K. Ching. Each page has been meticulously revised to incorporate contemporary examples of the principles of form, space, and order - the fundamental vocabulary of every designer. The result is a beautifully illustrated volume that embraces today's forms and looks at conventional models with a fresh perspective. Here, Ching examines every principal of architecture, juxtaposing images that span centuries and cross cultural boundaries to create a design vocabulary that is both elemental and timeless. Among the topics covered are point, line, plane, volume, proportion, scale, circulation, and the interdependence of form and space. While this revision continues to be a comprehensive primer on the ways form and space are interrelated and organized in the shaping of our environment, it has been refined to amplify and clarify concepts. In addition, the Second Edition contains numerous new hand-rendered drawings; expanded section on openings and scale; examples of contemporary architectural design elements; expanded chapter on design principles; new glossary and index categorized by the author; and new 8 1/2 x 11 upright trim. In the Second Edition of Architecture: Form, Space, and Order, the author has opted for a larger format and crisper images. Mr. Ching has retained the style of his hand-lettered text, a hallmark of each of his books. This rich source of architectural prototypes, each rendered in Mr. Ching's signature style, also serves as a guide to architectural drawing. Doubtless, many will want this handsomevolume for the sheer beauty of it. Architects and students alike will treasure this book for its wealth of practical information and its precise illustrations. Mr. Ching has once again created a visual reference that illuminates the world of architectural form.

    It also relates to…Meaning in Western Architecture. Common to all of them is the view that architecture represents a means to give man an “existential foothold”…The philosophy of Heidegger has been the catalyst which has made the present book possible and determined its approach. The wish for understanding architecture as a concrete phenomenon…could be satisfied in the present book…thanks to Heidegger’s essays on language and aesthetics.Man dwells when he can orient himself within and identify himself with an environment, or, in short, when he experiences the environment as meaningful. Dwelling therefore implies something more than “shelter”. It implies that the spaces where life occurs are places, in the true sense of the word. A place is a space which has a distinct character. Since ancient times the genius loci, or “spirit of place”, has been recognized as the concrete reality man has to face and come to terms with in his daily life. Architecture means to visualize the genius loci, and the task of the architect is to create meaningful places, whereby he helps man to dwell.

    Its applicability to the design process is seen in the physical fit, or interface, between the human body and the various components of interior space.Human Dimension and Interior Space is the first major anthropometrically based reference book of design standards for use by all those involved with the physical planning and detailing of interiors, including interior designers, architects, furniture designers, builders, industrial designers, and students of design. The use of anthropometric data, although no substitute for good design or sound professional judgment should be viewed as one of the many tools required in the design process. This comprehensive overview of anthropometrics consists of three parts.The first part deals with the theory and application of anthropometrics and includes a special section dealing with physically disabled and elderly people. It provides the designer with the fundamentals of anthropometrics and a basic understanding of how interior design standards are established. The second part contains easy-to-read, illustrated anthropometric tables, which provide the most current data available on human body size, organized by age and percentile groupings. Also included is data relative to the range of joint motion and body sizes of children. The third part contains hundreds of dimensioned drawings, illustrating in plan and section the proper anthropometrically based relationship between user and space. The types of spaces range from residential and commercial to recreational and institutional, and all dimensions include metric conversions.In the Epilogue, the authors challenge the interior design profession, the building industry, and the furniture manufacturer to seriously explore the problem of adjustability in design. They expose the fallacy of designing to accommodate the so-called average man, who, in fact, does not exist. Using government data, including studies prepared by Dr. Howard Stoudt, Dr. Albert Damon, and Dr. Ross McFarland, formerly of the Harvard School of Public Health, and Jean Roberts of the U.S. Public Health Service, Panero and Zelnik have devised a system of interior design reference standards, easily understood through a series of charts and situation drawings. With Human Dimension and Interior Space, these standards are now accessible to all designers of interior environments.

    Kahn, whose many buildings include the Salk Institute, the Yale Study Center, and the Exeter Library. He is remembered, however, not only as a master builder, but also as one of the most important and creative thinkers of the twentieth century. For Kahn, the study of architecture was the study of human beings, their highest aspirations and most profound truths. He searched for forms and materials to express the subtlety and grandeur of life. In his buildings we see the realization of his vision: luminous surfaces that evoke a fundamental awe, silent courtyards that speak of the expansiveness and the sanctity of the spirit, monumental columns and graceful arches that embody dignity and strength. Updated with a new preface, this classic work is a major statement on human creativity, showing us Louis Kahn as architect, visionary, and poet.

    In the Sense of Unity, a handsomely illustrated volume and the first extended work of its kind, Nader Ardalan and Laleh Bakhtiar examine the architecture of Persia as a manifestation of Islamic tradition and demonstrate the synthesis of traditional Persian thought and form. The most fundamental principle of Sufism, the inner, esoteric dimension of Islam, is that of unity in multiplicity. This view sees in every aspect of reality a reflection of a transcendent source which is given symbolic expression through all of man's activities, most directly and importantly through his works of art. The authors of The Sense of Unity show how all the elements of the Islamic architecture of Persiafrom the simplest architectural unit to a complex urban environmentare woven around this central doctrine and thus are best understood as multiple manifestations of unity. The Sense of Unity is illustrated with photographs, drawing, charts, and tables which are an integral part of its argument and which exemplify, in abundant and striking detail, the principles discussed in the text. Presenting to the Western reader for the first time the insights of the Iranian cultural tradition, the book also offers a stimulating new way of thinking about man and his relationship to his milieu.

    Wanton destruction in the name of progress—particularly in the decades immediately following World War II—resulted in a legacy forever lost, a cultural heritage destroyed by the wrecker's ball. By reminding us of things lost, James Goode's magisterial and poignant study represented a comprehensive call for action, a mandate for responsible stewardship of the architectural legacy of Washington, DC. Both the familiar public Washington of official landmarks and the private city of residential neighborhoods are paid tribute in this volume, dedicated to the vanished.At once a visual delight, a fascinating social history, and an eloquent appeal for ongoing awareness, Capital Losses reveals the Washington that was and how it became what it is today. This updated edition includes eighteen more treasures lost and ninety additional historic photographs.

    They combine the do-it-yourself tradition with the American faith that “you can take it with you.” Blending art with technology and economy with style, they satisfy the desire for freedom, simplicity and self-expression.

    This fictional account of the dismantling and removal of the Empire State Building describes the structure of a skyscraper and explains how such an edifice would be demolished.

    Scores of sites were restudied on the spot, including many lesser-known sanctuaries throughout the Hellenic world. The study includes reconstruction drawings, plans, and maps along with its richly illustrated, detailed discussions of major sites. The 1969 revised edition, in which Professor Scully expanded the text and enriched it with the fruit of new researches and writings, is here made newly available.

    Photographs detailing architectural features and interior design, accompanied by a text capturing early twentieth-century ways of life explore the lavish houses built by the Vanderbilts, Morgans, and others on Long Island's North Shore, in an expanded, beautifully illustrated celebration of the desi

    Provides comprehensive information on the design and application of passive solar-energy systems and assesses twenty-seven design patterns that offset a variety of factors influencing the effectiveness of solar heating.

    . . a tremendous achievement of Pevsnerian dimensions." With the second edition, the author took the reader back to ancient Asia Minor, Egypt, Greece, and Rome, and also extended it to include postmodernism and urbanism, the New Right ideology of the 1980s, and the rising environmental concerns of the 1990s. The third edition includes a new sixteen-page section that brings the story up to the twenty-first century and adds many new drawings. The author views the history of architecture not as a chronology of styles but as an expression of social and economic conditions; he tells us not only what was built and when, but also how and under what cultural incentives. The author’ s hundreds of clear and informative drawings and diagrams add to the lively, informal nature of the book.

    

    French, Spanish, English, Japanese and Korean editions followed, but the book has now been out of print for almost two decades. In the meantime, Le Corbusier's archives in Paris have become available for research, resulting in an avalanche of scholarship. Von Moos' critical take and the basic criteria by which the subject is organized and historicized remain surprisingly pertinent in the context of this recent jungle of Corbusier studies. This new, completely revised edition is based on the 1979 version published in English by the MIT Press but offers a substantially updated body of illustrations. Each of the seven chapters is supplemented by a critical survey of recent scholarship on the respective issues. An updated edition of this acclaimed book, an essential read for students of architecture and architectural history.

    

    

    Book by Robert Hendrickson

    

    (PMAA-43), will be forthcoming.

    The book covers all regions of Italy, with particular emphasis on little-known places where we can still glimpse a way of life and an atmosphere hardly changed in hundreds of years. These photographs may be among the last records of this important period in urban history, as many of the towns are now increasingly abandoned or ravaged by change. Drawing on his experience in many parts of the world, the author first examines the significance of folk architecture in general and its implications for a modern urbanized world. He then demonstreates this significance with perceptive photographs and commentary as he explores the integration of architecture, man and landscape in the Italian hilltown.A new, expanded edition, this volume includes computer enhanced images including 40 new photographs, some in color.

    Graphics for Architecture Kevin Forseth with David Vaughan A thorough understanding of design drawing enhances the designer's ability to reason out difficult graphic constructions and to select or create appropriate means for depicting buildings and environments.

    City, Castle, Cathedral: An Introduction to Architecture [City: A Story of Roman Planning and Construction; Castle; Cathedral: The Story of Its Construction]

    Views Wright's buildings as biographical as well as social statements, analyzing his work by type, category, and individual structure. Examines Wright's struggle to develop a new artistic statement, his dramatic personal life, and his political and economic ideas, including those on cities, energy conservation, cooperative home building, and environmental preservation. Includes over 150 illustrations (photographs, floor plans, and drawings--many never before published), extensive footnotes, and the most exhaustive bibliography of Wright's published work available.

    

    Here is the first book in English to survey the whole work of the master. The author, former Director of the

    White Tower, the pioneering hamburger chain founded in 1926, never felt the need for this kind of advertising; it depended on its instantly recognizable building to say it all. Those gleaming white ("clean"), well-lighted ("always open"), streamlined ("fast and efficient"), human-scaled ("friendly") structures were three-dimensional billboards for their franchise, capped by an actual white tower often redundantly labeled, in bold graphics, "White Tower." This was branding before the age of branding.The photographs in this classic book not only trace the evolution of a restaurant chain, they record an iconography of a part of the American built environment that no longer exists. In an approach very much in the spirit of "Learning from Las Vegas, " by Venturi, Scott Brown, and Izenour, architects Paul Hirshorn and Steven Izenour have selected photographs taken in a variety of styles--from the stark and deadpan to family album-like snapshots. In an affectionately written introductory essay, Hirshorn and Izenour describe the identifiable and idiosyncratic commercial architectural style of the 1930s and 1940s and document the development of the White Tower buildings and their stylistic variations. Their conversations with former White Tower employees--including Charles Johnson, White Tower's architect for over forty years--are the source of many telling quotations and entertaining captions that set their analysis of the buildings within a broader story of corporate culture, mass marketing, and the rise of franchising in the twentieth century.

    

    

    Sweeping stylistic and technical advances made since its original publication fifteen years ago are added to this new edition, which also includes new chapters on process and computer graphics.

    Reconstructing some of America's first houses in a blend of architectural/social history, this text tells a story of innovations, of restless migratory people, their architectural/social responses to their environment, and how their preoccupation with technology affected the early American home.