The Far Pavilions is a story of 19th Century India, when the thin patina of English rule held down dangerously turbulent undercurrents. It is a story about and English man - Ashton Pelham-Martyn - brought up as a Hindu and his passionate, but dangerous love for an Indian princess. It's a story of divided loyalties, of tender camaraderie, of greedy imperialism and of the clash between east and west. To the burning plains and snow-capped mountains of this great, humming continent, M.M. Kaye brings her quite exceptional gift of immediacy and meticulous historical accuracy, plus her insight into the human heart.

    This is a radiant and deeply moving account of a "true pilgrimage, a journey of the heart."

    Jejuri is a site of pilgramage in author Arun Kolatkar's native state of Maharashtra, and Jejuri the poem is the record of a visit to the town -- a place that is as crassly commercial as it is holy, as modern and ruinous as it is ancient and enduring. Evoking the town's crowded streets, many shrines, and mythic history of sages and gods, Kolatkar's poem offers a rich description of India while at the same time performing a complex act of devotion. For the essence of the poem is a spiritual quest, the effort to find the divine trace in a degenerate world. Spare, comic, sorrowful, singing, Jejuri is the work of a writer with a unique and visionary voice.

    Accompanied only by a gallant polo pony, they encountered conditions that tested the limits of their ingenuity, endurance, and courage. Hair-raising, gloriously subjective, and with the quirky vitality of fiction, the resulting book is a classic of travel writing

    Although Islamic buildings may make an immediate visual impact, it can be useful to know something of the society which they serve. This text relates the architecture to the social areas of religion, power structure, commerce and communal life, placing emphasis on function and meaning rather than on style and chronology.

    'Wallace Breem is a writer who never disappoints one. He has an extraordinary power of treating military disaster in depth and yet with pace, whether on the frontiers of Rome or British India, and of analyzing the tensions of command. Gripping as an action story, deeply moving on the individual level, it involves one as an eye-witness from beginning to end' - Mary Renault. 'I found the book gripping. I am not a Frontier man but the account of the tribal situation on the Frontier and of the atmosphere accords with all I have read or heard about it. The author brings out movingly and with skill several points of vital importance to an understanding of British India and the Frontier in particular. Everything depended on India (in this case Pathan) co-operation; this broke down once the British showed lack of confidence and began to retire. The clash of loyalties which then arose was highly dramatic and painful for those involved. The loneliness of such a man as Sandeman is also brought out with skill' - Philip Mason, author of "A Matter of Honour: An Account of the Indian Army, Its Officers and Men".

    Aided by others who have suffered at the hands of the king, a blackbird seeks revenge on the monarch who has stolen his wife.

    Only on closer acquaintance does it offer up its mysteries; and such is the achievement of Maggie Keswick's celebrated classic that it affords us--adventurers, armchair travelers, and garden buffs alike--the intimate pleasures of the Chinese garden. In these richly illustrated pages, Chinese gardens unfold as cosmic diagrams, revealing a profound and ancient view of the world and of humanity's place in it. First sensuous impressions give way to more cerebral delights, and forms conjure unending, increasingly esoteric and mystical layers of meaning for the initiate. Keswick conducts us through the art and architecture, the principles and techniques of Chinese gardens, showing us their long history as the background for a civilization--the settings for China's great poets and painters, the scenes of ribald parties and peaceful contemplation, political intrigues and family festivals.Updated and expanded in this third edition, with an introduction by Alison Hardie, many new illustrations, and an updated list of gardens in China accessible to visitors, Keswick's engaging work remains unparalleled as an introduction to the Chinese garden.

    

    It is a vast work, necessarily more suited to the scholar and research worker than the general reader. This paperback version, abridged and re-written by Colin Ronan, makes this extremely important study accessible to a wider public. The present book covers the material treated in volumes I and II of Dr Needham's original work. The reader is introduced to the country of China, its history, geography and language, and an account is given of how scientific knowledge travelled between China and Europe. The major part of the book is then devoted to the history of scientific thought in China itself. Beginning with ancient times, it describes the milieu in which arose the schools of the Confucians, Taoists, Mohists, Logicians and Legalists. We are thus brought on to the fundamental ideas which dominated scientific thinking in the Chinese Middle Ages, to the doctrines of the Two Forces (Yin and Yang) and the Five Elements (wu hsing), to the impact of the sceptical tradition and Buddhist and Neo-Confucian thought.

    

    Fifteen years later, Japan was on its way to becoming the only non-Western nation in the nineteenth century with a modern centralized bureaucratic state and industrial economy. This book is a study of the Meiji Restoration that changed the face of Japan. Prominent historian Albert M. Craig tells its story through that of the domain of Choshu-whose role in the formation of modern Japan was not unlike that of Prussia in Germany-during the fifteen crucial years between 1853 and 1868. Whereas previous studies have stressed the role of discontented lower samurai and frustrated rich merchants and peasants in this transition, claiming that they provided the motive power behind the political movements of the Restoration period, this work sharply challenges these earlier interpretations. Craig instead emphasizes the vitality of traditional values in Japan's early reaction to the West and foregrounds the critical contribution of the old society to the formation of the new Meiji state. Choshu in the Meiji Restoration is a seminal work for scholars and students of Japanese history.

    This book is an introduction to how these items were painted and a history of some of the patrons. The pictures are truly a feast for the eyes.