This book contains the complete novels of Charles Dickens in the chronological order of their original publication.- The Pickwick Papers- Oliver Twist- Nicholas Nickleby- The Old Curiosity Shop- Barnaby Rudge- Martin Chuzzlewit- Dombey and Son- David Copperfield- Bleak House- Hard Times- Little Dorrit- A Tale of Two Cities- Great Expectations- Our Mutual Friend- The Mystery of Edwin Drood

    Throughout Europe and America, artists and intellectuals banded together to portray women as static and unindividuated beings who functioned solely in a sexual and reproductive capacity, thus formulating many of the anti-feminine platitudes that today still constrain women's potential. Bram Dijkstra's Idols of Perversity explores the nature and development of turn-of-the-century misogyny in the works of hundreds of writers, artists, and scientists, including Zola, Strindberg, Wedekind, Henry James, Rossetti, Renoir, Moreau, Klimt, Darwin, and Spencer. Dijkstra demonstrates that the most prejudicial aspects of Evolutionary Theory helped to justify this wave of anti-feminine sentiment. The theory claimed that the female of the species could not participate in the great evolutionary process that would guide the intellectual male to his ultimate, predestined role as a disembodied spiritual essence. Darwinists argued that women hindered this process by their willingness to lure men back to a sham paradise of erotic materialism. To protect the male's continued evolution, artists and intellectuals produced a flood of pseudo-scientific tracts, novels, and paintings which warned the world's males of the evils lying beneath the surface elegance of woman's tempting skin. Reproducing hundreds of pictures from the period and including in-depth discussions of such key works as Dracula and Venus in Furs, this fascinating book not only exposes the crucial links between misogyny then and now, but also connects it to the racism and anti-semitism that led to catastrophic genocidal delusions in the first half of the twentieth century. Crossing the conventional boundaries of art history, sociology, the history of scientific theory, and literary analysis, Dijkstra unveils a startling view of a grim and largely one-sided war on women still being fought today.

    First published in nine volumes from 1889 to 1891, this classic work was out of print for several decades until The Library of America reissued it in two volumes: the first volume on the years of Thomas Jefferson's presidency and the second devoted to those of James Madison.With a cast of characters including Aaron Burr, Napoleon Bonaparte, Albert Gallatin, John Randolph, Toussaint L'Ouverture, and the complex, brilliantly delineated character of Thomas Jefferson, the first volume is unrivaled in its handling of diplomatic intrigue and political factionalism. Upon assuming office, Jefferson discovers that his optimistic laissez-faire principles--designed to prevent American government from becoming a militaristic European "tyranny"--clash with the realities of European war and American security. The party of small government presides over the Louisiana Purchase, the most extensive use of executive power the country has yet seen. Jefferson's embargo--a high-minded effort at peaceable coercion--breeds corruption and smuggling, and the former defender of states' rights is forced to use federal power to suppress them. The passion for peace and liberty pushes the country toward war.In the center of these ironic reversals, played out in a Washington full of diplomatic intrigue, is the complex figure of Jefferson himself, part tragic visionary, part comic mock-hero. Like his contemporary Napoleon Bonaparte, he is swept into power by the rising tide of democratic nationalism; unlike Bonaparte, he tries to avert the consequences of the wolfish struggle for power among nation-states.The grandson of one president and the great-grandson of another, Adams gained access to hitherto secret archives in Europe. The diplomatic documents that lace the history lend a novelistic intimacy to scenes such as Jefferson's conscientious introduction of democratic table manners into stuffily aristocratic state dinner parties. Written in a strong, lively style pointed with Adams's wit, the History chronicles the consolidation of American character, and poses questions about the future course of democracy.

    From President George Washington through President George H. W. Bush, the reader experiences the many colorful facets of life in the seat of presidential power: the etiquette, politics, architecture, décor, landscaping, cuisine, and more. A winner of five national awards, this is a treasury of the people, the plans, and the purposes that have shaped the White House from the very beginning.

     At seventeen, strong-willed Harmony Jones has made it to Cripple Creek all by herself. Now all she needs to reach her inherited claim is a guide--and the only one she can find is the devastatingly handsome Buck Hanner. The challenge and dangers of searching for gold in the rugged Rocky Mountains forces Buck and Harmony to recognize the strength and bravery each possesses. The love they discover leads them to a much greater treasure as they discover RAPTURE'S GOLD.

    Four years later, to distract her from her fear as cannonballs batter the besieged city, Rosemary writes about what she has been through.While she has been growing up, enjoying the social pleasures of a Southern young lady, the tensions between North and South have developed into civil war. Because she is English, Rosemary brings an outsider's perspective to the issues that sparked the conflict, but nonetheless she is torn between her sense of outrage at the very idea of slavery and her feelings for the Southerners she has come to love. For Rosemary, her brother Derek, and their American friends -- old and young, white and black -- the disastrous siege of Vicksburg comes as a crucial test of courage and the will to survive.Once again, Patricia Clapp has created a heroine of wit, charm, and indomitable spirit in a vividly evoked historical setting.

    According to the author, "The degree of Maori success in all four major wars is still underestimated--even to the point where, in the case of one war, the wrong side is said to have won." Here, Belich sets out to show how historical distortions have arisen over time revises our understanding of New Zealand history.

    C.B. Irwin, a legend who rode the wild American west into a new frontier—the 20th century. From wagon trains and cattle drives to the birth of the railroads and airplanes, Burton shaped America's destiny.

     When Joseph Drayton, the head of the family, refuses to let his sister marry — and, what’s more, sends her suitor packing — he little knows what turmoil he’s creating for the future. For Jessica is pregnant by her lover, and her predicament has far reaching consequences in the close-knit community of the Staffordshire village of Burslem. Joseph Drayton, Master Potter, is immaculate in velvet and lace, narrow-minded in the efficiency with which he runs the family business but untrammelled in his private ambitions. Those ambitions include Meg, the spirited gypsy girl who slaves in his turning sheds, but not Martin, his gifted younger brother. Martin is bound by indentures to work five years in Joseph’s pot bank, but longs for the day when he comes into the Drayton legacy and can express his artistry in a more personal way. In this he is helped by his friend, Simon Kendall, the canal digger, a humble genius who can neither read nor write but whose vision as an architect and engineer transforms the potteries trade… The Drayton Legacy is an involving novel, rich in character and detail, which takes as its background the rapidly industrialising potteries of the 18th century. Told with humour and insight, the story of The Drayton Legacy will grip all readers who enjoy colourful, authentic historical romance.

    (Nancy Pearl)

    Inspired by the “new novel” developed by Zola and Flaubert, Norris adapted its methods to American settings, adding his own taste for exciting action and a fascination with the emergent sciences of economics and psychology.Born in Chicago in 1870, Norris moved with his family to San Francisco in 1885. After studying art in Paris and literature at Berkeley and Harvard, he worked as a journalist and foreign correspondent, was expelled from South Africa in 1896, and reported on the Spanish-American War from Cuba in 1898, where he met Stephen Crane. Joining the publishing firm of Doubleday & McClure in 1898, he met William Dean Howells, Hamlin Garland, and Theodore Dreiser, and published six novels between 1898 and 1902. He died following an attack of appendicitis in October of 1902.Vandover and the Brute (1914) was published posthumously but written in 1895 during Norris’s year at Harvard. Drunkenness, sensuality, gambling, and debauchery reduce young Vandover, once a fashionable playboy and aspiring artist, to virtual bestiality. His dissipation is described with shocking realism, as Norris paints each level of San Francisco society he encounters in his descent.The novel McTeague (1899) represented a radical departure for American fiction of its era in its frank treatment of sex, domestic violence, and obsession. McTeague is a huge, simple dentist who dreams of having a giant tooth to hang outside his office and who carries his pet canary wherever he goes; Trina is his gentle, diminutive wife, who wins a lottery and compulsively hoards her money. They live on Polk Street in San Francisco, where the new middle class struggles with its pathological underside. Erich von Stroheim based his classic film Greed (1924) on this immensely powerful and grimly realistic novel.The Octopus (1901), the first work in Norris’s unfinished trilogy “The Epic of the Wheat,” is a novel about the ranchers and wheat producers of California. Pitted against the railroad monopoly and political machine, the members of the ranching community are forced to take up arms against the state. Inspired by the Mussel Slough Massacre of 1880, it depicts a band of strong ruthless Westerners who are crushed by inexorable forces of nature and capital they had sought to control.The twenty-two essays in this volume cover the years 1896–1902. They include book reviews, articles, literary columns, and parodies of popular authors in the hilarious “Perverted Tales.” They address theories of literature, the state of American fiction, and the social responsibilities of the artist.

    A classic study of an influential American religion....Provides both the specialist in religion and the general reader with a thoughtful history of this complex religion.

    Book by MacDonald, George

    A midwestern Roots . . .

    

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    Catalogue from the exhibition in Washington DC and San Francisco California in 1986.

    Considered one of the greatest THE IMPORTANCE OF BEING EARNEST is a farce, playing with love, religion, and truth as it tells the tale of two men. Jack Worthing and Algernon Moncrieff, who bend the truth in order to add excitement to their lives. Jack invents an imaginary brother, Ernest, whom he uses as an excuse to escape from his dull country home and gallavant in town. Meanwhile, Algernon follows Jack's scam, but his imaginary friend, Bumbury, provides a convenient method of adventuring in the country. However, their deceptions eventually cross paths, resulting in a series of crises that threaten to spoil their romantic pursuits. Hailed as the first modern comedy in England, THE IMPORTANCE OF BEING EARNEST is Wilde's most famous work. This collection also features two other plays that Wilde penned earlier in his career, LADY WINDERMERE'S FAN and AN IDEAL HUSBAND, that also display his ability to convey warmth and wit through his hilarious characters and their outlandish situations.

    Each title features: - Critical essays reflecting a variety of schools of criticism- Notes on the contributing critics, a chronology of the author's life, and an index- An introductory essay by Harold Bloom.

    Settlers of all nationalities went there to seek their fortune, among them Jews who came to form one of the largest, wealthiest, and most culturally fertile Jewish communities in Europe. This history of Jewish Odessa traces the rise of that community from its foundation in 1794 to the pogroms of 1881 that erupted after the assassination of Alexander II. Zipperstein emphasizes Jewish acculturation: changes in behavior, attitude, and ideology as reflected in schools, synagogues, newspapers, and other institutions of the period. The patterns set then affected the community's cultural development well into the second decade of the twentieth century. More a modern metropolis than any other Russian city with a significant Jewish population, Odessa offers a window into the diversity of Russian Jewish experience.

    It examines the individual achievements of Brunel, Joseph Paxton and Robert Stephenson among others, and explains how industrialization changed the face of the environment. The book concludes by considering why the Victorians' mood of optimism turned to one of disillusionment. It argues that the Victorians failed to come to terms with the consequences of industrialization, and that many of the innovations of British engineers found their best expression in other countries.

    Prepared for Karl Barth's centennial, this translated selection of sermons, letters, addresses and published writings serves as an excellent introduction to the Protestant theologian's thinking and faith.

    The Memoirs of John Addington Symonds are a startling, engrossing and unique new contribution to our understanding of nineteenth-century sexual mores, and an instant, new classic of Victorian autobiography. Written in 1892, but until recently locked in a London library, they reveal the secret homosexual life of a nineteenth century man of letters. Symonds wrote his book knowing that it could never be published in his lifetime, but hoping that posterity would understand and vindicate what his own age despised and hid.

    23, 1986 to Jan. 11, 1987.Contents:Director's Foreword / Philippe de MontebelloThe aesthetic movement in its American cultural context / Roger B. Stein --Decorating surfaces: aesthetic delight, theoretical dilemma / Catherine Lynn --Surface ornament: wallpapers, carpets, textiles and embroidery / Catherine Lynn --The artful interior / Marilynn Johnson --Art furniture: wedding the beautiful to the useful / Marilynn Johnson Stained glass in the aesthetic period / Alice Cooney Frelinghuysen --Aesthetic forms in ceramics and glass / Alice Cooney Frelinghuysen --Metalwork / David A. Hanks, Jennifer Toher --Painters and sculptors in a decorative age / Doreen Bolger Burke --American architecture and the aesthetic movement / James D. Kornwolf --American writers and the aesthetic movement / Jonathan FreedmanDictionary of Architects, Artisans, Artists, and Manufacturers / Catherine Hoover Voorsanger

    Gibson from the fate that overtook General George A. Custer and the Seventh U. S. Cavalry. At her insistence, he declined a transfer that would have placed him in the Battle of the Little Bighorn, but he was on the scene immediately after it. Gibson’s letters detailing the devastation, together with his wife’s reports on the women at the army posts waiting for news, allow a fresh perspective on "Custer's Last Stand." Told in the first person, With Custer's Cavalry represents the story of Katherine Gibson, the author's mother, who supplied all of the material. Mrs. Gibson describes a phase of army life during the 1870s and 1880s that has received scant attention--a gala wedding, a baby's funeral, a sewing bee, a buffalo stampede, a smallpox epidemic. She provides candid glimpses of her good friends, the Custers. And every page brings the reader closer to the intimate events surrounding the most infamous battle in the history of the West.

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    Drawing on rich new evidence from women's correspondence and diaries between 1860 and 1914, Pat Jalland examines the experience of courtship, marriage, and childbirth and analyzes the vital domestic and political functions they performed. With its intimate approach to women's lives, this book is a welcome complement to the better-known public history of women and the women's movement.

    Distilling twenty years of thinking and writing about Austen, Tanner treats in fresh and illuminating ways the questions that have always occupied her most perceptive critics. How can we reconcile the limited social world of her novels with the largeness of her vision? How does she deal with depicting a once-stable society that was changing alarmingly during her lifetime? How does she express and control the sexuality and violence beneath the well-mannered surface of her milieu? How does she resolve the problems of communication among characters pinioned by social reticences?Tanner guides us through Austen's novels from relatively sunny early works to the darker, more pessimistic Persuasion and fragmentary Sanditon--a journey that takes her from acceptance of a society maintained by landed property, family, money, and strict propriety through an insistence on the need for authentication of these values to a final skepticism and even rejection. In showing her progress from a parochial optimism to an ability to encompass her whole society, Tanner renews our sense of Jane Austen as one of the great novelists, confirming both her local and abiding relevance.

    

    A product of recollection, historical hindsight, and considerable study of other published sources, it is a fascinating document of the military catastrophe exposing the decline of Prussian power since the death of Frederick II, which eventually culminated in Napoleon's devastating 1806 victory at Jena and Auerstedt.