Only his eldest son, Rami, remains faithful.

    Jon Stallworthy has here selected some of the most moving, funny, shameless, and erotic love poems in the English language.Representing the work of more than 190 poets, from Sappho to Byron and Browning, from Rossetti to Wordsworth and E.E. Cummings, he offers a startling collection of love poetry down through the ages. Arranged thematically, beginning with the first drawings of young love and ending with the longlook back of the aged, and revealing love in all its different aspects and perversities, this anthology demonstrates vividly man's changeless responses to the changing seasons of the heart.Stallworthy's book of love poetry, ranging across more than twenty centuries of writing about love 'till the stars have run away' establishes beyond the eye-shadow of a doubt that love is, has been and always will be blind.--Christian Science MonitorA very thorough job...eccentric and entertaining.--Times Literary Supplement (London)

    Instead, he lets loose misery and confusion and—for the spectators at any rate—a morality play, rich in reflections upon the paradoxes of human life and the nature of the battle between sacred and profane love.

    A selection of the poetry of Percy Bysshe Shelley.

    They are animated by David Jones's Catholic faith and by his own experiences as a soldier.

    Includes plays such as - The Shadowy Waters; Cathleen in Houlihan; The Hour Glass; On Baile's Strabd; The Green Helmet; Deirdre; At the Hawk's Well; The Dreaming of the Bones; The Cat and the Moon; The Only Jealousy of Emer; Calvary; Sophocles' King Oedipus; The Resurrection; and, The Words Upon the Windwo-FPane.

    and abroad, and remain as urgent today as they were almost forty years ago.

    In all there are 245 lyrics, arranged thematically. To make these delightful poems accessible to the modern reader, the editors have removed many of the orthographic impediments inherent in Middle English verse and have modernized punctuation, capitalization, and obsolete letters while scrupulously seeking to retain the substantive integrity of the poems. "Critical and Historical Backgrounds" are provided in essays by Peter Dronke, Stephen Manning, Raymond Oliver, and Rosemary Woolf. In a special section, six poems are singled out for critical comment by A. K. Moore, Edmund Reiss, D. W. Robertson, Jr., E. T. Donaldson, John Speirs, Thomas Jemielity, D. G. Halliburton, Leo Spitzer, and others. Two of these lyrics, "Maiden in the mor lay" and "I sing of a maiden," are discussed by four different scholars. In all, twenty-five poems are discussed in the essays. The volume also includes a list of Abbreviations, a Table of Textual Sources and Dates, a Select Bibliography, and an Index of First Lines.