A Simple Way to Pray is a fresh modern translation bringing us Luther's practical instruction, using Luther's I.T.C.P. method of prayer. This method anchors prayer in the catechism or other biblical texts, but allows the Holy Spirit to prompt thoughts via the Word, which may be chased more freely by the mind at prayer.

    Faced with ferocious attack by a vast Turkish fleet, the knights of the Order of St John fear annihilation. Amongst those called to assist is disgraced veteran Sir Thomas Barrett. Loyalty and instinct compel him to put the Order above all other concerns, yet his allegiance is divided. At Queen Elizabeth's command, he must search for a hidden scroll, guarded by the knights, that threatens her reign. As Sir Thomas confronts the past that cost him his honour and a secret that has long lain buried, a vast enemy army arrives to lay siege to the island...

    Midnight on a doom-laden Hallowe'en and Elisabeth Hepburn, feisty daughter of the Earl of Bothwell, makes a wish ― to wed her lover, the poet David Lindsay. But her uncle has other plans. To safeguard the interests of the Hepbum family she is to become a nun and succeed her aunt as Prioress of St. Mary's Abbey, Haddington.However, plunged into the political maelstrom and religious turmoil of the early Scottish Reformation, her life there is hardly one of quiet contemplation. Strong-willed and independent, she clashes with those who question her unorthodox regime at St. Mary's, including Cardinal David Beaton and her rival, Sister Maryoth Hay.But her greatest struggle is against her thrawn godson, John Knox. Witnessing his rejection of the Roman Catholic Church ― aided by David Lindsay ― she despairs that the sins of her past may have contributed to his present disenchantment. As he purges himself from the puddle of papistry, Knox finds his voice, denouncing everything he once held dear, but will that include his godmother, Prioress Elisabeth? And by confessing her dark secrets, will Elisabeth steer Knox from the pernicious pull of Protestantism or drive him further down the fateful path he seems hell-bent on; a path that leads to burning at the stake?In a daring attempt to shed light on a wheen of unanswered questions about John Knox's early, undocumented life, this novel throws up some startling claims and controversial conjectures.Book one of The Knox Trilogy.

    and a love demonstrating that a man can embrace what he was seeking to destroy. When in 1540 Pedro de Valdivia headed south from Peru to conquer lands and gold, he took with him his beautiful mistress, Inés de Suárez. With him also rode his secretary, Juan de Cardeña, whose hopeless love of Inés stems from the same romances that inspired the Quixote. Having crossed the Atacama Desert, the Spanish encounter the indomitable resistance of the Mapuche people.... For the first time, Arauco recreates the Spanish invasion of Chile from the native perspective as well, so that its pages include: Lautaro, the Mapuche youth who led his people to an epic victory; Ñamku, albino shaman; his enemy, the sorcerer Kurufil ... and Raytrayen, the Mapuche girl Juan de Cardeña comes to love....

    The look and feel of Shakespeare's London, the streets, shops, and churches the poet would have visited; the bookstalls where he found source material; the objects that appeared on his stages or sparked his imagination--what were they like? Shakespeare: Staging the World presents an extraordinary collection of objects that evoke London in 1612, bringing to life not only Shakespeare the man, but also the characters, places, and events--real and imagined--featured in his plays. Jonathan Bate and Dora Thornton give readers a visual tour of Renaissance London, letting us glimpse the time and place through a series of objects that speak volumes about Shakespeare's day. Simon Forman's diary of 1611 provides a vivid account of attending a contemporary performance of A Winter's Tale; a dagger fished from the Thames gives new resonance to the gang violence of Romeo and Juliet; Henry V's saddle, helm, and shield--medieval relics that would have been a familiar sight in Westminster Abbey to Shakespeare's fellow Londoners--recall the history plays and their examination of the nature and conduct of war; and Guy Fawkes's lantern illustrates the Catholic counterculture revealed through the failed Gunpowder Plot, which later provided the inspiration for Macbeth. Authoritative, evocative, and filled with surprises, Shakespeare: Staging the World offers a completely new approach to one of the most creative imaginations in history and opens a window onto a fascinating moment in London's past.

    She draws effortlessly upon influences ranging from Dante to Raiders of the Lost Ark, and the authority of her presentation makes the world she’s created come alive. A wonderfully action-packed ride through the lush landscape of Renaissance Italy." Starred Review, Publishers Weekly The King’s Agent is based loosely on the life of Battista della Palla-a patriotic plunderer, a religious rogue-of the 16th century, a lifelong friend to the great Michelangelo. As the cloistered ward of the Marquess of Mantua, Lady Aurelia is a woman with a profound duty, and a longing for adventure. In search of a relic intended for the King of France, Battista and Aurelia cross the breathtaking landscape of Renaissance Italy. Clues hide in great works of art, political forces collide, secret societies and enemies abound, and danger lurks in every challenge, those that mirror the passages of Dante's Divine Comedy. It is an adventurous quest with undercurrents of the supernatural, powers that could change the balance of supremacy throughout Europe.

    But she soon finds herself drawn into the perilous web of Anne's ambition.Desperate to hold onto the king's waning affection, Anne schemes to have him take her guileless young cousin as mistress, ensuring her husband's new paramour will owe her loyalty to the queen. But Margaret has fallen deeply in love with a handsome young courtier. She is faced with a terrible dilemma: give herself to the king and betray the love of her life or refuse to become his mistress and jeopardize the life of the her cousin, Queen Anne.

    Gambler, cheat, womanizer, he yet produced some of the most divine art. This is the story of how, under the guidance - and provocation - of his patron, Cosimo de' Medici, Filippo transcends his bodily appetites to make paintings for the soul. Meanwhile he is abducting the nun who models for him - or is he? The book examines common ideas of goodness and finds them wanting.

    It reveals the importance of food to the colonial project in Spanish America and reconceptualises the role of European colonial expansion in shaping the emergence of ideas of race during the Age of Discovery. Rebecca Earle shows that anxieties about food were fundamental to Spanish understandings of the new environment they inhabited and their interactions with the native populations of the New World. Settlers wondered whether Europeans could eat New World food, whether Indians could eat European food and what would happen to each if they did. By taking seriously their ideas about food we gain a richer understanding of how settlers understood the physical experience of colonialism and of how they thought about one of the central features of the colonial project. The result is simultaneously a history of food, colonialism and race.

    But as Picturing the Book of Nature makes clear, they do more than bear witness to the development of book publishing during the Renaissance and to the prominence attained by the fields of medical botany and anatomy in European medicine. Sachiko Kusukawa examines these texts, as well as Conrad Gessner’s unpublished Historia plantarum, and demonstrates how their illustrations were integral to the emergence of a new type of argument during this period—a visual argument for the scientific study of nature. To set the stage, Kusukawa begins with a survey of the technical, financial, artistic, and political conditions that governed the production of printed books during the Renaissance. It was during the first half of the sixteenth century that learned authors began using images in their research and writing, but because the technology was so new, there was a great deal of variety of thought—and often disagreement—about exactly what images could do: how they should be used, what degree of authority should be attributed to them, which graphic elements were bearers of that authority, and what sorts of truths images could and did encode. Kusukawa investigates the works of Fuchs, Gessner, and Vesalius in light of these debates, scrutinizing the scientists’ treatment of illustrations and tracing their motivation for including them in their works. What results is a fascinating and original study of the visual dimension of scientific knowledge in the sixteenth century.

    'Chieftain' of a 'new company of courtly makers', he brought the Italian poetic Renaissance to England, but he was also revered as prophet-poet of the Reformation. His poetry holds a mirror to the secret, capricious world of Henry VIII's court, and alludes darkly to events which it might be death to describe. In the Tower, twice, Wyatt was betrayed and betrayer.This remarkably original biography is more - and less - than a Life, for Wyatt is so often elusive, in flight, like his Petrarchan lover, into the 'heart's forest'. Rather, it is an evocation of Wyatt among his friends, and his enemies, at princely courts in England, Italy, France and Spain, or alone in contemplative retreat. Following the sources - often new discoveries, from many archives - as far as they lead, Susan Brigden seeks Wyatt in his 'diverseness', and explores his seeming confessions of love and faith and politics. Supposed, at the time and since, to be the lover of Anne Boleyn, he was also the devoted 'slave' of Katherine of Aragon. Aspiring to honesty, he was driven to secrets and lies, and forced to live with the moral and mortal consequences of his shifting allegiances. As ambassador to Emperor Charles V, he enjoyed favour, but his embassy turned to nightmare when the Pope called for a crusade against the English King and sent the Inquisition against Wyatt. At Henry VIII's court, where only silence brought safety, Wyatt played the idealized lover, but also tried to speak truth to power.Wyatt's life, lived so restlessly and intensely, provides a way to examine a deep questioning at the beginning of the Renaissance and Reformation in England. Above all, this new biography is attuned to Wyatt's dissonant voice and broken lyre, the paradox within him of inwardness and the will to 'make plain' his heart, all of which make him exceptionally difficult to know - and fascinating to explore.

    Unfairly convicted of a crime he had not committed, the young cook was strung from the whipping post on the Plymouth quay side when he caught the eye of Francis Drake and managed to convince the charismatic sea captain to accept him among his crew.Soon England was receding in their wake and Perry was serving an unsavory collection of sea dogs as the small fleet of fragile wood ships sailed across the brine. Their destination was secret, known to Drake alone. Few sailors believed the public avowal that the expedition was headed for Alexandria to trade in currants. Some men suspected Drake planned a raid across Panama to attack the Spanish in the Pacific. Others were sure the real plan was to round the Cape of Storms to break the Portuguese monopoly of the spice trade. The only thing Perry knew for certain was that they were bound for danger and that he must live by his wits if he were to survive serving at Drake’s command.

    Elite clans battle for control of the toddler who will become their first tsar, Ivan the Terrible. Amid the chaos and upheaval, a masked man mysteriously appears night after night to aid the desperate people. Or is he a man? Sixteen-year-old Nasan Kolychev is trapped in a loveless marriage. To escape her misery, she dons boys' clothes and slips away under cover of night to help those in need. She never intends to do more than assist a few souls and give her life purpose. But before long, Nasan finds herself caught up in events that will decide the future of Russia. And so, a girl who has become the greatest hero of her time must decide whether to save a baby destined to become the greatest villain of his.

    This is the first volume of the Borderer Chronicles. Where life leads, someone always suffers.Your own destiny lies over three hills. Three peaks to climb and descend. The first peak is childhood. It moulds your spirit, and its vigour runs you to the top and you ardently descend its fall, eager to reach the next hill. Wounds are taken lightly, scars heal quickly and worn bravely.The second peak is youth, with decision how the rise of the hill should be taken. Easy and difficult paths are there, fortune and ruin. The descent is a path few relish, for it leaves behind the strength and hopes of youth. Wounds are harsh and scars never heal.The third peak is middle age, and is an arduous climb with the burden of responsibility, made difficult by the tally of wounds. Descent leads one to decline, and the finality of the journey. Three Hills is a core of a man's story; poignancy, adventure and wit. Three periods of a life born out of the troubled English and Scottish Marches, where hardship and strife mould the local people. When English and Scottish sovereigns could only pick at each other, only to make their subjects bleed to satisfy their own royal vanity.http://www.ruffthedog.com

    Nancy Kollmann contrasts Russian written law with its pragmatic application by local judges, arguing that this combination of formal law and legal institutions with informal, flexible practice contributed to the country's social and political stability. She also places Russian developments in the broader context of early modern European state-building strategies of governance and legal practice. She compares Russia's rituals of execution to the 'spectacles of suffering' of contemporary European capital punishment and uncovers the dramatic ways in which even the tsar himself, complying with Moscow's ideologies of legitimacy, bent to the moral economy of the crowd in moments of uprising. Throughout, the book assesses how criminal legal practice used violence strategically, administering horrific punishments in some cases and in others accommodating with local communities and popular concepts of justice.

    Five years after the defeat of the Ottoman Empire at the Battle of Lepanto, a ship steals unnoticed into Venice bearing a deadly cargo. A man more dead than alive disembarks and staggers into Piazza San Marco. He brings a gift to Venice from Constantinople. Within days the city is infected with bubonic plague—and the Turkish Sultan has his revenge. But the ship also holds a secret stowaway—Feyra, a young and beautiful harem doctor fleeing a future as the Sultan's concubine. Only her wits and medical knowledge keep her alive as the plague ravages Venice. In despair the Doge commissions the architect Andrea Palladio to build the greatest church of his career—an offering to God so magnificent that Venice will be saved. But Palladio's own life is in danger too, and it will require all skills of medico Annibale Cason, the city's finest plague doctor, to keep him alive. But what Annibale had not counted on was meeting Feyra, who is now under Palladio's protection, a woman who can not only match his medical skills but can also teach him how to care.

    The realm’s most beautiful young maidens—provided they hailed from the aristocracy—gathered in Moscow, where the tsar’s trusted boyars reviewed their medical histories, evaluated their spiritual qualities, noted their physical appearances, and confirmed their virtue. Those who passed muster were presented to the tsar, who inspected the candidates one by one—usually without speaking to any of them—and chose one to be immediately escorted to the Kremlin to prepare for her wedding and new life as the tsar’s consort.Alongside accounts of sordid boyar plots against brides, the multiple marriages of Ivan the Terrible, and the fascinating spectacle of the bride-show ritual, A Bride for the Tsar offers an analysis of the show’s role in the complex politics of royal marriage in early modern Russia. Russell E. Martin argues that the nature of the rituals surrounding the selection of a bride for the tsar tells us much about the extent of his power, revealing it to be limited and collaborative, not autocratic. Extracting the bride-show from relative obscurity, Martin persuasively establishes it as an essential element of the tsarist political system.

    Covering the length and breadth of Buckinghamshire, the featured cases include the brutal slaying of a family of seven in Denham in 1870, the killing of a butcher's wife in Victorian Sloughfor which no one was ever found guilty, an apparent suicide in Chesham which turned out to be murder, and the doctor who disappeared in 1933 and whose decomposed corpse was found in Buckinghamshire woods the following year. This well-illustrated and enthralling text will appeal to everyone interested in true-crime history and the shadier side of Buckinghamshire's past.

    This book is a history of London during this crucial period of its rise to world-wide prominence, during which it dominated the economic, political, social and cultural life of the British Isles as never before nor since. London: A Social and Cultural History incorporates the best recent work in urban history, accounts by contemporary Londoners and tourists, and fictional works featuring the city in order to to trace London's rise and explore its role as a harbinger of modernity as well as how its citizens coped with those achievements. This book covers the full range of life in London, from the splendid galleries of Whitehall to the damp and sooty alleyways of the East End. Along the way, readers will brave the dangers of plague and fire, witness the spectacles of the Lord Mayor's Pageant and the hangings at Tyburn, and take refreshment in the city's pleasure gardens, coffeehouses, and taverns.

    A true man of the Renaissance, his shift in character to an all-powerful tyrant is one of the most vivid and significant aspects of British history. David Starkey's biography charts Henry VIII's remarkable story.

    Sex and childbirth were quite literally a matter of life or death for the Tudors - Elizabeth of York died in childbirth, two of Henry VIII's queens were beheaded for infidelity, and Elizabeth I's elective virginity signaled the demise of a dynasty.Amy Licence guides the reader through the births of Elizabeth of York's two sons, Arthur and Henry, Catherine of Aragon's subsequent marriages to both of these men, Henry VIII's other five wives and his mistresses, and the sex lives of his daughters.This book details the experiences of all these women, from fertility, conception and pregnancy through to the delivery chamber, on to maternal and infant mortality. Each woman's story is a blend of specific personal circumstances, set against their historical moment. For some the joys were brief; for others it was a question that ultimately determined their fates.

    Threatened by the Inquisition for daring to contradict the literal truth of the Bible, Galileo ignited a scientific revolution when he asserted that the Earth moves. This generous selection from his writings contains all the essential texts for a reader to appreciate his lasting significance. Mark Davie's new translation renders Galileo's vigorous Italian prose into clear modern English, while William R. Shea's version of the Latin Sidereal Message makes accessible the book that created a sensation in 1610 with its account of Galileo's observations using the newly invented telescope.All Galileo's contributions to the debate on science and religion are included, as well as key documents from his trial before the Inquisition in 1633. A lively introduction and clear notes give an overview of Galileo's career and explain the scientific and philosophical background to the texts.

    Famous writers and artists like William Shakespeare and Albrecht Durer depicted the dark side in their work, and some of the first printed books in Europe were about witches. The pervasive representation of these monsters and apparitions in period literature, folklore, and art clearly reflects their power to inspire fear and superstition, but also demonstrates how integral they were to early modern European culture.This unique book addresses topics of the supernatural within the context of the early modern period in Europe, covering "mythical" entities such as devils, witches, ghosts, poltergeists, and werewolves in detail and examining how they fit in with the emerging new scientific method of the time. This unique combination of cultural studies for the period is ideal for undergraduate students and general readers.

    This study chronicles Portugal’s final attempt, a six-year odyssey in Ethiopia that resulted in a tragicomic collision with a proud but isolated Christian kingdom. After summarizing the Prester John myth and the many efforts it spawned, the work focuses on the Ethiopian mission’s chronicler, Father Francisco Álvares, who fell in love with the country and its people, became a friend of its king, hid the Abyssinians’ heresies from his superiors, and set in motion events that saved Ethiopia from imminent destruction. Unique in the annals of Europeans’ initial contacts with African peoples, the Portuguese mission is a portrait of hopeful preconceptions buffeted and eventually transformed by encounters with a fascinating, utterly unexpected reality.

    Tracing the fraught history of religious change in Tudor England, and the retellings of that history to shape a protestant national identity, once again he emphasizes the importance of the study of late medieval religion and material culture for our understanding of this most formative and fascinating of eras. Getting to grips with the misconceptions, discontinuities and dilemmas which have dogged the history of Tudor religion, he traces the lived experience of Catholicism in an age of upheaval: from what it meant to be a Catholic in early Tudor England; through the nature of militant Catholicism at the height of the conflict; to the after-life of Tudor Catholicism and the ways in which the 'old religion' was remembered and spoken about in the England of Shakespeare. Duffy writes at all times with grace, elegance and wit as he questions prejudices and myths about the Reformation, to demonstrate that the truth about the past is never pure nor simple.