Our most eloquent champion of individualism, Emerson acknowledges at the same time the countervailing pressures of society in American life. Even as he extols what he called “the great and crescive self,” he dramatizes and records its vicissitudes.Here are the indispensable and most renowned works, including “The American Scholar” (“our intellectual Declaration of Independence,” as Oliver Wendell Holmes called it), “The Divinity School Address,” considered atheistic by many of his listeners, the summons to “Self-Reliance,” along with the more embattled realizations of “Circles” and, especially, “Experience.” Here, too, are his wide-ranging portraits of Montaigne, Shakespeare, and other “representative men,” and his astute observations on the habits, lives, and prospects of the English and American people.This volume includes Emerson’s well-known Nature; Addresses, and Lectures (1849), his Essays: First Series (1841) and Essays: Second Series (1844), plus Representative Men (1850), English Traits (1856), and his later book of essays, The Conduct of Life (1860). These are the works that established Emerson’s colossal reputation in America and found him admirers abroad as diverse as Carlyle, Nietzsche, and Proust.Emerson’s enduring power is apparent everywhere in American literature: in those, like Whitman and some of the major twentieth-century poets, who seek to corroborate his vision, and among those, like Hawthorne and Melville, who questioned, qualified, and struggled with it. Emerson’s vision reverberates also in the tradition of American philosophy, notably in the writings of William James and John Dewey, in the works of his European admirers, such as Nietzsche, and in the avant-garde theorists of our own day who write on the nature and function of language. The reasons for Emerson’s durability will be obvious to any reader who follows the exhilarating, exploratory movements of his mind in this uniquely full gathering of his work.Not merely another selection of his essays, this volume includes all his major books in their rich entirety. No other volume conveys so comprehensively the exhilaration and exploratory energy of perhaps America’s greatest writer.

    Her novels entice us into a vanished world, peopled by characters who immediacy makes their joy, sorrow, heartbreak, and soaring love something we can share and savor. Eugenia Price chose Savannah, Georgia as one of the most fascinating cities of the South, as the setting of a quartet of novels that follow the fortunes of the city and families that gave it life.Orphaned Mark Browning was only twenty when he renounced his father's fortune and sailed to Savannah, his mother's birthplace...and the home of two remarkable women. The first is Eliza McQueen Mackay, his mentor's beautiful wife, whom Mark loves with a deep, pure love that can never be spoken. The other is lovely young Caroline Cameron, whose life is blighted by a secret that has tormented her grandparents for half a century--a secret that affects Mark more closely than he imagines. Desiring one woman, loved by another Mark must confront the ghosts of a previous generation, and face the evil smoldering hate, before he can truly call Savannah his home.

    Born in the slums of London and possessing a special gift for healing, Samantha struggles to enter the all-male medical profession. When her ambition meets with hostile rejection in England, she sails to America, where she meets an eccentric doctor who takes her on as an apprentice. But at the high-profile Astor Ball in New York, Samantha is introduced to the second of the three men who will change her life forever-and love just might interfere with her ambition.Acclaimed novelist Barbara Wood reveals her remarkable talent by capturing Samantha's indomitable spirit, making Domina a literary triumph.

    Written in a richly suggestive style that seems remarkably contemporary, they are permeated by his own history as well as America’s.In The House of the Seven Gables, for example, Hawthorne alludes to his ancestor’s involvement in the Salem witch trials, as he follows the fortunes of two rival families, the Maules and the Pyncheons. The novel moves across 150 years of American history, from an ancestral crime condoned by Puritan theocracy to reconciliation and a new beginning in the bustling Jacksonian era.Considered Hawthorne’s greatest work, The Scarlet Letter is a dramatic allegory of the social consequences of adultery and the subversive force of personal desire in a community of laws. The transgression of Hester Prynne and Arthur Dimmesdale, the innate lawlessness of their bastard child Pearl, and the torturous jealousy of the husband Roger Chillingworth eventually erupt through the stern reserve of Puritan Boston. The Scarlet Letter engages the moral and romantic imagination of readers who ponder the question of sexual freedom and its place in the social world.Fanshawe is an engrossing apprentice work that Hawthorne published anonymously and later sought to suppress. Written during his undergraduate years at Bowdoin College, it is a tragic romance of an ascetic scholar’s love for a merchant’s daughter.The Blithedale Romance is a novel about the perils, which Hawthorne knew first-hand, of living in a utopian community. The utilitarian reformer Hollingsworth, the reticent narrator Miles Coverdale, the unearthly Priscilla, and the sensuous Zenobia (purportedly modeled on Margaret Fuller) act out a drama of love and rejection, idealism and chicanery, millennial hope and suicidal despair on an experimental commune in rural Massachusetts.The Marble Faun, Hawthorne’s last finished novel, uses Italian landscapes where sunlight gives way to mythological shadings as a background for mysteries of identity and murder. Its two young Americans, Kenyon and Hilda, become caught up in the disastrous passion of Donatello, an ingenuous nobleman, for the beautiful, mysterious Miriam, a woman trying to escape her past.

    The world's best-loved children's stories set in large type for easy reading.-- Over 100 illustrations in each book

    In a small whitewashed cottage on the grounds of a great estate, a baby boy is born. His name is Tom Dalton. He is the son of an Irish peasant and her aristocratic lover. And so begins the story of a family whose past is deeply rooted in the turbulence of Irish history but who thrive and flourish in the America of the twentieth century. From the poverty of the Irish immigrant to the wealth of the self-made man; from the sorrows of a young boy, deserted by fortune and family, to the triumph of a patriarch capable of outwitting Fate itself -- this is the story of Thomas Dalton and the women who touch his life. Driven from his ancestral home in Westmeath by his father's vindictive family, young Tom Dalton leaves Ireland and makes his way to America. Befriended by the founders of the Longshoremen's Union, groomed by one of Tammany's most powerful political bosses, Tom fights his way to a place in the glittering mansions of New York's Fifth Avenue. In a landscape filled with the rich and the poor, the powerful and the powerless, the victors and the victims, So Many Partings tells a story about love and betrayal, about a man and the women who shape him: the bewildered mother who abandoned him to save herself... the gentle wife who had defied her father to marry the man she loves... the shrewd madam who pledges her loyal friendship as well as her love... and finally, the high-spirited granddaughter who inherits a greater legacy than wealth. Set against the richness of Irish-American history, So Many Partings is about a passionate family and the triumphs and tragedies that make them unforgettable.

    Here are the voices of Tamsen Donner and young Virginia Reed, members of the ill-fated Donner party; Patty Sessions, the Mormon midwife who delivered five babies on the trail between Omaha and Salt Lake City; Rachel Fisher, who buried both her husband and her little girl before reaching Oregon. Still others make themselves heard, starting out from different places and recording details along the way, from the mundane to the soul-shattering and spirit-lifting.

    Not simply a history of a technology, Disenchanted Night reveals the ways that the technology of artificial illumination helped forge modern consciousness. In his strikingly illustrated and lively narrative, Schivelbusch discusses a range of subject including the political symbolism of streetlamps, the rise of nightlife and the shopwindow, and the importance of the salon in bourgeois culture.

    Parkman conceived the project in 1841, when he was a Harvard sophomore, and persisted in it despite chronic disorders that affected his eyes. The last volume of what he called his “history of the American forest” appeared almost thirty years after the first. Deservedly compared as a literary achievement to Gibbon’s The Decline and Fall of the Roman Empire, Parkman’s accomplishment is hardly less awesome than the explorations and adventures he so vividly describes. His own indomitable spirit is reflected in two of the history’s most fiercely resolute figures: La Salle, obsessed with colonizing the Mississippi Valley, and Frontenac, determined to bolster France’s tottering position in the New World. He tells a story of great empires maneuvering in an unfamiliar and hostile terrain with all the guile, sophistication, and ingenuity learned from centuries of European rivalry.Pioneers of France in the New World (1865) begins with the early and tragic settlement of the French Huguenots in Florida, then shifts to the northern reaches of the continent and follows the expeditions of Samuel de Champlain up the St. Lawrence River and into the Great Lakes as he mapped the wilderness, organized the fur trade, promoted Christianity among the natives, and waged a savage forest campaign against the Iroquois.The Jesuits in North America in the Seventeenth Century (1867) traces the zealous efforts of the Jesuits and other Roman Catholic orders to convert the Native American tribes of North America. Jean de Brébeuf, Isaac Jogues, Marguerite Bourgeoys, Marie de l’Incarnation, and Joseph Bressani represent only a few of that resolute company, many of whom suffered captivity, torture, and martyrdom in the far corners of the wilderness.La Salle and the Discovery of the Great West (1869) records that explorer’s voyages on the Ohio and Mississippi Rivers and his treks, often alone, across the vast western prairies and through the labyrinthine swamps of Louisiana. Although he won the respect and admiration of the Native Americans, La Salle often distrusted and alienated his associates. He survived two attempts to poison him before he was finally assassinated by his own men in a lonely Texas outpost.The Old Régime in Canada (1874) recounts the political struggles among the religious sects, colonial officials, feudal chiefs, royal ministers, and military commanders of Canada. Their bitter fights over the monopoly of the fur trade, the sale of brandy to the natives, the importation of wives from the orphanages and poorhouses of France, and the bizarre fanaticism of religious extremists and their “incessant supernaturalism” animate this pioneering social history of early Canada.Parkman’s chronicle of nearly two and a half centuries of conflict will permanently transform our image of the American landscape. Written with verve, suppleness, and wit, this grand narrative history of political and theological conflict, of feats of physical endurance, of courtly manners practiced with comic disproportion against the backdrop of a looming wilderness, is itself one of the still-undiscovered treasures of our national and of world literature.

    The couples are John Ruskin and Effie Gray; Thomas Carlyle and Jane Welsh; John Stuart Mill and Harriet Taylor; George Eliot and G. H. Lewes; Charles Dickens and Catherine Hogarth.

    The story of a resourceful, courageous woman, Charlotte Scott, it is also the story of Britain's first war with Afghanistan, which ended with a brutal massacre in the Khyber Pass. And it is a novel about the Empire: how the British gained it - and why they would lose it at last.Returning to India in 1837 after a sheltered childhood in England, seventeen year old Charlotte Scott finds not a loving mother but a cold, beautiful woman dismayed because her plain daughter cares more for politics and good works than for husband-hunting and frivolity. Charlotte finds her intelligence and sensitivity have no place in the peculiar world of the British army station, where full-dress balls and cricket matches are held amid Indian dust, heat, and sqaulor. Only one person truly befriends her: the athletic, handsome, unpretentious Richard Lingarde, considered the most eligible bachelor on the station. An engineer and speaker of native tongues, Richard knows what his fellow officers choose to ignore: the natives, both Indian and Afghan, despise the British and will defeat them in the end.Although bewitched by her mother's exotic cavalier, Major Dupres, Charlotte agrees to marry Richard - and soon alienates him unforgiveably. Richard is sent to war-torn Kabul, where he embarks upon a life of danger and depravity. As Charlotte sets out on a treacherous journey through the Khyber Pass to find him, she begins to grow from a naive young girl into a woman of valor.A love story of extraordinary depth and power, Beyond All Frontiers is a masterful combination of history, courage, surprise, and passion - a novel that makes us hope desperately to see the hero and heroine learn to care for each other as much as we care for them.

    To mark the book's twentieth anniversary, Kern provides an illuminating new preface about the breakthrough in interpretive approach that has made this a seminal work in interdisciplinary studies.From about 1880 to World War I, sweeping changes in technology and culture created new modes of understanding and experiencing time and space. Stephen Kern writes about the onrush of technics that reshaped life concretely--telephone, electric lighting, steamship, skyscraper, bicycle, cinema, plane, x-ray, machine gun-and the cultural innovations that shattered older forms of art and thought--the stream-of-consciousness novel, psychoanalysis, Cubism, simultaneous poetry, relativity, and the introduction of world standard time. Kern interprets this generation's revolutionized sense of past, present, and future, and of form, distance, and direction. This overview includes such figures as Proust Joyce, Mann, Wells, Gertrude Stein, Strindberg, Freud, Husserl, Apollinaire, Conrad, Picasso, and Einstein, as well as diverse sources of popular culture drawn from journals, newspapers, and magazines. It also treats new developments in personal and social relations including scientific management, assembly lines, urbanism, imperialism, and trench warfare. While exploring transformed spatial-temporal dimensions, the book focuses on the way new sensibilities subverted traditional values. Kern identifies a broad leveling of cultural hierarchies such as the Cubist breakdown of the conventional distinction between the prominent subject and the framing background, and he argues that these levelings parallel the challenge to aristocratic society, the rise of democracy, and the death of God. This entire reworking of time and space is shown finally to have influenced the conduct of diplomacy during the crisis of July 1914 and to havestructured the Cubist war that followed.

    Lured by the open range, the chance for regular wages, and the opportunity to start new lives, they made vital contributions to the transformation of the West. They, their predecessors, and their successors rode on the long cattle drives, joined the cavalry, set up small businesses, fought on both sides of the law. Some of them became famous: Jim Beckwourth, the mountain man; Bill Pickett, king of the rodeo; Cherokee Bill, the most dangerous man in Indian Territory; and Nat Love, who styled himself "Deadwood Dick." They could hold their own with any creature, man or beast, that got in the way of a cattle drive. They worked hard, thought fast, and met or set the highest standards for cowboys and range riders.

    The period of the Missouri Compromise, the Bleeding Kansas years, and the election of Abraham Lincoln in 1860 are also covered. The final two chapters cover the battle for Fort Sumter.

    Irving’s early writings earned the admiration of literary figures like Hawthorne, Poe, Coleridge, Byron, Scott, and Dickens. He was widely traveled, a connoisseur of the theater both at home and abroad, and an intimate of royalty and high society in Europe and America.Irving’s career as a writer began obscurely at age seventeen, when his brother’s newspaper published his series of comic reports on the theater, theater-goers, fashions, balls, courtships, duels, and marriages of his contemporary New York, called Letters of Jonathan Oldstyle, Gent. Written in the persona of an elderly gentleman of the old school, these letters captured his fellow townsmen at play in their most incongruous attitudes of simple sophistication. Irving’s next work, Salmagundi, written in collaboration with his brother William and James Kirke Paulding, and published at irregular intervals in 1805–06, continued this roguish style of satire and burlesque. Gossipy and current, filled with the latest news of the theater and other goings-on about town, or stirring up yet another literary squabble or scandal, Salmagundi is written with the innovativeness and energy of an accomplished new voice bursting upon a startled literary scene.A History of New York, publicized by an elaborate hoax in the local newspapers concerning the disappearance of the elderly “Diedrich Knickerbocker,” turned out to be a wild and hilarious spoof that combined real New York history with political satire. Quickly reprinted in England, it was admired by Walter Scott and Charles Dickens (who carried his copy in his pocket). In later years, as Irving revised and re-revised his History, he softened his gibes at Thomas Jefferson, the Dutch, and the Yankees of New England; this Library of America volume presents the work in its original, exuberant, robust, and unexpurgated form, giving modern readers a chance to enjoy the version that brought him immediate international acclaim.The Sketch Book contains Irving’s two best-loved stories, “Rip Van Winkle” and “The Legend of Sleepy Hollow.” It also includes many sketches of English country and city life, as well as nostalgic portraits of vanishing traditions, like the old celebrations of Christmas. One of Irving’s most captivating books, it reveals both the brilliance of his realistic depictions and his ability to appropriate European fables and themes to native purposes.A writer of great urbanity and poise, acutely sensitive to the nostalgia of a passing age, Washington Irving was a central figure in America’s emergence on the international scene.

    He gave the signal almost at dusk, and the Confederates rushed forward to utter devastation. This book describes the events and causes of the five-hour battle in gripping detail, particularly focusing on the reasons for such slaughter at a time when the outcome of the war had already been decided. The genesis of the senseless tragedy, according to McDonough and Connelly, lay in the appointment of Hood to command the Army of Tennessee. It was his decision to throw a total force of some 20,000 men into an ill-advised frontal assault against the Union troops. The Confederates made their approach, without substantial artillery support, on a level of some two miles. Why did Hood select such a catastrophic strategy? The authors analyze his reasoning in full. Their vivid and moving narrative, with statements from eyewitnesses to the battle, makes compelling reading for all Civil War buffs and historians.

    It describes the differing conditions experienced under Ottoman and Habsburg rule, but the main emphasis is on the national movements, their successes and failures to 1900, and the place of events in the Balkans in the international relations of the day.

    Lovely Corinna haydon, suspected of mooning over the notorious Fabian Greenville, is taken by her family to Paris, where it is hoped she will meet an eligible suitor.

    This Elibron Classics book is a facsimile reprint of a 1893 edition by Adam and Charles Black, London.

    Forced to select his ‘queen’ he settles on the Chantal’s housekeeper, Mademoiselle Pearl. Now looking upon Mademoiselle Pearl with a new found curiosity – while at the same time realising that the Chantal’s treat the Mademoiselle as something more than a housekeeper – Gaston questions Chantal about Mlle Pearl’s background."It's the most intriguing story I ever heard. Imagine coming into the world like that! Imagine such a boring family having such a wonderful secret."

    First Love is introduced by David Cecil. A Fire at Sea is lesser known work, dictated by Turgenev in French at the end of his life in 1883, recalling an incident while he never forgot. It is introduced by Isaiah Berlin. This beautifully packaged series of classic novellas includes the works of masterful writers. Inexpensive and collectible, they are the first single-volume publications of these classic tales, offering a closer look at this underappreciated literary form and providing a fresh take on the world's most celebrated authors.

    

    The book concentrates on those Japanese women who were outspoken critics of their society and the roles women were assigned in it, but also assesses the contributions women made to Japan during a period of rapid modernization.The struggle of Japanese women to gain political rights, the creation of a women's reform movement, the involvement of women in the early socialistic movement, the protests of women textile workers who staged Japan's first strikes, the evolution of the women's movement into a literary movement, and a new view of Kanno Suga, an anarchist who was hanged by the Japanese government in 1911, are presented against the background of determined state intervention in the lives of women.The book concludes with a brief summary of the changing role of women in Japan since Meiji, and compares their experience with that of European and American women.

    

    The Nez Perce, or Nimiipuu, inhabited much of what is now north central Idaho and portions of Oregon and Washington for thousands of years. The story of how western settlement drastically affected the Nimiipuu is one of the great and at times tragic sagas of American history.  Renowned western historian Alvin M. Josephy Jr. describes the Nimiipuu’s attachment to the land and their way of life, religion, and vibrant culture. He also chronicles the western expansion that displaced them, beginning with the Lewis and Clark Expedition in 1805 and followed by the influx of traders and trappers, then miners and farmers. Josephy traces the ill fortune of the Nez Perce as their homeland was carved up by treaties, creating an atmosphere of hostility that would culminate in the Nez Perce war of 1877 and conclude with Chief Joseph’s famous pronouncement: “I will fight no more forever.” Despite the challenges of the past, the Nimiipuu have maintained their ties to the land. In his introduction to the book, Jeremy FiveCrows details how the tribe has fought for self government to undo the damage wrought by shortsighted practices.

    Covering a wide range of topics, this volume presents case studies which focus on particular aspects of the female condition in Plains Indian societies, mostly concentrated on tribal groups in the northern Plains region of the United States and Canada. This book's focus is primarily historical, dealing with the conditions of Plains Indian women in the pre-reservation period, but also contains selections concerned with the role and status of women in the modern reservation era.This volume is a CHOICE Outstanding Academic Book of 1983.-- "Plains Anthropologist"

    Profiles the most successful professional gamblers of the nineteenth century American West and clarifies misconceptions about frontier life.

    Trekking across the English countryside, he recorded his responses to everything from the texture of an owl's feather and 'noises in the air' to the grinding hardship of rural labour. This superb selection of his essays and articles shows a writer who is brimming with intense feeling, acutely aware of the land and those who work on it, and often ambivalent about the countryside. Who does it belong to? Is it a place, an experience or a way of life? In these passionate and idiosyncratic writings, almost all our current ideas and concerns about rural life can be found.