Told with Baldwin's characteristically unflinching honesty, this collection of illuminating, deeply felt essays examines topics ranging from race relations in the United States to the role of the writer in society, and offers personal accounts of Richard Wright, Norman Mailer and other writers.

    A volume containing the English texts of all the plays of Samuel Beckett, including "Waiting For Godot", "Krapp's Last Tape", "Endgame" and "Not I".

    Lillian is charming, beautiful . . . and slowly dying of consumption. But she doesn’t wish to end her days in a hospital in the Alps. She wants to see Paris again, then Venice—to live frivolously for as long as possible. She might die on the road, she might not, but before she goes, she wants a chance at life. Clerfayt, a race-car driver, tempts fate every time he’s behind the wheel. A man with no illusions about chance, he is powerfully drawn to a woman who can look death in the eye and laugh. Together, he and Lillian make an unusual pair, living only for the moment, without regard for the future. It’s a perfect arrangement—until one of them begins to fall in love.

    It paints a vivid picture of his childhood in Crete, still occupied by the Turks, and then steadily grows into a spiritual quest that takes him to Italy, Jerusalem, Paris, Vienna, Berlin, Russia and the Caucasus, and finally back to Crete again. At different times Nietzsche, Bergson, Buddha, Homer and Christ dominate as his spiritual masters.

    American Howard W. Campbell, Jr., a spy during World War II, is now on trial in Israel as a Nazi war criminal. But is he really guilty? In this brilliant book rife with true gallows humor, Vonnegut turns black and white into a chilling shade of gray with a verdict that will haunt us all.

    An undiluted tragedy.

    With Patriotism, Mishima was able to give his heartwrenching patriotic idealism an immortal vessel. A lieutenant in the Japanese army comes home to his wife and informs her that his closest friends have become mutineers. He and his beautiful loyal wife decide to end their lives together. In unwavering detail Mishima describes Shinji and Reiko making love for the last time and the couple’s seppuku that follows.

    It was also the basis for the movie, The Lost Command, starring Anthony Quinn. In his autobiography, Larteguy writes that he got the name of the book from when he was traveling with the Foreign Legion in the Sahara and came across an old Roman column at an oasis. Inscribed on the column from 2000 years before was "Titus Caius Germanicus, centurion of the Xth Legion" and underneath it from a more recent time, "Friedrich Germanicus, of the 1st R.E.P. (French Paratroop Regiment)."The story begins in May 1954 with the defeat of the French army at Dien Bien Phu. The Vietnamese victors march their French prisoners into communist re-education camps. During their time in captivity, the French paratroop officers who survive the ordeal to be repatriated, bond together and try to utilize communist "revolutionary war" tactics in order to win their next war in Algeria. The book ends with the French centurions fighting the Battle of Algiers with propaganda, torture, terror and any tactic in order to win so that the last remnants of their empire could survive. -http://www.geocities.com/jean_lartegu...

    Paperback, pp93, the back cover featuring a photograph of Leonard Cohen by Sophie Baker.

    Since its first publication, Hugh Thomas's The Spanish Civil War has become established as the definitive one-volume history of a conflict that continues to provoke intense controversy today.What was it that roused left-wing sympathizers from all over the world to fight against Franco between 1936 and 1939? Why did the British and US governments refuse to intervene? And why did the Republican cause collapse so violently? Now revised and updated, Hugh Thomas's classic account presents the most objective and unbiased analysis of a passionate struggle where fascism and democracy, communism and Catholicism were at stake - and which was as much an international war as a Spanish one.

    Originally published in 1961, this Welsh-language novel has been eloquently translated into English by Philip Mitchell, perhaps garnering Prichard the wide recognition his novels have long enjoyed in his native land. Less a novel than a loosely connected series of tales, Prichard peoples his fictional world with characters such as Grace Ellen Shoe Shop, Will Starch Collar, and Johnny Beer Barrel. Though One Moonlit Night has its lighter moments, its story is primarily a sad one: the narrator's mother is sent to an insane asylum; one close friend dies of tuberculosis while another moves away; village men die in the faraway killing fields of the war as the loved ones they leave behind live in unrelenting poverty. Eventually, something terrible happens.In One Moonlit Night, perfection is in the details--the loving evocations of the townspeople and the physical and emotional landscapes they inhabit. Dark as it is at times, Prichard's tragic tale is leavened by humor and illuminated by prose that is lyrical and deeply stirring.

    After a violent encounter with white sailors, Simeon makes up his mind to move to Paris, known as a safe haven for black artists and intellectuals, and before long he is under the spell of the City of Light, where he can do as he likes and go where he pleases without fear. Through Babe, another black American émigré, he makes new friends, and soon he has fallen in love with a Polish actress who is a concentration camp survivor. At the same time, however, Simeon begins to suspect that Paris is hardly the racial wonderland he imagined: The French government is struggling to suppress the revolution in Algeria, and Algerians are regularly stopped and searched, beaten, and arrested by the French police, while much worse is to come, it will turn out, in response to the protest march of October 1961. Through his friendship with Hossein, an Algerian radical, Simeon realizes that he can no longer remain a passive spectator to French injustice. He must decide where his true loyalties lie.

    Narrated entirely from the viewpoint of a young insane woman, this novel provides a moving description of the horrific conditions in two New Zealand mental institutions.

    With Ethan no longer a member of Long Island’s aristocratic class, his wife is restless, and his teenage children are hungry for the tantalizing material comforts he cannot provide. Then one day, in a moment of moral crisis, Ethan decides to take a holiday from his own scrupulous standards.Set in Steinbeck’s contemporary 1960 America, the novel explores the tenuous line between private and public honesty that today ranks it alongside his most acclaimed works of penetrating insight into the American condition. This edition features an introduction and notes by Steinbeck scholar Susan Shillinglaw.

    A breath-taking firsthand account of Wittmer's successful attempt to settle the island of Floreana. In 1932, Margaret Wittmer leaves Germany with her husband and step-son and travels to Floreana, a small, almost unpopulated island in the Galapagos chain, where they settle, clear land, and, after five months of living in old pirates' caves, move into the house they finish just in time for Margaret to have a baby. Over time, the Wittmers acquire a number of remarkable neighbors, including convicts, military personnel and a mysterious baroness who aspires to build a hotel for millionaires. They receive visits from people as diverse as Franklin D. Roosevelt and Thor Heyerdahl, who comes to investigate a reported "head" much like the ones on Easter Island, only to find it was carved by Margaret's husband. There are wild bulls and boars, a dog named Lump that serves as a babysitter, a distant war, a daughter who would rather have a machete or a hoe than a doll, years of settled life, and finally grandchildren. At times the entire situation borders on the unbelievable, but Margaret Wittmer provides equal measures of intrigue, fantasy, and common sense as she writes in her down-to-earth and often very humorous fashion about her years on Floreana.

    Text by Alain Robbe-Grillet for the film by Alain Resnais, with over 140 illustrations.

    Wright interweaves familiar, coloquial speech with strikingly inventive language, leaving each poem a distinctive entity, yet interconnected by linked metaphors and images.

    

    Reading these stories entails abandoning the terms of one's own comfort. The author's relentless vision demands that readers allows themselves to be hypnotised, taken over by her repetitive cadences and burning images of grief and loss. And yet, in the beauty of her images there is a tremendous affirmation of the world.

    . . . The book is bound to start controversy. . . . The very passion and insight with which he writes about the tragedies that have moved him prove that the vision still lives and that words can still enlighten and reveal."—R.B. Sewall, New York Times Book Review "A remarkable achievement. . . . The knowledge is marshalled here with the skill and authority of a great general, and from it a large strategic argument emerges with clarity and force. . . . A brilliantly thoughtful and eloquent book which deserves to be read with the greatest attention and respect."—Philip Toynbee, The Observer "As brilliant, thorough, and concerned a contemplation of the nature of dramatic art as has appeared in many years."—Richard Gilman, Commonweal "A rich and illuminating study, full of intelligence and sensibility."—Times Literary Supplement (London) "His merits are shining and full of the capacity to give both delight and illumination. . . . His style is throughout vigorous, sensitive, and altogether worthy of its subject."—Harold Hobson, Christian Science Monitor "Immensely useful and [a book] to be reckoned with by everyone working in this field."—Raymond Williams, The Guardian

    But I am reasonably certain that a sensitive reader who journeys through How It Is will leave the book convinced that Beckett says more that is relevant to experience in our time than Shakespeare does in Macbeth. It should come as no surprise if a decade or so hence How It Is is appraised as a masterpiece of modern literature. This poetic novel is Beckett at his height.” — Webster Schott“A wonderful book, written in the sparest prose. . . . Beckett is one of the rare creative minds in our times.” — Alan Pryce-Jones“What is novel is the absolute sureness of design. . . built phrase by phrase into a beautifully and tightly wrought structure — a few dozen expressions permuted with deliberate redundancy accumulate meaning even as they are emptied of it, and offer themselves as points of radiation in a strange web of utter illusion.” — Hugh Kenner

    The novel is based on events from June 1944, during the Battle of Normandy, to the invasion of Germany in the Spring of 1945. The book describes fighting by the men of a small unit of British tanks during this period, with the focus on one tank crew. The novel is highly realistic, as it is based on Elstob's experience in the war as a tank crewmember.

    The Contours of American History, first published in 1961, reached back to seventeenth-century British history to argue that the relationship between liberalism and empire was in effect a grand compromise, with expansion abroad containing class and race tensions at home. Coming as it did before the political explosions of the 1960s, Williams’s message was a deeply heretical one, and yet the Modern Library ultimately chose Contours as one of the best 100 nonfiction books of the 20th Century.

    With introductions by the translators." "Trakl is a supreme example of patience and bravery, and the worlds which these virtues enabled him to explore, and whose inhabitants he so faithfully describes, are places of great fullness and depth. His poems are not objects to be used and then cast aside, but entrances into places where deep, silent labors go on."

    Both the book and the film have achieved a cult status as the Australian answer to US and UK novels and films of 1960s youthful alienation. It is the gruelling story of a young Australian schoolteacher on his way back from the outback to Sydney and civilization when things start to go wrong. He finds himself stuck overnight in Bundanyabba, a rough outback mining town. An ill-advised and drink-fuelled visit to a gambling den leaves Grant broke and he realizes he has no way of escaping. He descends into a cycle of hangovers, fumbling sexual encounters, and increasing self-loathing as he becomes more and more immersed in the grotesque and surreal nightmare that his life has become.

    Now one of her most endearing classics is being reissued for a new generation of readers. China Court is the story of the hours and days of a country house in Wales and five generations of the family who inhabited it.

    

    The book portrays Timothy Evans as a man wrongly accused and put to death for Christie's crimes.

    But the people who came to be called “survivors” could not avoid their memories. Sol Nazerman, protagonist of Edward Lewis Wallant’s The Pawnbroker, is one such sufferer.At 45, Nazerman, who survived Bergen-Belsen although his wife and children did not, runs a Harlem pawnshop. But the operation is only a front for a gangster who pays Nazerman a comfortable salary for his services. Nazerman’s dreams are haunted by visions of his past tortures. (Dramatizations of these scenes in Sidney Lumet’s 1964 film version are famous for being the first time the extermination camps were depicted in a Hollywood movie.)Remarkable for its attempts to dramatize the aftereffects of the Holocaust, The Pawnbroker is likewise valuable as an exploration of the fraught relationships between Jews and other American minority groups. That this novel, a National Book Award finalist, manages to be both funny and weighty, makes it all the more tragic that its talented author died, at age 36, the year after its publication. The book sold more than 500,000 copies soon after it was published.

    An Aborigine artist, a Holocaust survivor, a beatific washerwoman, and a childlike heiress are each blessed—and stricken—with visionary experiences that may or may not allow them to transcend the machinations of their fellow men. Tender and lacerating, pure and profane, subtle and sweeping, Riders in the Chariot is one of the Nobel Prize winner's boldest books.

    In this commentary-interpretation of the famous appendix to Husserl's The Crisis of European Sciences and Transcendental Phenomenology, Derrida relates writing to such key concepts as differing, consciousness, presence, and historicity. Starting from Husserl's method of historical investigation, Derrida gradually unravels a deconstructive critique of phenomenology itself, which forms the foundation for his later criticism of Western metaphysics as a metaphysics of presence. The complete text of Husserl's Origin of Geometry is included.

    This Edition of 'The Zoo Story' contains revisions to the original text. These revisions were made by the author in 1999 during rehearsals for his production of the play at the Alley Theatre in Houston, Texas. Diagram of stage arrangements and Property Lists for each play are included. 42 pages. 7.75 x 5.2 inches. Dramatists Play Service, Inc., USA, 1961.

    Recounts the surprisingly rich years a lively, wise child spent as a cancer patient in a home run by Dominican nuns.

    Each volume presents a wide rage of carols to suit every occasion, from well-known tunes superbly arranged to be the best original compositions. Carols for Choirs 1 includes carols for audience and congregation with varied harmonizations and festive descants, the full text of the traditional Nine Lessons printed in the appendix, and a detailed list of the carol orchestrations available on rental. Orchestrations for several of the carols from this collection are available on sale or hire under the titles Three Carol Orchestrations and Five Christmas Carols. Eight Carol Accompaniments for 5 and 8 part brass (to accompany carols from CfC1 and CfC2) are also on sale.

    And it seemed the ancient feud between the clans was being revived. Too late then to wish they’d started out differently . . . .

    This volume contains his posthumous work The System and Methods of Creative Art, together with an introductory essay by translator David Magarshack, giving a careful exposition and a critical analysis of his 'system'. Two appendices deal with Stanislavsky's views on stage ethics and melodrama. A comprehensive guide to Stanislavsky's work.

    In a delirium of guilt and grief, he wanders through a forest until he comes across an isolated farm run by Vitoria - an indomitable spinster who is 'afraid to live', and her flighty, obsessive cousin Ermelinda, who is terrified of death. As Martin works on Vitoria's land he is both haunted and comforted by memories of his wife and son. In the intense heat of the Brazilian summer, drought threatens both the farm and its inhabitants, and these three very different but equally domineering characters provoke each other into a realisation of their individual psychological isolation.

    "Eight Men" presents eight stories of black men living at violent odds with the white world around them. As they do in his classic novels, the themes here reflect Wright's views on racism and his fascination with what he called "the struggle of the individual in America.

    But both Bud and Deanie are disturbed by the powerful feelings that have grown between them, and which are turned into torture by the restraints of proper conduct. Mindful of the bad example of his own debauched sister, Bud wants to marry Deanie immediately and go to agricultural school a hope that is destroyed by his father's ambitions to put Bud through Yale and into the family oil business. Bud and Deanie promise to wait, and Bud decides that it is better for them to see less of each other in the meantime, a turn of events that plunges the unstable Deanie into an emotional crack-up and then commitment to an institution. By the time she is released their world has turned over. The stock market crash has destroyed the Stamper empire and led to suicide for Bud's father; Bud has left Yale and married a young waitress from New Haven; and Deanie has become engaged to a young man she met in the hospital. The time has come for both to start life anew, but to do this means to come to terms with the past, and this Bud and Deanie do in a final, touching scene where old ties are gently broken and each gains the sureness and strength to move on from disturbing memories to better hopes for what lies ahead.

    This volume includes the Yiddish edition of Kruk’s diaries, published in 1961 and translated here for the first time, as well as many widely scattered pages of the chronicles, collected here for the first time and meticulously deciphered, translated, and annotated.Kruk describes vividly the collapse of Poland in September, 1939, life as a refugee in Vilna, the manhunt that destroyed most of Vilna Jewry in the summer of 1941, the creation of a ghetto and the persecution and self-rule of the remnants of the “Jerusalem of Lithuania,” the internment of the last survivors in concentration camps in Estonia, and their brutal deaths. Kruk scribbled his final diary entry on September 17, 1944, managing to bury the small, loose pages of his manuscript just hours before he and other camp inmates were shot to death and their bodies burnt on a pyre.Kruk’s writings illuminate the tragedy of the Vilna Jews and their courageous efforts to maintain an ideological, social, and cultural life even as their world was being destroyed. To read Kruk’s day-by-day account of the unfolding of the Holocaust is to discern the possibilities for human courage and perseverance even in the face of profound fear.

    Professor Fischer's great work is possibly the most important book of any sort, probably the most important historical book, certainly the most controversial book, to come out of Germany since the war.

    But the cottages are not as empty as they thought. Strange people come and go, mysterious boxes keep arriving, and the children soon find themselves caught up in a dangerous chain of events.

    A highly diverting and redoubtable band of children, combined with an appealing blend of adventure and magic, results in a story that will appeal even to readers who think they are too old for fairy tales.

    A revised and enlarged edition of the author's "The Classics and Renaissance Thought." Originally delivered as the Martin classical lectures (Series XV) at Oberlin College.Contents: The Humanist movement -- The Aristotelian tradition -- Renaissance Platonism -- Paganism and Christianity -- Humanism and Scholasticism in the Italian Renaissance -- The Philosophy of man in the Italian Renaissance.Includes bibliography, notes, and index.

    . . the darker and deadlier their fiery passions grew.

    In classic Western style Larry McMurtry illustrates the timeless conflict between the modernity and the Old West through the eyes of Texas cattlemen.Horseman, Pass By tells the story of Homer Bannon, an old-time cattleman who epitomizes the frontier values of honesty and decency, and Hud, his unscrupulous stepson. Caught in the middle is the narrator, Homer's young grandson Lonnie, who is as much drawn to his grandfather’s strength of character as he is to Hud's hedonism and materialism. When first published in 1961, Horseman, Pass By caused a sensation in Texas literary circles for its stark, realistic portrayal of the struggles of a changing West in the years following World War II. Never before had a writer managed to encapsulate its environment with such unsentimental realism. Today, memorable characters, powerful themes, and illuminating detail make Horseman, Pass By vintage McMurtry.

    Rollo's - The Children of Kidillin

    And how differently they are touched by what is happening in Philadelphia, by the commotion in all the Colonies set off at the signing of a paper on a fourth day of July!