It offers vast amounts of information on the essential component elements of each building. A true classic in the industry.

    Documents, workshop products from all areas of design, studies, sketches in the classroom, and architectural plans and models are all part of its comprehensive inventory. The Bauhaus Archiv is dedicated to the study and presentation of the history of the Bauhaus, including the new Bauhaus in Chicago and the Hochschule f

    Challenges conventional building and design practices and demonstrates how our built environments can be made physically, socially, and spiritually enriching.

    It contains a wealth of new information on the construction of modern architecture at a variety of scales from minute details to general principles. There are over 500 illustrations, including 130 original photographs and 230 original axonometric drawings, arranged to explain the technical, aesthetic, and historical aspects of the building form.Most of the modern movements in architecture have identified some paradigm of good construction, arguing that buildings should be built like Gothic cathedrals, like airplanes, like automobiles, like ships, or like primitive dwellings. Ford examines the degree to which these models were followed, either in spirit or in form, and reveals much about both the theories and techniques of modern architecture, including the extent to which the current constructional theories of High Tech and Deconstruction are dependent on the traditional modernist paradigms, as well as the ways in which all of these theories differ from the realities of modern building.Individual chapters treat the work of Eliel and Eero Saarinen, Eric Gunnar Asplund, Richard Neutra, Alvar Aalto, Le Corbusier, and Louis Kahn, as well as the Case Study, High Tech, Postmodern, and Deconstructivist architects. Among the individual buildings documented are Eliel Saarinen's Cranbrook School, Asplund's Woodland Cemetery, Fuller's Dymaxion house, the Venturi house, the Eames and other Case Study houses, the concrete buildings of Le Corbusier, Aalto's Saynatsalo Town Hall, and Kahn's Exeter Library and Salk Institute--with many details published for the first time.

    

    This newly revised edition also provides insight into the latest response by building officials to Superadobe or earthbag technology (structures of sandbags and barbed wire), a patented system that is free for the owner-builder and licensed for commercial use.Nader Khalili's ideas on ceramic houses and earth architecture have been published by NASA and utilized by the United Nations, and have passed building and safety tests in California. This new edition is now in its fifth printing.

    Poetics of Architecture explores the fundamental theories of Modern and Postmodern design and attempts to reconcile all that is worthwhile in these two movements into a new inclusivist attitude toward architecture. Anthony C. Antoniades looks at the many intangible and tangible channels one can harness in creating architectural design. By opening up architecture to the full range of creative influences, he tries to help readers produce designs that are richer on spatial, sensual, spiritual, and environmental levels. Some of the intangible channels to creativity explored in the book include fantasy, metaphor, the paradoxical and metaphysical, the primordial and untouched, poetry and literature, and the exotic and multicultural. Among the tangible channels covered are history and the study of precedents, mimesis and literal interpretation, geometry, materials, and the role of nature. The author presents rich and imaginative discussions of these various channels, explaining which were favored during the Modern and Postmodern movements and clarifying his theoretical analyses through the use of many vivid examples, tables, and illustrations. Included among the examples in the volume are many distinguished projects and theories by a wide range of noted architects such as Asplund, Aalto, Utzon, Pikionis, Barragin, Pietila, Predock, and Legorreta, who are latecomers to the attention of the media. Antoniades also provides fascinating material on the study of architectural biographies as a means of achieving an all-inclusive creativity in architectural design. Highly original yet based on solid principles, Poetics of Architecture will help architects, designers, and students increase their versatility and creativity in the studio. It will also deepen their understanding and appreciation of the creative process and its many influences.

    This extensively illustrated presentation, designed by Massimo Vignelli, conveys the purity and power of Meier's celebrated work. Twenty-three projects in all are featured, including federal buildings and courthouses in Islip, New York, and Phoenix, Arizona; the Barcelona Museum of Contemporary Art; the Museum of Television and Radio in Beverly Hills; the Church of the Year 2000 in Rome; and the widely acclaimed Getty Center in Los Angeles. The development and significance of Richard Meier's work is discussed in two essays by the distinguished architectural historians and critics Kenneth Frampton and Joseph Rykwert. A postscript by Arata Isozaki, a biographical chronology, and a selected bibliography complete the monograph.

    The profusely illustrated full color format of this comprehensive book, with 330 color photos and hundreds of charts and line drawings, has elevated it into a work of art. Yet, the down-home writing style of Joseph Jenkins has converted a potentially tedious subject into a delight.With chapters on slate roof history, slate geology, roof safety, tools, installation, repairs, flashings, and regional slate quarries, as well as sections on ceramic tile roofs, asbestos roofs, and flat-lock copper roofs, The Slate Roof Bible is a fascinating book on its own, essential for anyone who wants to build naturally and permanently, and a must-have for architects, builders, roofers, designers, historians, and slate roof owners.

    Dozens of examples are illustrated, including parallel, angular, and oblique perspectives, as well as ascending and descending planes. Other images show how to create a “cone of rays,” and add depth and realism to curved objects. The techniques can be used for laying out a garden, predicting the shadow effects of a tall building, and accurately capturing the interplay of angles, light, and shadow.

    Typological, repetitive, at times oddly humorous, Bernd and Hilla Becher's photographs of industrial structures are, in their cumulative effect, profoundly moving."

    Through their association with SciArc (Southern California Institute for Architecture), of which Mayne was a founding member and where Rotondi is the present Director, they have also been a leading force for the younger generation of California architects. The works of Morphosis have encompassed a wide range of building types, including the single-family house and multiple-unit housing, medical facilities and offices, restaurants and retail spaces. In all projects, a hallmark of their work is always a clean, crisp coolness expressing their almost uncanny ability to turn the most ordinary materials into surfaces and details of astonishing power and grace. The effect of this activity is intensified through structural ambiguity and shifting harmonies, in an architecture of economy and of extraordinary sophistication. One of the unique features of the methods of design of Morphosis Architects is the way in which they use models and drawings. Unlike most architects, after a building is completed Mayne and Rotondi go back to the drawings and models, reworking and analyzing them as sources of inspiration and generation for new designs. It is through this activity of creating and re-creating that the name Morphosis is derived.

    As it probes into the centrally significant role of houses within South-East Asian social systems, it reveals new insights into kinship systems, gender symbolism, and cosmological ideas, ultimately uncovering basic themes concerning the idea of life and processes themselves. A picture is produced of how people shape buildings and buildings shape people, as rules about layout and the uses of space are shown to have a remarkable impact on social relationships. The book concludes with a consideration of some present day processes of change as these affect the fate of indigenous architectures. Although intended first and foremost as a work of anthropology, this book will also appeal to architects, scholars specializing in South-East Asia, and the interested general reader.

    Now carefully restored, often with the original furnishings, these houses are glorious monuments to a bygone era. If you have never visited the James River plantations, this book will inspire you to plan a trip there. If you have, you will find this book a wonderful memento of a special place. Robert's 141 color photographs capture the magnificent exteriors of the houses, as well as their gardens and grounds, and offer rare and intimate glimpses of their interiors and furnishings. The plantations portrayed include Shirley Plantation, one of the oldest in America; Belle Air Plantation, with its unique seventeenth-century frame house containing America's finest Jacobean staircase; and Westover Plantation, site of the elegant Georgian home built by William Byrd II.The text provides histories of the plantations, presenting them as places where real people lived and worked -- and still do, in many cases. While the plantations share some common history, each reflects the individual characteristics of the men, women, and children who lived there. In the dining room at Berkeley Hundred, George Washington, Thomas Jefferson, and eight other presidents enjoyed meals and discussed affairs of state. At Carter's Grove, Roberts photographed the Refusal Room, where, according to local history, both Washington and Jefferson were refused in marriage by Virginia belles.Today many of the plantation homes have been designated state and national historic sites, and with this book you can visit them and relive four hundred years of history.

    The History of Architecture in India Provides the essential background information on invasions and migrations, dynasties, religion, symbolism and myth in the development of characteristic forms. Hundreds of photographs, engravings, maps, plans and elevations are closely integrated with the text, resulting in a book for both scholars and anyone interested in one of the world's richest architectural traditions.

    His type of building broke with conventional styles, going beyond architectural Modernism, developing new concepts of space and constructing countless buildings of merit. This handy volume presents an overview of Wright's buildings in chronological order, enabling the reader to trace the development in Wright's architecture. The publication is complemented by biographical information, a list of works and a bibliography.

    This fascinating volume, reprinted from a rare surviving edition of that remarkably comprehensive publication, offers a peerless view of how thousands of Americans approached the practicalities and aesthetics of homebuilding in 1910.A huge selection of materials needed to build and finish an early 20th-century home — lumber, siding, roofing, gable ornaments, interior moldings, oak-veneered front doors, art glass windows, chandeliers, stair balusters, bronze door locks, porcelain-enameled bathtubs, furnaces for hard and soft coal, ornate porch rails and Craftsman china closets among them — are depicted in detailed line drawings with the original advertising copy, specifications, and prices.Leafing through these pages, it quickly becomes apparent just how many readers — and buyers — this extraordinary book attracted. Many of the products and designs are still very much a part of the American landscape, easily recognizable in nearly every community in America today. Students and enthusiasts of American home and home-product design will find this unique publication an authentic and reliable sourcebook of early 20th-century Americana. Anyone interested in renovating houses of this era will find it indispensable.

    Depicted are over 130 structures — the Metropolitan Museum of Art, Pierpont Morgan Library, Tiffany & Company, and the original Penn Station, among others, in New York, as well as many important landmarks in other cities. 435 photographs, over 250 line illustrations.

    The titular essay is a meditation on Pieter Bruegel the Elder’s 1563 painting, The Tower of Babel, which Benet calls "the first painting in European art history to feature a building as a protagonist." An engineer by trade, Benet brings his knowledge of building construction to bear on Bruegel’s creation, examining the archways, pillars, windows, and the painter’s meticulously depicted chaos at the heart of the edifice’s centuries-long execution. An unusual analysis of architectural hubris and the linguistic myth that gave rise to it, Benet’s essay builds its own linguistic telescoping structure that could be described as an architextual discourse on the madness of the unending project.Also included is “On the Necessity of Treason” (a theme of particular interest to Benet, whose father was shot by Republican forces during the Spanish Civil War, and whose brother was forced to escape to France, exiled for his Republican sympathies). Benet considers the essentially dual nature of the spy and the curious World War II cases of Julius Norke and William Joyce (Lord Haw-Haw) to conclude, in a spark of lucid reflection, that within the order of the State, the traitor is not only necessary, but welcome.A civil engineer by profession, Juan Benet (1927–1993) began writing to pass the long nights of solitude he spent on construction sites in León and Asturias. His self-published first novel, You Will Never Amount to Anything, in 1961. In 1967, he won the Biblioteca Breve Prize for his novel A Meditation.

    This well-illustrated tour through 50 magnificent villas and palaces built by the Italian aristocracy, covers country retreats in Tuscany and the Vento, impressive residences in Rome and Sienna, fortress-like castles and grand villas in Trieste and Sicily, and many more.

    Complementing the selection of villages is a list of hotels and restaurants.

    Harkening back to a simpler time, these rustic structures serve as a reminder of America's frontier spirit, and serve as a popular source of inspiration for contemporary architecture, in everything from simple vacation homes to the mansion "lodges" favored by today's wealthy elites. This classic three-volume survey, first published in 1938 by the National Park Service, details in photographs and measured drawings the rich legacy of America's park structures. In over 500 illustrations, Park and Recreation Structures documents picnic tables, dams, drinking fountains, trail signs, storage sheds, bridges, boathouses, lodges, and inns from the glory days of park construction. Reproduced in its entirety in a single volume, this book will serve as a source of ideas, details, and imagery for architects, landscapists, gardeners, and anyone interested in America's national parks.

    North Carolina Architecture addresses the grand public and private buildings that have become familiar landmarks, but it also focuses on the quieter beauty of more common structures: farmhouses, barns, urban dwellings, log houses, mills, factories, and churches. These buildings, like the people who created them and who have used them, are central to the character of our state.For most of its history, North Carolina has been a rural state without concentrated wealth or great cities, and its architecture has subtle and at first unprepossessing beauty. Sometimes untidy, often utilitarian, and only rarely magnificent, it is most remarkable for its variety, masterfully reflected here in 436 black and white and 18 color photographs by Tim Buchman. The result is an extraordinary portrait of North Carolina and its history unlike any we have seen before.Published to commemorate the fiftieth anniversary of the Historic Preservation Foundation of North Carolina, Inc., North Carolina Architecture depicts representative buildings that, in turn, evoke images of hundreds more in communities across the state. Catherine Bishir discusses construction and design and locates structures in their cultural, political, and historical contexts. Characteristic arrangements of farmsteads and a few principal building types are illustrated with site and floor plans, many drawn especially for this book by Carl R. Lounsbury. Historic photographs document lost landmarks and outstanding examples of buildings that cannot be satisfactorily photographed today.The urbanization and new construction of the present day have dramatically altered our built landscape. However, this comprehensive look at North Carolina's architectural heritage will help ensure that the modest buildings of the past will not be lost for the next generation, and it will serve as a model for architectural histories in other states.

    Neighborhoods have become more outspoken in their demands for appropriate park designs; corporations have witnessed the value of providing outdoor spaces for employee lunch-hour use; the rising demand for child care has prompted increased awareness of the importance of developmentally appropriate play and learning environments; and increased attention is being focused on the specific outdoor space needs for the elderly, college students, and hospital patients and staff. Now available in an updated, expanded second edition, People Places is a fully illustrated, award-winning book that offers research-based guidelines and recommendations for creating more usable and enjoyable public open spaces of all kinds. People Places analyzes and summarizes existing research on how urban open spaces are actually used, offering design professionals and students alike an easily understood, easily applied guide to creating people-friendly places. Seven types of urban open space are discussed: urban plazas, neighborhood parks, miniparks and vest-pocket parks, campus outdoor spaces, outdoor spaces in housing for the elderly, child-care outdoor spaces, and hospital outdoor spaces. People Places contains a chapter-by-chapter review of the literature, illustrative case studies, and design guidelines specific to each type of space. People Places has a number of features that can be easily incorporated into the design process: * Clear, readable translations of existing research on people's use of outdoor spaces. * Performance-based design recommendations that specify key relationships between design and use. * Design review checklists that help readers plan and critique designs. * A clearly organized, concise format equally useful to the design practitioner and the design student. The newly revised edition of People Places also includes: * Discussion of accessibility issues, including ADA regulations and the concept of universal design; and of design responses aimed at crime reduction. * Procedures for conducting post-occupancy evaluations of designed outdoor spaces. * Updated and new information on each type of outdoor space, with special attention to hospitals, child care facilities, and campus outdoor spaces where specific advances have occurred since 1990. * A completely new color-photo section and 50 new black and white illustrations. Winner of the Merit Award in Communication from the American Society of Landscape Architects, People Places is an essential working tool for landscape architects and architects, city planners, urban designers, neighborhood groups, and anyone else concerned with the quality of urban open space.

    Focuses on the symbolic import of the rose windows and the Gothic cathedrals housing them, discussing their role as monuments of faith created in a time plague and famine.

    Magnificent aerial and ground photographs give both armchair and actual visitors unparalleled views of fifty-one ancient cities. The restored areas of each site and their interesting and exotic features are shown within each group of ruins. The authors have thoroughly revised the text for this new edition, and they have added over 30 new photographs and illustrations as well as a completely new chapter by Richard E. W. Adams on regional states and empires in ancient Mesoamerica.Over a span of three thousand years between 1500 B.C. and A.D. 1500 great civilizations, including the Olmec, Teotihuacan, Maya, Toltec, Zapotec, and Aztec, flourished, waned, and died in Mesoamerica. These indigenous cultures of Mexico and Central America are brought to life in Mesoamerica's Ancient Cities through stunning color photographs. The authors include the most recent research and most widely accepted theoretical perspectives on Mesoamerican civilizations. Ideal for the general reader as well as scholars of Mesoamerica, this volume makes a significant contribution to our knowledge of the Americas.

    The book provides a comprehensive introduction to the principles and practice of modern construction and services. In addition most chapters contain information on earlier construction techniques to reflect the age profile fo the UK housing stock.This fourth edition has a revised text and hundreds of revised graphics, new illustrations and photos, an additional chapter on concrete housing, and an eight page colour section showing a series of photographs of a modern housing development.This book is the recommended construction text at a number of colleges and universities. It concentrates on principles and practice rather than details and regulations. In doing so it should enable the reader to demonstrate a comprehensive and genuine understanding of modern house construction and its evolution over the last 100 years.

    Facts on each of the 42 pharaohs and the monuments they constructed (and commentary from the author who has extensively explored them) include all elements of each pyramid complex that have been discovered, and whether a sarcophagus and mummy have been located. Cross-sectional diagrams and floor plans are provided for all pyramids so far uncovered, as well as photographs where available. Longer essays discuss in painstaking detail the unusual features of such as the Bent Pyramid of Pharaoh Sneferu and the Great Pyramid of Pharaoh Khufu. Eight appendices include a comparison of Egyptian to Aztec and Mayan pyramids; and notable pyramid authors and explorers. The resulting book offers solutions to many of the intriguing mysteries long associated with the pyramids in addition to tantalizing suggestions of discoveries yet to be made.

    

    Sullivan's midwestern banks have not been treated kindly by history. Dismissed by a generation of modernist critics as the sad swansong of a troubled late career, they have begun to attract a different kind of notice. Lauren Weingarden provides the first complete documentation of all eight banks, including the details of their commission, and argues persuasively for their establishment in the pantheon of lost architectural masterworks. The book is enriched by the recovery of Henry Fuermann's photo-archive and the inclusion of 15 previously unpublished color photographs by Crombie Taylor.What emerges from this study of the programs, plans, interiors, and ornamentation is a new appreciation of Sullivan's overall cultural and architectural intentions in these extraordinary buildings. Weingarden finds a consistency between these last works and Sullivan's heroic Chicago period. She shows that the banks were in fact the logical outcome of strategies he had been developing all along: Sullivan continued to be a rationalist planner and technician as well as a brilliant ornamentalist and decorator, and an artful interpreter of regional stylistic traditions. Long regarded as the eccentric addenda to a lapsed career, the bank commissions can now be appreciated as the truest embodiment of the democratic architecture that Sullivan had campaigned for during his entire career.Lauren S. Weingarden is Assistant Professor of Art History at Florida State University. She was recently named a J. Paul Getty Postdoctoral Fellow at the University of Michigan. "Louis H. Sullivan: The Banks" was the American nominee among all manuscripts entered for the annual Art History Prize from the International Confederation of Art Dealers. Published with the assistance of the J. Paul Getty Trust.

    -- Profiles the lives and careers of women whose accomplishments have contributed to our society -- Fully illustrated with photographs and paintings

    Consisting of six lectures and the diary kept on his study trip to Italy, they date mostly from the early 1890s, when Mackintosh's talents were beginning to be noticed. They shed light on the young architect's enthusiasms and the sources of his inspiration revealing both his deep respect for tradition and his passionate commitment to artistic independence.

    They inspired a generation of American architects, including Frank Furness, John Wellborn Root, Louis Sullivan, and Frank Lloyd Wright, In 1894, the critic Montgomery Schuyler observed that Viollet-le-Duc's books "have had the strongest influence on this generation of readers." But for the past century, all but one of his works have been out of print in English.These readings carefully selected from the entire range of Viollet-le-Duc's work make available the historical insights and practical principles of one of the most imaginative, and inspiring architectural theorists of the modern era. M.F. Hearn has culled from Viollet-le-Duc's books on architecture the passages in which his major ideas about the theory of architecture are most cogently expressed.Hearn has arranged and interplated the readings in a sequence of topics covering Viollet-le-Duc's views on the architecture of the past, his convictions about the education of architects, his philosophy of method, principles of design, and his guidelines for restoration. The selections are introduced by a biographical essay connected by interpretive commentaries, and followed by a biographical note.M.F. Hearn is Professor of Fine Arts and Director of Architectural Studies at the University of Pittsburgh.

    Finland's rich design tradition is illustrated in photographs of Finnish furniture, glass, textiles, crafts, ceramics, home interiors and exteriors, gardens, and saunas, as well as imported objects from the international design collections of major museums.

    

    His findings provide a stronger technological focus for architectural history and a basis for more rational criticism of contemporary design.

    

    Throughout the world, amidst the increasing materialism of largely secular societies, churches attract travellers, tourists, historians and worshippers as almost never before. The reasons for this apparent paradox are not difficult to see, and they point to the widespread appeal of this spectacularly illustrated book. The clarity, knowledge and insight of Edward Norman's chronological survey are supported and enhanced by a brilliantly researched collection of illustrations and photographs. The result is a perfect mix between the most-loved master buildings - from Hagia Sophia to Tokyo Cathedral - and the freshness of the less familiar - a mission church in Paraguay, a Baroque shrine in Goa. And we see how every age has found its own way of expressing its particular vision, down to modern times, 'the great age of Christian expansion', when the initiative seems to be shifting away from Europe to South America and Africa. and art, has nowhere been more fluently and movingly conveyed.

    Using the vast Blenheim papers (now in the British Museum) together with local Oxfordshire documents and archives Marian Fowler has been able to trace the history not just of its famous inhabitants but also of the building itself and the thousands of servants and workmen who have kept it functioning over the years. There will be four long core chapters each taking a specific event at Blenheim (the first is a theatrical performance of a Dryden play put on by his grandchildren for the almost senile first Duke of Marlborough) and moving out from that to general description of the place and its inhabitants at that time. The four events will each be separated by about 60 years.

    Book by Mayne, Thom