She continued her national dialogue with the bestselling Salvation: Black People and Love. Now hooks culminates her triumphant trilogy of love with Communion: The Female Search for Love.Intimate, revealing, provocative, Communion challenges every female to courageously claim the search for love as the heroic journey we must all choose to be truly free. In her trademark commanding and lucid language, hooks explores the ways ideas about women and love were changed by feminist movement, by women's full participation in the workforce, and by the culture of self-help.Communion is the heart-to-heart talk every woman -- mother, daughter, friend, and lover -- needs to have.

    Taking a wholly different view, Asma Barlas develops a believer's reading of the Qur'an that demonstrates the radically egalitarian and antipatriarchal nature of its teachings.Beginning with a historical analysis of religious authority and knowledge, Barlas shows how Muslims came to read inequality and patriarchy into the Qur'an to justify existing religious and social structures and demonstrates that the patriarchal meanings ascribed to the Qur'an are a function of who has read it, how, and in what contexts. She goes on to reread the Qur'an's position on a variety of issues in order to argue that its teachings do not support patriarchy. To the contrary, Barlas convincingly asserts that the Qur'an affirms the complete equality of the sexes, thereby offering an opportunity to theorize radical sexual equality from within the framework of its teachings. This new view takes readers into the heart of Islamic teachings on women, gender, and patriarchy, allowing them to understand Islam through its most sacred scripture, rather than through Muslim cultural practices or Western media stereotypes.

    Now a new generation of brilliant, outspoken women of color is speaking to the concerns of a new feminism, and their place in it. Daisy Hernandez of Ms. magazine and poet Bushra Rehman have collected a diverse, lively group of emerging writers who speak to their experience—to the strength and rigidity of community and religion, to borders and divisions, both internal and external—and address issues that take feminism into the twenty-first century. One writer describes herself as a “mixed brown girl, Sri-Lankan and New England mill-town white trash,” and clearly delineates the organizing differences between whites and women of color: “We do not kick ass the way the white girls do, in meetings of NOW or riot grrl. For us, it’s all about family.” A Korean-American woman struggles to create her own identity in a traditional community: “Yam-ja-neh means nice, sweet, compliant. I’ve heard it used many times by my parents’ friends who don’t know shit about me.” An Arab-American feminist deconstructs the “quaint vision” of Middle-Eastern women with which most Americans feel comfortable. This impressive array of first-person accounts adds a much-needed fresh dimension to the ongoing dialogue between race and gender, and gives voice to the women who are creating and shaping the feminism of the future.

    Anzaldúa and AnaLouise Keating have brought together an ambitious new collection of over 80 original contributions offering a bold new vision of women-of-color consciousness for the 21st century.Through personal narratives, theoretical essays, textual collage, poetry, letters, artwork and fiction, this bridge we call home examines and extends the discussion of issues at the center of the first Bridge, such as classism, homophobia, racism, identity politics, and community building, while exploring the additional issues of third wave feminism, Native sovereignty, lesbian pregnancy and mothering, transgendered issues, Arab-American stereotyping, Jewish identities, spiritual activism, and surviving academe. Written by women and men---both 'of color' and 'white,' located inside and outside the United States---and motivated by a desire for social justice, this bridge we call home invites feminists of all colors and genders to develop new forms of transcultural dialogues, practices, and alliances.Building on and pushing forward the revolutionary call for transformation announced over two decades ago, this bridge we call home will challenge readers to rethink existing categories and invent new individual and collective identities.

    With visionary insight, hooks exposes the underlying reality that it has been difficult—if not impossible—for our nation to create a culture that promotes and sustains healthy self-esteem. Without self-esteem people begin to lose their sense of agency. They feel powerless. They feel they can only be victims. The need for self-esteem never goes away. But it is never too late for any of us to acquire the healthy self-esteem that is needed for a fulfilling life. hooks gets to the heart and soul of the African-American identity crisis, offering critical insight and hard-won wisdom about what it takes to heal the scars of the past, promote and maintain self-esteem, and lay down the roots for a grounded community with a prosperous future. She examines the way historical movements for racial uplift fail to sustain our quest for self-esteem. Moving beyond a discussion of race, she identifies diverse barriers keeping us from well-being: the trauma of abandonment, constant shaming, and the loss of personal integrity. In highlighting the role of desegregation, education, the absence of progressive parenting, spiritual crisis, or fundamental breakdowns in communication between black women and men, bell hooks identifies mental health as the new revolutionary frontier—and provides guidance for healing within the black community.

    Joyce Tenneson presents 80 portraits of women aged 65 to 100, who comment on their experiences of ageing.

    In essays that show how her groundbreaking work in queer theory has developed into a deep interest in affect, Sedgwick offers what she calls "tools and techniques for nondualistic thought," in the process touching and transforming such theoretical discourses as psychoanalysis, speech-act theory, Western Buddhism, and the Foucauldian "hermeneutics of suspicion." In prose sometimes somber, often high-spirited, and always accessible and moving, Touching Feeling interrogates—through virtuoso readings of works by Henry James, J. L. Austin, Judith Butler, the psychologist Silvan Tomkins and others—emotion in many forms. What links the work of teaching to the experience of illness? How can shame become an engine for queer politics, performance, and pleasure? Is sexuality more like an affect or a drive? Is paranoia the only realistic epistemology for modern intellectuals? Ultimately, Sedgwick's unfashionable commitment to the truth of happiness propels a book as open-hearted as it is intellectually daring.

    The talent evident in that first collection is confirmed with One Man’s Trash, a series of connected stories about being queer, searching out new frontiers, and being on the road.The characters in One Man’s Trash make evident the child in all of us, when heroes and superheroes won the day.Including the hilarious account of an attempted lesbian wedding in a Las Vegas chapel, and a touching tale of being beguiled by an uncle’s independent-minded girlfriend, these are stories about being on the road: to the northern tundra or the southern desert, through cities and towns, on horses, in trucks and vans, with friends, family, and lovers. In achingly personal tones, Ivan Coyote paints beautiful and honest portraits of life, the road, and the spirits within.

    In Girl Culture, she combines a photojournalists sense of story with fine-art composition and color to create an astonishing and intelligent exploration of American girls. Her photographs provide a window into the secret worlds of girls social lives and private rituals, the dressing room and locker room, as well as the iconic subcultures of the popular clique: cheerleaders, showgirls, strippers, debutantes, actresses, and models. With 100 hypnotic photographs, 20 interviews with the subjects, and an introduction by foremost historian of American girlhood Joan Jacobs Brumberg, Greenfield reveals the exhibitionist nature of modern femininity and how far it has drifted from the feminine ideologies of the past.

    Evelyn Nakano Glenn untangles this complex history in a unique comparative regional study from the end of Reconstruction to the eve of World War II. During this era the country experienced enormous social and economic changes with the abolition of slavery, rapid territorial expansion, and massive immigration, and struggled over the meaning of free labor and the essence of citizenship as people who previously had been excluded sought the promise of economic freedom and full political rights.After a lucid overview of the concepts of the free worker and the independent citizen at the national level, Glenn vividly details how race and gender issues framed the struggle over labor and citizenship rights at the local level between blacks and whites in the South, Mexicans and Anglos in the Southwest, and Asians and haoles (the white planter class) in Hawaii. She illuminates the complex interplay of local and national forces in American society and provides a dynamic view of how labor and citizenship were defined, enforced, and contested in a formative era for white-nonwhite relations in America.

    Editors Heid E. Erdrich and Laura Tohe have gathered stories from across the nation that celebrate, record, and explore Native American women's roles in community. The result is a rich tapestry that contains work by established writers along with emerging and first-time authors. Contributors include Louise Erdrich, Joy Harjo, Diane Glancy, Elizabeth Cook-Lynn, Allison Hedge Coke, LeAnne Howe, Roberta Hill, Kim Blaeser, Linda LeGarde Grover, with a foreword by Winona LaDuke.

    Along with a small group of dedicated women, she produced the seminal journal series, No More Fun and Games. Her group, Cell 16 occupied the radical fringe of the growing movement, considered too outspoken and too outrageous by mainstream advocates for women's rights.Dunbar-Ortiz was also a dedicated anti-war activist and organizer throughout the 1960s and 1970s. During the war years she was a fiery, indefatigable public speaker on issues of patriarchy, capitalism, imperialism, and racism. She worked in Cuba with the Venceremos Brigade, and formed associations with other revolutionaries across the spectrum of radical and underground politics, including the SDS, the Weather Underground, the Revolutionary Union, and the African National Congress. But unlike the majority of those in the New Left—young white men from solidly middle-class suburban families—Dunbar-Ortiz grew up poor, female, and part-Indian in rural Oklahoma, and she often found herself at odds not only with the ruling class but also with the Left and with the women's movement.Dunbar-Ortiz's odyssey from dust-bowl poverty to the urban radical fringes of the New Left gives a working-class, feminist perspective on a time and a movement which forever changed American society."Roxanne Dunbar gives the lie to the myth that all New Left activists of the 60s and 70s were spoiled children of the suburban middle classes. Read this book to find out what are the roots of radicalism—anti-racist, pro-worker, feminist—for a child of working-class Okie background."—Mark Rudd, SDS, Columbia University strike leaderRoxanne Dunbar-Ortiz is a historian and professor in the Department of Ethnic Studies at California State University, Hayward. She is the author of Red Dirt: Growing up Okie, The Great Sioux Nation, and Roots of Resistance, among other books.

    Goodbye, Good Men uncovers how radical liberalism has infiltrated the Catholic Church, overthrowing traditional beliefs, standards, and disciplines.

    But what role is left for women within such evolutionary thinking? The role women get is that of the passive, weak, individual left to ride on the coat tails of their male suitors. The default, no testosterone sex interested in just selecting the best male to expand the gene pool . Is it any wonder that feminists are dismissive of such evolutionary approaches? That many have sought to ignore the contribution that evolutionary theory can make to our understanding of women. But have women really just been bit part actors in the whole story of evolution? Have they not played their own role in ensuring their reproductive success? In this highly accessible and thought provoking new book, Anne Campbell challenges this passive role of women in evolutionary theory, and redresses the current bias within evolutionary writing. Guiding us through the basics of evolutionary theory, she proposes that women have forged their own strategic way forward, acting through their own competition, rivalry, indirect aggression, and unfaithfulness, to shape their own destiny. Throwing down a challenge to feminist theories, Campbell argues that evolutionary theory can indeed teach us plenty about the development of the female mind - we just need to get it right. This is an important book that will force others to re-evaluate their own assumptions about the evolution of the female mind.

    Braiding theoretic concerns with the ambivalences of sexed and raced identity.WANTING IN ARABIC attempts to traverse the fantasies of foundational loss and aggressive nostalgia in order to further a poetics of a conscious partiality of being, of generous struggle and comic rather than tragic misrecognition. "Trish Salah's poetic sequence is not simply a narrative of gender change; it's a wandering, thoughtful text, one both fierce and tremulous"--Erin Moure. "This is a beautiful and disturbing collection of poems, writing from the uncharted langscape of the third sex"--Mary Di Michele.

    In Men & Women, Hamza Yusuf makes clear the positions and roles of men and women in society according to the Quran and Sunnah and sheds much-needed light on several often misunderstood Quranic verses and hadiths concerning the relationship between the two. His eye-opening discussion of issues such as the hijab, marital rights, and domestic violence, will prove invaluable for all listeners, particularly couples who want to improve understanding in their marriages and individuals who want to be reassured of Islam's honor of women.Recorded at the MSA gathering, ISNA, 2002.Description: 1 audio disc : digital

     Confronts a central paradox of theological feminism - what Coakley terms 'paradox of power and vulnerability'. Explores this issue through the perspective of spiritual practice, philosophical enquiry and doctrinal analysis. Draws together an essential collection of Sarah Coakley's work in this field. Offers an original perspective into contemporary feminist theology.

    Spanning from 1850 to 1950, the 142 everyday photographs that richly illustrate Picturing Men radiate playfulness, humor, and warmth. They portray a lost world for American men: a time when their relationships with each other were more intimate than they commonly are today, regardless of sexual orientation. Picturing Men starkly contrasts the calm affection displayed in earlier photographs with the absence of intimacy in photos from the mid-1950s on. In doing so, this lively, accessible book makes a significant contribution to American history and cultural studies, gender studies, and the history of photography.

    A first in audiobook publishing--a series that uses the written word to enhance the listening experience--poetry to be read as well as heard. Each audiobook includes rare archival recordings and a book with the text of the poetry, a bibliograohy, and commentary by J. D. McClatchy, the poet and critic, who is the editor of The Yale Review. "Hearing poetry spoken by the poet is always a unique illumination. This series opens our ears to some of the most passionate utterances and enthralling performances ever recorded."--Seamus Heaney, Nobel Prize winner, Poetry"There has been a great need for a well-edited audio series for poetry, with high literary and technical quality. J. D. McClatchy has filled this need with great style."--Robert Pinsky

    Few books have addressed research for teachers to turn to as a resource for classroom practice but here Kumashiro draws on interviews with gay activists as a starting point for discussion of models of reading and challenging oppression.

    von Hildebrand expands the discussion to explore how the fullness of human nature is found in the perfect union between man and woman. God chose to create man doubly complex. He made man of both soul and body a spiritual reality and a material reality. To crown this complexity, He created them male and female. Dr. von Hildebrand elucidates the tragic separation that happened with original sin and the consequences of this brokenness in the world today: the distortion of the male and female genius, supernatural blindness, and the triumph of secularism. She explores how this brokenness can be healed by following God s Divine plan for man and woman. We see this first and foremost in our Blessed Mother, exemplar of the path to holiness. This is also seen in the characteristics of saintly male / female relationships between husbands and wives, fathers and daughters, mothers and sons, brothers and sisters, and holy friendships. It is only by coming to more fully understand the Divine plan for man and woman, and submitting ourselves to His plan, that true complementarity harmony of body and soul, male and female can be accomplished.

    In long-forgotten books, in art museums, in European and U.S. archives and private collections, a hidden history of representation awaited discovery. The Black Female Body offers a stunning array of familiar and many virtually unknown photographs, showing how photographs reflected and reinforced Western culture's fascination with black women's bodies.In the nineteenth century, black women were rarely subjects for artistic studies but posed before the camera again and again as objects for social scientific investigation and as exotic representatives of faraway lands. South Africans, Nubians, enslaved Abyssinians and Americans, often partially or completely naked and devoid of identity, were displayed for the armchair anthropologist or prurient viewer. Willis and Williams relate these social science photographs and the blatantly pornographic images of this era with those of black women as domestics and as nursemaids for white children in family portraits. As seen through the camera lens, Jezebel and Mammy took the form of real women made available to serve white society.Bringing together some 185 images that span three centuries, the authors offer counterpoints to these exploitive images, as well as testaments to a vibrant culture. Here are nineteenth century portraits of well-dressed and beautifully coifed creoles of color and artistic studies of dignified black women. Here are Harlem Renaissance photographs of entertainer Josephine Baker and writer Zora Neale Hurston. Documenting the long struggle for black civil rights, the authors draw on politicallypointed images by noted photographers like Dorothea Lange, Louis Hine, and Gordon Parks. They also feature the work of contemporary artists such as Ming Smith Murray, Renee Cox, Coreen Simpson, Chester Higgins, Joy Gregory, and Catherine Opie, who photograph black women asserting their subjectivity, reclaiming their bodies, and refusing the representations of the past.A remarkable history of the black woman's image, The Black Female Body makes an exceptional gift book and keepsake.

    

    It will become a definitive work for academics and activists committed to an unflinching inquiry into the mechanisms of global justice.

    The author asserts that all too often "non-native" Muslims, in their well meaning zeal, throw away the very parts of their identity that, not only led them to Islam in the first place, but ultimately make them who they are- - in so doing creating the impossibility of a true and vibrant connection with God. Not simply an exposé on the difficulties to be found within the Islamic community, Believing as Ourselves, is packed with advice for those who find themselves struggling to reconcile the gap between the sometimes, bitter, reality of actual life within the faith, and the Islamic ideal they so cherish. In the words of Dr. Jeffrey Lang, author of the books, Struggling to Surrender, and Even Angels Ask, She (the author) reaches out to them with practical, hard earned wisdom and carefully thought out advice on how they can overcome the many distractions and hardships, and reclaim that "initial determination, internal strength, and sense of authentic faith that was once theirs." -And they so deserve. Lynn Jones is a writer and mother of two. She lives in a modest home under the shadow of a grove of giant cedar trees in suburban Washington state.

    Bad television--predictable, commercial, exploitative--simply yields to the forces. Good television, like the character of Buffy the Vampire Slayer, fights them. Fighting the Forces explores the struggle to create meaning in an impressive example of popular culture, the television series phenomenon Buffy the Vampire Slayer. In the essays collected here, contributors examine the series using a variety of techniques and viewpoints. They analyze the social and cultural issues implicit in the series and place it in its literary context, not only by examining its literary influences (from German liebestod to Huckleberry Finn) but also by exploring the series' purposeful literary allusions. Furthermore, the book explores the extratextual, such as fanfiction and online discussion groups. The book is additionally supplemented by an online journal Slayage (www.slayage.tv), created by the book editors in acknowledgement of the ongoing nature of television art. Rhonda V. Wilcox and David Lavery have written and edited several books and articles exploring the social, literary, and artistic merit of quality television. In addition to Buffy the Vampire Slayer, their work has covered a variety of programs including Twin Peaks, Northern Exposure, The X-Files, and The Sopranos.

    In these essays, headed up by editor Merri Lisa Johnson’s “Generation X Does the Sex Wars,” the writers confess their seemingly antifeminist longings and question what role feminist ideals should play in women’s sexuality. In “Spanking and the Single Girl,” Chris Daley wonders whether it’s acceptable to play the submissive role in an S/M exchange. In “Vulvodynia — How Porn Made Me a Woman,” Katinka Hooijer reveals her affection for porn and the inner conflict her predilection inspires. Sex toy store owner Sarah Smith declares a “dildo revolution” — for women and men, gay and straight — in her essay of the same name. Whatever the angle, the authors all champion a sex-positive feminism.

    In contrast to women in Western Europe, who could not control their assets during marriage until the second half of the nineteenth century, married women in Russia enjoyed the right to alienate and manage their fortunes beginning in 1753. Marrese traces the extension of noblewomen's right to property and places this story in the broader context of the evolution of private property in Russia before the Great Reforms of the 1860s. Historians have often dismissed women's property rights as meaningless. In the patriarchal society of Imperial Russia, a married woman could neither work nor travel without her husband's permission, and divorce was all but unattainable. Yet, through a detailed analysis of women's property rights from the Petrine era through the abolition of serfdom in 1861, Marrese demonstrates the significance of noblewomen's proprietary power. She concludes that Russian noblewomen were unique not only for the range of property rights available to them, but also for the active exercise of their legal prerogatives.A remarkably broad source base provides a solid foundation for Marrese's conclusions. These sources comprise more than eight thousand transactions from notarial records documenting a variety of property transfers, property disputes brought to the Senate, noble family papers, and a vast memoir literature. A Woman's Kingdom stands as a masterful challenge to the existing, androcentric view of noble society in Russia before Emancipation.

    The Afro, as worn most famously by Angela Davis, became a veritable icon of the Sixties.Although the new beauty standards seemed to arise overnight, they actually had deep roots within black communities. Tracing her story to 1891, when a black newspaper launched a contest to find the most beautiful woman of the race, Maxine Leeds Craig documents how black women have negotiated the intersection of race, class, politics, and personal appearance in their lives. Craig takes the reader from beauty parlors in the 1940s to late night political meetings in the 1960s to demonstrate the powerful influence of social movements on the experience of daily life. With sources ranging from oral histories of Civil Rights and Black Power Movement activists and men and women who stood on the sidelines to black popular magazines and the black movement press, Ain't I a Beauty Queen? will fascinate those interested in beauty culture, gender, class, and the dynamics of race and social movements.

    This book enables the reader to undertake a critical analysis of what we consider to be normal and given, to ask questions, to take stock of the self and the world.

    A bold, erotic,and spiritual collection of poetry from well-respected poet and critic Alicia Suskin Ostriker, whose previous two books were both National Book Award finalists.

    Karen Shimakawa argues that the forms of Asian Americanness that appear in U.S. culture are a function of national abjection—a process that demands that Americanness be defined by the exclusion of Asian Americans, who are either cast as symbolic foreigners incapable of integration or Americanization or distorted into an “honorary” whiteness. She examines how Asian Americans become culturally visible on and off stage, revealing the ways Asian American theater companies and artists respond to the cultural implications of this abjection.Shimakawa looks at the origins of Asian American theater, particularly through the memories of some of its pioneers. Her examination of the emergence of Asian American theater companies illuminates their strategies for countering the stereotypes of Asian Americans and the lack of visibility of Asian American performers within the theater world. She shows how some plays—Wakako Yamauchi’s 12-1-A, Frank Chin’s Chickencoop Chinaman, and The Year of the Dragon—have both directly and indirectly addressed the displacement of Asian Americans. She analyzes works attempting to negate the process of abjection—such as the 1988 Broadway production of M. Butterfly as well as Miss Saigon, a mainstream production that enacted the process of cultural displacement both onstage and off. Finally, Shimakawa considers Asian Americanness in the context of globalization by meditating on the work of Ping Chong, particularly his East-West Quartet.

    Personal stories of urban and rural living reveal the many varieties of experience and how Western culture has created both immense wealth and poverty. Discussions of primary production, neoclassical economics, and international trade agreements accompany writing about nature and how rural life is deeply connected to land.

    Since the late nineteenth century, immigrant women's sexuality has been viewed as a threat to national security, to be contained through strict border-monitoring practices. By scrutinizing this policy, its origins, and its application, Eithne Luibheid shows how the U.S. border became a site not just for controlling female sexuality but also for contesting, constructing, and renegotiating sexual identity.Initially targeting Chinese women, immigration control based on sexuality rapidly expanded to encompass every woman who sought entry to the United States. The particular cases Luibheid examines -- efforts to differentiate Chinese prostitutes from wives, the 1920s exclusion of Japanese wives to reduce the Japanese-American birthrate, the deportation of a Mexican woman on charges of lesbianism, the role of rape in mediating women's border crossings today -- challenge conventional accounts that attribute exclusion solely to prejudice or lack of information. This innovative work clearly links sexuality-based immigration exclusion to a dominant nationalism premised on sexual, gender, racial, and class hierarchies.

    This anomalous ecology mutated into a femicide machine: an apparatus that didn't just create the conditions for the murders of dozens of women and little girls, but developed the institutions that guarantee impunity for those crimes and even legalize them. A lawless city sponsored by a State in crisis. The facts speak for themselves. -- from "The Femicide Machine"Best known to American readers for his cameo appearances as The Journalist in Roberto Bolano's "2666" and as a literary detective in Javier Marias's nove "l Dark Back of Time," Sergio Gonzalez Rodriguez is one of Mexico's most important contemporary writers. He is the author of "Bones in the Desert," the most definitive work on the murders of women and girls in Juarez, Mexico, as well as "The Headless Man," a sharp meditation on the recurrent uses of symbolic violence; "Infectious," a novel; and "Original Evil, " a long essay. The "Femicide Machine" is the first book by Gonzalez Rodriguez to appear in English translation.Written especially for Semiotext(e) Intervention series, "The Femicide Machine" synthesizes Gonzalez Rodriguez's documentation of the Juarez crimes, his analysis of the unique urban conditions in which they take place, and a discussion of the terror techniques of narco-warfare that have spread to both sides of the border. The result is a gripping polemic. " The Femicide Machine" probes the anarchic confluence of global capital with corrupt national politics and displaced, transient labor, and introduces the work of one of Mexico's most eminent writers to American readers.

    Beginning in the late 1960s, women in communities across the United States challenged medical and male control over womens health. Few people today realize the extent to which these grassroots efforts shifted power and responsibility from the medical establishment into womens hands as health care consumers, providers, and advocates.Into Our Own Hands traces the womens health care movement in the United States. Richly documented, this study is based on more than a decade of research, including interviews with leading activists; documentary material from feminist health clinics and advocacy organizations; a survey of womens health movement organizations in the early 1990s; and ethnographic fieldwork. Sandra Morgen focuses on the clinics born from this movement, as well as how the movements encounters with organized medicine, the state, and ascendant neoconservative and neoliberal political forces of the 1970s to the1980s shaped the confrontations and accomplishments in womens health care. The book also explores the impact of political struggles over race and class within the movement organizations.

    In postulating a positive theory of the hijâb, the author challenges with great sophistication both the commonly held view of Muslim women being subjugated by men, as well as the liberal feminists' who criticize the choice of women to cover themselves as ultimately unliberating. The author argues that in a culture of consumerism, the hijâb can be experienced as a liberation from the tyranny of the beauty myth and the thin "ideal" woman. In dispelling some widely held myths about Muslim women and the hijâb, the author introduces respectability to the voice of believing Muslim women, claiming that liberation and the equality of women are fundamental to Islam itself.

    On one hand, it spawned social liberalism and political radicalism; on the other, it generated the social conservatism and cultural nativism that grew into the ultra-nationalism of 1937-1945.In art, it produced an infatuation with Western modernism as well as a new exploration of traditional aesthetics. Between these dramatic polarities was a rich middle ground of cultural synthesis and symbiosis in which Western concepts of modernity and nostalgia for Japanese tradition seamlessly merged or creatively contrasted. These values are witnessed in the Art Deco style, particularly as it infused Japanese art of Taisho.Much of the debate over Japanese cultural identity centered on the appearance and social role of women. The primary focus in this volume is the nexus of tradition and modernity manifest in popular images of women, as well as in domestic furnishings and fashions made for women.In an introductory essay, historian Sharon Minichiello provides a broad context for these issues by sketching major domestic and international events and themes of the period. In his essay and catalogue entries, art historian Kendall Brown first examines how women were at the center of the sociocultural debate on Japanese modernity, then details how artists helped fashion various female types, including the modern girl, the traditional beauty, and a new type of hybrid woman.The nihonga paintings, woodblock prints, textiles, and domestic artifacts discussed and illustrated here are a broad range of objects representative of mainstream Taisho visual culture, and reconstruct the styles popular from 1915 to 1935 in a celebration of Taisho- Chic.

    Damas. This masculine genealogy has completely overshadowed the central role played by French-speaking black women in its creation and evolution. In Negritude Women, T. Denean Sharpley-Whiting offers a long-overdue corrective, revealing the contributions made by four women -- Suzanne Lacascade, Jane and Paulette Nardal, and Suzanne Roussy-Cesaire -- who were not merely integral to the success of the movement, but often in its vanguard.Through such disparate tactics as Lacascade's use of Creole expressions in her French prose writings, the literary salon and journal founded by the Martinique-born Nardal sisters, and Roussy-Cesaire's revolutionary blend of surrealism and Negritude in the pages of Tropiques, the journal she founded with her husband, these four remarkable women made vital contributions. In exploring their influence on the development of themes central to Negritude -- black humanism, the affirmation of black peoples and their cultures, and the rehabilitation of Africa -- Sharpley-Whiting provides the movement's first genuinely inclusive history.

    Paradoxically, the country that pioneered the expansion of civil liberties allowed corporations to assemble private armies to disrupt union organizing, spy on workers, and break strikes. Using a social-historical approach, Stephen Norwood focuses on the mercenaries the corporations enlisted in their anti-union efforts--particularly college students, African American men, the unemployed, and men associated with organized crime. Norwood also considers the paramilitary methods unions developed to counter mercenary violence. The book covers a wide range of industries across much of the country. Norwood explores how the early twentieth-century crisis of masculinity shaped strikebreaking's appeal to elite youth and the media's romanticization of the strikebreaker as a new soldier of fortune. He examines how mining communities' perception of mercenaries as agents of a ribald, sexually unrestrained, new urban culture intensified labor conflict. The book traces the ways in which economic restructuring, as well as shifting attitudes toward masculinity and anger, transformed corporate anti-unionism from World War II to the present.

    She details its prod'n., dist'n., & cons'n. in Great Britain between Waterloo & WWI. Sigel examines how this medium changed over time to explore key questions: How did Brit. society define PN? Who had access to it? What did people make of its ideas? And how did these messages affect sexual & social dynamics? PN offered people a way to make sense of sexuality & its relationship to the world during the transition of Brit. society from an era of radical politics to one of consumer pleasures. Illustrated with literary & visual materials drawn from public & private collections.

    The essays focus on texts available in English translation and explore with great theoretical sophistication the relationship of these authors' texts to contemporary phenomena of feminism, nationalism, postcolonialism, war, transnationalism, andsocietal change.

    Sister Prudence Allen explores claims about sex and gender identity in the works of over fifty philosophers (both men and women) in the late medieval and early Renaissance periods. Touching on the thought of every philosopher who considered sex or gender identity between A.D. 1250 and 1500, The Concept of Woman provides the analytical categories necessary for situating contemporary discussion of women in relation to men. Adding to the accessibility of this fine discussion are informative illustrations, helpful summary charts, and extracts of original source material (some not previously available in English). Encyclopedic in coverage yet clearly organized and well written, The Concept of Woman will be an invaluable resource for readers interested in a wide range of disciplines.

    We now know that male marmosets help take care of their offspring. Is this heartening news for today's stay-at-home dads? Recent studies show that many female birds once thought to be monogamous actually have chicks that are fathered outside the primary breeding pair. Does this information spell doom for traditional marriages? And bonobo apes take part in female-female sexual encounters. Does this mean that human homosexuality is natural? This highly provocative book clearly shows that these are the wrong kinds of questions to ask about animal behavior. Marlene Zuk, a respected biologist and a feminist, gives an eye-opening tour of some of the latest developments in our knowledge of animal sexuality and evolutionary biology. Sexual Selections exposes the anthropomorphism and gender politics that have colored our understanding of the natural world and shows how feminism can help move us away from our ideological biases.As she tells many amazing stories about animal behavior--whether of birds and apes or of rats and cockroaches--Zuk takes us to the places where our ideas about nature, gender, and culture collide. Writing in an engaging, conversational style, she discusses such politically charged topics as motherhood, the genetic basis for adultery, the female orgasm, menstruation, and homosexuality. She shows how feminism can give us the tools to examine sensitive issues such as these and to enhance our understanding of the natural world if we avoid using research to champion a feminist agenda and avoid using animals as ideological weapons.Zuk passionately asks us to learn to see the animal world on its own terms, with its splendid array of diversity and variation. This knowledge will give us a better understanding of animals and can ultimately change our assumptions about what is natural, normal, and even possible.

    Her analysis reveals the apocalyptic thread that is the ideological link between established anti-abortion organizations and the more shadowy pro-life terrorists who subject clinic workers to anthrax scares, bombs, and bullets.The portrayal of abortion as America's Armageddon began in the 1960s. In the 1970s, Mason says, Christian politics and the post-Vietnam paramilitary culture popularized the idea that legal abortion is a harbinger of apocalypse. By the 1990s, Mason asserts, even the movement's mainstream had taken up the call, narrating abortion as an apocalyptic battle between so-called Christian and anti-Christian forces. Pro-life violence of the 1990s signaled a move away from protest and toward retribution, she writes. Pro-life retribution is seen as a way to restore the order of God. In this light, the phenomenon of killing for 'life' is revealed not as an oxymoron, but as a logical consistency and a political manifestation of religious retribution.Mason's scrutiny of primary sources (direct mail, internal memoranda, personal letters, underground manuals, and pro-life films, magazines, and novels) draws attention to elements of pro-life millennialism. Killing for Life is a powerful indictment of pro-life ideology as a coherent, mass-produced narrative that does not merely condone violence, but anticipates it as part of God's plan.

    This collection is intended to show its strengths and resources and convey a sense of it as an ongoing project with a vital role to play in struggles for emancipation from all forms of oppression and exploitation today. Not every contribution to that project bears the same theoretical label, but the writings collected here share a broad aim of understanding women's subordination in a way which integrates class and sex--as well as aspects of women's identity such as race, ethnicity, and sexual orientation--with the aim of liberating women. Socialist Feminism brings together the most important recent socialist feminist writings on a wide range of topics: sex and reproduction, the family, wage labor, social welfare and public policy, the place of sex and gender in politics, and the philosophical foundations of socialist feminism. Although focusing on recent writings, the collection shows how these build on a struggle for women's liberation with earlier beginnings. These writings demonstrate the range, depth, and vitality of contemporary social feminist debates. They also testify to the distinctive capacity of this project to address issues in a way that embraces collective experience and action while at the same time enabling each person to speak in their own personal voice.

    Amin's extensive research confirms that Reza Shah's controversial attempt to forcibly westernize Iranian women, and not the pre-revolutionary 1970's, marked the turning point for the woman question in Iran. Drawing on a combination of archival data, oral history, diplomatic sources, and contemporary press reports, Amin's is the first book to explore the Women's Awakening Project in such detail. By illustrating Reza Shah's efforts both to emancipate and to control Iranian women, the book raises new questions about the relationship between the Iranian state and its female citizens. Amin breaks new ground in the study of Iranian history by examining the links between state policy, popular culture, and individual memory. This highly readable book also provides crucial background for understanding the current debate between hardliners and reformers in Iran.

    Then along came Vinnie, who's made it his mission in life to demystify periods for women (and men!) the world over. With space to chart a year's worth of periods, the journal will help you create a detailed account of your natural cycle, as well as cheer you up with hot tips on cramp cures, hilarious quotes from fellow menstruators, and more. The snazzy vinyl tampon case is perfect for toting and protecting period paraphernalia in your purse or backpack. Take it from Vinnie: Don't dread your monthly cycle, celebrate it! Compare notes with your pals, impress your gynecologist, and most important of all-know your flow!

    What were women’s spiritual expectations of themselves? Who were the women initiators, patrons, and ecclesiastical leaders in the formative years of Buddhism in Japan? What were their activities throughout the medieval centuries? Japanese philosophy and religion seldom asked these questions, instead maintaining research methods and approaches that were fated to carve out a history nearly devoid of women. In the twenty-first century, it is crucial that we reconstruct the curriculum of exclusively androcentric religious texts from the experience, practices, religious views, and history of women in religion.Engendering Faith is a monumental and pioneering study on women and Buddhism. Collecting twenty contributions into five thematic sections, it brings new research on women and Buddhism to English-speaking scholars of Japan, religious history, and women’s studies. A set of prefatory articles translated and written by Barbara Ruch provide a literature review, historical context, an overview of contributions, and an introduction. Richly illustrated and with a comprehensive list of characters, Engendering Faith is essential reading for anyone interested in premodern Japanese history, culture, and religion.

    Today, Stu Weber's ringing affirmation of godly manhood reestablishes a man's highest priorities. Brief chapters, salted with the author's stories, present the characteristics of tender warriors -- including watching out for what lies ahead, keeping commitments, and learning to speak the language of women. In his warm yet straightforward style, Weber shows how a man's strength can be tempered with tenderness, grace, and submission to God's Son, the ultimate Tender Warrior.

    On three separate occasions, Isabel was named regent, or head of state, when her father was required to leave the country for extended periods. On each occasion, she served as the dutiful daughter, following her father's instructions to the letter and resisting any attempts at personal aggrandizement. During her third regency, as her father recuperated in Europe, rather than accumulate personal power and oppose the forces of republicanism and abolition, Isabel personally led the struggle to pass the Gold Law of 1888 abolishing slavery throughout Brazil, thus ridding the country of one of the institutions upon which traditional monarchical Brazil was based and speeding the downfall of the monarchy, the monarchy she would inherit, in 1889. Princess Isabel of Brazil examines Isabel's role as an extraordinary woman who had access to material wealth and education and power, in patriarchal nineteenth-century Brazil. Professor Barman looks at how her life was constrained by her subordinate roles as daughter, wife, mother, and even as empress-in-waiting, using the fascinating career of Isabel to examine the interplay of gender and power in the nineteenth century. This new book is an excellent resource for courses biography, women's studies, and Latin American history courses.

    The question of how the same patriarchal ideology structured representations of male bodies and behaviors was until very recently a marginal discussion. Now that masculinity has emerges as an overt theme in children's literature and film, critical consideration of the subject is timely, if not long overdueWays of Being Male addresses this new concern in an unprecedented collection of essays examining how contemporary debates about masculinity are reflected in fiction and film for young adults. An outstanding team of scholars elucidates the ways in which different versions of male identity are constructed and presented to young audiences. The contributors, drawn from a variety of academic disciplines, employ international discourses in literary criticism, feminism, social sciences, film theory, psychoanalytic criticism, and queer theory in their wide-ranging exploration of male representation. With its illuminating array of perspectives, this pioneering survey brings a long neglected subject into sharp focus.

    While a theology of hope has been widely discussed in twentieth centry theology, it was born in slavery long before Jurgen Moltmann introduced it to America in 1967. Even womanist notions of hope have not explored the theological character of hope in abused black women's narratives. A. Elaine Brown Crawford argues that hope is the theological construct that moves black women beyond endurance and survival to transformation of their personal and communal realities. This book identifies and analyzes the theological vision of hope voiced within the narratives of enslaved, emancipated, and contemporary black women and brings that vision into discussion with contemporary womanist theologies.

    Through a lucid examination of the boundaries of that gendered rhetorical space—and the debate about who should occupy that space—Johnson explores the codes governing and challenging the American woman’s proper rhetorical sphere in the postbellum years. While men were learning to preach, practice law, and set political policies, women were reading elocution manuals, letter-writing handbooks, and other conduct literature. These texts reinforced the conservative message that women’s words mattered, but mattered mostly in the home. Postbellum pedagogical materials were designed to educate Americans in rhetorical skills, but they also persistently directed the American woman to the domestic sphere as her proper rhetorical space. Even though these materials appeared to urge the white middle class women to become effective speakers and writers, convention dictated that a woman’s place was at the hearthside where her rhetorical talents were to be used in counseling and instructing as a mother and wife. Aided by twenty-one illustrations, Johnson has meticulously compiled materials from historical texts no longer readily available to the general public and, in so doing, has illuminated this intersection of rhetoric and feminism in the nineteenth century. The rhetorical pedagogies designed for a postbellum popular audience represent the cultural sites where a rethinking of women’s roles becomes open controversy about how to value their words. Johnson argues this era of uneasiness about shifting gender roles and the icon of the “quiet woman” must be considered as evidence of the need for a more complete revaluing of women’s space in historical discourse.

    Very recently, a small but growing field of theory called men's studies has appeared in reaction to the decades-long feminist movement in women's studies. Can the social sciences informing contemporary men's studies (psychology, cultural anthropology and others) provide helpful insight as to what helps or hinders men in becoming the sons, fathers, husbands, and brothers they ought to be? Following her landmark gender-reconciliation text, Gender and Grace, Mary Stewart Van Leeuwen turns her focus to men's studies in this new book. She incorporates the most recent and significant research in the social sciences with a biblically founded Christian worldview that sets the course for men and women being in right relationship. Surveying a vast amount of literature with balance and insight, Van Leeuwen probes the value and plumbs the limits of what the social sciences offer Christians. For men and women, for students, teachers and general readers, Van Leeuwen offers an alternative to mindless conformity to--or dismissal of--cultural "norms." Rather she encourages pursuit of a faithful masculinity that honors the God who made men and women to be a blessing to each other.

    While acknowledging the role of discrimination and sexist socialization, Browne suggests that until we factor real biological differences between men and women into the equation, the explanation remains incomplete.Browne looks at behavioral differences between men and women as products of different evolutionary pressures facing them throughout human history. Womens biological investment in their offspring has led them to be on average more nurturing and risk averse, and to value relationships over competition. Men have been biologically rewarded, over human history, for displays of strength and skill, risk taking, and status acquisition. These behavioral differences have numerous workplace consequences. Not surprisingly, sex differences in the drive for status lead to sex differences in the achievement of status.Browne argues that decision makers should recognize that policies based on the assumption of a single androgynous human nature are unlikely to be successful. Simply removing barriers to inequality will not achieve equality, as women and men typically value different things in the workplace and will make different workplace choices based on their different preferences.Rather than simply putting forward the "nature" side of the debate, Browne suggests that dichotomies such as nature/nurture have impeded our understanding of the origins of human behavior. Through evolutionary biology we can understand not only how natural selection has created predispositions toward certain types of behavior but also how the social environment interacts with these predispositions to produce observed behavioral patterns.

    The hypothesis on which the book is based is that an understanding of gender perception and women's agency can be achieved only by taking into account the structure of power in a specific culture and that language is an important component of this power. In Moroccan culture, history, geography, Islam, orality, multilingualism, social organization, economic status, and political system constitute the superstructures of power within which factors such as social differences, contextual differences, and identity differences interact in the daily linguistic performances of gender. Moroccan women are far from constituting a homogeneous group, consequently the choices available to them vary in nature and empowering capacity, thus widening the spectrum of gender beyond cultural limits."

    A.J. Franklin offers insightful advice to inspire men from any background. This forthright book should be read by everyone interested in understanding the obstacles along the journey toward manhood."-Alvin F. Poussaint, M.D., Professor of Psychiatry, Harvard Medical School"Dr. Anderson Franklin travels to the core of Ralph Ellison's Invisible Man and reinterprets how this idea plays itself out today. For those African Americans who live with 'Invisibility syndrome' daily and are in need of relief, he offers solutions. For a nation still oblivious to the ways it tears out he heart of our democratic republic, he offers a wake-up call."-Bakari Kitwana, author of the Hip Hop Generation: Young Black and the Crisis in African American Culture"I believe this can be an extraordinarily useful tool not only for black males, but for all of those who will be interacting with black males in American society."-Benjamin S. Carson, Sr., M.D., Professor of Neurological Surgery, Oncology, Plastic Surgery, and Pediatrics, Johns Hopkins Medical Institutions"Invisible brothers become visible men on the pages of this book. Dr. Franklin exposes the problem, unburdens the reader, gives hop for healing, [and] designs and forges new paths to visibility What a debriefing!"-Dr. Gwendolyn Goldsby Grant, psychologist, advice columnist, Essence magazine, and author of the Best Kind of Loving"Not since Ralph Ellison's Invisible Man has any author captured so powerfully and authentically the essence of what life is like in America for African American men."-Dr. Jeremiah A. Wright, Senior Pastor, Trinity United Church of Christ, Chicago, Illinois"This warm, real, and often heartbreaking book gives us an insider's view of what it is like to be black and male in this works. Dr. Franklin offers practical strategies for the affirmations needed and the celebrations required if we have men in our lives. If you know and care about a black man, you ought to read this book."-Gail Elizabeth Wyatt, Ph.D., Professor, Department of Psychiatry and Biobehavioral Sciences, UCLA Neuropsychiatric Institute, author of Stolen Women, and coauthor of No More Clueless Sex