Board of Education. Thomas Sowell takes a tough, factual look at what has actually happened over these decades -- as distinguished from the hopes with which they began or the rhetoric with which they continue, Who has gained and who has lost? Which of the assumptions behind the civil rights revolution have stood the test of time and which have proven to be mistaken or even catastrophic to those who were supposed to be helped?

    Two gifted photographers have documented every aspect of this extraordinary urban subculture, complete with 239 full-color photographs.

    Business readers will enjoy the cross-cultural comparison of American know-how with practices of compartmentalized German, centralized French, and ceremonious Japanese firms.”— Publishers WeeklyIn his pioneering work The Hidden Dimension, Edward T. Hall spoke of different cultures’ concepts of space. The Dance of Life reveals the ways in which individuals in culture are tied together by invisible threads of rhythm and yet isolated from each other by hidden walls of time. Hall shows how time is an organizer of activities, a synthesizer and integrator, and a special language that reveals how we really feel about each other. Time plays a central role in the diversity of cultures such as the American and the Japanese, which Hall shows to be mirror images of each other. He also deals with how time influences relations among Western Europeans, Latin Americans, Anglo-Americans, and Native Americans.First published in 1983, this book studies how people are tied together and yet isolated by hidden threads of rhythm and walls of time.  Time is treated as a language, organizer, and message system revealing people's feelings about each other and reflecting differences between cultures.

    She draws data from twenty years of public documents and newspaper accounts, as well as over two hundred interviews with both pro-life and pro-choice activists. She argues that moral positions on abortion are intimately tied to views on sexual behavior, the care of children, family life, technology, and the importance of the individual.

    In this volume we find Burke’s first entry into what he calls his theory of Dramatism; and here also is an important section on the nature of ritual.

    For all its gifts, the Northwest Coast peoples held the cedar and its spirit in high regard, believing deeply in its healing and spiritual powers. Respectfully, they addressed the cedar as Long Life Maker, Life Giver and Healing Woman. Anecdotes, oral history and the accounts of early explorers, traders and missionaries highlight the text. Stewart’s 550 drawings and a selection of 50 photographs depict how the people made and used the finished products of the incomparable tree of life to the Northwest Coast Indians—the cedar.

    Usually experienced only during ancient dances or rituals, this escape from time is the theme of this book, which traces the life on a single spot in New England from the last ice age through years of Indians, shamans, and bears, to the colonists, witches and farmers, and now the encroaching parks.

    "Symbols," the third and final volume, is the culmination of the work begun in "Conflicts and Divisions "and "Traditions."Pierre Nora inaugurates this final volume by acknowledging that the whole project of Realms of Memory is oriented around symbols, claiming "only a symbolic history can restore to France the unity and dynamism not recognized by either the man in the street or the academic historian." He goes on to distinguish between two very different types of symbols - imposed and constructed. Imposed symbols may be official state emblems like the tricolor flag or 'La Marsaillaise', or may be monuments like the Eiffel Tower - symbols imbued with a sense of history. COnstructes symbols are produced over the passage of time, by human effort, and by history itself.They include figures such as Joan d'Arc, Descartes, and the Gallic cock.Past I, Emblems, traces the development of four major national symbols from the time of the Revolution: the tricolor flag, the national anthem (La Marsaillaise), the motto Liberty, Equality, Fraternity" and Bastille Day. Far from having fixed identities, these representations of the French nations are shown to have undergone transformations. As French republics rose and regimes changed, the emblems of the French state - and the meanings accosiated with them - were also altered.Part II, Major Sites, focuses on those cities and structures that act as beacons of France to both Frenchman and foreigner. These essays range from the prehistory paintings in Lascaux - that cave which, though not originally French in any sense, has become the very symbol of France's immemorial national memory - to Verdun, the site of the terrible World War I battle, now a symbol of the nation's heaviest sacrifice for the "salvation of the fatehrland" and the most powerful image of French national unity.Identifications, the final section, explores the ways in which the French think of themselves. From the cock - that "rustic and quintessentially Gallic bird" - to the figures of Joan of Arc and Descartes, to the nation's twin hearts - Paris and the French language - the memory of the French people is explored.This final installment of Realms of Memory provides a major contribution not only to study the French nation and culture, but also to the study of symbols as cultural phenomena, offering, as Nora observes, "the possibility of revelation."

    

    An examination of the founding and development of the Seven Sisters colleges--Mount Holyoke, Vassar, Wellesley, Smith, Radcliffe, Bryn Mawr, and Barnard--Alma Mater focuses on the ideas behind their establishment and the colleges' architectural, academic, and social histories, as well as those of their twentieth-century successors--Sarah Lawrence, Bennington, and Scripps.

    That's What She Said provides an opportunity to become acquainted with a unique, exciting body of work.

    These tales from the ancient quest for pleasing aromas offer a microcosm of history's larger movements, from the scented sails of Cleopatra's barges to modern-day fashion trends. This book is more than a historical overview of one of the world's oldest industries, although it's comprehensive, well-researched, and scrupulously accurate in its details. Neither is it just a book of pretty pictures, even though it's abundantly illustrated with lovely drawings and photographs that include every variety of perfume bottle, ads, paintings, as well as famous (and infamous) figures. Fragrance pursues its subject's very essence, with a rich panoply of insights that ranges from the botanical origins of fragrant oils and the role of aromatics in economic and religious life to the ways in which scents influence behavior and chemists extract, preserve, and reproduce fragrances. A fascinating stirring of the senses.

    Describes the teachings of the Buddha, looks at Buddhism in India, Burma, Thailand, China, Korea, and Japan, and looks at Buddhist history, sects, shrines, and temples.

    In tracing this effort, he illuminates the repression by psychoanalysis of its own radical past and its transformation into a narrow medical technique. This book is of critical interest to the general reader as well as to psychoanalytic historians, theorists, and therapists.

    Music as a model for literature: this is the subject of Nattiez's book, which unravels the various musical themes running through Proust's work, and which constitutes a particularly lucid and perceptive introduction to his writing. Through a study of the texts devoted to the Sonata and Septet of Vinteuil, the author demonstrates the fundamental role played by music in the evolution of the novel, and shows how Debussy, Wagner, and Beethoven provide the basis for a mystical quest whose goal is pure music and the literary absolute.

    This study (the only brief introduction to Petrarch available in English) explores that modernity through a series of often conflicting but always interlocking images of himself which Petrarch projects in his writings; the traveller and intellectual deeply interested in the writings of antiquity; the man of action and contemplative; and the poet laureate and moralist.