Whether through the falsified historical record of the uniquely weird Swedish creature known as the “Pyret” or the title story, “Jagannath,” about a biological ark in the far future, Tidbeck’s unique imagination will enthrall, amuse, and unsettle you. How else to describe a collection that includes “Cloudberry Jam,” a story that opens with the line “I made you in a tin can”? Marvels, quirky character studies, and outright surreal monstrosities await you in what is likely to be one of the most talked-about short story collections of the year.Tidbeck is a rising star in her native country, having published a collection there in Swedish, won a prestigious literary grant, and just sold her first novel to Sweden’s largest publisher. A graduate of the iconic Clarion Writer’s Workshop at the University of California, San Diego, in 2010, her publication history includes Weird Tales, Shimmer Magazine, Unstuck Annual and the anthology Odd.

    A new collection of short stories from Hopkinson, including "Greedy Choke Puppy," which Africana.com called "a cleverly crafted West Indian story featuring the appearance of both the soucouyant (vampire) & lagahoo (werewolf)," "Ganger (Ball Lightning)," praised by the Washington Post Book World as written in "prose [that] is vivid & immediate," this collection reveals Hopkinson's breadth & accomplishments as a storyteller.

    Vaccination and treatment are widely available, not held in reserve for the chosen few. There are still monsters left to fight, but the old ones, the simple ones, trouble us no more.Or so we thought. For with the reduction in danger comes the erosion of memory, as pandemics fade from memory into story into fairy tale. Those old diseases can’t have been so bad, people say, or we wouldn’t be here to talk about them. They don’t matter. They’re never coming back.How wrong we could be.It begins with a fever. By the time the spots appear, it’s too late: Morris’s disease is loose on the world, and the bodies of the dead begin to pile high in the streets. When its terrible side consequences for the survivors become clear, something must be done, or the dying will never stop. For Dr. Isabella Gauley, whose niece was the first confirmed victim, the route forward is neither clear nor strictly ethical, but it may be the only way to save a world already in crisis. It may be the only way to atone for her part in everything that’s happened.She will never be forgiven, not by herself, and not by anyone else. But she can, perhaps, do the right thing.We live in an age of monsters.

    Maude is twelve, about the age some girls turn into flesh-eating wild cats. As her detective dad investigates a series of strange mauling attacks, Maude worries she may be the killer. Collects #1-4Includes the informative survival handbook, "Cat Fight! A Boys' Guide to Dangerous Cats." Plus never-before-published extra content.

    When the newest crop of fresh femmes arrive, can they work together to stay alive or will hidden agendas, crooked guards, and the deadliest sport on (or off!) Earth take them to their maker?Collects BITCH PLANET #1-5.

    This mesmerizing collection features all of Ken’s award-winning and award-finalist stories, including: “The Man Who Ended History: A Documentary” (Finalist for the Hugo, Nebula, and Theodore Sturgeon Awards), “Mono No Aware” (Hugo Award winner), “The Waves” (Nebula Award finalist), “The Bookmaking Habits of Select Species” (Nebula and Sturgeon award finalists), “All the Flavors” (Nebula award finalist), “The Litigation Master and the Monkey King” (Nebula Award finalist), and the most awarded story in the genre’s history, “The Paper Menagerie” (The only story to win the Hugo, Nebula, and World Fantasy awards).A must-have for every science fiction and fantasy fan, this beautiful book is an anthology to savor.

    Moreau to Dr. Doom, readers have long been fascinated by insane plans for world domination and the madmen who devise them. Typically, we see these villains through the eyes of good guys. This anthology, however, explores the world of mad scientists and evil geniuses—from their own wonderfully twisted point of view. An all-star roster of bestselling authors—including Diana Gabaldon, Daniel Wilson, Austin Grossman, Naomi Novik, and Seanan McGuire ... twenty-two great storytellers, all told—have produced a fabulous assortment of stories, guaranteed to provide readers with hour after hour of high-octane entertainment born of the most megalomaniacal mayhem imaginable. Everybody loves villains. They’re bad; they always stir the pot; they’re much more fun than the good guys, even if we want to see the good guys win. Their fiendish schemes, maniacal laughter, and limitless ambition are legendary, but what lies behind those crazy eyes and wicked grins? How—and why—do they commit these nefarious deeds? And why are they so set on taking over the world? If you've ever asked yourself any of these questions, you’re in luck: It’s finally time for the madmen’s side of the story.Between each chapter falls a single-page essay by the editor, by way of introduction to the story ahead; they have titles of their own, but all contain spoilers, so are not listed here (they can be found on the Internet Science Fiction Database if desired). All individual works in this anthology are in short story form, with the exception of Diana Gabaldon's 80-page Outlander novella, and unless otherwise noted, were first published within. CONTENTS Foreword - Chris Claremont, The Mad Scientist's Guide to World Domination: Original Short Fiction for the Modern Evil Genius (p9)01 - Austin Grossman, Professor Incognito Apologizes: An Itemized List (p16)02 - Harry Turtledove, Father of the Groom (p28)03 - Seanan McGuire, Laughter at the Academy: A Field Study in the Genesis of Schizotypal Creative Genius Personality Disorder (SCGPD) (p38)04 - David D. Levine, Letter to the Editor (p52)05 - Jeremiah Tolbert, Instead of a Loving Heart (2004, p59)06 - Daniel H. Wilson, The Executor (p68)07 - Heather Lindsley, The Angel of Death Has a Business Plan (p83)08 - Dave Wolverton (as David Farland), Homo Perfectus (p96)09 - L.A. Banks, Ancient Equations (p108)10 - Alan Dean Foster, Rural Singularity (p123)11 - Genevieve Valentine, Captain Justice Saves the Day (p133)12 - Theodora Goss, The Mad Scientist's Daughter (2010, p142)13 - Diana Gabaldon, The Space Between (2012 Outlander novella, p161)14 - Carrie Vaughn, Harry and Marlowe Meet the Founder of the Aetherian Revolution (p245)15 - Laird Barron, Blood and Stardust (p261)16 - L.E. Modesitt Jr., A More Perfect Union (p276)17 - Naomi Novik, Rocks Fall (p289)18 - Mary Robinette Kowal, We Interrupt This Broadcast (Lady Astronaut short story, p298)19 - Marjorie M. Liu, The Last Dignity of Man (p306)20 - Jeffrey Ford, The Pittsburgh Technology (p328)21 - Grady Hendrix, Mofongo Knows (p341)22 - Ben H. Winters, The Food Taster's Boy (p357)

    Twenty-five chances to impress.When the test takes an unexpected and tragic turn, Idir is handed the power of life and death.How do you value a life when all you have is multiple choice?

    Revisions from the author's notes are included, allowing a deeper view into her world and a better understanding of her work. The Nebula Award–winning short story Love Is the Plan, the Plan Is Death, the Hugo Award–winning novella The Girl Who Was Plugged In, and the Hugo and Nebula Award–winning novella Houston, Houston, Do You Read? are included.The stories of Alice Sheldon, who wrote as James Tiptree Jr. ( Up the Walls of the World ) until her death in 1987, have been heretofore available mostly in out-of-print collections. Thus the 18 accomplished stories here will be welcomed by new readers and old fans. ''The Screwfly Solution'' describes a chilling, elegant answer to the population problem. In ''Love Is the Plan the Plan Is Death,'' the title tells the tale--species survival insured by imprinted drives--but the story's force is in its exquisite, lyrical prose and its suggestion that personal uniqueness is possible even within biological imperatives. ''The Girl Who Was Plugged In'' is a future boy-meets-girl story with a twist unexpected by the players. ''The Women Men Don't See '' displays Tiptree's keen insight and ability to depict singularity within the ordinary. In Hugo and Nebula award-winning ''Houston, Houston, Do You Read?'' astronauts flying by the sun slip forward 500 years and encounter a culture that successfully questions gender roles in ours.ContentsIntroduction by Michael SwanwickThe Last Flight of Doctor Ain (1969)The Screwfly Solution (1977)And I Awoke and Found Me Here on the Cold Hill’s Side (1972)The Girl Who Was Plugged In (1973)The Man Who Walked Home (1972)And I Have Come Upon This Place by Lost Ways (1972)The Women Men Don’t See (1973)Your Faces, O My Sisters! Your Faces Filled of Light! (1976)Houston, Houston, Do You Read? (1976)With Delicate Mad Hands (1981)A Momentary Taste of Being (1975)We Who Stole the Dream (1978)Her Smoke Rose Up Forever (1974)Love Is the Plan the Plan Is Death (1973)On the Last Afternoon (1972)She Waits for All Men Born (1976)Slow Music (1980)And So On, and So On (1971)

       Rory Thorne is a princess with thirteen fairy blessings, the most important of which is to see through flattery and platitudes. As the eldest daughter, she always imagined she’d inherit her father’s throne and govern the interplanetary Thorne Consortium.   Then her father is assassinated, her mother gives birth to a son, and Rory is betrothed to the prince of a distant world.   When Rory arrives in her new home, she uncovers a treacherous plot to unseat her newly betrothed and usurp his throne. An unscrupulous minister has conspired to name himself Regent to the minor (and somewhat foolish) prince. With only her wits and a small team of allies, Rory must outmaneuver the Regent and rescue the prince.  How Rory Thorne Destroyed the Multiverse is a feminist reimagining of familiar fairytale tropes and a story of resistance and self-determination—how small acts of rebellion can lead a princess to not just save herself, but change the course of history.

    The magic mirror sees all but can do nothing. A cloned savior solves a fanatically-inspired murder. Three Irish siblings thieve treasures with bad poetry and the aid of the Queen of Cats.With these captivating initial glimpses into her storytelling psyche, Jo Walton shines through subtle myths and reinvented realities. Through eclectic stories, subtle vignettes, inspired poetry, and more, Walton soars with humans, machines, and magic—rising from the every day into the universe itself.

    Working for one is even harder.Evie Tanaka is the put-upon personal assistant to Aveda Jupiter, her childhood best friend and San Francisco's most beloved superheroine. She's great at her job—blending into the background, handling her boss's epic diva tantrums, and getting demon blood out of leather pants.Unfortunately, she's not nearly as together when it comes to running her own life, standing up for herself, or raising her tempestuous teenage sister, Bea.But everything changes when Evie's forced to pose as her glamorous boss for one night, and her darkest secret comes out: she has powers, too. Now it's up to her to contend with murderous cupcakes, nosy gossip bloggers, and supernatural karaoke battles—all while juggling unexpected romance and Aveda's increasingly outrageous demands. And when a larger threat emerges, Evie must finally take charge and become a superheroine in her own right... or see her city fall to a full-on demonic invasion.

       When Mrs. Sorensen’s husband dies, she rekindles a long-dormant love with an unsuitable mate in “Mrs. Sorensen and the Sasquatch.” In “Open the Door and the Light Pours Through,” a young man wrestles with grief and his sexuality in an exchange of letters with his faraway beloved. “Dreadful Young Ladies” demonstrates the strength and power—known and unknown—of the imagination.  In “Notes on the Untimely Death of Ronia Drake,” a witch is haunted by the deadly repercussions of a spell. “The Insect and the Astronomer” upends expectations about good and bad, knowledge and ignorance, love and longing. The World Fantasy Award–winning novella The Unlicensed Magician introduces the secret magical life of an invisible girl once left for dead—with thematic echoes of Barnhill’s Newbery Medal–winning novel, The Girl Who Drank the Moon.

    Eavesdropping and exploring; savaging our bodies, saving our souls. They are monsters, saviours, victims, childhood friends. Some have called them genies: these are the Djinn. And they are everywhere. On street corners, behind the wheel of a taxi, in the chorus, between the pages of books. Every language has a word for them. Every culture knows their traditions. Every religion, every history has them hiding in their dark places. There is no part of the world that does not know them.They are the Djinn. They are among us.With stories from: Nnedi Okorafor, Neil Gaiman, Helene Wecker, Amal El-Mohtar, Catherine King, Claire North,  E.J. Swift, Hermes (trans. Robin Moger), Jamal Mahjoub, James Smythe, J.Y. Yang, Kamila Shamsie, Kirsty Logan, K.J. Parker, Kuzhali Manickavel, Maria Dahvana Headley, Monica Byrne, Saad Hossein, Sami Shah, Sophia Al-Maria and Usman Malik.

    G. Wodehouse in Crosstalk, a genre-bending novel that pushes social media, smartphone technology, and twenty-four-hour availability to hilarious and chilling extremes as one young woman abruptly finds herself with way more connectivity than she ever desired.In the not-too-distant future, a simple outpatient procedure to increase empathy between romantic partners has become all the rage. And Briddey Flannigan is delighted when her boyfriend, Trent, suggests undergoing the operation prior to a marriage proposal - to enjoy better emotional connection and a perfect relationship with complete communication and understanding. But things don't quite work out as planned, and Briddey finds herself connected to someone else entirely - in a way far beyond what she signed up for.It is almost more than she can handle - especially when the stress of managing her all-too-eager-to-communicate-at-all-times family is already burdening her brain. But that's only the beginning. As things go from bad to worse, she begins to see the dark side of too much information, and to realize that love - and communication - are far more complicated than she ever imagined.