. . the saddest and coldest and most human of cities."

    Prodigiously talented, he blazed a trail through theatre, film and song on both sides of the Atlantic. In the theatre he wrote hit plays like The Vortex, Private Lives, Hay Fever, Cavalcade and Blithe Spirit. On film he wrote the war classic In Which We Serve and the timeless love story Brief Encounter. His songs, which number into the hundreds, include ‘Mad Dogs and Englishmen’, ‘I’ll See You Again’, ‘A Room with a View’, ‘The Stately Homes of England’ and ‘Mrs Worthington’.His greatest creation may even have been himself – what Time called ‘a sense of personal style, a combination of cheek and chic, pose and poise’. This led to his increasing celebrity on American television in the 1950s and in a series of wildly successful one-man shows in Las Vegas, not to mention his popularity as a character actor in the last decade of his life. But as this shrewd biography shows, Coward also suffered, throughout his career, from accusations that he was squandering his gifts for the sake of superficial acclaim. Was his merely ‘a talent to amuse’? Rather than allowing such a claim to stand, this biography reveals the man as an innovator, enduring influence and immortal in the worlds which he sought to conquer.‘Highly readable … a valuable addition to the growing body of Cowardiana.’ Los Angeles Times‘Admiring but judicious’ New York Times

    Kantavski had named her son Clark and changed his last name to Kent. In Brooklyn in 1937, this had not seemd like a bad idea: but when, a year later, the first Superman adventure appeared, the fate of the anti-hero of this hilarious picaresque was determined.