Whether talking about the legacy of slavery, relationships and marriage in Black life, the prose and poetry of Martin Luther King, Jr., James Baldwin, and Maya Angelou, the liberation movements of the 1950s, 60s, and 70s, or hip hop and gangsta rap culture, hooks lets us know what love’s got to do with it.Combining the passionate politics of W.E.B. DuBois with fresh, contemporary insights, hooks brilliantly offers new visions that will heal our nation’s wounds from a culture of lovelessness. Her writings on love and its impact on race, class, family, history, and popular culture raise all the relevant issues. This is work that helps us heal. Salvation shows us how to create beloved American communities.

    It is an insightful, sensitive and poetic book of discovery.Drawing on cartography, travels, narratives of childhood in the Caribbean, journeys across the Canadian landscape, African ancestry, histories, politics, philosophies and literature, Dionne Brand sketches the shifting borders of home and nation, the connection to place in Canada and the world beyond.The title, A Map to the Door of No Return, refers to both a place in imagination and a point in history – the Middle Passage. The quest for identity and place has profound meaning and resonance in an age of heterogenous identities.In this exquisitely written and thought-provoking new work, Dionne Brand creates a map of her own art.

    She guides us through the ruins and construction sites of post-communist cities--St. Petersburg, Moscow, Berlin, and Prague--and the imagined homelands of exiles-Benjamin, Nabokov, Mandelstahm, and Brodsky. From Jurassic Park to the Totalitarian Sculpture Garden, Boym unravels the threads of this global epidemic of longing and its antidotes.

    Back in the days, gangs would battle not with guns, but by breakdancing. Back in the days, the streets-not corporate planning-set the standards for style. Back in the days, Jamel Shabazz was on the scene, photographing everyday people hangin' in Harlem, kickin' it in Queens, and cold chillin' in Brooklyn. Street styling with an attitude not seen in fashion for another twenty years to come, Shabazz's subjects strike poses that put supermodels to shame-showing off Kangol caps and Gazelle glasses, shell-top Adidas and suede Pumas with fat laces, shearling coats and leather jackets, gold rope chains, door-knocker earrings, name belts, boom boxes, and other designer finery. For anyone who wants to know what "keepin' it real" means, Back in the Days is the book of your dreams.

    Written in an accessible, conversational style, Johnson links theory with engaging examples in ways that enable readers to see the underlying nature and consequences of privilege and their connection to it. This extraordinarily successful book has been used across the country, both inside and outside the classroom, to shed light on issues of power and privilege.Allan Johnson has worked on issues of social inequality since receiving his Ph.D. in sociology from the University of Michigan in 1972. He has more than thirty years of teaching experience and is a frequent speaker on college and university campuses. Johnson has earned a reputation for writing that is exceptionally clear and explanations of complex ideas that are accessible to a broad audience.Instructors and students can now access their course content through the Connect digital learning platform by purchasing either standalone Connect access or a bundle of print and Connect access. McGraw-Hill Connect(R) is a subscription-based learning service accessible online through your personal computer or tablet. Choose this option if your instructor will require Connect to be used in the course. Your subscription to Connect includes the following:- SmartBook(R) - an adaptive digital version of the course textbook that personalizes your reading experience based on how well you are learning the content.- Access to your instructor's homework assignments, quizzes, syllabus, notes, reminders, and other important files for the course.- Progress dashboards that quickly show how you are performing on your assignments and tips for improvement.- The option to purchase (for a small fee) a print version of the book. This binder-ready, loose-leaf version includes free shipping.Complete system requirements to use Connect can be found here: http: //www.mheducation.com/highered/platform...

    Learn how current missions strategies have unwittingly kept millions of believers from fulfilling their roles in God's Kingdom.

     While children and adults alike know Shel Silverstein for his classic books The Giving Tree, A Light in the Attic, and Where the Sidewalk Ends, they may be less aware that Silverstein also created a dazzling series of illustrated comic travelogues published by Hugh M. Hefner in Playboy. Playboy's Silverstein Around the World not only reproduces these fascinating articles in facsimile form, it also provides an introduction with never-before-seen photos and drawings and rare, illuminating biographical detail. Beginning in May 1957 with "Return to Tokyo," the pieces reproduced in this book took Silverstein from Scandinavia to Africa and the Middle East, from Paris and London to Moscow, ending in the summer of 1968 with the two-part epic "Silverstein Among the Hippies." This unique collection is a legacy of the close relationship between Silverstein and Hefner, who saw the great potential of this particular combination of artist and assignment, and the social revolution led by Playboy in the 1950s and 1960s. With its wry, ribald humor and beautifully produced color illustrations, this tableau of the mid-twentieth-century world is sure to please and fascinate Silverstein's millions of fans.

    With subjects ranging from history to baseball to crime novels, A Jacques Barzun Reader is a feast for any reader.

    In On the Postcolony he profoundly renews our understanding of power and subjectivity in Africa. In a series of provocative essays, Mbembe contests diehard Africanist and nativist perspectives as well as some of the key assumptions of postcolonial theory.This thought-provoking and groundbreaking collection of essays—his first book to be published in English—develops and extends debates first ignited by his well-known 1992 article "Provisional Notes on the Postcolony," in which he developed his notion of the "banality of power" in contemporary Africa. Mbembe reinterprets the meanings of death, utopia, and the divine libido as part of the new theoretical perspectives he offers on the constitution of power. He works with the complex registers of bodily subjectivity — violence, wonder, and laughter — to profoundly contest categories of oppression and resistance, autonomy and subjection, and state and civil society that marked the social theory of the late twentieth century.This provocative book will surely attract attention with its signal contribution to the rich interdisciplinary arena of scholarship on colonial and postcolonial discourse, history, anthropology, philosophy, political science, psychoanalysis, and literary criticism.

    The gap between the conception of the “imaginary Jew” and the “real Jew” is a cultural distance that differs over time and place, here seen through the lens of cultural anthropology. Stereotypes of the “generic Jew” were not exclusively negative, and are described in five chapters depicting physical, occupational, moral and intellectual, mythical and magical, and religious portraits of “the Jew.”

    Rice has created a series of beautiful and jarring montages in which the mixture of languages, slang, poetry, and prose of Gómez-Peña's performance texts are woven through and around Chagoya's collages filled with pre-Hispanic drawings, colonial-era representations of New World natives, and comic book superheroes. Irreverent to the last, Gómez-Peña and Chagoya employ iconic figures and persistent stereotypes to overturn the fantasies of nationalism, ethnocentrism, and historical amnesia that cloud international relations. Rice's masterful typographic compositions orchestrate the text's many voices and views, offering a history of the Americas which must be read forward and backward, in fragments and in recurring episodes - in short, as history itself tends to unfold.Guillermo Gómez-Peña was born in Mexico City in 1955 and came to the U.S. in 1978. His work, which includes performance art, poetry, journalism, criticism, and cultural theory, explores cross-cultural issues and North/South relations. He is the recipient of an American Book Award for The New World Border (City Lights) and a MacArthur Foundation Genius Award, among many other honors.Enrique Chagoya is a Mexican-born painter and printmaker who has been living and working in the U.S. since 1977. The recipient of two NEA Fellowships, his most recent show of paintings was at the DeYoung Museum in San Francisco. He currently teaches at Stanford University.Felicia Rice is a book artist, typographer, printer, and publisher whose work has earned her many honors. She lectures and exhibits internationally, and her books are represented in the collections of various museums and libraries. She currently directs the graphic design and production program at the University of California, Santa Cruz Extension.

    For the next ten years, he studied with many teachers. Using his newfound knowledge, Crow opened a clinic in Kathmandu and another in a small mountain village, where he treated beggars from the street as well as high abbots of monasteries. This colorful and captivating story interweaves medical teachings with insights into Tibetan Buddhism, evoking the beauty and wonder of a faraway land.

    Each year, six to twelve individuals document, examine, and analyze new forms and mutations of urbanity through particular areas or topics undergoing dramatic change, in order to develop a conceptual framework and vocabulary for phenomena that defy traditional categories. Even though research is formally conducted as graduate-level thesis projects advised by Rem Koolhaas (Professor of Architecture at the Harvard Design School), the Project represents "an important reversal, in the sense that teaching is no longer the distribution of a central knowledge, but is more the assembly of different insights and different experiences, where the students often represent deeper knowledge of a very specific condition than the teacher can ever hope to represent," according to Koolhaas. The Harvard Design School Guide To Shopping, the second volume of the Project on the City series, is an incisive, in-depth look at the culturally defining activity of modern life that has affected almost every aspect of the contemporary city. Through a battery of increasingly mutable forms, shopping has infiltrated-even replaced-almost every aspect of urban life. Town centers, suburbs, streets, airports, train stations, museums, hospitals, schools, the Internet, and even the military, are shaped by the mechanisms and spaces of shopping. The extent to which shopping pursues the public has, in effect, made it one of the principal-if only-modes by which we experience the city. The Harvard Design School Guide To Shopping explores the spaces, people, techniques, ideologies, and inventions by which shopping has so dramatically reconfigured the city. The book's 14 authors examine the nature of this experience in 45 essays covering topics such as air conditioning, the dying mall, mechanically enhanced plants, how the military is so compatible with shopping, how "high" architecture disdains yet embraces shopping, how American downtowns have become indistinguishable from the suburbs, how women were "liberated" as consumers, and how shopping spies on us. The book is a fascinating analytical survey of the evolutionary forms and pervasive influences of shopping around the world.

    Joosse, author of the best-selling Mama, Do You Love Me?, and illustrated with the luminescent artwork of Giselle Potter, is the touching story of a little girl whose very best friend is her grandmother. But one spring, Grandmother becomes thin as smoke. When she dies, Papa says, "When you love someone they never really leave." But to the little girl, Grandmother seems impossibly far away. Who will sing to her? Who will chase the monsters from under her bed? Then, during the Days of the Dead, something extraordinary happens that brings Papa's words vividly to life. Ideal for one-on-one sharing as well as a group discussion, Ghost Wings' poignant message of the endurance of love and the power of memory is sure to linger long after the book is closed. A discussion guide is included.

    Rather than focus exclusively on pictures as they are embodied in various media such as painting, sculpture, or photography, he links pictures to our mental images and therefore our bodies. The body is understood as a living medium that produces, perceives, or remembers images that are different from the images we encounter through handmade or technical pictures. Refusing to reduce images to their material embodiment yet acknowledging the importance of the historical media in which images are manifested, An Anthropology of Images presents a challenging and provocative new account of what pictures are and how they function.The book demonstrates these ideas with a series of compelling case studies, ranging from Dante's picture theory to post-photography. One chapter explores the tension between image and medium in two media of the body, the coat of arms and the portrait painting. Another, central chapter looks at the relationship between image and death, tracing picture production, including the first use of the mask, to early funerary rituals in which pictures served to represent the missing bodies of the dead. Pictures were tools to re-embody the deceased, to make them present again, a fact that offers a surprising clue to the riddle of presence and absence in most pictures and that reveals a genealogy of pictures obscured by Platonic picture theory.

    From the inspiring historical background of the unique period which has affected the lives of so many to the succinct, in-depth explanations that accompany each illustration, this is a perfect book for all ages.

    National Geographic’s Book of Peoples of the World propels that important quest with concern, authority, and respect. Created by a team of experts, this hands-on resource offers thorough coverage of more than 200 ethnic groups—some as obscure as the Kallawaya of the Peruvian Andes, numbering fewer than 1,000; others as widespread as the Bengalis of India, 172 million strong. We’re swept along on a global tour of beliefs, traditions, and challenges, observing the remarkable diversity of human ways as well as the shared experiences. Spectacular photographs reveal how people define themselves and their worlds. Specially commissioned maps show how human beings have developed culture in response to environment. Thought-provoking text examines not only the societies and the regions that produced them, but also the notion of ethnicity itself—its immense impact on history, the effects of immigration on cultural identity, and the threats facing many groups today. Threading through the story are the extraordinary findings of the National Geographic Society’s Genographic Project—a research initiative to catalog DNA from people around the world, decoding the great map of human migration embedded in our own genetic makeup.At once a comprehensive reference, an appreciation of diversity, and a thoughtful look at our instinct to belong, this uplifting book explores what it means to be human and alive.

    brilliantly original ... brings cultural and post-colonial theory to bear on a wide range of authors with great skill and sensitivity.' Terry Eagleton

    Focusing on São Paulo, and using comparative data on Los Angeles, she identifies new patterns of segregation developing in these cities and suggests that these patterns are appearing in many metropolises.

    Acknowledging that post-colonial theory draws on a wide, often contested, range of theory from different fields, Young analyzes the concepts and issues involved, explains the meaning of key terms, and interprets the work of some of the major writers concerned, to provide an ideal introductory guide for those undergraduates or academics coming to post-colonial theory and criticism for the first time.

    It marks an innovative interdisciplinary approach to questions of embodiment and subjectivity′ - Disability and Society ′This is an elegantly written book which has, as its main aim, to rethink the idea of difference in the western imaginary through a consideration of two themes: monsters and how these have come to define, but potentially to deconstruct, normality; and the whole idea of vulnerability and the vulnerable and the extent to which such a state is one that all of us are constantly in danger of entering ... The theoretical and philosophical content - Derrida, Lacan, Foucault, Irrigaray, Butler, Levinas, and Haraway in particular - together with the range of empirical examples used to illustrate the arguments, make the book an ideal one for third level undergraduates and for post-graduates, particularly those studying the sociology of embodiment, feminist theory, critical theory and cultural studies. Shildrick accomplishes the task of making difficult ideas comprehensible without reducing them to the simplistic′ - Sociology Written by one of the most distinguished commentators in the field, this book asks why we see some bodies as `monstrous′ or `vulnerable′ and examines what this tells us about ideas of bodily `normality′ and bodily perfection.Drawing on feminist theories of the body, biomedical discourse and historical data, Margrit Shildrick argues that the response to the monstrous body has always been ambivalent. In trying to organize it out of the discourses of normality, we point to the impossibility of realizing a fully developed, invulnerable self. She calls upon us to rethink the monstrous, not as an abnormal category, but as a condition of attractivenes, and demonstrates how this involves an exploration of relationships between bodies and embodied selves, and a revising of the phenomenology of the body.

    In so doing, he proposed that Brazil was relatively free of most forms of racial prejudice and could best be understood as a “racial democracy.” Over time this view has grown into the popular myth that racism in Brazil is very mild or nonexistent.This myth contrasts starkly with the realities of a pernicious racial inequality that permeates every aspect of Brazilian life. To study the grip of this myth on African Brazilians’ views of themselves and their nation, Robin E. Sheriff spent twenty months in a primarily black shantytown in Rio de Janeiro, studying the inhabitants’s views of race and racism. How, she asks, do poor African Brazilians experience and interpret racism in a country where its very existence tends to be publicly denied? How is racism talked about privately in the family and publicly in the community—or is it talked about at all?Sheriff’s analysis is particularly important because most Brazilians live in urban settings, and her examination of their views of race and racism sheds light on common but underarticulated racial attitudes. This book is the first to demonstrate that urban African Brazilians do not subscribe to the racial democracy myth and recognize racism as a central factor shaping their lives.

    The starting point for Ang's discussion is the experience of visiting Taiwan. Ang, a person of Chinese descent, born in Indonesia and raised in the Netherlands, found herself faced with an almost insurmountable difficulty - surrounded by people who expected her to speak to them in Chinese. She writes: It was the beginning of an almost decade-long engagement with the predicaments of `Chineseness' in diaspora. In Taiwan I was different because I couldn't speak Chinese; in the West I was different because I looked Chinese. From this autobiographical beginning, Ang goes on to reflect upon tensions between `Asia' and `the West' at a national and global level, and to consider the disparate meanings of `Chineseness' in the contemporary world. She offers a critique of the increasingly aggressive construction of a global Chineseness, and challenges Western tendencies to equate `Chinese' with `Asian' identity. Ang then turns to `the West', exploring the paradox of Australia's identity as a `Western' country in the Asian region, and tracing Australia's uneasy relationship with its Asian neighbours, from the White Australia policy to contemporary multicultural society. Finally, Ang draws together her discussion of `Asia' and `the West' to consider the social and intellectual space of the `in-between', arguing for a theorising not of `difference' but of `togetherness' in contemporary societies.

    "The Oxford Dictionary of Phrase and Fable brings together a wealth of information about the stories behind words, names, and sayings." "It draws on Oxford's unrivalled resources to cover history, religion, folk customs, superstitions, science and technology, philosophy, and modern popular culture - all areas from mythology to genetic engineering." Clear navigation makes it easy to look up specific phrases or topics, and every page is a delight to browse.

    Her ten essays, accompanied by 42 illustrations (from a nude by Titian, to family photos, to a famous image of Marilyn Monroe) and a dozen of her poems, focus on specific aspects of Mennonite life. Often drawing from historical episodes or family stories, Kasdorf pursues themes of martyrdom, landscape, silence, the body, memory, community, and the struggle to articulate experience with a voice that is both authentic to the self and a conversation with her traditional Mennonite and Amish-Mennonite background.

    Focusing on the twelfth and thirteenth centuries, but with an eye toward antiquity and the present, Caroline Walker Bynum explores the themes of metamorphosis and hybridity in genres ranging from poetry, folktales, and miracle collections to scholastic theology, devotional treatises, and works of natural philosophy. She argues that the obsession with boundary-crossing and otherness was an effort to delineate nature's regularities and to establish a strong sense of personal identity, extending even beyond the grave. She examines historical figures such as Marie de France, Gerald of Wales, Bernard Clairvaux, Thomas Aquinas, and Dante, as well as modern fabulists such as Angela Carter, as examples of solutions to the perennial question of how the individual can both change and remain constant. Addressing the fundamental question for historians--that of change--Bynum also explores the nature of history writing itself.

    Become the Media includes special reflections on the "Battle of Seattle," e-issues, the Green Party, and post-Columbine High backlash.

    Transporting readers deep into the heart of a country steeped in 3,000 years of history, culture, legend, and food, The Glorious Foods of Greece is a sumptuous collection of 400 authentic and classic recipes from every region.

    By taking a long and lingering look at some of the world's most beautiful gardens and listening appreciatively to the legends, testimonies, quips, verses, and stories of the gardeners who created them, Garden Graces is a quiet meditation on the personal enrichment that inevitably comes to the backyard putterer.

    

    Part social commentary, part sitting at-the-feet-of-Socrates, part kick in the ass, COME IN ALONE was the column that would zig when you thought it would zag. This collection of all fifty-two columns includes Ellis' unique take on the comic book industry, features first-class interviews with top-flight comic book professionals, and even includes the legendary Old Bastard's Manifesto. Wrap this all up in an evocative and spooky cover by Brian Wood, and you've got a collection of commentary that midwifed the birth of the comic book industry into the 21st century.

    Colourful, fascinating and funny, this is the first time these cult images have been published outside Japan.

    Though the village where Gugu lives is dry and dusty, her house is big and sprawling and unlike any other. The courtyard and walls are decorated with beautiful paintings and clay animals, all made by Gugu herself. Best of all, when Kukamba visits, she gets to help shape and paint some of the wonderful zebras, elephants, and birds that Gugu is always adding to the house. When the heavy rains come and her grandmother's showpieces are destroyed, Kukamba is crushed. But the Gugu helps her see that an ending can also be a beginning, and art is not the only beauty the world has to offer. Set in the grassy plains of Zimbabwe and gracefully illustrated in watercolors, GUGU'S HOUSE is a unique tribute to the spirit of creativity and the immutable cycles of nature.

    Stories abound of absinthe's druglike sensations of mood lift and inspiration due to the presence of wormwood, its infamous "special" ingredient, which ultimately leads to delirium, homicidal mania, and death. Opening with the sensational 1905 Absinthe Murders, Phil Baker offers a cultural history of absinthe, from its modest origins as an herbal tonic through its luxuriantly morbid heyday in the late nineteenth century. Chronicling a fascinatingly lurid cast of historical characters who often died young, the absinthe scrapbook includes Paul Verlaine, Arthur Rimbaud, Charles Baudelaire, Oscar Wilde, Ernest Dowson, Aleister Crowley, Arthur Machen, August Strindberg, Alfred Jarry, Vincent van Gogh, Henri de Toulouse-Lautrec, Alphonse Allais, Ernest Hemingway, and Pablo Picasso. Along with discussing the rituals and modus operandi of absinthe drinking, Baker reveals the recently discovered pharmacology of how real absinthe actually works on the nervous system, and he tests the various real and fake absinthe products that are available overseas. The Book of Absinthe is a witty, erudite primer to the world's most notorious drink.

    Through an examination of the work of poets and novelists who have managed to garner honor -- including Shakespeare, Homer, and Emily Dickinson -- and those whose reputations are of more recent vintage and therefore more difficult to evaluate such as Tom Wolfe, Seamus Heaney, and Toni Morrison -- Glenn Arbery explores the title question with elegant prose and subtle criticism.

    This Victorian icon has inspired more passionate debate than any other article of clothing. As a means of body modification, perhaps only foot binding and female genital mutilation have aroused more controversy.Summers' provocative book dismantles many of the commonly held misconceptions about the corset. In examining the role of corsetry in the minds and lives of Victorian women, it focuses on how corsetry punished, regulated and sculpted the female form from childhood and adolescence through to pregnancy and even old age. The author reveals how the ‘steels and bones', which damaged bodies and undermined mental health, were a crucial element in constructing middle-class women as psychologically submissive subjects. Underlying this compelling discussion are issues surrounding the development and expression of juvenile and adult sexuality. While maintaining that the corset was the perfect vehicle through which to police femininity, the author unpacks the myriad ways in which women consciously resisted its restrictions and reveals the hidden, macabre romance of this potent Victorian symbol.

    This crucial collection of real guidance from government, civics, and scouting handbooks of the 1920's-1960's shows you how.Including:✭ Penmanship✭ Proper respect for authority✭ Cleanliness✭ The dangers of delinquency✭ The importance of a meat diet✭ The benefits of cheerfulness✭ Why it's never right to poison the neighbor's dogGood Citizenship Starts with You!

    The enduring work of photographer George Tice is represented here in 80 black-and-white images, beautifully presented in a small format book.

    Stiver situates Ricoeur's contributions in the Yale-Chicago debate and shows how Ricoeur's textual theory provides a real alternative to George Lindbeck (on the one hand) and deconstruction (on the other).

    Now, for the first time, Eric Arnesen gives us an untold piece of that vital American institution--the story of African Americans on the railroad.African Americans have been a part of the railroad from its inception, but today they are largely remembered as Pullman porters and track layers. The real history is far richer, a tale of endless struggle, perseverance, and partial victory. In a sweeping narrative, Arnesen re-creates the heroic efforts by black locomotive firemen, brakemen, porters, dining car waiters, and redcaps to fight a pervasive system of racism and job discrimination fostered by their employers, white co-workers, and the unions that legally represented them even while barring them from membership.Decades before the rise of the modern civil rights movement in the mid-1950s, black railroaders forged their own brand of civil rights activism, organizing their own associations, challenging white trade unions, and pursuing legal redress through state and federal courts. In recapturing black railroaders' voices, aspirations, and challenges, Arnesen helps to recast the history of black protest and American labor in the twentieth century.

    Arguing that much is lost or erased when the Asia-Pacific War(s) are reduced to the 1941–1945 war between Japan and the United States, this collection challenges mainstream memories of the Second World War in favor of what were actually multiple, widespread conflicts. The contributors recuperate marginalized or silenced memories of wars throughout the region—not only in Japan and the United States but also in China, Southeast Asia, the Pacific Islands, Okinawa, Taiwan, and Korea. Firmly based on the insight that memory is always mediated and that the past is not a stable object, the volume demonstrates that we can intervene positively yet critically in the recovery and reinterpretation of events and experiences that have been pushed to the peripheries of the past. The contributors—an international list of anthropologists, cultural critics, historians, literary scholars, and activists—show how both dominant and subjugated memories have emerged out of entanglements with such forces as nationalism, imperialism, colonialism, racism, and sexism. They consider both how the past is remembered and also what the consequences may be of privileging one set of memories over others. Specific objects of study range from photographs, animation, songs, and films to military occupations and attacks, minorities in wartime, “comfort women,” commemorative events, and postwar activism in pursuing redress and reparations. Perilous Memories is a model for war memory intervention and will be of interest to historians and other scholars and activists engaged with collective memory, colonial studies, U.S. and Asian history, and cultural studies.Contributors. Chen Yingzhen, Chungmoo Choi, Vicente M. Diaz, Arif Dirlik, T. Fujitani, Ishihara Masaie, Lamont Lindstrom, George Lipsitz, Marita Sturken, Toyonaga Keisaburo, Utsumi Aiko, Morio Watanabe, Geoffrey M. White, Diana Wong, Daqing Yang, Lisa Yoneyama

    Spaces of Capital, a collection of seminal articles and new essays spanning three decades, demonstrates why his work has had-and continues to have-such a major impact. The book gathers together some of Harvey's best work on two of his central concerns: the relationship between geographical thought and political power as well as the capitalist production of space. In addition, he chips away at geography's pretenses of scientific neutrality and grounds spatial theory in social justice. Harvey also reflects on the work and careers of little-noticed or misrepresented figures in geography's intellectual history-Kant, Von Th�nen, Humboldt, Lattimore, Hegel, Heidegger, Darwin, Malthus, Foucault and many others.

    An unequaled addition to the field of Diaspora studies.

    Neither a survey of masterpieces nor a biographical sourcebook, The Companion to Southern Literature treats every conceivable topic found in southern writing from the pre-Columbian era to the present, referencing specific works of all periods and genres. Top scholars in their fields offer original definitions and examples of the concepts they know best, identifying the themes, burning issues, historical personalities, beloved icons, and common or uncommon stereotypes that have shaped the most significant regional literature in memory.Read the copious offerings straight through in alphabetical order (Ancestor Worship, Blue-Collar Literature, Caves) or skip randomly at whim (Guilt, The Grotesque, William Jefferson Clinton). Whatever approach you take, The Companion's authority, scope, and variety in tone and interpretation will prove a boon and a delight. Explored here are literary embodiments of the Old South, New South, Solid South, Savage South, Lazy South, and "Sahara of the Bozart." As up-to-date as grit lit, K Mart fiction, and postmodernism, and as old-fashioned as Puritanism, mules, and the tall tale, these five hundred entries span a reach from Lady to Lesbian Literature.The volume includes an overview of every southern state's belletristic heritage while making it clear that the southern mind extends beyond geographical boundaries to form an essential component of the American psyche. The South's lavishly rich literature provides the best means of understanding the region's deepest nature, and The Companion to Southern Literature will be an invaluable tool for those who take on that exciting challenge.Description of Contents 500 lively, succinct articles on topics ranging from Abolition to Yoknapatawpha 250 contributors, including scholars, writers, and poets 2 tables of contents -- alphabetical and subject -- and a complete index A separate bibliography for most entries

    Bringing together a range of core texts into one volume, this acclaimed anthology offers the definitive resource in culture, media, and communication.A fully revised new edition of the bestselling anthology in this dynamic and multidisciplinary field New contributions include essays from Althusser through to Henry Jenkins, and a completely new section on Globalization and Social Movements Retains important emphasis on the giant thinkers and "makers" of the field: Gramsci on hegemony; Althusser on ideology; Horkheimer and Adorno on the culture industry; Raymond Williams on Marxist cultural theory; Habermas on the public sphere; McLuhan on media; Chomsky on propaganda; hooks and Mulvey on the subjects of visual pleasure and oppositional gazes Features a substantial critical introduction, short section introductions and full bibliographic citations

    Exploring silence as the absence of language, which is nonetheless inherent in language itself, and eternity as the outside of time, cutting through time itself, the book unfolds a series of connections between these temporal and linguistic themes.

    The poets represent a wide spectrum of Latino voices, from award-winning authors such as Francisco X. Alarc�n, Judith Ortiz Cofer, and Pat Mora, to Daniel A. Olivas, a Deputy Attorney General of the State of California, and Cristina Mu�iz Mutchler, a 15-year-old new talent. They write passionately about their Puerto Rican, Cuban, Venezuelan, and Mexican American backgrounds and the undeniable influence of their mothers and grandmothers.Illustrated with exuberance by Ecuadorian artist Paula S. Barrag�n M., Love to Mam� is sure to be embraced and treasured by everyone who wants to recognize mothers as one of our universal role models.

    For the past century and more, American comedy has drawn its strength and soul from the comic genius of Jewish performers and writers. An incomplete listing of names makes the point: The Marx Brothers, Jack Benny, Fanny Brice, George Burns, Milton Berle, Jackie Mason, Joan Rivers, Rodney Dangerfield, Mel Brooks, Alan King, Mort Sahl, Buddy Hackett, Woody Allen, Lenny Bruce, Andy Kaufman, Richard Belzer, Jerry Seinfeld. These men and women, among others, form the canon of Jewish-American comedy. In the words of the Detroit Jewish News, The Haunted Smile "offers us a deep and subtle understanding of how Jewish culture and American openness gave birth to a new style of entertainment." Often the best way to illuminate a point is to recount some of these comedians' own brilliant routines, and Epstein uses the comedian's work to great effect, making for a book that is both a thoughtful work of history and a great deal of fun.

    Cooley Award from the Society for the Study of Symbolic Interaction.Richard G. Mitchell Jr. spent more than a dozen years among survivalists at public conferences, private meetings, and clandestine training camps across America. He takes us inside a compelling, hidden world more connected to the chaos of modern life many of us experience than the label "separatist" suggests. In survivalism Mitchell found a profound and meaningful critique of contemporary industrial society, a subculture in which the real evil is not repressive government but the far more insidious influence of a "Planet Microsoft" mentality with its abundance of empty choices. Survivalists, Mitchell shows us, are seeking resistance, not struggling against it; they are looking for ways to define themselves and test their talents in a society that is becoming devitalized and formless.

    In an eloquent challenge to the privileging of queer theory in the academy, Garber calls for recognition of the historical -- and intellectually significant -- role of lesbian poets as theorists of lesbian identity and activism.

    From this event arises one of Chinese history’s great conundrums: How did a barely literate alien people manage to remain in power for nearly 300 years over a highly cultured population that was vastly superior in number? This problem has fascinated scholars for almost a century, but until now no one has approached the question from the Manchu point of view.This book, the first in any language to be based mainly on Manchu documents, supplies a radically new perspective on the formative period of the modern Chinese nation. Drawing on recent critical notions of ethnicity, the author explores the evolution of the “Eight Banners,” a unique Manchu system of social and military organization that was instrumental in the conquest of the Ming.The author argues that as rulers of China the Manchu conquerors had to behave like Confucian monarchs, but that as a non-Han minority they faced other, more complex considerations as well. Their power derived not only from the acceptance of orthodox Chinese notions of legitimacy, but also, the author suggests, from Manchu “ethnic sovereignty,” which depended on the sustained coherence of the conquerors.When, in the early 1700s, this coherence was threatened by rapid acculturation and the prospective loss of Manchu distinctiveness, the Qing court, always insecure, desperately urged its minions to uphold the traditions of an idealized “Manchu Way.” However, the author shows that it was not this appeal but rather the articulation of a broader identity grounded in the realities of Eight Banner life that succeeded in preserving Manchu ethnicity, and the Qing dynasty along with it, into the twentieth century.

    Tracing the suburb's emergence as a crucial setting and subject of the twentieth-century American novel, Catherine Jurca identifies a decidedly masculine obsession with the suburban home and a preoccupation with its alternative--the experience of spiritual and emotional dislocation that she terms homelessness. In the process, she challenges representations of white suburbia as prostrated by its own privileges.In novels as disparate as Tarzan (written by Tarzana, California, real-estate developer Edgar Rice Burroughs), Richard Wright's Native Son, and recent fiction by John Updike and Richard Ford, Jurca finds an emphasis on the suburb under siege, a place where the fortunate tend to see themselves as powerless. From Babbitt to Rabbit, the suburban novel casts property owners living in communities of their choosing as dispossessed people. Material advantages become artifacts of oppression, and affluence is fraudulently identified as impoverishment. The fantasy of victimization reimagines white flight as a white diaspora.Extending innovative trends in the study of nineteenth-century American culture, Jurca's analysis suggests that self-pity has played a constitutive role in white middle-class identity in the twentieth century. It breaks new ground in literary history and cultural studies, while telling the story of one of our most revered and reviled locations: the little suburban house at number one million and ten Volstead Avenue that Edith Wharton warned would ruin American life and letters.

    English identity is thereby questioned by this colonial contact, and Caribbean-English writing radically redraws the map of world literature. This book is essential reading for students of Postcolonial Literature at both undergraduate and postgraduate level.

    The book examines this global problem from multiple perspectives.

    He traces the emergence of what he calls a post-soul aesthetic, a transformation of values that marked a profound change in African American thought and experience. Lively and provocative, Soul Babies offers a valuable new way of thinking about black popular culture and the legacy of the sixties.

    Barnum's Joice Heth hoax to examine the contours of race relations in the antebellum North. Barnum's first exhibit as a showman, Heth was an elderly enslaved woman who was said to be the 161-year-old former nurse of the infant George Washington. Seizing upon the novelty, the newly emerging commercial press turned her act - and especially her death - into one of the first media spectacles in American history.