Introduced by Nobel Prize winner José Saramago, and illustrated with beautiful black and white photographs, Our Word Is Our Weapon crystallizes "the passion of a rebel, the poetry of a movement, and the literary genius of indigenous Mexico."Marcos first captured world attention on January 1, 1994, when he and an indigenous guerrilla group calling themselves Zapatistas revolted against the Mexican government and seized key towns in Mexico's southernmost state of Chiapas. In the six years that passed since their uprising, Marcos altered the course of Mexican politics and emerged an international symbol of grassroots movement-building, rebellion, and democracy. The prolific stream of poetic political writings, tales, and traditional myths which Marcos penned from 1994 to 2000 fill more than four volumes. Our Word Is Our Weapon presents the best of these writings, many of which have never been published before in English.Throughout this remarkable book we hear the uncompromising voice of indigenous communities living in resistance, expressing through manifestos and myths the universal human urge for dignity, democracy, and liberation. It is the voice of a people refusing to be forgotten the voice of Mexico in transition, the voice of a people struggling for democracy by using their word as their only weapon.

    The book begins with a consideration of the theoretical and practical strategies of the U.S. left over the last three decades: Reed argues against the solipsistic approaches of cultural or identity politics, and in favor of class-based political interpretation and action.Class Notes moves on to tackle race relations, ethnic studies, family values, welfare reform, the so-called underclass, and black public intellectuals in essays called “head-spinning” and “brilliantly executed” by David Levering Lewis.Adolph Reed Jr. has earned a national reputation for his controversial evaluations of American politics. These essays illustrate why people like Katha Pollitt consider Reed “the smartest person of any race, class, or gender writing on race, class, and gender.”

    Using examples, analogies and thought-experiments, it reveals the dramatic inconsistency between what people say they believe about animals and how people actually treat them.

    Abu-Jamal writes on many different topics, including the ironies that abound within the U.S. prison system and the consequences of those ironies, and his own case. Mumia's composure, humor, and connection to the living world around him represents an irrefutable victory over the "corrections" system that has for two decades sought to isolate and silence him.The title, All Things Censored, refers to Mumia's hiring as an on-air columnist by National Public Radio's "All Things Considered," and subsequent banning from that venue under pressure from law and order groups.

    Includes a discussion on the dangers of vegetable oils and cholesterol-lowering drugs.

    Specifically, this was in direct response to a campaign that had been brewing for years in policy circles and "citizen" groups, culminating in California state's Proposition 187. The initiative proposed to bar undocumented children from public schools and turn away undocumented students from state colleges and universities. It also proposed to deny the undocumented an array of public benefits and social services, including prenatal and preventive care such as immunizations.While the overt purpose of this voter initiative was to curtail immigration, ostensibly by restricting the use of public benefits and social services by undocumented immigrants, the real agenda behind it was to criminalize immigrants for presumably entering the country "illegally" and stealing resources from "true" United States citizens. More to the point, Proposition 187 came out of and was aimed at perpetuating the myth that all immigrants are "illegal" at worst and, at best, the cause of our society's and economy's ills.Throughout US history, immigration has been viewed and intentionally constructed as plague, infection or infestation and immigrants as disease (social and physical), varmints or invaders. If we look at contemporary popular films, few themes seem to tap the fears or thrill the American imagination more than that of the timeless space alien invading the United States, and statespeople have snatched up this popular image to rouse public support for

    

    Politicians and businesspeople, determined to get tough with students and teachers, have increased the pressure to raise standardized test scores. Unfortunately, the effort to do so typically comes at the expense of more meaningful forms of learning. That disturbing conclusion emerges from Alfie Kohn's devastating new indictment of standardized testing. Drawing from the latest research, he concisely explains just how little test results really tell us and just how harmful a test-driven curriculum can be. Written in a highly readable question-and-answer format, The Case Against Standardized Testing will help readers respond to common questions and challenges-showing, for example, that:- high scores often signify relatively superficial thinking- many of the leading tests were never intended to measure teaching or learning- a school that improves its test results may well have lowered its standards to do so- far from helping to "close the gap," the use of standardized testing is most damaging for low-income and minority students- as much as 90 percent of the variations in test scores among schools or states have nothing to do with the quality of instruction- far more meaningful measures of student learning - or school quality - are availableKohn's central message is that standardized tests are "not like the weather, something to which we must resign ourselves . . . They are not a force of nature but a force of politics - and political decisions can be questioned, challenged, and ultimately reversed." The final section demonstrates how teachers, parents, and students can turn their frustration into action and successfully turn back the testing juggernaut in order to create classrooms that focus on learning.Also available on Audiotape: The Case Against Standardized Testing: Raising the Scores, Ruining the Schools, read by Alfie Kohn.

    It offers a life in letters that showcases his many struggles as well as his memorable achievements. Arranged by decade and linked by expert commentary, the volume guides us through Hughes’s journey in all its aspects: personal, political, practical, and—above all—literary. His letters range from those written to family members, notably his father (who opposed Langston’s literary ambitions), and to friends, fellow artists, critics, and readers who sought him out by mail. These figures include personalities such as Carl Van Vechten, Blanche Knopf, Zora Neale Hurston, Arna Bontemps, Vachel Lindsay, Ezra Pound, Richard Wright, Kurt Weill, Carl Sandburg, Gwendolyn Brooks, James Baldwin, Martin Luther King, Jr., Alice Walker, Amiri Baraka, and Muhammad Ali. The letters tell the story of a determined poet precociously finding his mature voice; struggling to realize his literary goals in an environment generally hostile to blacks; reaching out bravely to the young and challenging them to aspire beyond the bonds of segregation; using his artistic prestige to serve the disenfranchised and the cause of social justice; irrepressibly laughing at the world despite its quirks and humiliations. Venturing bravely on what he called the “big sea” of life, Hughes made his way forward always aware that his only hope of self-fulfillment and a sense of personal integrity lay in diligently pursuing his literary vocation. Hughes’s voice in these pages, enhanced by photographs and quotations from his poetry, allows us to know him intimately and gives us an unusually rich picture of this generous, visionary, gratifyingly good man who was also a genius of modern American letters.

    Now, in To Free a Dolphin, he passionately recounts the dramatic story of his heart-breaking campaign to release captive dolphins back into the wild. With wit and insight he chronicles the extreme opposition he has faced from bureaucrats, major players in the captive-dolphin industry, rival wildlife groups, and well-meaning sentimentalists. He introduces readers to famous show animals he has helped, including Bogie and Bacall of Key Largo. And, most fascinating, he describes his struggles to deprogram and rehabilitate dolphins emotionally scarred from years of captivity--struggles that become battles for the animals' souls.O'Barry is nothing if not controversial--passionate about his mission, adamant in his beliefs. And it is some measure of the incredible strength of the opposition to animal rights that it requires all the cunning, all the persistence, and all the strength of character O'Barry possesses to undo even a part of what the billion-dollar captive-animal establishment has created. In the movie, it may be child's play to free a killer whale like Willy. In real life, doing what is right is not so easily accomplished. Whatever one's beliefs about animal rights, one has to admire O'Barry as an authentic American original with a distinctly American dream.

    These seventy original and classic essays offer a comprehensive reader in nonviolence while also chronicling the struggle for peace and justice in the twentieth century. For students, activists, and all who share an interest in building a more just and peaceful world.

    Why? Successful laboratory treatments and cures for one species don't necessarily result in cures for humans. But, because practice has become economically entrenched within medical industry, animal experimentation -against all medical evidence- continues.The human benefits of animal experimentation- a bedrock of the scientific age- is a myth perpetuated by an amorphous but insidious network of multibillion-dollar special interests: research facilities, drug companies, universities, scientisits, and even cage manufacturers.C.Ray Greek, MD, and veterniary dermatologist, Jean Swingle Gree, DMV, show how the public has been deliberately misled and blow the lid off the vested-interest groups whose hidden agendas put human health at risk.

    The first part of the book helps the educator understand the reasons for resistance and ways to prevent it. The second part explains how educators motivate dominant groups to support social justice. This book is an excellent resource for group facilitators, counselors, trainers in classrooms and workshops, professors, teachers, higher education personnel, community educators, and other professionals involved with educating others about diversity and equity.

    Continuing to travel the world giving workshops and inspiration to teachers, prisoners, actors and care-workers, Augusto Boal is a visionary as well as a product of his times - the Brazil of military dictatorship and artistic and social repression and was once imprisoned for his subversive activities. From his early days in Brazil's political theatre movement to his recent experiments with theatre as a democratic political process, Boal's story is a moving and memorable one. He has devised a unique way of using the stage to empower the disempowered, and taken his methods everywhere from the favelas of Rio to the rehearsal studios of the Royal Shakespeare Company.

    Both an important cultural history of the AIDS crisis and an intimate personal memoir, Stitching a Revolution is the story of a man who, besieged by discrimination, death, and despair, found the courage and strength of spirit to conceive and create a unique healing vision-the AIDS Memorial Quilt.Against the turbulent backdrop of politics and sexual liberation in San Francisco during the seventies, Jones recounts his coming-of-age alongside friend and mentor Harvey Milk -- and, later, Milk's assassination and the ensuing riots that threatened to tear down all they had accomplished. But Jones's political aspirations were put on hold after the emergence of an insidious, unexplainable "gay cancer" that would soon become known throughout the world as AIDS. Demoralized by the tide of death and despair sweeping his community, brutally assaulted by gay-bashing thugs, and faced with the specter of his own positive diagnosis, Jones sought a way to restore hope to a world falling apart beneath his feet.What started out as a simple panel of fabric stitched for his best friend now covers a space larger than twenty-five football fields and contains over eighty thousand names. The Quilt has affected the lives of many people, bridging racial, sexual, and religious barriers to unite millions in the fight against AIDS.Stitching a Revolution is a compelling, dramatic tale with a cast of memorable characters from all walks of life. At times uplifting, at times heartwrenching, this inspiring story reveals what it means to be human and how the power of love conquers all -- even death.

    Wells (1862-1931) is brought vividly to life in this accessible and well-researched biography. Wells was a founder of the National Association for the Advancement of Colored People (NAACP), and she helped black women win the right to vote. But what she is most remembered for is the success of her lifelong crusade against the practice of lynching--called by some "our nation's crime"--in the American South. She fought her battle by writing and publishing countless newspaper articles and by speaking around the world. Her outspokenness put her in grave danger many times over, but she would not be silenced, and today she is credited with ending lynching in the United States. Her story is one of courage and determination in the face of intolerance and injustice. AFTERWORD, BIBLIOGRAPHY, INDEX.

    It is the first multi-author, in-depth probe of the artist's entire career: the nature of his work, his education, the critical climate in which he worked, and his use of materials and techniques. It reproduces, in full color, more than 200 works, most of which have not been published in color, or at all, in other books on the artist.An extensive chronology, collating events in his life with his public reception -- including selected exhibitions, publications, honors, and awards -- is illustrated with family photographs. Jacob Lawrence (1917-2000) spent his childhood in New York City, attending classes at the Harlem Community Art Center and the American Artists School, and later working for the Federal Art Project. While still in his twenties Lawrence exhibited his paintings at major museums across the country, including the Phillips Collection, the Metropolitan Museum of Art, the Art Institute of Chicago, and the Museum of Modern Art in New York, where he became the first African American artist represented in the permanent collection. He lived, painted, and taught in New York City until 1971, when he moved to Seattle to join the faculty of the University of Washington. He was the recipient of numerous awards including the National Medal of Arts.The paperback edition of Over the Line is published in conjunction with a major exhibition opening at the Phillips Collection, Washington, DC, on May 26, 2001, and traveling to the Whitney Museum of American Art, the Detroit Institute of Arts, the Los Angeles County Museum of Art, and the Museum of Fine Arts, Houston.

    Tipping the Scales of Justice presents actual cases and the stories behind the legal arguments, showing for the first time the varied and surprising ways that fat has become a courtroom topic.An attorney who focuses on weight-related cases, Sondra Solovay details court attitudes toward weight in relation to employment and discrimination law, child/family law, disability law, civil rights, minorities, public policy, diets and exercise, and much more, while intermingling a personal narrative on major cases and their outcomes. This fascinating book will be essential for law courses and libraries, as well as a one-of-a-kind perspective for anyone concerned about weight as a legal issue.

    Its tale of suffering and the journey to redemption offered hope and a sense of possibility to people facing seemingly insurmountable evil.Exodus! shows how this biblical story inspired a pragmatic tradition of racial advocacy among African Americans in the early nineteenth century—a tradition based not on race but on a moral politics of respectability. Eddie S. Glaude, Jr., begins by comparing the historical uses of Exodus by black and white Americans and the concepts of "nation" it generated. He then traces the roles that Exodus played in the National Negro Convention movement, from its first meeting in 1830 to 1843, when the convention decided—by one vote—against supporting Henry Highland Garnet's call for slave insurrection.Exodus! reveals the deep historical roots of debates over African-American national identity that continue to rage today. It will engage anyone interested in the story of black nationalism and the promise of African-American religious culture.

    Fonseca, killed in battle in 1976, was the undisputed intellectual and strategic leader of the FSLN. In a groundbreaking and fast-paced narrative that draws on a rich archive of previously unpublished Fonseca writings, Matilde Zimmermann sheds new light on central themes in his ideology as well as on internal disputes, ideological shifts, and personalities of the FSLN. The first researcher ever to be allowed access to Fonseca’s unpublished writings (collected by the Institute for the Study of Sandinism in the early 1980s and now in the hands of the Nicaraguan Army), Zimmermann also obtained personal interviews with Fonseca’s friends, family members, fellow combatants, and political enemies. Unlike previous scholars, Zimmermann sees the Cuban revolution as the crucial turning point in Fonseca’s political evolution. Furthermore, while others have argued that he rejected Marxism in favor of a more pragmatic nationalism, Zimmermann shows how Fonseca’s political writings remained committed to both socialist revolution and national liberation from U.S. imperialism and followed the ideas of both Che Guevara and the earlier Nicaraguan leader Augusto César Sandino. She further argues that his philosophy embracing the experiences of the nation’s workers and peasants was central to the FSLN’s initial platform and charismatic appeal.

    In this landmark work, Marianne Williamson reminds us that there is a point in everyone's spiritual journey where the search for self-awareness can turn into self-preoccupation. All of us are better off when contemplation of holy principles is at the center of our lives. But it is in applying those principles in our lives that we forge the true marriage between heaven and earth. In the compassionate but clear-eyed prose that has won her so many avid readers, Williamson shows us that the principles which apply to our personal healing also apply to the healing of the larger world. Calling on Americans to turn the compassion in our hearts into a powerful force for social good, Williamson shows us how to transform spiritual activism into a social activism that will in turn transform America into a nation seriously invested in the hope of every child and in the potential of every adult.

    Filled with tons of creative, off-the-beaten-path tactics, lessons, and tips culled from the notorious exploits and ingenious high jinx pulled by many famous and successful folk, from Steven Spielberg to Estee Lauder and Mother Teresa.