The volume includes over forty of the Grimms' most beloved stories, including:Rapunzel * Hansel and Gretel * The Brave Little Tailor * Cinderella * Little Red Riding Hood * The Robber Bridegroom * Briar Rose * Snow White * Rumplestilskin * The Golden Goose * The Singing, Soaring Lark * The Frog King * The Juniper Tree * and Mother HolleWith over 150 paintings and drawings from the most celebrated fairy tale illustrators, including George Cruikshank, Paul Hey, Walter Crane, Warwick Goble, Kay Nielsen, and Arthur Rackham.

    And it is a moving tale of those who did not have the opportunity to “fly” away, who remained slaves with only their imaginations to set them free as they told and retold this tale.Leo and Diane Dillon have created powerful new illustrations in full color for every page of this picture book presentation of Virginia Hamilton’s most beloved tale. The author’s original historical note as well as her previously unpublished notes are included.Awards for The People Could Fly collection:A Coretta Scott King AwardA Booklist Children’s Editors’ ChoiceA School Library Journal Best Books of the YearA Horn Book FanfareAn ALA Notable BookAn NCTE Teachers’ ChoiceA New York Times Best Illustrated Children’s Books of the Year

    Using traditional reading teaching techniques like alliteration, rhyme, repetition, and short sentences), the text invites young children to read along, while Michael Emberley's lively illustrations enhance the stories' humor and high spirits. Goldilocks, the Little Red Hen, the Three Little Pigs, and many more beloved characters star in these tales-with-a-twist that are perfect for early and reluctant readers, readers' theater, and bedtime fun. A 2005 Notable Children's Book in the Language Arts by the Children's Literature Assembly of the National Council of Teacher of English. Also chosen as a 2004 Gryphon Award Honor Book by the Center for Children's Books.

    George actually fought dragons, since dragons don't exist? Strange though they sound, however, these myths did not begin as fiction.This absorbing book shows that myths originally transmitted real information about real events and observations, preserving the information sometimes for millennia within nonliterate societies. Geologists' interpretations of how a volcanic cataclysm long ago created Oregon's Crater Lake, for example, is echoed point for point in the local myth of its origin. The Klamath tribe saw it happen and passed down the story--for nearly 8,000 years.We, however, have been literate so long that we've forgotten how myths encode reality. Recent studies of how our brains work, applied to a wide range of data from the Pacific Northwest to ancient Egypt to modern stories reported in newspapers, have helped the Barbers deduce the characteristic principles by which such tales both develop and degrade through time. Myth is in fact a quite reasonable way to convey important messages orally over many generations--although reasoning back to the original events is possible only under rather specific conditions.Our oldest written records date to 5,200 years ago, but we have been speaking and mythmaking for perhaps 100,000. This groundbreaking book points the way to restoring some of that lost history and teaching us about human storytelling.

    He wore a huge, white turban and a worn-out coat made of patches upon patches. Riding about on his little gray donkey, he liked to help whomever he could. A friend to all, Nasrettin is a popular figure. But when he is suddenly ignored at a friend's banquet, he realizes it is his patchwork coat that is turning people away from him. He leaves the party and returns later, wearing a brand-new coat. Now Nasrettin is warmly welcomed. But instead of eating the delicious foods placed before him, he feeds them to his coat!How Nasrettin Hoca teaches his friends a lesson about appearances is the heart of this hilarious and clever story. With good humor and luminous illustrations inspired by traditional Turkish paintings, Demi brings to life Turkey's most famous folk hero and imparts a timeless tale with a moral that will resonate with readers everywhere.

    Drawing from the Bible, the Pseudepigrapha, the Talmud and Midrash, the kabbalistic literature, medieval folklore, Hasidic texts, and oral lore collected in the modern era, Schwartz has gathered together nearly 700 of the key Jewish myths. The myths themselves are marvelous. We read of Adams diamond and the Land of Eretz (where it is always dark), the fall of Lucifer and the quarrel of the sun and the moon, the Treasury of Souls and the Divine Chariot. We discover new tales about the great figures of the Hebrew Bible, from Adam to Moses; stories about God's Bride, the Shekhinah, and the evil temptress, Lilith; plus many tales about angels and demons, spirits and vampires, giant beasts and the Golem. Equally important, Schwartz provides a wealth of additional information. For each myth, he includes extensive commentary, revealing the source of the myth and explaining how it relates to other Jewish myths as well as to world literature (for instance, comparing Eves release of evil into the world with Pandoras). For ease of use, Schwartz divides the volume into ten books, Myths of God, Myths of Creation, Myths of Heaven, Myths of Hell, Myths of the Holy Word, Myths of the Holy Time, Myths of the Holy People, Myths of the Holy Land, Myths of Exile, and Myths of the Messiah.

    Her remarkable life is presented as never before in SPEAK, SO YOU CAN SPEAK AGAIN. An interactive package tracing Hurston's journey from Eatonville, Florida, to her student days at Barnard College, to her emergence as a literary star and bestselling author and cultural icon during the Harlem Renaissance and her subsequent decline into obscurity, it contains beautifully crafted facsimiles of historic papers, handwritten notes, photographs, and much more. Readers will be able to hold in their hands the charred draft notes for the novel, "Seraph on the Suwannee"; open a Christmas card Hurston created for her friends; and read letters illuminating her relationships with intimate friends and fellow writers like Langston Hughes and Dorothy West. SPEAK, SO YOU CAN SPEAK AGAIN also provides the extraordinary opportunity to hear Hurston's own voice talking about her life as a writer on several radio interviews, and, in a powerful interlude, singing a passionate rendition of a railroad worker's chant she learned while collecting folklore in the Deep South. Interest in Hurston continues to soar. Her most famous book, "Their Eyes Are Watching God," is now in development at Oprah Winfrey's production company, Harpo, and is also being adapted for Broadway. The sales of her books attest to an ever-growing audience. Whether they are discovering Hurston for the first time or are devoted fans, readers will find hours of entertainment in SPEAK, SO YOU CAN SPEAK AGAIN.

    The present volume includes 13 of the best of Mrs. Windham's stories, representing mysterious and supernatural doings from Alabama, Georgia, Tennessee, and Mississippi. Most of the stories are related to historical places and sometimes to historical people.

    The tales of King Arthur are rooted in history, but over the years the facts have become shrouded in myth and mystery. In this beautifully illustrated book Arthurian expert John Matthews explores the legends that have grown around the king and uncovers the mysteries of Arthur's Britain. The numerous characters surrounding King Arthur are introduced and the facts behind the epic saga are revealed. •Contains 120 color and black-and-white images•Covers Merlin, Guenevere, Lancelot, the Holy Grail, and all the mythic search for characters

    Highly respected English folk singer Shirley Collins describes her year long stint as Lomax's assistant and their diligent work uncovering the traditional music of America's heartland.

    Dreams also reveal the wishes of the soul, calling us to move beyond our ego agendas and the web of other people’s projections into a deeper, more spirited life. They call us to remember our sacred contracts and reclaim the knowledge that belonged to us, on the levels of soul and spirit, before we entered our present life experience. In dreams we also discover where our vital soul energy may have gone missing--through pain or trauma or heartbreak--and how to get it back.Robert Moss was called to these ways when he started dreaming in a language he did not know, which proved to be an early form of the Mohawk Iroquois language. From his personal experiences, he developed a spirited approach to dreaming and living that he calls Active Dreaming.Dreamways of the Iroquois is at once a spiritual odyssey, a tribute to the deep wisdom of the First Peoples, a guide to healing our lives through dreamwork, and an invitation to soul recovery.

    This offends the Salmon People, who sweep him into the water and into their world, where they name him Shanyaak'utlaax̱ or Salmon Boy. Find out what happens to Shanyaak'utlaax̱ in this ancient Tlingit story.-from WorldCat

    But the story has remained alive for adults, allowing it to lead a rich subterranean existence in novels ranging from Jane Eyre to Lolita and in films as diverse as Hitchcock's Notorious and Jane Campion's The Piano.In this fascinating work, Maria Tatar analyzes the many forms the tale of Bluebeard's Wife has taken over time, particularly in Anglo-European popular culture. It documents the fortunes of Bluebeard, his wife, and their marriage in folklore, fiction, film, and opera, showing how others took the Bluebeard theme and revived it with their own signature twists.In some tales the wife is a deceiver; in others she is a clever investigator. Earlier ages denounced Bluebeard's wife for her "reckless curiosity" and for her "uncontrolled appetite"; our own times have turned her into something of a heroine, a woman who rescues herself--and often her marriage--through her detective work and psychological finesse. And as for Bluebeard? Once considered a one-dimensional brute, he has found renewed cultural energy both as a master criminal who kills in order to create a higher moral order and as an artist figure who must shield himself against intimacy to foster his creative powers. A brilliant account of how one classic fairy tale has been continually reincarnated, Secrets beyond the Door will appeal to both literary scholars and general readers.

    Or was it just the odd light of dusk or dawn playing tricks? As Lise Lunge-Larsen’s magical, timeless stories reveal and Beth Krommes’s enchanting scratchboard illustrations capture, the hidden folk are there, all right: you just have to know where—and how—to look.

    This volume contains two works by John Gregorson Campbell on the Scottish Gaelic tradition, Superstitions of the Highlands & Islands of Scotland and Witchcraft & Second Sight in the Highlands & Islands of Scotland.

    Includes Princess Ceremony Guide. Can be personalized for any age.

    Y. Abramovitsh open this collection of the best short works by three influential nineteenth-century Jewish authors. Abra- movitsh's alter ego--Mendele the Book Peddler--introduces himself and narrates both The Little Man and Fishke the Lame. His cast of characters includes Isaac Abraham as tailor's apprentice, choirboy, and corrupt businessman; Mendele's friend Wine 'n' Candles Alter; and Fishke, who travels through the Ukraine with a caravan of beggars.Sholem Aleichem's lively stories reintroduce us to Tevye, the gregarious dairyman, as he describes the pleasures of raising his independent-minded daughters. These are followed by short monologues in which Aleichem gives voice to unforgettable characters from Eastern Europe to the Lower East Side. Finally, I. L. Peretz's neo-hasidic tales draw on hasidic traditions in the service of modern literature.These stories provide an unsentimental look back at Jewish life in Eastern Europe. Although nostalgia occasionally colors their prose, the writers were social critics who understood the shortcomings of shtetl life. For the general reader, these translations breathe new life into the extraordinary worlds of Yiddish literature. The introduction, glossary, and biographical essays contemporaneous to each author put those worlds into context, making the book indispensable to students and scholars of Yiddish culture.

    The stories in this collection curdle with the creepy and crawling characters of traditional folklore. These stories brim with the supernatural: the mysterious disappearance of children who made deals with duendes, evil trolls who live inside the walls of our houses; the ghostly specter of La Llorona who floats along the creek bed, howling, !Ay, mis hijos!; witches that turn into great white owls; a severed hand that hurtles across floors and catches a death grip; and even the Devil himself harvesting wayward souls. These are all cucuys, supernatural beings who have come to haunt the imagination in these tales of wonder and warning. These delicious and frightful stories come down through generations of grandmas teaching children to respect the laws of nature and the All Powerful. These particular spooky cucuys are recounted and illustrated by master storyteller Xavier Garza, just the way he heard them at the knees of other masters when he was growing up in South Texas. Garza has preserved just the right gory detail and startling surprise to frighten the socks off you. And he always insists that you learn your lesson and take heed, or else...

    But why does he have the head of an elephant? Set in the Himalayas in a time of gods and goddesses, Elephant Prince tells the story of a remarkable bond between a mother and her son, a remorseful god, a generous elephant and the boy who became Ganesh. Belgin K. Wedman's jewel-toned illustrations, reminiscent of classical Indian miniatures, complement this poetic story of one of the most beloved gods of all.

    Here are all the classic tales: the greedy dog who loses his bone to his own reflection in the water; the little mouse who pays back the grand lion in a big, big way; and the shepherd's son who thinks it's a good joke to cry "Wolf!" just to see the villagers come running. And, of course, there's that arrogant hare and his racing partner, the slow but steady tortoise. Michael Morpurgo's lively language gives each tale a fresh feel that's perfect for reading aloud and sharing. Emma Chichester Clark's radiant illustrations are bursting with bold colors and cheerful characters. Together they have created a modern classic brimming with fun, which children will enjoy reading and laughing over again and again.

    You'll feel like you're in your grandma's kitchen, where she teaches you the secrets of her tender, flakey pie crust and shares recipes taken from handwritten 19th century cooking journals, recipes like Dutch Oven Apple Cherry, Vanilla Crumb, Fresh Raspberry, Louisianna Peanut, Sour Cherry Ammaretto, and dozens more. There are also scores of vintage photos, pie insults, pie superstitions, pie advice, why men love pies and tips on how to host your own pie contest.

    Intricately beautiful or starkly simple, they come in an astonishing variety of guises: from stones, shells, and seeds, through animal tails, teeth, and claws, to beads, mirrors, needles, and bells.With over 400 lavish color photographs, this book explores amulets from every angle, including their symbolism and the diverse material used to craft them as well as the people and objects they protect. Sheila Paine traveled all over the world--from Afghanistan, Russia, and Albania, to Cameroon, Tunisia, and Mexico--to research the form, properties, and use of amulets, whether for health and safety or as channels for spiritual or magical powers. Worn as necklaces, sewn to clothing, painted on buildings, or hung in vehicles, amulets guard babies and brides; warriors, hunters, and travelers; livestock, crops, and homes through magical, not physical, means. Malign spirits and hobgoblins at crossroads have been feared since ancient times, but modern dangers--car crashes, new diseases, even cell phones--have ensured an abiding faith in the magical protection that amulets afford us that is still widely evident today.

    She was having such a good time that she hated to take such a definite step. Meanwhile, their secret engagement had got so long that it seemed as if any day it might break off of its own weight. A little man named Warburton, who knew it all, persuaded Perry to superman her, to get a marriage license and go up to the Medill house and tell her she'd have to marry him at once or call it off forever. This is some stunt--but Perry tried it on December the twenty-ninth.

    This beautifully detailed edition of the classic story is closely adapted from Lewis Carroll’s original text, and it features all the characters familiar to viewers of the Disney animated film. Appropriate for both children and adults, Alice's Adventures in Wonderland is distinguished by the luminous artwork of Greg Hildebrandt.

    . . . Jeff loves Florida. It shows."--Randy Wayne White, author of Shark River and Everglades"Klinkenberg is a genius reporter and a wonderful writer. I read this book in one gulp, then went outside, looked at that magnificent Florida sky and made myself all sorts of promises."--William McKeen, author of Highway 61: A Father-and-Son Journey through the Middle of AmericaNo wonder Jeff Klinkenberg loves Florida. At any time of year he can find a place in the state that's ripe to enjoy or a person whose story has aged to perfection.Arranged by season, the book opens in the fall, which Klinkenberg says is like spring in the north--a time of celebration: "Having survived our harshest season, we feel renewed." Fair weather, good food, and the joys of nature lie ahead, described here in essays that are like time capsules of "old Florida values." Preserving the past, they reveal Klinkenberg's waggish appreciation of the state's history, folkways, and landscape, not to mention its barbequed ribs, smoked mullet, stone crab claws, and fresh lemonade.Many pieces focus off the beaten path and on modern rogues who seem to turn their backsides to the subdivisions and shopping malls that pave the state: Miss Ruby, whose fruit stand features rutabagas, boiled peanuts, and her own brightly colored plywood paintings; an 85-year-old resident of the remote island of Cayo Costa who hums Beethoven while she hunts for shells; the scientists who test mosquito repellent in Everglades National Park; and the unofficial caretaker of Lilly Spring on the Santa Fe River, who greets canoeists wearing glasses, a necklace, and on occasion a synthetic fur loincloth. Other pieces pay homage to Klinkenberg's literary heroes who've written in and about Florida, such as Pulitzer Prize-winner Marjorie Kinnan Rawlings, Rawlings's companion and memoirist Idella Parker, Everglades crusader Marjory Stoneman Douglas, and novelist Ernest Hemingway. Klinkenberg also revisits an old St. Johns River campsite of 19th-century botanist William Bartram, whose encounters with alligators there were as alarming as Klinkenberg's with beer cans and soda bottles.For anyone who has a stake in the real Florida--resident, tourist, naturalist, or newcomer--this tour of the seasons will linger in memory like the aroma of orange blossoms on a clear winter night.Florida native Jeff Klinkenberg has been writing for the St. Petersburg Times since 1977. He is the only two-time winner of the Paul Hansell Distinguished Journalism Award, the highest honor given by the Florida Society of Newspaper Editors.

    Quick-witted Cuy fools Tio Antonio not once, but three times. Combining striking wood block artwork with an authentic South American voice, this sly trickster tale shows that clever thinking is key when you're out-foxing the fox. Discover more about this title and Barbara Knutson at www.barbaraknutson.net.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Notions that appear in narratives of who gets AIDS, how and why, are indicators of broad issues involving health beliefs, concerns, and needs.

    The time he writes about is one of extremes. A life-threatening medical syndrome is spreading, its transmission linked to sex. Blame is settling on gay men. What is possible in such a highly charged moment, when art and politics coincide?    Gere expands the definition of choreography to analyze not only theatrical dances but also the protests conceived by ACT-UP and the NAMES Project AIDS quilt. These exist on a continuum in which dance, protest, and wrenching emotional expression have become essentially indistinguishable. Gere offers a portrait of gay male choreographers struggling to cope with AIDS and its meanings.

    The stories display intelligence, artistry, and creativity as Choctaw narrators, past and present, express and struggle with beliefs, values, humor, and life experiences. Photographs of the storytellers complement the text. For sixteen tales, the Choctaw-language version appears in addition to the English translation. Many of these stories, passed down through generations, address the Choctaw sense of isolation and tension as storytellers confront eternal, historical, and personal questions about the world and its inhabitants. Choctaw Tales, the first book to collect these stories, creates a comprehensive gathering of oral traditions from the Mississippi Band of Choctaw Indians. Each story brings to life the complex and colorful world of the Choctaw tribe and its legend and lore. The shukha anumpa include tall tales, jokes, and stories of rabbit and turtle and bear. The stories of the elders are populated by spirits that bring warnings and messages to the people. As a whole, these tales provide a spectrum of legend and a glimpse of a vibrant, thriving legacy. Tom Mould is a professor of folklore at Elon University and is the author of Choctaw Prophecy: A Legacy of the Future.

    Day after day those animals tease and taunt him until, finally, he decides to cook up some gumbo just like Maman used to make. But who will help him boil, catch, sprinkle, and chop? Certainly not rude Mademoiselle Possum, ornery Monsieur Otter, or sassy Madame Skunk. But when the gumbo is ready, they're more than eager to enjoy the result of Gator's hard work and as they run to get a taste - "Slurp! Slip! Plop! Them animals go into the pot." "Mmm-mmm," says Monsieur Gator. "Now, this is gumbo just like Maman used to make."Illustrated with wit and whimsy, this mischievous tale will have young readers laughing out loud.

    This Elibron Classics book is a facsimile reprint of a 1901 edition by the Clarendon Press, Oxford.

    On her travels in the region, Sally has accumulated a wealth of folklore and knowledge of nomadic cultures. These 12 exotic retellings of stories related to the author in storytelling tents, combined with Sophie Herxheimer's brilliantly-patterned artwork, reveal the richness of the little-known, faraway lands of Central Asia.

    Combining remarkable artwork with lyrical storytelling, this tale brings together the major themes of three Northern European wonder tales, creating an unforgettable adventure. With CD

    Okumba Miruka, particularly known for his contribution to oral literature in Kenya, sets out to contexualise his subject by first explaining about the Luo people and culture - from migratory patterns and economic activity to the concept of divinity, death, warfare and Luo cuisine and eating culture. He then approaches the oral literature of the Luo through the genres of riddles, proverbs, poetry and narratives. For each genre, he offers a general introduction, notes on style, convention, performance and social function, and a wide range of samples, or 'primary texts' with commentaries.

    When real trouble arrives -- in the form of seven deadly giants roaming the countryside - Jack is blamed. "Bad attracts bad," the village preacher warns his frightened flock. Jack believes it, too. Worried that the village won't be safe unless he leaves, Jack sets off, never intending to battle the giants, but one by one, that's what happens. And in his surprising encounters with these seven truly bad seeds, Jack proves himself braver, smarter, and better than he ever suspected. The author has found exactly the right youngster to defeat these overgrown manifestations of the seven traditional human failings (including Sloth, the would-be poet; the ever-incensed Mrs. Roth; and Avaritch, the greedy troglodyte), all of whom come roaring to life in striking pictures by Belgian Carll Cneut.

    'Irish Customs and Beliefs' is a beautiful series of gentle stories which explore the beliefs and customs of the old Irish.

    This collection challenges that assumption by showing that dark shamans are, in many Amazonian cultures, quite different from shamanic healers and prophets. Assault sorcery, in particular, involves violence resulting in physical harm or even death. While highlighting the distinctiveness of such practices, In Darkness and Secrecy reveals them as no less relevant to the continuation of culture and society than curing and prophecy. The contributors suggest that the persistence of dark shamanism can be understood as a form of engagement with modernity.These essays, by leading anthropologists of South American shamanism, consider assault sorcery as it is practiced in parts of Brazil, Guyana, Venezuela, and Peru. They analyze the social and political dynamics of witchcraft and sorcery and their relation to cosmology, mythology, ritual, and other forms of symbolic violence and aggression in each society studied. They also discuss the relations of witchcraft and sorcery to interethnic contact and the ways that shamanic power may be co-opted by the state. In Darkness and Secrecy includes reflections on the ethical and practical implications of ethnographic investigation of violent cultural practices.Contributors. Dominique Buchillet, Carlos Fausto, Michael Heckenberger, Elsje Lagrou, E. Jean Langdon, George Mentore, Donald Pollock, Fernando Santos-Granero, Pamela J. Stewart, Andrew Strathern, Márnio Teixeira-Pinto, Silvia Vidal, Neil L. Whitehead, Johannes Wilbert, Robin Wright

    Alice Curtayne has collected stories that reflect not only the holiness but also the gaiety of the saints -- appealing to readers of all ages -- and she tells them with the poetry and feeling that mark the work of every true Irish storyteller.

    Try your luck against the sinister woman who walks in moonlight stalking souls. Catch a glimpse of the mysterious boy with an angelic face whose scarred body hides beneath the waves.Tales from the Isle of Spice features three beloved stories retold for middle readers: "The Nutmeg Princess," "La Diablesse and the Baby" and "Freedom Child of the Sea."Complete with luscious new illustrations, and alive with charm, Tales from the Isle of Spice is a journey to the heart of a child's imagination.

    In Speaking Out, this master storyteller goes further, speaking out against rote learning and testing and for the positive force within storytelling and creative drama during the K-12 years.For the past four years, Jack Zipes has worked with the Neighborhood Bridges Program of the Children's Theatre Company of Minneapolis, taking his storytelling techniques into inner-city schools. Speaking Out is in part a record of the transformations storytelling can work on the minds and lives of young people. But it is also a vivid and exhilarating demonstration of a different kind of education - one built from deep inside each child.Speaking Out is a book for storytellers, educators, parents, and anyone who cares about helping kids find within themselves the keys to imagination.

    People around the world have looked up in awe at the Moon and told stories to explain its mysteries. They imagined that the Moon represented people or animals and believed it to be the cause of strange behavior. Dot to Dot in the Sky: Stories of the Moon is a collection of stories from many different cultures about this intriguing orb. Richly illustrated, with fascinating legends from Greece, Korea, England, China, West Africa and Canada, it also includes facts about the moon and astronomy.

    

    Readers also get a glimpse of everyday life in Ancient Greece.

    

    Whedbee took the opportunity to tell some of the Outer Banks stories he'd heard during his many summers at Nags Head. The station received such a volume of mail in praise of his tale-telling that he was invited to remain even after the man he was substituting for returned to the air. "He had a way of telling a story that really captured me," said one of the program's co-hosts. "Whether he was talking about a sunset, a ghost, or a shipwreck, I was there, living every minute of it." Word traveled as far as Winston-Salem, where John F. Blair proposed to Whedbee that he compile his stories in book form. Whedbee welcomed the challenge, though his expectations for the manuscript that became Legends of the Outer Banks and Tar Heel Tidewater were modest. "I wrote it out of a love for this region and the people whom I'd known all my life," he said. "I didn't think it would sell a hundred copies." From the very first sentence of the foreword, Whedbee stamped the collection with his inimitable style: "You are handed herewith a small pod or school of legends about various portions of that magical region known as the Outer Banks of North Carolina as well as stories from other sections of the broad bays, sounds, and estuaries that make up tidewater Tarheelia." The Lost Colony, Indians, Blackbeard, an albino porpoise that guided ships into harbor--the tales in that volume form the core of Outer Banks folklore. Whedbee liked to tell people that his stories were of three kinds: those he knew to be true, those he believed to be true, and those he fabricated. But despite much prodding, he never revealed which were which.Legends of the Outer Banks went through three printings in 1966, its first year. Demand for Whedbee's tales and the author's supply of good material were such that further volumes were inevitable. The Flaming Ship of Ocracoke & Other Tales of the Outer Banks was published in 1971, Outer Banks Mysteries & Seaside Stories in 1978, Outer Banks Tales to Remember in 1985, and Blackbeard's Cup and Stories of the Outer Banks in 1989. In 2004, the staff of John F. Blair, Publisher, collected 13 of Judge Whedbee's finest stories for Pirates, Ghosts, and Coastal Lore. If this is your introduction to Charles Harry Whedbee, you'll soon understand his love for the people and the history of the Outer Banks.For decades, the folk tales of Charles Harry Whedbee have been available wherever you care to look on the Outer Banks. Their popularity has transcended Whedbee's loyal readership among North Carolinians and visitors from the Northeast and the Midwest. Charles Harry Whedbee was an elected judge in his native Greenville, North Carolina, for thirty-plus years, but his favorite place was the Outer Banks, Nags Head in particular. Whedbee was the author of five folklore collections. He died in 1990.

    Drawing on a wide range of sources, past and present, it considers the emergence of the Famine as an object of historical knowledge and controversy with reference both to the experience of modernity and to the production of academic and nationalist histories in colonial and post-independence Ireland. In doing so, it explores the possibility of alternative modes of engagement with the past via contemporary eyewitness accounts, oral histories, literature, folklore, and present-day commemorative events.

    In this informative guide Stuart McHardy introduces Scotland's national instrument - its history, development and repertoire - and examines the part the piper himself has played in Highland and Lowland society over the centuries.

    But neither the well’s deep water, nor an oven’s heat, nor cattle’s hard hooves can stop this “impudent” rooster, whose amazing powers win back the purse and reverse the nobleman’s fortunes. Children will relish the energetic language and interplay of magic and justice in this read-aloud tale. Holly Berry’s stylized illustrations, inspired by Romanian folk-art designs and bursting with color and humor, give this book the dimensions of a classic.

    Notorious buildings are described, such as Leap Castle, where psychics have been overwhelmed. There are also spirits who warn of impending death or try to avenge long-forgotten wrongdoing.