Drawn from the Victoria and Albert Museum's world-famous collection, these garments display skills that are now lost, yet continue to inspire today's leading designers.Much of the finery seen here is too fragile to be on permanent display, or its detail too intricate to be captured in conventional photography. Jacobean blackwork, neoclassical tambour work, exquisite stitching, and knife-sharp pleats are pictured in stunning photographs, alongside such unusual techniques as stamping, pinking, and slashing--many of which are rarely employees in the modern world, as they require labor-intensive handwork impossible to replicate by machine.With line drawings showing the construction of the complete garment and a text that sets each in the context of its time, this book is a visual feast for all fashion lovers, and an essential resource for curators, collectors, students, costumers and designers.

    But this was not always the popular response to murder. In Murder Most Foul, Karen Halttunen explores the changing view of murder from early New England sermons read at the public execution of murderers, through the nineteenth century, when secular and sensational accounts replaced the sacred treatment of the crime, to today's true crime literature and tabloid reports.The early narratives were shaped by a strong belief in original sin and spiritual redemption, by the idea that all murders were natural manifestations of the innate depravity of humankind. In a dramatic departure from that view, the Gothic imagination--with its central conventions of the fundamental horror and mystery of the crime--seized upon the murderer as a moral monster, separated from the normal majority by an impassable gulf. Halttunen shows how this perception helped shape the modern response to criminal transgression, mandating criminal incarceration, and informing a social-scientific model of criminal deviance.The Gothic expression of horror and inhumanity is the predominant response to radical evil today; it has provided a set of conventions surrounding tales of murder that appear to be natural and instinctive, when in fact they are rooted in the nineteenth century. Halttunen's penetrating insight into her extraordinary treasure trove of creepy popular crime literature reveals how our stories have failed to make sense of the killer and how that failure has constrained our understanding and treatment of criminality today.

    No. 10. Transcribed by Robert R. McCausland and Cynthia MacAlman McCausland. Introduction by Pulitzer Prize winner Laurel Thatcher Ulrich. 992 pp. 38,000 entry Every Name Index, plus added indexes of places and subjects and a medical glossary. 1998 (1992) Martha Ballard made almost ten thousand daily entries during her three decades as a midwife. She reported on all 814 deliveries she attended in the Kennebec River Valley towns of Hallowell, Augusta, and vicinity; on numerous marriages and deaths; on the multitude of daily joys and cares, gossip and crops, meetings with strangers and acquaintances; and the activities of her large extended family. This is one of the few 18th century diaries by an American woman, and one of the most interesting diaries ever. If you are interested in colonial Maine, in colonial women, in diaries in general, or in women's rights and activities in particular, this book is for you! The story of Martha Ballard has been chronicled on television through the PBS stations. If you have seen this movie, you will surely want to read the diary.

    His sexually provocative nude figures and his dramatic religious paintings have a psychological power and an undiminished capacity to shock and disturb after almost four centuries. Timothy Wilson-Smith provides a lively and readable biography of an artist who has become an iconic figure in the late twentieth century, and presents a memorable selection of his works, from his early genre pictures to the dark and intense religious paintings of his years in exile.

    It shows how and why England, and later Britain, became involved with transoceanic navigation, trade, and settlement during the sixteenth and seventeenth centuries. The chapters, by leading historians, both illustrate the interconnections between developments in Europe and overseas and offer specialist studies on every part of the world that was substantially affected by British colonial activity. As late as 1630, involvement with regions beyond the traditional confines of Europe was still tentative; by 1690 it had

    Addresses the Biblical view of separation of church and state.

    The authors examine virtually all aspects of women's lives: female life-stages from birth to death; the separate culture of women, including female friendship and feminist consciousness; the diverse roles of women in the religious and political movements of the day; and the effect of prevailing perceptions of gender differences. Comparisons are made between the makeshift economy of poor women and the occupational identities, and preoccupations, of the middling and elite classes. This fascinating and well-illustrated book reconstructs the mental and material world of Tudor and Stuart women, and is sure to become the standard text on the subject.

    Christian-Muslim interaction at this time was not, as is often thought, primarily adversarial; rather, there was extensive cultural, intellectual and missionary engagement with Islam. Professor Matar investigates the impact of the Qur'an and sufism on the people of Britain, showing that the British interacted widely with Islamic religion, culture and people through travel, in London coffee houses, in church, among converts to and from Islam, in sermons and in plays.

    It emcompasses a guide to the historiography, an assessment of the major debates, and information about the varied sources available for women's history in this period. Arranged around familiar themes - the family, work, religion, education - the book presents a comprehensive survey of the social, economic and political position of women in England in the 16th and 17th centuries.

    This was to be democratic at a time when the very idea of democracy conjured up nothing good, with its suggestion of anarch and the 'levelling' of distinctions in rank and of property, even the holding of women in common.Whilst unlikely ever to realize their contemporary aspirations, the Levellers have been viewed as men and women 'before their time' who anticipated future developments in their writings. Thus these texts form an important part of the liberal and social democratic canon.This collection is comprised of 13 fully annotated texts, including John Lilburne's The young men's and apprentices' outcry, Richard Overton's An arrow against tyrants and the famous Agreements of the people.This anthology of Leveller writings includes an introduction by the editor which sets the Leveller ideas in their context, together with a chronology and short biographies of the leading figures. Essential reading for students of the English civil wars and of the history of political thought.

    Beginning with a discussion of early commentaries, the guide steers a clear path through the huge body of critical material that has been amassed over the past 3 centuries. The most significant critical arguments are presented and assessed, and the reader is brought to a clear understanding of the ways in which each generation has sought to invest the play with new meanings. In the final section of the Guide, consideration is given to the radical new readings of Shakespeare's work provided by contemporary critics.

    Often derided as the buffoon who hated all boets and bainters, George II was fortunate to be served by Prime Ministers Sir Robert Walpole and William Pitt, and was wise enough to leave the business of government to them. His wife, generally regarded as the ablest of British queens between Elizabeth I and Queen Victoria, used her influence in politics and patronage so that she and Walpole effectively ruled the kingdom between them. Her death in 1737 was seen as a national calamity. Illustrated throughout, this new biography provides a much-needed reevaluation of these monarchs and the times in which they ruled.

    The author includes accounts of Queen Henrietta Maria, Mary Bankes and Anne Fairfax alongside the experiences of ordinary women and young girls.

    -- An electronic voyage through time offering hours of fascinating thought-provoking reading for history lovers and students of all ages-- Flashing lights guide you through a quiz with electronic sounds signaling 'victory' or 'try again'-- Detailed timelines also provide a picture of the interrelationships of events at different places and times

    He founded a new capital, St. Petersburg, which became a symbol of cultural change, and a navy, which signaled Russia’s emergence as a maritime power. He also reinforced the old institutions of serfdom and autocracy. This magisterial book—a history of Peter and the Russia he governed—examines the impact of a man who was both acclaimed as the architect of the New Russia and condemned as a crude despot who sacrificed cherished traditions for the sake of international success.Drawing on previously unavailable sources, Lindsey Hughes provides an engrossing account of one of the most significant periods in Russian history. She proceeds thematically, discussing Russia’s foreign policy, the army and navy, economy, governing institutions, society, arts, education, and religion. She explores the experience of women and investigates the life of the court (including Peter’s “All-Drunken Assembly”), feasts, entertainments, and popular culture. Although the book is not a biography, Peter is a vivid presence throughout—a six-foot-seven-inch giant who enjoyed the company of dwarfs and ordinary people, adopted disguises and pseudonyms, married a peasant, and had a passion for cultural reform. Hughes recounts the events that shaped Peter’s youth, provides an intimate character sketch, and explores his complex family relations (including the tragic conflict with his eldest son Alexis, whom he condemned to death). Her account closes with a reconsideration of the Petrine legacy from Peter’s time to our own, as his name and image become harnessed to sell beer and cigarettes and the erection of his statue provokes recent controversy.

    Wilfrid Prest investigates this remarkable transformation from domestic instability and external weakness to global, economic, and military predominance. Geographically, the main focus is on England and Wales, but Prest also analyses the broader British context, discussing the role played by Ireland and Scotland, as well as the interrelations between England, Europe, and the wider world. He examines the lives of ordinary people as well as the ruling elite, and explores the distinctive nature of women's experiences; allowing the voices of the past to speak directly to the modern reader. The result is a lively, up-to-date, and comprehensive overview of Britain's long eighteenth century. It will remain a standard text on the subject for many years to come.