With a delicate wife and their unborn child, he has no choice but to leave Ireland and set out for England in search of work. But from the moment Patrick and Mary set foot in Liverpool, they are beset by new trials.After moving to York, they are forced to settle in the nightmarish slums of Walmgate. Yet the very poverty and hopelessness of their surroundings binds the small community together. Only stubborn determination survive tragedy can win them hopes of a better life….

    This new edition of Ar'n't I a Woman? reviews and updates the scholarship on slave women and the slave family, exploring new ways of understanding the intersection of race and gender and comparing the myths that stereotyped female slaves with the realities of their lives. Above all, this groundbreaking study shows us how black women experienced freedom in the Reconstruction South — their heroic struggle to gain their rights, hold their families together, resist economic and sexual oppression, and maintain their sense of womanhood against all odds.

    They focus on the internal conflict of individuals, the power of the dead over the living, and psychological explorations of darker human emotion.An American writer of fantastical, bizarre and sometimes disturbing short stories, Poe wrote in the first half of the nineteenth century. Preoccupied with delving into the darker reaches of the human psyche, Poe is inventor of the detective story and master of the macabre.

    Catherine Cookson explores this theme in a major novel that will absorb and enthral her readers as irresistibly as any she has written.Roddy Greenbank was brought by his father to the remote Northumberland community of Langley in the autumn of 1807. Within hours of their arrival, however, the father meets a violent death and the boy is left with all memory gone of his past life.Adopted and raised by old Kate Makepeace, Roddy found his closest companions in Hal Roystan and Mary Ellen Lee. These three stand at the heart of a richly eventful narrative that spans the first half of the nineteenth century, their lives lastingly intertwined by the inexorable demands of a strange and somewhat cruel destiny.

    With the publication of this Library of America volume, the third of three volumes, all Melville's fiction has now been restored to print for the first time.Pierre; or, The Ambiguities, published in 1852 (the year after Moby-Dick), moves between the idyllic Berkshire countryside and the nightmare landscape of early New York City. Its hero, a young American patrician trying to redeem the secret sins of his father, elopes to the city, discovers Bohemian life, attempts a literary epic, and struggles his way through incest, murder, and madness. Long a controversial work, it is Melville's darkest satire of American life and letters and one of his most powerful books.A pivotal work, both for Melville's career and for American literature, Pierre was followed by Israel Potter, the story of a veteran of the Revolution, victim of a thousand mischances, and a long-suffering exile in England. Along the way are memorable episodes of war and intrigue, with personal portraits of Benjamin Franklin, John Paul Jones, and George III. In the exploits of this touchingly optimistic soldier, Melville offers a scathing image of the collapse of revolutionary hopes.The Piazza Tales demonstrates Melville's dazzling mastery of many styles, including "The Encantadas," about nature's two faces--enchanting and horrific; the famous "Bartleby the Scrivener," about a Wall Street copyist who "would prefer not to"; and the enigmatic "Benito Cereno," about a credulous Yankee sea captain who stumbles into an intricately plotted mutiny aboard a disabled slave ship.The Confidence-Man, Melville's last published novel, is in many ways a forerunner of modernist American fiction. An extended meditation on faith, hope, and charity as these are manifested on board a Mississippi riverboat one April Fools' Day, it presents a menagerie of Americans buying and selling, borrowing and lending, believing and mistrusting, as they are carried toward the auction blocks of New Orleans.Many pieces never before collected are also included: the "Authentic Anecdotes of Old Zack" (burlesque sketches of Zachary Taylor's Mexican campaign), "Fragments from a Writing-Desk" (Melville's earliest surviving prose), reviews of Hawthorne, Parkman, and Cooper, and all the tales Melville published in magazines during the 1850s.Finally, there is the posthumously published masterpiece Billy Budd, Sailor, the haunting story of a beautiful, innocent sailor who is pressed into naval service, slandered, provoked to murder, and sacrificed to military justice. While encouraging questions for which there are no answers, it invites us to meditate on the conflicts central to all Melville's work: between freedom and fate, innocence and civilized corruption.

    This edition of his selected poems includes classics like: - " The Lady of Shalott" - " Charge of the Light Brigade" - " Maud" - " Morte d'Arthur" - " Ulysses" - " The Lotus Eaters" Elegantly packaged with a ribbon marker, this volume is the perfect addition to any poetry library.

    He does not stand for one tribe or nation, but for all Native Americans. He remains the ultimate symbol of endeavor and courage. Over thirty years in the writing, this is the first authoritative biography of the principal organizer and driving force of Native American confederacy. For anyone studying the early years of the Republic or Native American history, it is essential reading.

    With a stellar collection of recipes, Neal reveals the background and subtleties of southern foods. He uses imaginative new ways with old standards to make the recipes more accessible, but he never resorts to shortcuts or processed ingredients. He also shows how the meeting of Native American, Western European, and African cultures has created this cuisine.

    They are: Hugh Gough, Charles Napier, Charles Gordon, Frederick Roberts, Garnet Wolseley, Evelyn Wood, Hector Macdonald, and Herbert Kitchener.

    Meanwhile, 18-year-old Mary, widowed twice, is determined to improve her lot, and will eventually become lady's maid to Rowan's "beautiful shell" of a wife. Then at last--the 43rd is going to war! Rowan joyfully announces this on horseback to a stunned ballroom. While the over 600 men and 750 fine horses journey through exotic and dangerous terrain to relieve the decimated troops in the Crimea, there'll be a cholera epidemic and sandstorms, deaths and one pathetic desertion, and Rowan will battle storms within: marital disillusion; nightmare guilt about his (honorable) refusal to prevent the torture death of a bandit's girl; doubts about the glory of war; and his inexplicable attraction to the lowly Mary.

    This situation supposedly persisted until the Women's Rights Movement and World War I forced the world to acknowledge that women were liberated individuals with legs. Yet Valerie steele demonstrates that eroticism formed the basis for the Victorian ideal of feminine beauty and fashion--indeed, that the concepts of beauty and fashion are essentially erotic. She shows that, far from being passive "sex objects," Victorian women, like their modern counterparts, themselves chose to emulate an erotic ideal as an aspect of their own self-fulfillment. Even the notorious corset was neither fetishistic nor an unhealthy instrument of torture, she argues, although its comlex and ambivalent sexual symbolism aroused controversy. Fashion and Eroticism shows how the New Look of "sexy" modern naturally from within the pre-war world of fashion and not as part of an intifashion movement. Steele's conclusions are based on prodigious documentary evidence, including visual and material research, in costume collections in the United States, Great Britain, Europe, and even Japan. Fashiona and Eroticism is not only a radical revision of the Conventional understanding of Victorian fashion; it is a major contribution to the histyory of women and sexuality.About the Author Valerie steele received her Ph.D. from Yale University in 1983, and was the 1984 First Ladies' Fellow at the Division of Costume, National Museum of American History, the Smithsonian Institution.

    Aided by a number of stunning illustrations, David Billington discusses leading structural engineer-artists, such as John A. Roebling, Gustave Eiffel, Fazlur Khan, and Robert Maillart.

    It was a grand chance for a new life. Unfortunately, ahead of, with, and after the homeseekers came the dregs of human society: those who would steal, kill–do anything to avoid working for even the necessities of life.Most of these outlaws operated across the imaginary border between Oklahoma Territory and Indian Territory-called Hell's Fringe by the early U.S. deputy marshals. At first the felons eluded pursuers by fleeing across Hell's Fringe into Indian Territory, where Oklahoma lawmen were forbidden to set foot. Not so the federal marshals. They could and did cross the border, sometimes deputizing territorial lawmen as federal officers and taking them along.Glenn Shirley has written the definitive account of outlawry in Oklahoma Territory from the Run of ’89 to statehood in 1907, putting down myths and deflating the romanticism that made heroes out of barbarians. His is the story of brave men who put their lives on the line every time they rode-because most of their quarry would rather die than surrender, and many of them did die, sometimes taking a lawman or two with them.It's the story of the Doolin and Dalton gangs, of outlaws like Dynamite Dick, Arkansas Tom, and Zip Wyatt, and of their female counterparts such as Tom King (Flora Quick), Cattle Annie, and Little Breeches. If you're looking for Robin Hoods, you won't find them here. But you will find something much better: Glenn Shirley's saga of the determined men who brought an orderly system of freedom and justice to one of America's last frontiers.

    Intimately rooted in the author's own biography and written as a first-person narrative, "David Copperfield" charts a young man's progress through a difficult childhood in Victorian England to ultimate success as a novelist, finding true love along the way.

    Widely published on logic, analysis, geometry, and arithmetic, which he regarded as the purest form of thought, Frege's analytic approach to philosophy set the stage for the field's eventual linguistic turn. Collected Paper on Mathematics, Logic, and Philosophy is a compilation of his collected works across fields, allowing readers to share in his evolution of thought and catch a glimpse of a legendary mind at work.

    

    This two-volumes-in-one collection of 1,200 rare black-and-white photographs, gathered through the joint efforts of the National Historical Society and the Civil War Times, covers the leaders and the common soldiers, the compact of comradeship, the ideologies of the governments at war, the aspirations of the people who supported them and the devastation wreaked on the nation.

    During the Seven Years War, just after the events narrated in The Last of the Mohicans, Natty brings the daughter of a British sergeant to her father’s station on the Great Lakes, where the French and their Indian allies are plotting a treacherous ambush. Here, for the first time, he falls in love with a woman, before Cooper manages bring off Leatherstocking’s most poignant, and perhaps his most revealing, escape.The Deerslayer (1842) brings the saga full circle and follows the young Natty on his first warpath. Instinctively gifted in the arts of the forest, pious in his respect for the unspoiled wilderness on which he loves to gaze, honorable to friend and foe alike, stoic under torture, and cool under fire, the young Leatherstocking emerges as Cooper’s noblest figure of the American frontier. Enacting a rite of passage both for its hero and for the culture he comes to represent, this last book in the series glows with a timelessness that readers everywhere will find enchanting.

    The book explores the private--familial and religious--lives of the German-Jewish bourgeoisie and the public roles of Jewish women in the university, paid employment and social service. It analyzes the changing roles of Jewish women as members of an economically mobile, but socially spurned minority. The author emphasizes the crucial role women played in creating the Jewish middle class, as well as their dual role within the Jewish family and community as powerful agents of class formation and acculturation and determined upholders of tradition.

    Randall Kerry, a young member of the Mellette Expedition, returns to camp only to find all seventeen men slaughtered and an Indian war party on his trail.

    

    burning desires like she had never known before. Forcibly, he brought the beautiful actress to his ancestral home in England. Passionately, he made her his wife. But Carolyn knew her life was a charade, a lie she lived to protect her innocent twin sister. There was no untruth in the overpowering feelings Jason aroused in her, there was nothing false about her desire for the strikingly handsome nobleman. But would Jason reject her if he knew the truth? His determined pursuit was for the right woman -- living in her own world of reckless deception…

    The full range of Pre-Raphaelite painting is represented, from the hard-edged style of Millais's early work to the sensuousness of Rossetti's and Burne-Jones's painting in the 1870s. Altogether 250 works from collections all over the world are illustrated and discussed by scholars such as Mary Bennett, Judith Bronkhurst, John Christian, Alastair Grieve, Benedict Read and Malcolm Warner. In his introduction, Sir Alan Bowness surveys the development of Pre-Raphaelitism and examines to what extent it was ever a shared style. The chronological arrangement of the book is designed to focus on the same question and to suggest the numerous cross-currents of the movement.

    Photos from the costume collection of The Museum, Texas Tech University, and reproductions from mail-order catalogs of the period illustrate this valuable book.

    Captions detail the rich fabrics, color schemes, and decorative trims of this gallery of vintage attire.The illustrations offer a panoramic view of evolving styles from Victorian 1940s outfits with severe high necklines, elongated bodices, and bonnets designed to keep the wearer's eyes looking chastely ahead; to 1950's adaptations of French haute couture featuring ornate gowns widened with hoopskirts and elaborately trimmed with lace, ribbons, fringes, and feathers; to 1860's garb in which skirts narrowed and graceful trains replaced the hoopskirt.Costume and culture historians, clothing designers and illustrators will find the work a valuable reference to clothing designs of the period and a fascinating look back at mid-Victorian couture.

    Cara, poor and beautiful, dreams of evading the menacing shadow of the workhouse, of becoming both financially independent and free of her protector, the ruthless Captain Christie. Gemma, daughter of Victorian luxury, marries to oblige her family and struggles to escape the smothering constraints of 'good' society, where a woman is valued purely for her charm and her childbearing. And both women, from very different backgrounds, find the political idealist and man of fortune Daniel Carey, irresistible . . .

    

    His conception and execution of these crucial lectures differed so significantly on each of the occasions he delivered them - in 1821, 1824, 1827 and 1831 - that it is impossible, without destroying the structural integrity of the lectures, to conflate material from different years onto an editorially constructed text. These volumes aim to establish a critical edition, separating the series of lectures and publishing them as autonomous units on the basis of a complete re-editing of the sources. This volume contains Hegel's philosophical interpretation of Christianity.

    Along the way, she trades her innocence for a career, with sometimes disastrous results, he gets caught up in the ecstastic arts scene, the two part, until finally reuniting in an earth-shattering conclusion.

    Focusing on lower-class women, this study traces changes in the work role and family life of peasant women in the countryside and craftswomen and traders in Cairo, and explores the world of the slave woman. The effects of capitalist transformation on women are studied in detail, using material from the Islamic court records. The effects of the Egyptian process of state formation and colonial rule are discussed: the growth of the state apparatus, its social services and repressive means, brought new kinds of intervention into women's lives. The book provides a unique account of the very active economic, social and political roles of nineteenth-century women, from the peasant and street pedlar to the slave of the harem.

    

    Focusing on the disorderly conduct women and some men used to break away from the Victorian Era's rigid class and sex roles, it examines the dramatic changes in male-female relations, family structure, sex, social custom, and ritual that occurred as colonial America was transformed by rapid industrialization. Included are two now classic essays on gender relations in 19th-century America, The Female World of Love and Ritual: Relations Between Women in Nineteenth-Century America and The New Woman as Androgyne: Social Order and Gender Crisis, 1870-1936, as well as Smith-Rosenberg's more recent work, on abortion, homosexuality, religious fanatics, and revisionist history. Throughout Disorderly Conduct, Smith-Rosenberg startles and convinces, making us re-evaluate a society we thought we understood, a society whose outward behavior and inner emotional life now take on a new meaning.