and The Psychic Life of Power, attests to the enormous impact Butler's work has had across disciplines. In analyzing Butler's theories, the contributors demonstrate their relevance to a wide range of topics and fields, including activism, archaeology, film, literature, pedagogy, and theory. Included is a two-part interview with Judith Butler herself, in which she responds to questions about queer theory, the relationship between her work and that of other gender theorists, and the political impact of her ideas. In addition to the editors, contributors include Edwina Barvosa-Carter, Robert Alan Brookey, Kirsten Campbell, Angela Failler, Belinda Johnston, Rosemary A. Joyce, Vicki Kirby, Diane Helene Miller, Mena Mitrano, Elizabeth M. Perry, Frederick S. Roden, and Natalie Wilson.

    It highlights the language of gender and sexuality that writers use to depict the psychological injuries inflicted by racism on men of color—a language that relies on metaphors of emasculation. The book focuses on how homosexuality comes to function as a powerful symbol for a feminizing racism, and explains why this disturbing symbolism proves to be so rhetorically and emotionally effective. This study also explores the influential concept of literature that these writers promote—a view of writing as a cultural and political activity capable of producing the most virile and racially authentic forms of manhood. In comparing African American and Asian American writings, this book offers the first scholarly account of how black and yellow conceptions of masculinity are constructed in relation to each other.

    Treating that relation as a crucial instance of the modern division of knowledge, Michael McKeon narrates its pre-history along with that of its essential component, domesticity.This narrative draws upon the entire spectrum of English people's experience. At the most "public" extreme are political developments like the formation of civil society over against the state, the rise of contractual thinking, and the devolution of absolutism from monarch to individual subject. The middle range of experience takes in the influence of Protestant and scientific thought, the printed publication of the private, the conceptualization of virtual publics—society, public opinion, the market—and the capitalization of production, the decline of the domestic economy, and the increase in the sexual division of labor. The most "private" pole of experience involves the privatization of marriage, the family, and the household, and the complex entanglement of femininity, interiority, subjectivity, and sexuality.McKeon accounts for how the relationship between public and private experience first became intelligible as a variable interaction of distinct modes of being—not a static dichotomy, but a tool to think with. Richly illustrated with nearly 100 images, including paintings, engravings, woodcuts, and a representative selection of architectural floor plans for domestic interiors, this volume reads graphic forms to emphasize how susceptible the public-private relation was to concrete and spatial representation. McKeon is similarly attentive to how literary forms evoked a tangible sense of public-private relations—among them figurative imagery, allegorical narration, parody, the author-character-reader dialectic, aesthetic distance, and free indirect discourse. He also finds a structural analogue for the emergence of the modern public-private relation in the conjunction of what contemporaries called the "secret history" and the domestic novel.A capacious and synthetic historical investigation, The Secret History of Domesticity exemplifies how the methods of literary interpretation and historical analysis can inform and enrich one another.

    Meanwhile, many of us believe that eating disorders and body image issues are problems for adolescent girls, not for mature women. So we're often too ashamed to talk honestly with anyone about our dilemma. Now there is hope. Clinical psychologist Margo Maine has been successfully helping women over thirty overcome eating disorders and body image problems for more than twenty years. In The Body Myth, she explains the terrible toll these problems can take on your life. More importantly, she provides healing insights and proven techniques for reclaiming your life—or the life of someone you love—from the debilitating belief that a woman's self-worth and her worth to others are derived from how she looks, how much she weighs, and what she eats—our culture's Body Myth.With the help of poignant real-life stories from women of various ages and walks of life, Dr. Maine explores the complex emotional, social, and cultural forces that perpetuate the Body Myth. She describes the dynamics of how and why it seduces so many otherwise sensible women into self-loathing, destructive behaviors, and unhealthy relationships with food and the body.A unique and invaluable source of information and inspiration, this breakthrough guide equips everyone with the knowledge and tools to find release from the clutches of the Body Myth and live a more balanced, fulfilling life.

    Tracing the emergence of American and British masculinities, the forms they have taken, and their development over time, Michael S. Kimmel analyzes the various ways that the ideology of masculinity--the cultural meaning of manhood--has been shaped by the course of historical events, and, in turn, how ideas about masculinity have also served to shape those historical events. He also considers newly emerging voices of previously marginalized groups such as women, the working class, people of color, gay men, and lesbians to explore the marginalized and de-centered notions of masculinity and the political processes and dynamics that have enabled this marginalization to occur.