The right of neutrality; to live in peace from the imperial wars waged between France and England; had been one of the founding values of Acadia; its settlers traded and intermarried freely with native Mikmaq Indians and English Protestants alike. But the Acadians' refusal to swear unconditional allegiance to the British Crown in the mid-eighteenth century gave New Englanders, who had long coveted Nova Scotia's fertile farmland, pretense enough to launch a campaign of ethnic cleansing on a massive scale. John Mack Faragher draws on original research to weave 150 years of history into a gripping narrative of both the civilization of Acadia and the British plot to destroy it.

    Byron described her as "the first female writer of this, perhaps of any age," Germaine de Stäel was certainly the most remarkable woman of her time and she remains unique—both for the scope of her artistic and intellectual achievements, and the force of her political influence which helped to bring down Napoleon. Born in Paris in 1766, the daughter of Jacques Necker, Louis XVI's influential and reforming finance minister, Germaine de Stäel was brought up in her mother's salon, amidst the philosophers of the French Enlightenment. A prodigious and disciplined intellect, a need for love and a love of liberty, together with remarkable courage in both public and private life, de Stäel was driven to disregard dangers and conventions alike, often at great cost.

    Sahib is a broad and sweeping military history of the British soldier in India, but its focus, like that of Tommy and Redcoat before it, will be on the men who served in India and the women who followed them across that vast and dusty continent, bore their children, and, all too often, mopped their brows as they died. The book begins with the remarkable story of India's rise from commercial enclave to great Empire, from Clive's victory of Plassey, through the imperial wars of the eighteenth century and the Afghan and Sikh Wars of the 1840s, through the bloody turmoil of the Mutiny, and the frontier campaigns at the century's end. With its focus on the experience of ordinary soldiers, Sahib explains to us why soldiers of the Raj had joined the army, how they got to India and what they made of it when they arrived. barrack room' to storming parties assaulting mighty fortresses, cavalry swirling across open plains, and khaki columns inching their way between louring hills. Making full use of extensive and often neglected archive material in the India Office Library and National Army Museum, Sahib will do for the British soldier in India - whether serving a local ruler, forming part of the Indian army, or soldiering with a British regiment - what Tommy has done for the ordinary soldier in the First World War.

    Arranged chronologically for easy reference and illustrated throughout with artwork, photographs, and documents, this is a information-packed overview of the lives and legacies of America's first ladies. What's more, The First Ladies Fact Book features selections of the most intimate correspondence of all the first ladies. Delightful surprises abound, including little-known information about the women's hobbies, styles of dress, habits of socializing, and quirks. With more than 700 photographs and illustrations, this is a eye-catching history of the nation's first ladies.

    Indians retained control over most of the lands in Spain’s American empire. Mounted on horseback, savvy about European ways, and often possessing firearms, independent Indians continued to find new ways to resist subjugation by Spanish soldiers and conversion by Spanish missionaries.In this panoramic study, David J. Weber explains how late eighteenthcentury Spanish administrators tried to fashion a more enlightened policy toward the people they called bárbaros, or “savages.” Even Spain’s most powerful monarchs failed, however, to enforce a consistent, well-reasoned policy toward Indians. At one extreme, powerful independent Indians forced Spaniards to seek peace, acknowledge autonomous tribal governments, and recognize the existence of tribal lands, fulfilling the Crown’s oft-stated wish to use “gentle” means in dealing with Indians. At the other extreme the Crown abandoned its principles, authorizing bloody wars on Indians when Spanish officers believed they could defeat them. Power, says Weber, more than the power of ideas, determined how Spaniards treated “savages” in the Age of Enlightenment.

    His name has become synonymous with wit, profligacy, fine tailoring, and fashion. A style pundit, Brummell was singly responsible for changing forever the way men dress -- inventing, in effect, the suit.Brummell cut a dramatic swath through British society, from his early years as a favorite of the Prince of Wales and an arbiter of taste in the Age of Elegance, to his precipitous fall into poverty, incarceration, and madness. Brummell created the blueprint for celebrity crash and burn, falling dramatically out of favor and spending his last years in a hellish asylum. For nearly two decades, Brummell ruled over the tastes and pursuits of the well heeled and influential, and for almost as long, lived in penury and exile.With vivid prose, critically acclaimed biographer Ian Kelly unlocks the glittering, turbulent world of late-eighteenth/early-nineteenth-century London -- the first truly modern metropolis: venal, fashion-and-celebrity obsessed, self-centered and self-doubting -- through the life of one of its greatest heroes and most tragic victims. Brummell personified London's West End, where a new style of masculinity and modern men's fashion were first defined.Brummell was the leading Casanova and elusive bachelor of his time, appealing to both men and women of his society. The man Lord Byron once claimed was more important thanNapoleon, Brummell was the ultimate cosmopolitan man. "Toyboy" to Georgiana, Duchess of Devonshire, and leader of playboys including the eventual king of England, Brummell inspired Pushkin to write "Eugene Onegin," and Byron to write "Don Juan," and he influenced others from Oscar Wilde to Coco Chanel.Through love letters, historical records, and poems, Kelly reveals the man inside the suit, unlocking the scandalous behavior of London's high society while illuminating Brummell's enigmatic life in the colorful, tumultuous West End. A rare rendering of an era filled with excess, scandal, promiscuity, opulence, and luxury, "Beau Brummell" is the first comprehensive view of an elegant and ultimately tragic figure whose influence continues to this day.

    The descent of the French Revolution from rapturous liberation into an orgy of apparently pointless bloodletting has been the focus of countless reflections on the often malignant nature of humanity and the folly of revolution.David Andress, a leading historian of the French Revolution, presents a radically different account of the Terror. In a remarkably vivid and page-turning work of history, he transports the reader from the pitched battles on the streets of Paris to the royal family's escape through secret passageways in the Tuileries palace, and across the landscape of the tragic last years of the Revolution. The violence, he shows, was a result of dogmatic and fundamentalist thinking: dreadful decisions were made by groups of people who believed they were still fighting for freedom but whose survival was threatened by famine, external war, and counter-revolutionaries within the fledging new state. Urgent questions emerge from Andress's trenchant reassessment: When is it right to arbitrarily detain those suspected of subversion? When does an earnest patriotism become the rationale for slaughter?Combining startling narrative power and bold insight, The Terror is written with verve and exceptional pace. It is a dramatic new interpretation of the French Revolution that draws troubling parallels with today's political and religious dundamentalism."A vivid and powerful narrative of the years 1789-95... The narrative is dense yet fast-moving, from the storming of the Bastille to the execution of King Louis XVI to the paranoid politics of the National Convention." --DAVID GILMOUR, THE New York Times Book Review"In such alarming times, it is important to understand what exactly terror is, how it works politically, and what, if anything, can be done to combat it. The historian David Andress has made a serious contribution to this central subject of our times with an accessible account of the way terror overtook the French Revolution at the end of the eighteenth century." --RUTH SCURR, The Times (London)DAVID ANDRESS, a leading historian of the French Revolution, is Reader in Modern European History at the University of Portsmouth and a Fellow of the Royal Historical Society.

    We discover what the perfumes found in Tutankhamen's tomb would have smelt like, what made the medieval woman so synonymous with "the lily and the rose," and where the most fashionable place was for a woman to buy perfume in the 18th century. In the 16th and 17th century the devil reputedly carried a looking glass, and the most expensive cosmetics could kill. A century later, Beau Brummel recommended the scent of freshly aired linen as an appropriate perfume for a gentleman, and Napoleon himself doused himself in quantities of cologne. This richly illustrated book also includes a wide selection of modernized recipes for those wishing to experience some of the cosmetics or perfumes used by our ancestors.

    Included in this book are more than 200 recipes for the many, many meals she alludes to throughout her writings. Recipes appear in modernized form, along with quotations from Austen's writings and excerpts from cookbooks of her era. Sure to entertain her numerous fans, the volume provides readers with recipes for such dishes as fried beef steaks, broiled mutton chops, roast pork loin, buttered crab or lobster, Stilton cheese, syrup of mulberries, almond pudding, French bread, mushroom ketchup, and many others.The book begins with some introductory chapters on cooking and eating in Austen's world. It then presents chapters on broad categories of food, such as beef and veal, seafood, pastries and sweets, and beverages. Each chapter includes extracts from Austen's works and from cookbooks of her period, accompanied by easy-to-follow modernized recipes. The volume closes with some sample menus; glossaries of ingredients, sources, and special tools; and a bibliography of period cookbooks and modern studies.

    You will also discover to your lasting profit that Alexander's wise counsel on pastoral theology, drawn as it was from the ever-fresh spring of Holy Scripture, remains of continuing value for today's preachers who seek to walk in the sound and fruitful paths of their godly forefathers.

    Treating that relation as a crucial instance of the modern division of knowledge, Michael McKeon narrates its pre-history along with that of its essential component, domesticity.This narrative draws upon the entire spectrum of English people's experience. At the most "public" extreme are political developments like the formation of civil society over against the state, the rise of contractual thinking, and the devolution of absolutism from monarch to individual subject. The middle range of experience takes in the influence of Protestant and scientific thought, the printed publication of the private, the conceptualization of virtual publics—society, public opinion, the market—and the capitalization of production, the decline of the domestic economy, and the increase in the sexual division of labor. The most "private" pole of experience involves the privatization of marriage, the family, and the household, and the complex entanglement of femininity, interiority, subjectivity, and sexuality.McKeon accounts for how the relationship between public and private experience first became intelligible as a variable interaction of distinct modes of being—not a static dichotomy, but a tool to think with. Richly illustrated with nearly 100 images, including paintings, engravings, woodcuts, and a representative selection of architectural floor plans for domestic interiors, this volume reads graphic forms to emphasize how susceptible the public-private relation was to concrete and spatial representation. McKeon is similarly attentive to how literary forms evoked a tangible sense of public-private relations—among them figurative imagery, allegorical narration, parody, the author-character-reader dialectic, aesthetic distance, and free indirect discourse. He also finds a structural analogue for the emergence of the modern public-private relation in the conjunction of what contemporaries called the "secret history" and the domestic novel.A capacious and synthetic historical investigation, The Secret History of Domesticity exemplifies how the methods of literary interpretation and historical analysis can inform and enrich one another.

    One is of a black freedman who finds his brother lynched and his tavern burnt to the ground. The other story is of an abused wife, who is raped by her husband and his friend.

    Few Britons noticed the gang's mistaken muddling of North American and Indian subcontinent geographies and cultures. Even fewer cared in an age in which "Indian" was a catch-all term applied to theatre characters, philosophies, and objects whose only common characteristic often was that they were not European. Yet just thirty years later, when the North American empire had entered center stage, Londoners bought Iroquois tomahawks at auctions; provincial newspapers debated Cherokee politics; women shopkeepers read aloud newspaper accounts of frontier battles as their husbands counted the takings; church congregations listened to the sermons of American Indian converts; families toured museum exhibits of American Indian artefacts; and Oxford dons wagered their bottles of port on the outcome of American wars. Focusing on the question, 'How did the British who remained in Britain perceive American Indians, and how did these perceptions reflect and affect British culture?', Savages within the Empire explores both how Britons engaged with the peripheries of their Atlantic empire without leaving home, and, equally important, how their forged understanding significantly affected the British and their rapidly expanding world.It draws from a wide range of evidence to consider an array of eighteenth-century contexts, including material culture, print culture, imperial government policy, the Church of England's missionary endeavours, the Scottish Enlightenment, and the public outcry over the use ofAmerican Indians as allies during the American War of Independence. By chronicling and exploring discussions and representations of American Indians in these contexts, Troy Bickham reveals the proliferation of empire-related subjects in eighteenth-century British culture as well as the prevailing pragmatism with which Britons approached them. "An excellent example of the new imperial history. Savages within the Empire admirably blends concern with the nature of colonialism and the importance of human agency with respect for the unpredictable unfolding of histories rooted in the specificity of particular places in particular times."--Andrew Cayton, The International History Review"An excellent example of the new imperial history. omantic Indians admirably blends concern with the nature of colonialism and the importance of human agency with respect for the unpredictable unfolding of histories rooted in the specificity of particular places in particular times."--Andrew Cayton, The International History Review

    Those blackface performances established dynamic theatrical conventions that were repeated from play to play, plot to plot, congealing over time and contributing to English audiences' construction of racial difference. Vaughan discusses non-canonical plays, grouping of scenes, and characters that highlight the most important conventions - appearance, linguistic tropes, speech patterns, plot situations, the use of asides and soliloquies, and other dramatic techniques - that shaped the ways black characters were 'read' by white English audiences. In plays attended by thousands of English men and women from the sixteenth century to the end of the eighteenth, including Titus Andronicus, Othello and Oroonoko, blackface was a polyphonic signifier that disseminated distorted and contradictory, yet compelling, images of black Africans during the period in which England became increasingly involved in the African slave trade.

    Thus elite children could designate property or serve in Parliament, while children of the poorer sort might be forced to sign labor contracts or be hanged for arson or picking pockets. By the late eighteenth century, however, English and American law began to emphasize contractual relations based on informed consent rather than on birth status. In By Birth or Consent, Holly Brewer explores how the changing legal status of children illuminates the struggle over consent and status in England and America. As it emerged through religious, political, and legal debates, the concept of meaningful consent challenged the older order of birthright and became central to the development of democratic political theory. The struggle over meaningful consent had tremendous political and social consequences, affecting the whole order of society. It granted new powers to fathers and guardians at the same time that it challenged those of masters and kings. Brewer's analysis reshapes the debate about the origins of modern political ideology and makes connections between Reformation religious debates, Enlightenment philosophy, and democratic political theory. In mid-sixteenth-century England, people were born into authority and responsibility based on their social status. By the late eighteenth century, however, English and American law began to emphasize contractual relations based on informed consent rather than on birth status. In By Birth or Consent, Holly Brewer explores how the changing legal status of children illuminates the debates over consent and status in England and America. The struggle over meaningful consent had tremendous political and social consequences, affecting the whole order of society. As it emerged through religious, political, and legal debates, the concept of meaningful consent challenged the older order of birthright and became central to the development of democratic political theory.

    Beiser shows, in particular, that Schiller's engagement with Kant is far more subtle and rewarding than is often portrayed. Promising to be a landmark in the study of German thought, Schiller as Philosopher will be compulsory reading for any philosopher, historian, or literary scholar engaged with the key developments of this fertile period.

    Chalus argues that the personal, social, and particularly the familial nature of eighteenth-century politics provided more women with a wider variety of opportunities for involvement than ever before.

    This gorgeous book surveys the decorative schemes of these fabulous homes, considering the combined effects created by design, furniture, textiles, silver, and artworks.John Cornforth, the foremost authority on British interiors of this era, covers a wide range of subjects. He discusses changing social practice and the uses to which rooms were put; the way that fashions in dress mirrored fashions in interiors; the impact of chinoiserie and Eastern styles that became prevalent due to burgeoning trade; the primacy of upholstery in beds, curtains, wall hangings, seat furniture, and case covers; the influence of decorator William Kent; and the ways that collections of art were integrated into designs. And he concludes with detailed case studies of eight preeminent country houses.Engagingly written and generously illustrated, this book is certain to appeal to anyone who maintains, restores, or enjoys visiting historic houses.

    Tita Chico's Designing Women argues that the dressing room becomes a powerful metaphor in late-seventeenth- and eighteenth-century literature for both progressive and conservative satirists and novelists. These writers use the trope to represent competing notions of women's independence and their objectification indicating that the dressing room occupies a central (if neglected) place in the history of private life, postmodern theories of the closet and the development of literary forms.

    Here, Edith Dudley Sylla offers the first complete English translation of this monumental work.Part I reprints and reworks Huygens's On Reckoning in Games of Chance. Part II offers a thorough treatment of the mathematics of combinations and permutations, including the numbers since known as "Bernoulli numbers." In Part III, Bernoulli solves more complicated problems of games of chance using that mathematics. In the final part, Bernoulli's crowning achievement in mathematical probability is manifest: he applies the mathematics of games of chance to the problems of epistemic probability in civil, moral, and economic matters, proving what we now know as the weak law of large numbers.Sylla provides an extensive introduction and detailed translator's notes. She includes as supplemental texts Bernoulli's "Letter to a Friend on Sets in Court Tennis" and "Thesis 32" of Theses Logicae de conversione et oppositione enunciationum.

    Walter C. Rucker analyzes American slave resistance with a keen understanding of its African influences, tracing the emergence of an African American identity and culture. Rucker points to the shared cultural heritage that facilitated collective action among both African- and American-born slaves, such as the ubiquitous belief in conjure and spiritual forces, the importance of martial dance and the drum, and ideas about the afterlife and transmigration. Focusing on the role of African cultural and sociopolitical forces, Rucker gives in-depth attention to the 1712 New York City revolt, the 1739 Stono rebellion in South Carolina, the 1741 New York conspiracy, Gabriel Prosser's 1800 Richmond slave plot, and Denmark Vesey's 1822 Charleston scheme. He concludes with Nat Turner's 1831 revolt in Southampton, Virginia, which bore the marks of both conjure and Christianity, reflecting a new, African American consciousness. With rich evidence drawn from anthropology, archaeology, and religion, The River Flows On is an innovative and convincing study.