She doesn't believe she can escape the pain of innocence lost, or feel desire for any man…until she meets Luke Fontaine.Haunted by his own secrets, Luke would never blame Lettie for what happened in the past. One glance at the pretty redhead is enough to fill the handsome, hard-driving pioneer with a savage hunger.Against relentless snows, murderous desperadoes, and raiding Sioux, Luke and Lettie will face a heartrending choice: abandon a lawless land before it destroys them, or fight for their Wildest Dreams. An emotional saga from the "QUEEN OF WESTERN HISTORICAL ROMANCE" that will captivate fans of Debra Holland, Jodi Thomas, Diana Palmer, and Linda Lael Miller. What readers are saying about Wildest Dreams:"I laughed and cried and mourned the end of this wonderful adventure!" "This is my idea of what love, marriage and family should be like." "This book kept me thinking long after I had read the last page." "I have not read a historical romance in years, and years. But, this one sucked me right in." "If I were stranded on an island and could only take 5 books with me, this would be one."What reviewers are saying about Wildest Dreams:"It's a rip-roaring soap opera that lets the reader follow a couple's life together over the course of 25 years." "Anyone seeking an emotional, sweeping Western saga need look no further…" "I was swept away into Luke and Lettie's story and loved every re-reading minute of it, and they and their story has stayed with me again long after I have finished." "Books like this aren't being published in the romance genre anymore — and it's a damn cryin' shame." "In my opinion this book was everything a good western romance should be."What everyone is saying about RT Book Reviews Career Achievement Award–winning and USA Today bestselling Author Rosanne Bittner:"Power, passion, tragedy, and triumph are Rosanne Bittner's hallmarks. Again and again, she brings readers to tears." "The strong flavor of the Wild West combines with a beautiful love story, creating a true saga of the era." "Ms. Bittner has a way of bringing the pages and characters to life which pulled me right in from page one and I hated having to put it down for even one second." "If you like authentic American West romances with in depth characterizations Rosanne Bittner is your author." "Rosanne Bittner has a way of weaving a story into your heart so that you can't help but love the characters and feel like you truly know them!" "We are very lucky to be living during a time when the TRUEE QUEEN OF HISTORICAL ROMANCE…keeps delivering epic novels that are forever engraved in our hearts."

    The murders in London between 1888-91 attributed to Jack the Ripper constitute one of the most mysterious unsolved criminal cases. This story is the result of many years meticulous research. The author reassesses all the evidence and challenges everything we thought we knew about the Victorian serial killer and the vanished East End he terrorized.

    An acclaimed historian tells, for the first time, the full story of the conspiracy between the Germans and the Turks to unleash a Muslim holy war against the British in India and the Russians in the Caucasus. Drawing on recently opened intelligence files and rare personal accounts, Peter Hopkirk skillfully reconstructs the Kaiser's bold plan and describes the exploits of the secret agents on both sides-disguised variously as archaeologists, traders, and circus performers-as they sought to foment or foil the uprising and determine the outcome of World War I.

    Passionate, witty and moving, the voices of the Lennox sisters reach us with immediacy and power, drawing the reader into their remarkable lives, and making this one of the most enthralling historical narratives to appear for many years

    Back in west Texas, he killed a man over a woman whose name he never knew, and now he’s on the run to California, his only hope for a new life the ranch deed in his pocket.In a dry riverbed, Nat spots two overturned wagons surrounded by Apaches. The only sign of a survivor is his quick glimpse of an old woman’s face–a face that forces a stark decision. Nat can ride on and save himself, or stay and try to save the stranded and doomed party. Sister St. Agnes, huddled between the wagons with her fellow nuns and the orphans in their care, somehow knows that God will answer her prayers and send a savior to deliver them from evil.As death shadows the dusty arroyo, the forsaken canyon becomes a place of destiny where a courageous nun and an embattled man confront their fates together.

    Every one of George Eliot's classic novels is now available in one edition! Each with a fully functioning table of contents, this collection includes:Adam Bede, 1859The Mill on the Floss, 1860Silas Marner, 1861Romola, 1863Felix Holt, the Radical, 1866Middlemarch, 1871-72Daniel Deronda, 1876

    No one was going to keep her from her dreams of independence, not even tall, rugged, Ethan Temple. The Cheyenne half breed stirred feelings deep inside her, temting Ally to surrender to his strong embrace. Was Ethan a man she could trust, willing to cherish her without taming her . . . a lover who could satisfy her - body and soul - without trying to conquer her wild heart?

    Thomas Hardy started composing poetry in the heyday of Tennyson and Browning. He was still writing with unimpaired power sixty years later, when Eliot and Yeats were the leading names in the field. His extraordinary stamina and a consistent individuality of style and vision made him a survivor, immune to literary fashion. At the start of the twenty-first century his reputation stands higher than it ever did, even in his own lifetime. He is now recognised not only as a great poet, but as one who is widely loved. He speaks with directness, humanity and humour to scholarly or ordinary readers alike.

    As social history, the tale is irresistible; as a love story with a painful and brutal ending, it is unforgettable.

    But when gypsies descend upon South Shore, and Hetty meets the darkly handsome Reuben, her attentions are diverted once again. Grace finds it harder to adjust to her new surroundings but a visit to Donnelly’s department store leads to an encounter with the owner’s son, so when Grace secures a job on the shop floor she looks forward to each day with mounting excitement. Although Edwin Donnelly is a Catholic and his parents want him to marry family friend Constance Whitehead, he ignores their wishes and embarks on an affair with the less suitable Grace.But the paths of true love rarely run smooth and each girl must face heartache and tragedy before her eventual happiness is secured.

    But I feel now that the time is come when even a woman or a child who can speak a word for freedom and humanity is bound to speak." Thus did Harriet Beecher Stowe announce her decision to begin work on what would become one of the most influential novels ever written. The subject she had hesitated to "meddle with" was slavery, and the novel, of course, was Uncle Tom's Cabin. Still debated today for its portrayal of African Americans and its unresolved place in the literary canon, Stowe's best-known work was first published in weekly installments from June 5, 1851 to April 1, 1852. It caused such a stir in both the North and South, and even in Great Britain, that when Stowe met President Lincoln in 1862 he is said to have greeted her with the words, "So you are the little woman who wrote the book that created this great war!" In this landmark book, the first full-scale biography of Harriet Beecher Stowe in over fifty years, Joan D. Hedrick tells the absorbing story of this gifted, complex, and contradictory woman. Hedrick takes readers into the multi-layered world of nineteenth-century morals and mores, exploring the influence of then-popular ideas of "true womanhood" on Stowe's upbringing as a member of the outspoken Beecher clan, and her eventful life as a writer and shaper of public opinion who was also a mother of seven. It offers a lively record of the flourishing parlor societies that launched and sustained Stowe throughout the 44 years of her career, and the harsh physical realities that governed so many women's lives. The epidemics, high infant mortality, and often disastrous medicalpractices of the day are portrayed in moving detail, against the backdrop of western expansion, the great social upheaval accompanying the abolitionist movement, and the entry of women into public life. Here are Stowe's public triumphs, both before and after the Civil War, and t

    Our century has seen him more clearly as a poet whose intellectual toughness, satiric gifts, and utter inability to be boring have made him one of the great comic spirits in our literature.

    Here We meet great spirituality, great scholars, great missionary vision and great consecration to Christ.

    Recounts the formation of the Confederacy, looks at the political forces that shaped it, and discusses the impact of slavery.

    After consulting archival records and the Stoney oral tradition, Chief John Snow describes with clarity, depth, and understanding the Native perspective on life since the birth of Treaty Seven in 1877. With compassion and detail, Snow describes the stable state of First Nations prior to contact with Europeans and the destruction wrought by the whisky traders. He records the period of treaty-signing and the failure on the government's part to hold to treaty agreements. And most importantly, Snow explains his people's feeling of dispossession that continues to threaten the very survival of Stoney beliefs, values, and lifestyle.In his wisdom, however, Snow is also optimistic: about the hope that was born after the introduction of self-government in 1969, following the granting of citizenship to Indian people across the nation; and about his people's belief in biculturalism as they seek a path that allows them to thrive and benefit from both Native and non-Native cultures, rather than slip between the two.In an epilogue written in 2005, Chief John Snow reflects upon his career since the Treaty Seven commemoration in 1977, describing some of the events that affected First Nations at the end of the twentieth century and, also, discussing more personal, philosophical issues, such as cultural revitalization, Native spirituality, and the beauty of the oral tradition.

    Collected here are their love letters, which capture their courtship, their blossoming love, and their forbidden marriage.This is the story of one of history’s great love affairs.The relationship between Elizabeth Barrett Browning and Robert Browning began in his admiring her poetry. His audacious first letter moves from loving her books to loving her. She was alarmed by his "extravagance", and worried that he might substitute lioness-worship for real feeling. Much of her hesitation came from knowing that love can bring injury as well as boon. She had suffered such injury. The fullness of their love is revealed in these letters.

    St. Theophan had the exceptional gift of being able to encourage all, no matter where they were on the spiritual path, to go further in their fight against the passions and in their preparation for union with the Bridegroom Christ. His inspirational teaching is for all that sincerely seek the heavenly realm. He often used folk expressions in order to make profound, mystical realities understood by all Christians of his time. Bishop Theophan--young, zealous and energetic--felt a dire need to raise Orthodox women to a higher spiritual level in a society which was rapidly changing, going in step with modern ways. KINDLING THE DIVING SPARK offers his instructions given to women, examining many essentials of the spiritual life, including: how the heart is purified, inner suffering, spiritual zeal, how to train oneself to pray, and mystical union with the Lord. It contains 20 sermons to convents and a brief Life with unique information appearing for the first time, accompanied by rare photographs. Though originally offered as a volume of sermons given in women's monasteries, it comprises a conscious teaching of spirituality suited to the needs of both men and women, whether lay or monastic.

    A treasure trove of astonishing historical detail.

    Its 'collection' includes…virtually every important style found throughout the United States."—From the IntroductionPhiladelphia Architecture provides descriptions and photographs of over 400 of the city's important buildings. With seven walking tours, historical timelines, and short biographies of Philadelphia architects (including Frank Furness and Louis Kahn), the book will appeal to visitors, residents, and architecture enthusiasts.The core of the guide is a catalog of 250 buildings representing a broad range of building types and architectural styles. The building entries are divided into three chronological sections: 1682–1820; 1821–1900; 1900–1983. Each entry gives the name, date, location, and architect as well as information about the client, events related to the building, its use and major architectural features. The descriptions show how the buildings fit into the social and economic history of the city as well as how they relate to the evolution of architectural styles.Each chronological section is introduced by an essay which describes the physical, social, and economic growth of the city, thereby placing the buildings in a broader context. These essays are illustrated by maps and decorative arts representative of the period. There is an illustrated glossary of architectural terms and biographies of the most important Philadelphia architects.The guide also contains nine walking and driving tours with four-color maps of areas with significant concentrations of important buildings, and cross-referenced to the building entries. Places of interest in the city and region such as the Italian Market, Longwood Gardens, and The Philadelphia Zoo are highlighted. A reference section (places to get information about architecture, tours and the like) and an index conclude this handy, informative book.Philadelphia Architecture is copublished with The Foundation for Architecture, a non-profit organization affiliated with the Philadelphia Chapter of the American Institute for Architects.John Andrew Gallery has been a member of Philadelphia's community development and historic preservation community for close to fifty years. From 2002 to 2013, he was Executive Director of the Preservation Alliance for Greater Philadelphia, where he advocated for the city's historic built environment. He is the author of The Planning of Center City Philadelphia: From William Penn to the Present and editor of Sacred Sites of Center City, both available from Paul Dry Books.

    Some 7,000 men and women were executed on public scaffolds, watched by crowds of thousands. This acclaimed study is the first to explore what a wide range of people felt about these ceremonies. Gatrell draws on letters, diaries, ballads, broadsides, and images, as well as on poignant appeals for mercy which, until now, have been largely neglected by historians. Panoramic in range, scholarly in method, and compelling in style and in argument, this is one of those rare histories which both shift our sense of the past and speak powerfully to the present.

    This magnificent Anthology is now available as a package with David Miall and Duncan Wu's revolutionary Romanticism: The CD-ROM. Both works reflect recent developments in Romantic scholarship, particularly in the expansion of the literary canon. Alongside unabridged texts from canonical writers are works by women and writers in other genres, including political and philosophical writers, diarists, painters, broadside-balladeers, reviewers and letter-writers. Additions for the second edition of the Anthology include Wordsworth's The Ruined Cottage, The Pedlar, Michael, The Brothers, and extracts from The Five-Book Prelude, and the Fourteen-Book Prelude; Coleridge's This Lime-Tree Bower My Prison, Kubla Khan, The Pains of Sleep, Dejection: An Ode, The Eolian Harp, and Frost at Midnight; Byron's Stanzas to Augusta, Epistle to Augusta and Don Juan Canto II.Substantial editorial material includes an introduction exploring the phenomenon of romanticism; detailed annotations and author headnotes providing biographical details; lists of significant recent criticism and in many cases brief critical introductions. The unique, easy to use CD-ROM both incorporates the anthology (in its first edition, including Wordsworth's Prelude (1805) in its entirety) and provides substantial selections from over ninety other writers. Built-in hypertext links enable readers to experience the intertextuality of writing during this period and understand the cultural context in which the texts werecreated. The CD-ROM offers a huge range of resources including: More than 1200 high-quality graphics, including illustrations, prints and paintings; scenes from the English Lake District, the Alps, and the ruins of Rome and Pompeii; photographs of landscapes and detailed maps. Chronologies. A biographic dictionary of the key figures of the period. A 'tours' feature, which enables teachers or students to build their own routes through the CD-ROM or to take preset introductory tours e.g. through 'slavery'. Romanticism: An Anthology with CD-ROM is the most exciting resource available for students and researchers discovering the Romantic Period.

    In the retelling of this oft-told saga, Brown has demonstrated once again his abilities as a master storyteller and an entertaining popular historian. By turns heroic, tragic, and even humorous, The American West brings to life American tragedy and triumph in the years from 1840 to the turn of the century, and a roster of characters both great and small: Red Cloud, Sitting Bull, Geronimo, Dull Knife, Crazy Horse, Captain Jack, John H. Tunstall, Billy the Kid, Pat Garrett, Wyatt Earp, the Hole-in-the-Wall Gang, Wild Bill Hickok, Charles Goodnight, Oliver Loving, Buffalo Bill, and many others. The American West is about cattle and the railroads; it is about settlers who came to claim a land not originally their own and how they slowly imposed law and order on these wild and untamed places; and it is about the wanton destruction of the Native American way of life. This is epic history at its best and popular history at its most readable. This new work is culled from Dee Brown’s highly acclaimed writings, which instantly established him as one of America’s foremost Western authorities. Fully revised, rewritten, and edited into one seamless account of America’s most famous frontier, this epic narrative, along with the introduction and a chronological table of events, etches an unforgettable and poignant portrait. The American West is at once a tribute to the West and a majestic new peak for a writer whose long and successful career has been synonymous with excellence in frontier history.

    His writings are taught frequently in schools and studied intensively by scholars. During the last fifteen years, exhibitions of his art in London, Toronto, New Haven, and Tokyo have attracted large and ardent crowds. His brief lyric 'The Tyger' may be the most anthologised poem in the language. But such fame was not always Blake's lot. In his own life, his works were hardly known beyond a small band of patrons and connoisseurs. Throughout the last century and the early decades of our own, Blake's writings were kept alive by a handful of enthusiasts. An equally small number of collectors treasured Blake's prints and drawings. Among this latter group was the great American bibliophile Henry Huntington. He began to acquire for the new institution some of Blake's rarest and finest works, both visual and verbal. By the time of his death in 1927, Huntington had created one of the world's great Blake collections, particularly notable for the way it represents the full range of Blake's endeavours in many media.

    It features a timeline that offers an overview of key events in the city's history, and is accompanied by illustrations and a statistical appendix.

    Hardly a sphere of nineteenth-century life can be found in which Lydia Maria Child did not figure prominently as a pathbreaker. Although best known today for having edited Harriet A. Jacobs’s Incidents in the Life of a Slave Girl, she pioneered almost every department of nineteenth-century American letters—the historical novel, the short story, children’s literature, the domestic advice book, women’s history, antislavery fiction, journalism, and the literature of aging. Offering a panoramic view of a nation and culture in flux, this innovative cultural biography (originally published by Duke University Press in 1994) recreates the world as well as the life of a major nineteenth-figure whose career as a writer and social reformer encompassed issues central to American history.

    His aim was not so much to produce a detailed technical commentary after the fashion of much exegesis in the new German tradition, but to set on display the heights and depths of the theology of John's letter: 'it can be studied aright exegetically, only when it is studied theologically.' His driving purpose, like that of the apostle, is to see truth and joyful assurance born and brought to maturity in the hearts of his readers. The multi-faceted privileges of fellowship with the Father and the Son through the Spirit are constantly brought to the fore.

    But beyond these familiar details, the Brontes' story has remained largely obscure. This landmark book is the first definitive history of this fascinating family. Based on eleven years of research among newly discovered letters by every member of the family, original manuscripts, and the newspapers of that time, it gives a new and fuller picture of the Brontes' lives from beginning to end and, in the process, demolishes many myths. The father, Patrick, was not, as commonly believed, the cold patriarch of a family of victims. Charlotte, ruthlessly self-willed, ran roughshod over her sisters and went so far as to alter or destroy their manuscripts when she disapproved. Emily was so psychologically and physically dependent on her fantasy life that she could not survive in the outside world. Anne, widely regarded as the gentlest of the sisters, had a core of steel and was a more daring and revolutionary author than Charlotte. Branwell, the adored brother, was a talented poet who provided much of Charlotte's inspiration.

    

    Poems: Blake contains a full selection of Blake's work, including Songs of Innocence, Songs of Experience, poems from Blake's Ms. book, poems from The Prophetic Books, and an index of first lines.

    This study describes how the images in their paintings both embraced and resisted the world around them - including its underlying social conflicts.

    

    A vigorous proponent of nationalism, pre-eminent figure in the struggle for Italian independence and unity, and fascinating personality, his ideas were influential throughout Europe. Yet successive Italian governments, fearing the consequences of his belief in democracy and revolution, deliberately obscured his achievements: there have been few modern studies of Mazzini and no biography in English since 1902.Denis Mack Smith's major new account reexamines Mazzini's ideological impact and his place in the political and intellectual world of the mid-nineteenth century. Based on profound scholarship and immense archival research, the book recreates Mazzini's long years of poverty and exile in London and the networks of friends, associates, and enemies that brought him into contact with the greatest European figures of the age, among them Marx, Carlyle, Mill, and Bakunin. Mazzini is revealed as an acute but largely unrecognized prophet of the idea of a European community: he saw nationalism as a step toward larger and more harmonious confederations. Adept at inspiring admiration and animosity equally, Mazzini affronted the pope by his demand for religious reform, Karl Marx by his powerful critique of communism, and many of his less enlightened contemporaries for his campaigns on behalf of social security, universal suffrage, and women's rights. Yet he was universally venerated for his brilliance, humanity, and wisdom, and even his critics agreed that he left an enduring mark on his time.

    Rich with the historical sense of taste, this book allows you to cook the rudiments of a medieval royal banquet, an Elizabethan nursery breakfast, or an eighteenth-century tavern lunch.The recipes are divided into five chronological sections, each preceded by an introduction recounting the fashions and the changes in the food and drink of the period; together they provide an overview of the evolution of English cookery. The earliest recipes, dating from the thirteenth century, are presented in their original language (“Take faire Mutton that hath ben roste . . .”) as well as in a modern translation, and all measures and quantities have been updated throughout. Many of the dishes are quite simple to make; others are, quite literally, fit for a king. All together they constitute a delectable, sensual cele­bration of the development of English cuisine.

    This lively and informative book traces the history of the first fifteen years of the organization and places it in the contexts of the Paris art world and the development of feminism in the late nineteenth century.Tamar Garb explores how the Union campaigned to have women artists written about in the press and admitted to the Salon jury and into the prestigious Ecole des Beaux-Arts and describes how the organization's leaders took their campaigns into the French parliament itself. Although the women of the Union were often quite conservative politically, socially, and stylistically, says Garb, they believed that women had a special gift that would enhance France's cultural reputation and maintain the uplifting moral-cultural position that seemed in jeopardy at the turn of the century. Focusing on the developments that made the prominence of the organization possible, Garb discusses the growth of the women's movement, educational reforms, institutional changes in the art world, and critical debates and contemporary scientific thought. She examines contemporary perceptions of both art and femininity, showing how the understanding of one affected the image of the other.This book reverses conventional accounts of late nineteenth-century French art, offering a new picture of the Paris art world from the point of view of a group of women who were marginalized by its dominant institutions.

    

    As storms rage and starvation sets in, she clings to all she has. Hope for survival.Daniel Bear believes strongly in doing what is right, and what is right means searching for the stranded settlers. It is because of his efforts that Jessie and the others are saved, and while Daniel expects to face further persecution from his people for his misunderstood past, what he never expected was the strong desire he feels for Jessie.As their attraction blooms into an unwavering need, Jessie and Daniel, two kindred spirits who are unwilling to be bowed by the forces of nature or the rules of men, will be forced to confront their foes and their fears to embrace a love that may save them both.“Vella Munn is a major talent in historical fiction. Her stories never fail to lift the spirit and warm the heart.” —Bestselling author Susan WiggsThis book was originally published as Daughter of the Mountain.

    According to Harold Schonberg, he was the "foremost music critic of his time, possibly of all time." A Travers Chants is the collection of writings he himself selected from his thirty-odd years of musical journalism. These essays cover a wide spectrum of intellectual inquiry: Beethoven's nine symphonies and his opera, Fidelio; Wagner and the partisans of the "Music of the Future"; Berlioz's idols - Gluck, Weber, and Mozart. There is an eloquent plea to stop the constant rise in concert pitch (an issue still discussed today), a serious piece on the place of music in church, and a humorous and imaginative account of musical customs in China. But Berlioz's writings also contain biting satire and ridicule - of opera singers, of the Academy, of dilettantism. This new translation, phrased in lively, idiomatic English and annotated for the twentieth-century reader, is illustrated with lithographs and drawings from Berlioz's lifetime. Berlioz's writings are a treasure-house of information on nineteenth-century musical life, performance practice, and taste.

    Moving from a discussion of class and sexual difference to a reading of subjectivity informed by psychoanalysis, Alexander exposes the relationship between memory, history, and the unconscious. Her focus ranges from a descriptive rendering of the 1970's Nightcleaners campaign to a more exploratory account of becoming a woman in 1920's and 30's London."Becoming A Woman" offers up a fascinating exploration of important historical moments and of the process of writing feminist history.

    His two narrative cycles, "Conversations of German Refugees" and "Wilhelm Meister's Journeyman Years", both written during a high point of his career, address various social issues and reveal his experimentation with narrative and perspective. A traditional cycle of novellas, "Conversations of German Refugees" deals with the impact and significance of the French Revolution and suggests Goethe's ideas on the social function of his art. Goethe's last novel, "Wilhelm Meister's Journeyman Years", is a sequel to "Wilhelm Meister's Apprenticeship" and to "Conversations of German Refugees" and is considered to be his most remarkable novel in form.

    This charming paper doll collection recreates all four of the genial title characters featured in that literary classic.Here in full color are practical Meg, tomboyish Jo, gentle Beth, and curly-haired Amy. The four dolls can be dressed in 16 different mid-Victorian outfits—all based on scenes from the popular novel. Included are costumes for the celebrated Christmas play; practical daytime wear consisting of capes, shawls, aprons, and dresses; and a bridal dress trimmed with ruffles and lace for Meg's wedding.A delight for collectors and paper doll fans of all ages, this wonderful collection will also thrill readers who still have warm memories of Alcott's timeless tale.

    McPherson. This authoritative volume includes gripping eyewitness accounts plus 200 specially commissioned, full-color maps that detail all of the major campaigns and many of the smaller skirmishes of the war between the states. Maps provide a superb visual reference to troop movement, battlefield terrain, and communication lines. Dynamic reconstructions depict battles fought on land, river, and ocean, and time-line descriptions provide play-by-play commentary of the action. With more than 200 photographs and many personal accounts that vividly recount the experiences of soldiers in the fields, this book brings to life the human drama that pitted the north against the south.

    The sixteen chapters of this Companion explore his life and work. The plays are grouped and discussed chronologically; among the thematic topics are discussions of Ibsen's comedy, realism, lyric poetry and feminism. Substantial chapters account for Ibsen's influence on the international stage, including an interview with ex-RSC director John Barton and an essay by Arthur Miller exploring Ibsen's challenge to contemporary theater and film. Essential reference materials include a full chronology, list of works, and essays on twentieth-century criticism and further reading.

    The commercial success of modernism, he argues, depended greatly on possession of historical legitimacy. The very development of modern art was inseparable from the commercialism many of its proponents sought to transcend. Here Jensen explores the economic, aesthetic, institutional, and ideological factors that led to its dominance in the international art world by the early 1900s. He emphasizes the role of the emerging dealer/gallery market and of modernist art historiographies in evaluating modern art and legitimizing it through the formation of a canon of modernist masters.In describing the canon-building of modern dealerships, Jensen considers the new ideological dealer and explores the commercial construction of artistic identity through such rhetorical concepts as temperament and independent art and through such institutional structures as the retrospective. His inquiries into the fate of the juste milieu, a group of dissidents who saw themselves as true heirs of Impressionism, and his look at a new form of art history emerging in Germany further expose a linear, dealer- oriented history of modernist art constructed by or through the modernists themselves.