Her background made her an obvious target for the fanatics of the Cultural Revolution: educated in London, the widow of an official of Chiang Kai-Shek's regime, and an employee of Shell Oil, Nien Cheng enjoyed comforts that few of her compatriots could afford. When she refused to confess that any of this made her an enemy of the state, she was placed in solitary confinement, where she would remain for more than six years. "Life and Death in Shanghai" is the powerful story of Nien Cheng's imprisonment, of the deprivation she endured, of her heroic resistance, and of her quest for justice when she was released. It is the story, too, of a country torn apart by the savage fight for power Mao Tse-tung launched in his campaign to topple party moderates. An incisive, rare personal account of a terrifying chapter in twentieth-century history, "Life and Death in Shanghai" is also an astounding portrait of one woman's courage.

    3 volumes.

    A wily fox, notorious for stealing eggs, meets his match when he encounters a bold little girl in the woods who insists upon proof that he is a fox before she will be frightened.

    Throughout Europe and America, artists and intellectuals banded together to portray women as static and unindividuated beings who functioned solely in a sexual and reproductive capacity, thus formulating many of the anti-feminine platitudes that today still constrain women's potential. Bram Dijkstra's Idols of Perversity explores the nature and development of turn-of-the-century misogyny in the works of hundreds of writers, artists, and scientists, including Zola, Strindberg, Wedekind, Henry James, Rossetti, Renoir, Moreau, Klimt, Darwin, and Spencer. Dijkstra demonstrates that the most prejudicial aspects of Evolutionary Theory helped to justify this wave of anti-feminine sentiment. The theory claimed that the female of the species could not participate in the great evolutionary process that would guide the intellectual male to his ultimate, predestined role as a disembodied spiritual essence. Darwinists argued that women hindered this process by their willingness to lure men back to a sham paradise of erotic materialism. To protect the male's continued evolution, artists and intellectuals produced a flood of pseudo-scientific tracts, novels, and paintings which warned the world's males of the evils lying beneath the surface elegance of woman's tempting skin. Reproducing hundreds of pictures from the period and including in-depth discussions of such key works as Dracula and Venus in Furs, this fascinating book not only exposes the crucial links between misogyny then and now, but also connects it to the racism and anti-semitism that led to catastrophic genocidal delusions in the first half of the twentieth century. Crossing the conventional boundaries of art history, sociology, the history of scientific theory, and literary analysis, Dijkstra unveils a startling view of a grim and largely one-sided war on women still being fought today.

    Over 150 tales are compiled from Iceland to Syria, Cuba to Papua.Part of the Pantheon Fairy Tale and Folklore Library

    International poetry has always been outstanding in the list, which initially began with some of Thomas Kinsella's and John Montague's first books from the prestigious Dolmen Press.Since those early days, the complete poetry list has grown to include prize-winning poets from twenty-nine countries. Many of the poets have toured and been interviewed in the U.S. Some are Nobel Prize winners. This catalog introduces some highly regarded poets from publishers whose lists are being distributed in the U.S. and Canada for the first time.The rewards in publishing poetry are sometimes sublime, as opposed to commercial, but reader response over the years has justified our commitment. The strength of the list is evidenced on this page, on which we salute recent prize-winners whose books are currently being read throughout the world.

    The book chronicles the bloody coups and uprisings in the post-independence Bangladesh. The book focuses on the two towering figures of Bangladeshi politics, Sheikh Mujibur Rahman and Ziaur Rahman. They are popularly credited as two key architects of modern Bangladesh and the rule of each was ended by assassination. The book is written in an engaging style, and treats the coups/assassinations and their plotters in great detail. A section of black-and-white photographs depict the slain Sheikh Mujibur Rahman, the slain General Ziaur Rahman, plotters behind various coups, politicians and some photocopies of documents and an official gazette related to the many coups this South Asian country has suffered. In its jacket, the book promises that it has "revealed" issues like who killed Mujib (the first prime minister of Bangladesh), who was responsible for the jail killings in Bangladesh, and how General Zia was assassinated. Written in 13 chapters and an index, the book also contains a list of officers convicted by General Court Martial and hanged for the assassination of President Ziaur Rahman. In a November 1985 preface to the book, Mascarenhas writes: "This is a true story; in many ways a text book of Third World disenchantment. On the 16th of December, 1971, the state of Bangladesh (population 70,000,000) was born at the end of a nine-month liberation struggle in which more than a million Bengalis of the erstwhile East Pakistan died at the hands of the Pakistan army. But one of the 20th century's great man-made disasters is also among the greatest of its human triumphs in terms of a people's will for self-determination." Mascarenhas describes his own book thus: "This book is the unvarnished story of their (the early leaders of Bangladesh) times, essentially the sad history of the first 10 years of Bangladesh. It is based on my close personal knowledge of the main protagonists; on more than 120 separate interviews with the men and women involved in the dramatic events; and on official archives and documents which I had the privilege to inspect personally. The dialogue, whenever used, is a faithful reproduction of the words which my informants said they actually used during the events in which they were involved." David Taylor, a South Asia expert, praises the book's "attention to detail and narrative" although he suggests that it is short on interpretation and treats certain episodes of lesser importance in "excessive length". Mascarenhas is a veteran journalist, associated with Bangladesh from the start of its freedom struggle. In 1971, he left Pakistan to expose in The Sunday Times the atrocities committed by the Pakistan Army in the region now known as Bangladesh. He continued as a reporter for The Sunday Times for 14 years and subsequently as a freelancer. He was born in Goa, educated in Karachi and worked for many years as a journalist in India, Pakistan and the UK. He died in 1986 at the age of 58.[2] This book was published in 1986 by Hodder and Stoughton, with a coverprice of UKP 4.95 net in the UK. There may be an earlier printing in 1985. It is devoted "to Yvonne and our children -- who have also paid the price". A Bengali language translation of the book was released in the late 1990s in Bangladesh, with the title Bangladesh: Rokter Rin (বাংলাদেশঃ রক্তের ঋণ)

    Truthful and magical, his poetry has captivated both Greek and foreign readers. Aptly described by Charlotte Du Cann as 'the unlocker of ancient stones and sea voyages', Seferis was for Peter Levi 'one of the greatest writers in this century in any language...From Seferis it was possible to learn...what seriousness about poetry is'.

    They create a vibrant picture of the life of a black working woman in New York in the 1950s. Rippling with satire and humor, Mildred’s outspoken accounts capture vividly her white employers’ complacency and condescension—and startled reactions to a maid who speaks her mind. As Mildred declares to a patronizing employer that she is not just like one of the family, or explains to Marge how a tricky employer has created a system of “half days off” to cheat her help, we gain a glimpse not only of one woman’s day-to-day struggle, but of her previous ache of racial oppression. A domestic who refuses to exchange dignity for pay, Mildred is an inspiring conversationalist, a dragon slayer in a segregated world. The conversations in the book were first published in Freedom, the newspaper edited by Paul Robeson, and later in the Baltimore Afro-American. The book was originally published in the 1950s by in Brooklyn–based Independence Press, and Beacon Press brought out a new edition of it in 1986 with an introduction by the literary and cultural critic Trudier Harris.

    Though Japanese, eleven-year-old Yoko has lived with her family in northern Korea near the border with China all her life. But when the Second World War comes to an end, Japanese on the Korean peninsula are suddenly in terrible danger; the Korean people want control of their homeland and they want to punish the Japanese, who have occupied their nation for many years. Yoko, her mother and sister are forced to flee from their beautiful house with its peaceful bamboo grove. Their journey is terrifying -- and remarkable. It's a true story of courage and survival.

    A renowned medievalist with an encyclopedic knowledge of original sources and a passion for history, Bumke overlooks no detail, from the material realities of aristocratic society -- the castles and clothing, weapons and transportation, food, drink, and table etiquette -- to the behavior prescribed and practiced at tournaments, knighting ceremonies, and great princely feasts. The courtly knight and courtly lady, and the transforming idea of courtly love, are seen through the literature that celebrated them, and we learn how literacy among an aristocratic laity spread from France through Germany and became the basis of a cultural revolution. At the same time, Bumke clearly challenges those who have comfortably confused the ideals of courtly culture with their expression in courtly society.

    (1740-1814) is unique and paradoxical. He was widely read in the nineteenth century, but his books disappeared almost completely from circulation in the century. Meanwhile the exegesis of Sade poured from the presses of the Western world in a flood of words in which the writer, the novelist, and the exceptional pet disappeared.In France today, J. J. Pauvert, who considers Sade “the greatest French writer,” is publishing a new edition of the complete works with a new introduction by Annie Le Brun. Sade: A Sudden Abyss is the translation of this introduction, which shows Sade as the inventor of an entirely new language through which he fathoms human nature, desire, and relationships of power.In this fresh and authoritative survey of Sade’s work as a whole, Le Brun frees it from such critics as Bataille, Blanchot, Klossowski, and Barthes (who see Sade’s language as a metaphor for history, society, or writing itself). She asks, Where is Sade himself in these texts? What exactly does Sade tell us? What is obscured when Sade’s writing is placed in a “universe of discourse” rather than understood as a manifestation of a life spent in eleven prisons over twenty-seven years? Like a powerful laser beam, her reflections cut through two centuries of intellectual hide-and-seek and let Sade for the first time be seen and read in his own light.Annie Le Brun is a French poet and literary theorist. Her books include Lâchez tout, a critique of the French neofeminist movement; A distance; and Les chateaux de la subversion, a study of the Gothic tradition.

    As you will discover in The Sword & the Mind, this pivotal seventeenth-century how-to guide for the swordsman is also a penetrating philosophical and psychological treatise on strategy. Yagyu Munenori's step-by-step instructions for positioning, striking—with one and two swords—and defending oneself against an opponent can be applied with equal success to many types of conflict, from sword fight to political struggle to business competition.The techniques and disciplines presented in this classic of tactical and strategic wisdom were developed and refined by three of Japan's greatest swordsman: Kamiizumi Hidetsuna (1508-1577), who founded the Shinkage school of swordsmanship; his greatest student Yagyu Muneyoshi (1529-1606), who further perfected many of Hidetsuna's techniques; and Muneyoshi's son, Munenori (1571-1646), who set down this timeless masterpiece to be passed on from teacher to student.In this exquisite translation, P.E.N. translation award winner Hiroaki Sato brings the legacy of these three superior swordsmen to the modern Western reader. With more than 25 black-and-white illustrations, glossary, chronology, bibliography, and comprehensive annotations The Sword & the Mind illuminates the lives and times of the three masters as well as the cultural and philosophical landscape in which they lived.

    Included are legends, lost-treasure stories, ghost towns, and interesting place names weaving a colorful tapestry of stories about Arizona.

    Intimacy and access make rebellion very dangerous.”In The Problem With Rich Women, Gloria Steinem explores how and why feminism failed to reach women in powerful families, and provides an urgent and persuasive argument for rebellion among upper-class women.The Problem With Rich Women was originally published in Ms., June 1986. Cover design by Adil Dara.

    I believe that people should be able to call themselves whatever they wish, and scholars should respect and acknowledge their change of terminology. I went on record early on in convincing other anthropologists to shift away from use of the word berdache and in favor of using Two-Spirit. Nevertheless, because this book continues to be sold with the use of berdache, many people have assumed that I am resisting the newer term. Nothing could be further from the truth. Unless continued sales of this book will justify the publication of a third revised edition in the future, it is not possible to rewrite what is already printed, Therefore, I urge readers of this book, as well as activists who are working to gain more respect for gender variance, mentally to substitute the term "Two-Spirit" in the place of "berdache" when reading this text. -- Walter L. Williams, Los Angeles, 2006

    Yanava and her playmates make their own special gifts for the beloved elder woman of the town.

    Following a stint as a volunteer teacher in a Nepalese village, Phil Deutschle sets off alone on an expedition to conquer Pharchamo, 20,580 feet high, which has claimed several lives. This trek forms the framework of the book, and into it Deutschle weaves the story of his experiences in sharply etched, swiftly moving, often humorous anecdotes.

    Now darkness is everywhere. But Vainamoinen the Great Knower has his own plans--equal to those of the troublesome witch. Full color.

    Baxandall surveys the main themes of their art criticism and describes how their language conditioned their insights into painting.

    85 full-color and 25 black-and-white illustrations.