Now, in Fighting Words, Collins expands and extends the discussion of the "outsider within" presented in her earlier work, investigating how effectively Black feminist thought confronts the injustices African American women currently face.Collins takes on a broad range of issues -- poverty, mothering, white supremacy and Afrocentrism, the resegregation of American society by race and class, the ideas of Sojourner Truth and how they can serve as a springboard for more liberating social theory. Contrasting social theories that support unjust power relations of race, class, gender, and nation with those that challenge inequalities, Collins investigates why some ideas are granted the status of "theory" while others remain "thought". "It is not that elites produce theory while everyone else produces mere thought", she writes. "Rather, elites possess the power to legitimate the knowledge that they define as theory as being universal, normative, and ideal".Collins argues that because African American women and other historically oppressed groups seek economic and social justice, their social theories may emphasize themes and work from assumptions that are different from those of mainstream American society, generating new angles of vision on injustice. Collins also puts such oppositional social theory to the test: while the words of these theories may challenge injustice, do the ideas make a difference in the lives of the people they claim to represent?Throughout,Collins provides an essential understanding of how "outsiders" resist mainstream perspectives, and what the mainstream can learn from such "outsiders". Historically situated yet transcending the specific, Fighting Words provides a new interpretive framework for both thinking through and overcoming social injustice.

    Drawing on their individual narratives, it explores international struggles to uphold the rights of this often marginalized group.

    As one of the first writers in the United States to claim black feminism for black women, Barbara Smith has done groundbreaking work in defining black women’s literary traditions and in making connections between race, class, sexuality, and gender.Smith’s essay “Toward a Black Feminist Criticism,” is often cited as a major catalyst in opening the field of black women’s literature. Pieces about racism in the women’s movement, black and Jewish relations, and homophobia in the Black community have ignited dialogue about topics that few other writers address. The collection also brings together topical political commentaries on the 1968 Chicago convention demonstrations; attacks on the NEA; the Anita Hill–Clarence Thomas Senate hearings; and police brutality against Rodney King and Abner Louima. It also includes a never-before-published personal essay on racial violence and the bonds between black women that make it possible to survive.

    The "sub personalities" that live with the self are explained, allowing readers to pursue their individual destinies.

    In this book, he asks whether that desire is indeed limited to racists. Drawing upon the Australian experience, Hage draws conclusions that might also be applicable in France, the United States and Great Britain, each being examples of multicultural environment under the control of white culture. Hage argues that governments have promised white citizens that they would lose nothing under multiculturalism. However, migrant settlement has changed neighbourhoods, challenged white control, created new demands for non-whites, and led to white backlash. This book suggests that white racists and white mulitculturalists may share more assumptions than either group suspects.

    Alice Dreger focuses on events in France and Britain in the late nineteenth century, a moment of great tension for questions of sex roles. While feminists, homosexuals, and anthropological explorers openly questioned the natures and purposes of the two sexes, anatomical hermaphrodites suggested a deeper question: just how many human sexes are there? Ultimately hermaphrodites led doctors and scientists to another surprisingly difficult question: what is sex, really?Hermaphrodites and the Medical Invention of Sex takes us inside the doctors' chambers to see how and why medical and scientific men constructed sex, gender, and sexuality as they did, and especially how the material conformation of hermaphroditic bodies--when combined with social exigencies--forced peculiar constructions. Throughout the book Dreger indicates how this history can help us to understand present-day conceptualizations of sex, gender, and sexuality. This leads to an epilogue, where the author discusses and questions the protocols employed today in the treatment of intersexuals (people born hermaphroditic). Given the history she has recounted, should these protocols be reconsidered and revised?A meticulously researched account of a fascinating problem in the history of medicine, this book will compel the attention of historians, physicians, medical ethicists, intersexuals themselves, and anyone interested in the meanings and foundations of sexual identity.

    Written with a powerful and personal voice, Schulman’s book is part gossipy narrative, part behind-the-scenes glimpse into the New York theater culture, and part polemic on how mainstream artists co-opt the work of “marginal” artists to give an air of diversity and authenticity to their own work. Rising above the details of her own case, Schulman boldly uses her suspicions of copyright infringement as an opportunity to initiate a larger conversation on how AIDS and gay experience are being represented in American art and commerce. Closely recounting her discovery of the ways in which Rent took materials from her own novel, Schulman takes us on her riveting and infuriating journey through the power structures of New York theater and media, a journey she pursued to seek legal restitution and make her voice heard. Then, to provide a cultural context for the emergence of Rent—which Schulman experienced first-hand as a weekly theater critic for the New York Press at the time of Rent’s premiere—she reveals in rich detail the off- and off-off-Broadway theater scene of the time. She argues that these often neglected works and performances provide more nuanced and accurate depictions of the lives of gay men, Latinos, blacks, lesbians and people with AIDS than popular works seen in full houses on Broadway stages. Schulman brings her discussion full circle with an incisive look at how gay and lesbian culture has become rapidly commodified, not only by mainstream theater productions such as Rent but also by its reduction into a mere demographic made palatable for niche marketing. Ultimately, Schulman argues, American art and culture has made acceptable a representation of “the homosexual” that undermines, if not completely erases, the actual experiences of people who continue to suffer from discrimination or disease. Stagestruck’s message is sure to incite discussion and raise the level of debate about cultural politics in America today.

    Explores the historical perception of woman as the seductress whose influence undermines the power of the white male.

    Rather than dismissing such expression as mere convention, Rambuss takes it seriously as a form of erotic discourse, one that gives voice to desires that, outside the sphere of sacred rapture, would otherwise be deemed taboo. Through startling rereadings of works ranging from the devotional verse of the metaphysical poets (Donne, Herbert, Crashaw, and Traherne) to photographer Andres Serrano’s controversial “Piss Christ,” from Renaissance religious iconography to contemporary gay porn, Rambuss uncovers the highly charged erotic imagery that suffuses religious devotional art and literature. And he explores one of Christian culture’s most guarded (and literal) closets—the prayer closet itself, a privileged space where the vectors of same-sex desire can travel privately between the worshiper and his or her God.Elegantly written and theoretically astute, Closet Devotions illuminates the ways in which sacred Christian devotion is homoeroticized, a phenomenon that until now has gone unexplored in current scholarship on religion, the body, and its passions. This book will attract readers across a wide array of disciplines, including gay and lesbian studies, literary theory and criticism, Renaissance studies, and religion.

    It describes clearly the troubles that the "system" deliver to maintain the status-quo, and the overwhelming drive needed by both the child and the parent in overcoming these burdens and achieving success. This should be required reading for any parent of a Transgendered person. The writing style is easy and familiar and will make for a "quick read" ; one you won't want to put down

    These stories, some never before published, range in style and texture from the warmth of magical realism to disturbing modern gothic -- showcasing a rich and varied exploration of sex in worlds that might be earthtly -- to tales of the human fantasies and magical dreams to which we all succumb. From the critically acclaimed, otherwordly "Pearl Driver" to "The Game," all of Tan's stories celebrate the body and sex, revealing the positive emotions behind even the darkest desires.

    In this land, the original America, men who wore women’s clothes and did women’s work became artists, ambassadors, and religious leaders, and women sometimes became warriors, hunters and even chiefs. Same-sex marriages flourished. Berdaches—individuals who combine male and female social roles with traits unique to their status as a third gender—have been documented in more than 150 North American tribes. By looking at this aspect of non-Western culture, Roscoe challenges the basis of the dualistic way most Americans think about sexuality, and shakes the foundation of the way we understand and define gender.

    The Iroquois in the War of 1812 proves that, in fact, the Six Nations' involvement was 'too significant to ignore.'Benn explores this involvement by focusing on Iroquois diplomatic, military, and cultural history during the conflict. He looks at the Iroquois' attempts to stay out of the war, their entry into hostilities, their modes of warfare, the roles they played in different campaigns, their relationships with their allies, and the effects that the war had on their society. He also details the military and diplomatic strength of the Iroquois during the conflict, despite the serious tensions that plagued their communities.This account reveals how the British benefited more than the Americans from the contributions of their Iroquois allies, and underscores how important the Six Nations were to the successful defence of Canada. It will appeal to general readers in both Canada and the United States and will have relevance for students and scholars of military, colonial, and Native history.

    Focusing on a variety of representations, from the boundary-shattering work of queer performances to the daring conjunction of childhood sexual abuse and desire in the work of Dorothy Allison, Between the Body and the Flesh stimulates discussions of s/m through the exploration of censorship in the arts, the fetishization of sexual paraphernalia, recombinations of class, race and sexuality, and the politics of psychoanalysis.

    Using the context of historical racialization in conjunction with student narratives, this book gives insight into the process of racialization as it relates to popular culture, gender, and relationships with peers.

    Among other results, this work has made the heterosexual imperative visible as an arbitrary ideological limit. Now, in Quare Joyce, some of the most prominent scholars of Joyce address themselves directly to questions of homoerotic desire in Joyce's work, drawing on and furthering queer theory in a dazzling set of essays.Beyond simply locating another layer of cultural import in Joyce's endlessly rich oeuvre, this project reconstructs a whole other creative and critical history for his writing. The twelve essays, organized in pairs under the headings "Intersexualities," "Rethinking the Closet," "Homophobia and Misogyny," "Homocolonial Relations," "Joyce's Lesbian Other," and "Recent Controversies," explore the range of Joyce's work, from "An Encounter" through Finnegans Wake, and take on three related tasks: to redress the compulsory heterosexuality that has traditionally hampered even the most sophisticated and progressive scholarship on Joyce; to import a queer theory perspective; and to take up the manifold question of homosexuality as it pertains to the always slippery articulation of Joyce's life and work.Quare Joyce will directly interest not only Joyceans, modernists, and students of Irish literature, but also scholars in the fields of postcolonial and queer theory, gay and cultural studies. As the only book on its subject, it will be necessary reading for upper-level undergraduate and graduate students and will prove useful in the classroom.Joseph Valente is Associate Professor of English and Interpretive Theory, University of Illinois at Urbana-Champaign.

    Taken together, these pieces demonstrate the wide-ranging and sometimes antagonistic viewpoints of scholars and activists pursuing different political and intellectual goals.Essays include a documentation of how readers of mass-circulation print media became aware of new medical possibilities for the surgical and hormonal alteration of sex characteristics and began agitating for them; a challenge from feminist theorists to transgender movement activists to avoid repeating the mistakes of previous feminist, gay, and lesbian political mobilizations; a critique of the overreliance on discursive analysis in much current transgender scholarship; and paired essays exploring the so-called Butch/FTM Border Wars from either side of that divide. There are also pieces that focus on intersex activism, the bioethics of gender dysphoria management, and the mobilization of transgender advocacy organizations.Considering perceptions of queer embodiment past and present, these essays explore the sweeping changes in professional and popular attitudes regarding the transgender community and the issues that affect it. The timeliness of this issue as well as the diversity of its viewpoints makes it a significant contribution to the growing body of transgender literature.Contributors. Cheryl Chase, Patricia Elliot, Judith Halberstam, C. Jacob Hale, Joanne Meyerowitz, James Lindeman Nelson, Katrina Roen, Henry Rubin, Susan Stryker

    The author, who has herself been surgically reassigned, has conducted extensive interviews with transsexuals from many walks of life. Her personal experiences, which inform this book, have given her an access to her subjects that others would likely be denied. While highlighting how the gender identity of transsexuals relates to hormonal and surgical changes in the body as well as to changes in dress, the book investigates the pressures and motivations to conform to expected gender roles, and the ways in which these are affected by social, educational, and professional status. Differences in the experiences of those who change from male to female and those who change from female to male are also examined.Sex reassignment has been the focus of considerable media attention recently, as increasing numbers of people feel able to talk frankly about their personal experiences with gender dysphoria. Strides with medical technology have given transsexuals new opportunities in their lives. This book provides unique insights into how these changes are seen by those people most affected them.

    Obsessed with getting to the root of things, Panati reveals facts that will surprise even the most informed reader.

    I really loved reading this book. It is both critical and appreciative. It is truly written in what I would call a feminist spirit."--Kathy Ferguson, University of Hawaii Kathi Weeks suggests that one of the most important tasks for contemporary feminist theory is to develop theories of the subject that are adequate to feminist politics. Although the 1980s modernist-postmodernist debate put the problem of feminist subjectivity on the agenda, Weeks contends that limited debate now blocks the further development of feminist theory.Both modernists and postmodernists succeeded in making clear the problems of an already constituted, essentialist subject. What remains as an ongoing project, Weeks contends, is creating a theory of the constitution of subjects to account for the processes of social construction. This book presents one such account. Drawing on a number of different theoretical frameworks, including feminist standpoint theory, socialist feminism, and poststructuralist thought, as well as theories of performativity and self-valorization, the author proposes a nonessentialist feminist subject, a theory of constituting subjects.

    In Hegel's Idea of a Phenomenology of Spirit, Michael N. Forster advances an original reading of the work. His approach differs from that of previous scholars in two crucial ways: he reads the work, first, as a whole—not piecemeal, as it has usually been analyzed—and second, within the context of Hegel's broader corpus and the works of other philosophers.The Phenomenology of Spirit emerges as an extraordinarily coherent work with a rich array of important and original ideas. These include a diagnosis of the ills of modernity in terms of its commitment to a series of dualisms, and a project for overcoming them; a sweeping naturalism; a deep rethinking of and response to problems of skepticism; subtle arguments for social theories of meaning and truth; and ideas based on the insight that human thought changes in fundamental ways over the course of history. Forster's unique and compelling reading unlocks the mysteries of Hegel's seminal work.