Yet, what are they? Miniature psychodramas, prose poems, tall tales, sudden illuminations, malevolent sophistries, fabliaux, paranoiac excursions, existential oxymorons, or wondrous, baleful absurdities? Always provocative, insolent, sinister, and quite often funny, these 100 comic novels are populated by decidedly ordinary lovers, martyrs, killers, thieves, maniacs, emperors, bandits, sleepers, architects, hunters, prisoners, writers, hallucinations, ghosts, spheres, dragons, Doppelgngers, knights, fairies, angels, animal incarnations, and Dreamstuff. Each "novel" construes itself into a kind of Mbius strip, in which, as one critic has noted, "time turns in a circle and bites its tail" like the Ouroborous. In any event, Centuria provides 100 uncategorizable reasons to experience and celebrate an immeasurably wonderful writer. Brilliantly translated from the Italian by Henry Martin.

    A rare event in publishing: at once an accurate and documented historical study, and in the interpretation made by one of today's greatest psychologists of a strange and symbolic disease."—Primo LeviThe Parnas recreates the final days of Giuseppe Pardo Roques, the lay leader, or parnas, of the Sephardic Jewish community of Pisa, Italy, who was killed in his home by the Nazis in August, 1944. Pardo was a mentor to the author, and, indeed, he was a figure adored and celebrated not only by the Jews of Pisa but by the Christians as well. He was learned and generous, but he was also profoundly phobic. Animals terrified him: so much so that he almost never left his house—except to go to the synagogue—for fear of encountering stray dogs or cats. At the outbreak of World War II, Arieti fled to America where he became a renown psychiatrist. But the parnas, despite a wealth of connections that could have helped him escape, was too phobic to flee Pisa. On the morning of August 1, 1944, Nazi soldiers, searching for Pardo's fabled riches, entered his home. The soldiers found neither gold nor silver, but they did find the parnas, along with six fellow Jews whom he was sheltering and five Christian neighbors. All were murdered. In The Parnas, Arieti imagines what took place in the home, and in the mind, of this devout, kindly, and tormented man in the last days of his life, providing, in the process, an overview of Italian Jewry. Arieti hopes to show "that tragic times have a perfume of their own, and smiles of hope, and traces of charm, and offer olive branches and late warnings that may not be too late.""This is one of the most extraordinary stories yet to reach us from the bitter ashes of Nazism…Dr. Arieti weaves his story so beautifully that to unravel it would mean losing its dramatic effect. Suffice it to say that God, Jews, Christians, fascism, cowardice, and bravery are discussed throughout the story in such a way that the reader is at once shaken and enlightened as the plot unfolds. It is like a parable, suffused with the dignity of both the parnas and the author…a work of art."—New York Times Book ReviewFrom the Foreword by Rabbi Harold S. Kushner: "In this brief, deceptively simple narrative, Arieti has told the story of Giuseppe Pardo, parnas (lay leader) of his native community of Pisa, and of his death at the hands of the Nazis. Pardo was the leading citizen of a small Jewish community that produced more that its share of distinguished Jews. He was a learned man, familiar with Bible, Talmud, and secular subjects. He was a wealthy man, and charitable to Jew and non-Jew alike. (He ultimately met his death together with six fellow Jews and five gentiles who had sought the protection of his home.) And he was a profoundly neurotic man, who had an irrational fear of animals, especially dogs. When he walked in the streets of Pisa—which was not often because of his fears—he would swing a cane from side to side behind him to drive away the imaginary animals. The distinguished psychiatrist tells of his strange life and equally strange death."

    Here is the first book in English to survey the whole work of the master. The author, former Director of the

    Small coffee table book.

    Roberts shows how fascism could be at once popular and elitist, modern and traditional, procapitalist and anticapitalist, nationalist and anti-Italian, totalitarian and anticollectivist. He also illuminates the weaknesses of the regime.Originally published in 1979.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

    The book covers all regions of Italy, with particular emphasis on little-known places where we can still glimpse a way of life and an atmosphere hardly changed in hundreds of years. These photographs may be among the last records of this important period in urban history, as many of the towns are now increasingly abandoned or ravaged by change. Drawing on his experience in many parts of the world, the author first examines the significance of folk architecture in general and its implications for a modern urbanized world. He then demonstreates this significance with perceptive photographs and commentary as he explores the integration of architecture, man and landscape in the Italian hilltown.A new, expanded edition, this volume includes computer enhanced images including 40 new photographs, some in color.

    

    

    Resisting standard depictions of the social and moral lives of the poor, Belmonte presents nuanced portraits of his subjects. He was also one of the first anthropologists to reflect on his own reactions and emotions. He describes the traumatic experience of living alone in a strange urban environment and his social interactions with the residents of Fontana del Re.