A searing portrayal of the Mafia underworld, The Godfather introduced readers to the first family of American crime fiction, the Corleones, and their powerful legacy of tradition, blood, and honor. The seduction of power, the pitfalls of greed, and the allegiance to family—these are the themes that have resonated with millions of readers around the world and made The Godfather the definitive novel of the violent subculture that, steeped in intrigue and controversy, remains indelibly etched in our collective consciousness.~penguin.com

    At her death in 1964, O'Connor left behind a body of unpublished essays and lectures as well as a number of critical articles that had appeared in scattered publications during her too-short lifetime. The keen writings comprising Mystery and Manners, selected and edited by O'Connor's lifelong friends Sally and Robert Fitzgerald, are characterized by the directness and simplicity of the author's style, a fine-tuned wit, understated perspicacity, and profound faith.The book opens with "The King of the Birds," her famous account of raising peacocks at her home in Milledgeville, Georgia. Also included are: three essays on regional writing, including "The Fiction Writer and His Country" and "Some Aspects of the Grotesque in Southern Fiction"; two pieces on teaching literature, including "Total Effect and the 8th Grade"; and four articles concerning the writer and religion, including "The Catholic Novel in the Protestant South." Essays such as "The Nature and Aim of Fiction" and "Writing Short Stories" are widely seen as gems.This bold and brilliant essay-collection is a must for all readers, writers, and students of contemporary American literature.

    . . by far Shaw's best work . . . it's all fascinating". Don't forget to stock up on this six-million-copy bestseller.

    Of The Dream Songs, A. Alvarez wrote in The Observer, "A major achievement. He has written an elegy on his brilliant generation and, in the process, he has also written an elegy on himself."The Dream Songs are eighteen-line poems in three stanzas. Each individual poem is lyric and organized around an emotion provoked by an everyday event. The tone of the poems is less surreal than associational or intoxicated. The principal character of the song cycle is Henry, who is both the narrator of the poems and referred to by the narrator in the poems.

    Ada, or Ardor is no less than the superb work of an imagination at white heat.This is the first American edition to include the extensive and ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom.

    These poems explore a more emotional side of Charles Bukowski.

    Centering on the infamous firebombing of Dresden, Billy Pilgrim's odyssey through time reflects the mythic journey of our own fractured lives as we search for meaning in what we fear most.

    This classic work is a study of that transformation. Gordon Wood describes in rich detail the evolution of political thought from the Declaration of Independence to the ratification of the Constitution and in the process greatly illuminates the origins of the present American political system. In a new preface, Wood discusses the debate over republicanism that has developed since - and as a result of - the book's original publication in 1969.

    His story is told in the gut-level language of the homosexual underworld--an unforgettable testament of life lived on the margins of a racist and predatory urban hell.

    It was his way, he said, of "getting my mental arm in shape to pitch a good game."Steinbeck's letters were written on the left-handed pages of a notebook in which the facing pages would be filled with the text of East of Eden. They touched on many subjects - story arguements, trial flights of workmanship, concern for his sons.Part autobiography, part writer's workshop, these letters offer an illuminating perspective on Steinbeck's creative process, and a fascinating glimpse of Steinbeck, the private man.

    It tells the story of two young boxers out of Stockton, California: Ernie Munger and Billy Tully, one in his late teens, the other just turning thirty, whose seemingly parallel lives intersect for a time. Set in an ambiance of glittering dreams and drab realities, it tells of the two fighters' struggles to escape the confinements of their existence, and of the men and women in their world. Fat City is a novel about the sporting life like no other ever written: without melodrama or false heroics, written with a truthfulness that is at once painful and beautiful.Denis Johnson: "Between the ages of 19 and 25 I studied Leonard Gardner’s book so closely that I began to fear I’d never be able to write anything but imitations of it, so I swore it off(...)When I was about 34 (the same age Gardner was when he published his), my first novel came out. About a year later I borrowed Fat City from the library and read it. I could see immediately that ten years’ exile hadn’t saved me from the influence of its perfection — I’d taught myself to write in Gardner’s style, though not as well. And now, many years later, it’s still true: Leonard Gardner has something to say in every word I write."Joan Didion: "Leonard Gardner's Fat City affected me more than any new fiction I have read in a long while, and I do not think it affected me only because I come from Fat City, or somewhere near it. He has got it exactly right--the hanging around gas stations, the field dust, the relentless oppressiveness of the weather, the bleak liaisons sealed on the levees and Greyhound buses--but he has done more than just get it down, he has made it a metaphor for the joyless in heart."David Wagoner: "The people he writes about are alive and three-dimensional, and have that meaty, sweaty immediacy I admire in novels and find so seldom. It's an odd, interesting world he explores here--as tense and vivid as the prose."Ivan Gold: "Gardner writes with power, with an insider's knowledge, and with a vividness and love for his characters which redeem them even when they're lost and beaten."Harry Mark Petrakis: "A man of real talent. He makes the savage world he writes of come alive to the point where the reader can smell the sweat, and feel the anguish of unremitting failure."Ross Macdonald: "In his pity and art Gardner moves beyond race, beyond guilt and punishment, as Twain and Melville did, into a tragic forgiveness. I have seldom read a novel as beautiful and individual as this one."Originally published in 1969, Fat City is an American classic whose stature has increased over the years. Made into an acclaimed film by John Huston, the book is set in and around Stockton, California.

    Styles of Radical Will, Susan Sontag's second collection of essays, extends the investigations she undertook in Against Interpretation with essays on film, literature, politics, and a groundbreaking study of pornography.

    They go back to the late Paleolithic; the fertility of the soil, the magic of animals, the power-vision in solitude, the terrifying intuition and rebirth; the love and ecstasy of the dance, the common work of the tribe." He develops, as replacement for shattered social structures. a concept of tribal tradition which could lead to "growth and enlightenment in self-disciplined freedom. Whatever it is or ever was in any other culture can be reconstructed from the unconscious through meditation...the coming revolution will close the circle and link us in many ways with the most creative aspects of our archaic past.

    The most virulent form of this ongoing persecution was the practice of lynching carried out by mob rule, often as local law enforcement officials looked the other way. During the 1880s and 1890s, more than 100 African Americans per year were lynched, and in 1892 alone the toll of murdered men and women reached a peak of 161.In that awful year, the twenty-three-year-old Ida B. Wells, the editor of a small newspaper for blacks in Memphis, Tennessee, raised one lone voice of protest. In her paper she charged that white businessmen had instigated three local lynchings against their black competitors. In retaliation for her outspoken courage a goon-squad of angry whites destroyed her editorial office and print shop, and she was forced to flee the South and move to New York City.So began a crusade against lynching which became the focus of her long, active, and very courageous life. In New York she began lecturing against the abhorrent vigilante practice and published her first pamphlet on the subject called Southern Horrors. After moving to Chicago and marrying lawyer Ferdinand Barnett, she continued her campaign, publishing A Red Record in 1895 and Mob Rule in New Orleans, about the race riots in that city, in 1900.All three of these documents are here collected in this work, a shocking testament to cruelty and the dark American legacy of racial prejudice. Anticipating possible accusations of distortion, Wells-Barnett was careful to present factually accurate evidence and she deliberately relied on southern white sources as well as statistics gathered by The Chicago Tribune. Using the words of white journalists, she created a damning indictment of unpunished crimes that was difficult to dispute since southern white men who had witnessed the appalling incidents had written the descriptions.Along with her husband she played an active role in the founding of the National Association for the Advancement of Colored People (NAACP). Due to her efforts, the NAACP launched an intensive campaign against lynching after World War I.Her work remains important to this day not only as a cry of protest against injustice but also as valuable historical documentation of terrible crimes that must never be forgotten. This new edition is enhanced by an introduction by Patricia Hill Collins, professor and chair of the Department of African American Studies at the University of Cincinnati.

    Burroughs at work, attacking our traditional values, condemning what he calls "the American nightmare," and expressing his often barbed views on Scientology, the police, orgone therapy, history, women, writing, politics, sex, drugs, and death. His conversation splices images of death-by-hanging with elevators and airports, the story of his drug addiction and cure with ideas on the use of hieroglyphs.

    Never having been awarded the Nobel Prize, which his readers worldwide believed he deserved, this story writer, poet, essayist, and man of letters died at age eighty-six.This anthology of interviews with him features more than a dozen conversations that cover all phases of his life and work.Conducted between 1964 and 1984, the interviews reveal Borges to be a remarkably candid, humorous man, by turns skeptical and enthusiastic, and always a singularly incisive and adventurous thinker.He discusses his blindness, his family and childhood, early travels, literary friends, and struggles to find his literary identity. In depth he examines the meanings and intentions of his own famous stories and poems, and he speaks of the writers whose works he has loved-Dante, Cervantes, Emerson, Dickinson, H. G. Wells, Kafka, Stevenson, Kipling, Whitman, Frost, and Faulkner-and of those whom he disliked, such as Hemingway and Lorca. Borges expresses his contempt for P ron and assesses the tumultuous politics of Argentina. He speaks also of the imagination as a type of dreaming, about issues of collaboration and translation, about philosophy, and about time.Many of the interviews were conducted by notable figures, including Alastair Reid, Willis Barnstone, and Ronald Christ.As Borges speaks in these conversations, readers who have fallen under the spell of his magical prose and poetry will find additional sustenance.Richard Burgin's books include the story collections "Feat of Blue Skies," "Private Fame," and "Man without Memory." In his first book on Borges, "Conversations with Jorge Luis Borges" (now out of print), he was the sole interviewer. Burgin is the editor of "Boulevard" magazine and an associate professor of communication and English at Saint Louis University.

    Here the reader is offered a glimpse of Mark Twain's sustained creative process, in what many critics consider the finest fiction of his later years. Begun in 1897 and revised first in 1902 and then 1908, the third version was the only manuscript titled The Mysterious Stranger. These texts offer a rare opportunity to observe Mark Twain's sustained literary struggle with a central theme.

    A bum off the road brings in a gypsy and his wife and we talk . . . . drink half the night. A long distance operator from Newburgh, N.Y. sends me money. She wants me to give up drinking beer and to eat well. I hear from a madman who calls himself 'King Arthur' and lives on Vine Street in Hollywood and wants to help me write my column. A doctor comes to my door: 'I read your column and think I can help you. I used to be a psychiatrist.' I send him away . . ."

    He was born in New York City to Jewish parents; his father was born in Poland. He went to college and earned his B.A. from New York University and went on to acquire an M.A. as well as a Ph.D. in English Literature from the University of Michigan, before spending most of his adult life in Berkeley, California.Going Places, his first book of short stories, made his reputation as one of the most brilliant of that era's fiction writers; the stories are urban, funny, and written in a private, hectic diction that gives them a remarkable edge. The follow-up, coming six years later (Michaels was perhaps not prolific enough to build a widely popular career), was I Would Have Saved Them If I Could, a collection as strong as the first.

    Three of the best novels of James M Cain, all in one volume, stories that encompass suspense, human lust, greed, and self-absorption, they are The Postman Always Rings Twice, Mildred Pierce, and Double Indemnity.

    This collection of his images of youthful, dynamic women offers an informative and arresting reflection of the era's social life. Sentimental, humorous, and often gently satirical, these images portray the Gibson Girl at the theater, in the drawing room, flirting and courting, vacationing at the beach, and engaging in other genteel pursuits. Several of Gibson's "common man" illustrations provide a contrast, along with a section devoted to one of the artist's best-known and most beloved characters, the curmudgeonly Mr. Pipp.This gallery features more than 100 carefully selected images from vintage editions. A rich source of royalty-free art, it offers graphic artists, fashion designers, social historians, and nostalgia lovers a lovely and accurate chronicle of a bygone era.

    A handful of survivors must fight for their lives—struggling to make it from the upper deck of the ship to the hull, the only part above water, before the ship sinks. Faced with rising water and the violence of desperate passengers and crewmembers, the group must do everything it can to survive—before time runs out. Adapted into an award-winning film by Irwin Allen, The Poseidon Adventure is a thrilling tale with timeless suspense and excitement. ABOUT THE AUTHOR Paul Gallico (1897-1976) was an American novelist and sportswriter. Born in New York City, he graduated from Columbia University and became the sports editor and columnist for the New York Daily News, where he became known for asking champion boxer Jack Dempsey to spar with him during an interview. He founded the Golden Gloves amateur boxing competition, and wrote the book that inspired the movie The Pride of the Yankees, starring Gary Cooper.Gallico is known for his short stories and novels, several of which were adapted to TV and film. His short story The Snow Goose received the O. Henry Award for short fiction; his novel Love of Seven Dolls was adapted into Lili, an Oscar-winning film.

    

    It's about Audubon's life as a kind of focus for a lot of things about humans. I hope it's the way life is. It's about his heroic solution of his problems and the problems of being a man."(1) Warren elaborates on what attracted him to Audubon in a later interview with Peter Stitt, saying, "I began to see him as a certain kind of man, a man who has finally learned to accept his fate. The poem is about man and his fate - all along, Audubon resisted his fate and thought it was evil man is supposed to support his family, and so forth. But now he accepts his fate" (Talking p. 244).Critics generally seem to agree that Audubon: A Vision is a watershed moment in Warren's career as a poet. Calvin Bedient goes so far as to say that Warren's "greatness as a writer ... began with Audubon: A Vision."(2) Much of the critical attention has focused on the poem's sources and influences, with a number of critics drawing parallels between the poem and Eudora Welty's portrayal of Audubon in her short story "A Still Moment."(3) But a number of critics have also observed the poem's mythological or archetypal qualities. In an early review, Louis Martz claims that in the poem Warren, "like Aeschylus or Ovid, is re-imagining a myth."(4) Hugh Ruppersburg concurs, stating that the poem "seeks to define Audubon's mythic significance in history and literature."(5) In any case, reviewers and critics alike see the work as the culmination and embodiment of all of Warren's major concerns and themes. ...(Anthony Szczesiul)

    This collection is divided into two sections: the first features the eloquent sketches of the West's history and environment, directing our imagination to the sublime beauty of such places as San Juan and Glen Canyon; the concluding section examines the state of Western literature, of the mythical past versus the diminished present, and analyzes the difficulties facing any contemporary Western writer. The Sound of Mountain Water is at once a hymn to the Western landscape, an affirmation of the hope embodied therein, and a careful investigation to the West's complex legacy.

    It was the first time I had ever come face to face with such manifest, implacable hate of my race, and my feelings were indescribable … Looking about me with bigger and clearer eyes I saw that this cruelty in different ways was going on all over the world. Whites were exploiting and oppressing whites even as they exploited and oppressed the yellows and blacks. And the oppressed, groaning under the leash, evinced the same despicable hate and harshness toward their weaker fellows. I ceased to think of people and things in the mass. [O]ne must seek for the noblest and best in the individual life only: each soul must save itself."So wrote the first major poet of the Harlem Renaissance, whose collection of poetry, Harlem Shadows (1922), is widely regarded as having launched the movement. But McKay's literary significance goes far beyond his fierce condemnations of racial bigotry and oppression, as is amply demonstrated by the universal appeal of his sonnet, "If We Must Die," recited by Winston Churchill in a speech against the Nazis in World War II.While in Jamaica, McKay produced two works of dialect verse, Songs of Jamaica and Constab Ballads, that were widely read on the island. In richly authentic dialect, the poet evoked the folksongs and peasant life of his native country. The present volume, meticulously edited and with an introduction by scholar Joan R. Sherman, includes a representative selection of this dialect verse, as well as uncollected poems, and a generous number in standard English from Harlem Shadows.

    This collection, born out of the tumultuous social and political landscape of the late sixties, is as intense, sensual, and compelling as Jim Morrison's persona was during the Doors' peak. His fast life and mysterious death remain controversial more than forty years later.

    Otherwise, the same contents.

    It contains three complete novels - Maggie: A Girl of the Streets, George's Mother, and Crane's masterpiece, The Red Badge of Courage; nineteen short stories and sketches, including " The Blue Hotel" and "The Open Boat", a barely fictionalized account of his own escape from shipwreck while covering the Cuban revolt against Spain; the previously unpublished essay "Above All Things"; letters and poems, plus a critical essay and notes by the noted Crane scholar Joseph Katz.

    [Penguin Readers Level 6]Autobiography.

    Under the rubric of "the collapse of mass-based radical movements," Lasch examines the decline of populism, the disintegration of the American socialist party, and the weaknesses of black nationalism. Also included is a history of the Congress for Cultural Freedom and a discussion of the '60's revival of ideological controversy.

    AcknowledgmentsIntroductionPrologueThe Big Water & the Big WoodsOutlanderslandAt Home AbroadThirteen ProsperThe American, This New Man...Ideas & the Almighty DollarA Chromo CivilizationThe Midway AgeNotesQuoted SourcesIndex

    More used to street life than to animals and their responsibilities, Dan hates the place until he becomes involved in calving and logging operations. His life finally seems to be getting straight when he's tested by events beyond his control. A natural disaster puts him face-to-face with his old gang loyalties.About The Author:The author of Gentle Ben, Walt Morey was not only a gentle giant of a man, but a storyteller of tremendous talent. But his early years wouldn't have suggested to anyone that Walt would become a famous writer. At the age of twelve, he was barely able to read, but a couple of exciting books about the West got him started, and he read everything in sight after that. You'll love these fine novels with their wonderful settings, exciting outdoor adventures, and the value of family and friends.

    Studies the history, characteristics, and natural wildlife of the Hudson and the ways in which man has enriched or devastated the river.

    DICKRobot psychiatrists activated by $20 coinsA war veteran who keeps changing into a blob of organic jellyBusiness advice from the souls of the departedA machine that turns musical scores into small, furry animalsA dog story that recalls Kafka's 'Investigations of a Dog' These are some of the treasures of imagination in this collection of Philip K. Dick's short fiction. They display all the uncanny inventiveness & sad, quirky humanism of his wonderful novels as well as being a testing ground for many of their later themes.Comprising:The Preserving Machine (1953);War Game (1959);Upon the Dull Earth (1954);Roog (1952);War Veteran (1955);Top Stand-By Job (1963);Beyond Lies the Wub (1952);We Can Remember It for You Wholesale (1966);Captive Market (1955);If There Were No Benny Cemoli (1953);Retreat Syndrome (1964);The Crawlers (1954);Oh, to Be a Blobel! (1964);What the Dead Men Say (1964);Pay for the Printer (1956).

    A biography of Queen Elizabeth I, who, without husband or sons, successfully ruled England for 45 years and made it the most powerful kingdom on the globe.

    Its impulse is the deepening of recognitions through language, in a time of ignorance and mutilation.Ms. Rich has written: "For a poet...there is this primary labor with words. But I have the notion that how you live your life has something to do with it—that morality, for a poet, is a refusal of blinders, of traditional consolations, a courage to be alone, or wounded....A willingness to step out into the fog, to take paths which may lead nowhere. Certainty, predictability, are the first supports that have to go. I see the poetry of things as standing in resistance to brute mechanistic force, the charge of the rhinoceros with its head down. To discover—literally—this poetry and re-create it in language is a poet's essential action."

    Jensen's study explores popular political mobilization on the eve of American independence. It reconstructs the complex decisions that slowly, often painfully transformed a colonial rebellion into a genuine revolution. Jensen's well-paced narrative never loses sight of the ordinary men and women who confronted the most powerful empire in the world." --T.H. Breen, William Smith Mason Professor of American History, Northwestern University

    

    During her many years as a newspaper writer, Celestine Sibley has made people her main concern, some disputable, some distinguished, some outrageous, but all inspiring; and at Christmas time she remembers them and the gifts they gave her. The gifts, in fact, are the people themselves and this is really the true meaning and spirit of Christmas.

    Kelly, a former newspaperman, author, and an old friend of the Wrights, tells the story of the two brilliant, dedicated, flight-obsessed bicycle mechanics from Ohio who first realized mankind's age-old dream of conquering the skies. Long considered the definitive Wright biography (the manuscript was read and approved by Orville Wright), this book recounts the Wrights' small-town boyhood, their early interest in all things mechanical, the establishment of the Wright Cycle Shop, and the complete behind-the-scenes story of how they designed, built, tested, and flew (December 1903) the first "Flyer."Enhanced with sixteen rare photographs, Mr. Kelly's engaging account avoids minute technical description, yet describes simply and clearly the technological innovations that enabled the two brothers to succeed where so many others had failed. Anyone interested in the mechanics of flight or early aviation will find this volume a splendid introduction to the Wright brothers and their epochal achievement.

    Kantavski had named her son Clark and changed his last name to Kent. In Brooklyn in 1937, this had not seemd like a bad idea: but when, a year later, the first Superman adventure appeared, the fate of the anti-hero of this hilarious picaresque was determined.