These eleven stories showcase Kyle’s keen eye for character, her humor, and her uncanny grasp of the loneliness, selfishness, and longing that underlie female experience. In "Nine," a young girl given to exaggeration escapes a humiliating ninth birthday celebration with the help of her father’s new girlfriend. The dubious benefits of sleeping with one’s boss are revealed when a bookstore manager defends an employee from an irate customer in the hilarious "Sex Scenes from a Chain Bookstore." A raid on a neighbor’s meth lab strengthens the unlikely friendship between a solitary woman and a Goth teenage girl in "Boys and Girls Like You and Me." And in a notable exception to the rule, "Captain’s Club" features a boy whose devotion to a lonely woman transforms his cruise vacation.In moments electric with sudden harmony or ruthless indifference, the girls and women in this collection provoke, beguile, and entertain. Writing with remarkable tenderness and wisdom, Kyle gives us a collection radiant with bittersweet revelations and startling insights, and secures her reputation as a major young talent.

    Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources, and the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.

    Compiling favored stories suggested by the author and his fans, this delightful treasury contains the most esteemed and beloved selections that de Lint has to offer. Innovative characters in unexpected places are the key to each plot: playful Crow Girls who sneak into the homes of their sleeping neighbors; a graffiti artist who risks everything to expose a long-standing conspiracy; a half-human girl who must choose between her village and her strange birthright; and an unrepentant trickster who throws one last party to reveal a folkloric tradition. Showcasing some of the finest offerings within the realms of urban fantasy and magical realism, this essential compendium of timeless tales will charm and inspire.Contents IntroductionIn Which We Meet Jilly Coppercorn Coyote Stories Laughter in the Leaves The Badger in the Bag And the Rafters Were Ringing Merlin Dreams in the Mondream Wood The Stone Drum Timeskip Freewheeling A Wish Named Arnold Into the Green The Graceless Child Winter Was Hard The Conjure Man We Are Dead Together Mr. Truepenny's Book Emporium and Gallery In the House of My Enemy The Moon Is Drowning While I Sleep Crow Girls Birds Held Safe by Moonlight and Vines In the Pines Pixel Pixies Many Worlds Are Born Tonight Sisters Pal o' Mine That Was Radio Clash Old Man Crow The Fields Beyond the Fields

    This mesmerizing collection features all of Ken’s award-winning and award-finalist stories, including: “The Man Who Ended History: A Documentary” (Finalist for the Hugo, Nebula, and Theodore Sturgeon Awards), “Mono No Aware” (Hugo Award winner), “The Waves” (Nebula Award finalist), “The Bookmaking Habits of Select Species” (Nebula and Sturgeon award finalists), “All the Flavors” (Nebula award finalist), “The Litigation Master and the Monkey King” (Nebula Award finalist), and the most awarded story in the genre’s history, “The Paper Menagerie” (The only story to win the Hugo, Nebula, and World Fantasy awards).A must-have for every science fiction and fantasy fan, this beautiful book is an anthology to savor.

    Full of loneliness and hope, heartbreak and humor, Rothbart's tales blaze their way from midwestern farm fields to state prisons and border-town brothels. Much like the lost, tossed, and forgotten items Rothbart collected in his acclaimed book, Found, the stories in The Lone Surfer of Montana, Kansas capture the oddity, poetry, and dignity of everyday life.

    Though they are built around the common themes of sex, love, desire, and gender, Aidt pushes them into her own desperate, frantic realm. In one, a whore shows up unannounced at a man’s apartment, roosts in his living room, and then violently threatens him when he tries to make her leave. In another, a wife takes her husband to a city where it is women, not men, who are the dominant sex—but was it all a hallucination when she finds herself tied to a board and dragged back to his car? And in the unforgettable “Blackcurrant,” two young women who have turned away from men and toward lesbianism abscond to a farm, where they discover that their neighbor’s son is experimenting with his own kind of sexuality. The first book from the widely lauded Aidt to reach the English language, Baboon delivers audacious writing that careens toward bizarre, yet utterly truthful, realizations.

    Her work has been acclaimed as "amazing . . . terrific and original" (Washington Post). In this collection of nine works of short fiction, she uses her piercing insight to plumb the depth of the female experience and the human soul.A husband’s wife transforms into a vulpine in "Mrs. Fox," winner of the BBC Short Story Prize. In "Case Study 2, " A social worker struggles with a foster child raised in a commune. A new mother runs into an old lover in "Luxury Hour." In incandescent prose, full of rich observations and striking clarity, Hall has composed nine wholly original pieces—works of fiction that will resonate long after the final page is turned.

    Babitz prowls California, telling tales of a changing world. She writes about the Rodeo Gardens, about AIDS, about learning to tango, about the Hollywood Cemetery, about the self-enchanted city, and, most important, about the envy and jealousy underneath it all. Babitz’s inimitable voice propels these stories forward, corralling everything that gets in their way: sex, rage, the Château Marmont, youth, beauty, Jim Morrison, men, women, and black swans. This exciting reissue further celebrates the phenomenon of Eve Babitz, cementing her reputation as the voice of a generation.

    Featuring two centuries of women's short fiction, ranging from established Queens of the short story like Alice Munro and Angela Carter, to contemporary rising stars like Miranda July and Chimamanda Ngozi Adichie, this is the biggest and most beautiful collection in print today.Handpicked by one of the nation's favourite novelists, Victoria Hislop - herself a great writer of, and champion for, short stories - and divided thematically into collections on love, loss and the lives of women, there's a story for every mood, mindset and moment in life.CONTRIBUTORS INCLUDE: Margaret Atwood, Angela Carter, Emma Donoghue, Daphne Du Maurier, Stella Duffy, Susan Hill, Doris Lessing, Penelope Lively, Katherine Mansfield, Hilary Mantel, Lorrie Moore, Alice Munro, Ali Smith, Muriel Spark, Alice Walker, Jeanette Winterson, Virginia Woolf.

    In her debut collection of short fiction, Due takes us to Gracetown, a small Florida town that has both literal and figurative ghost; into future scenarios that seem all too real; and provides empathetic portraits of those whose lives are touched by Otherness. Featuring an award-winning novella and fifteen stories—one of which has never been published before—Ghost Summer: Stories is sure to both haunt and delight.With an Introduction by Nalo Hopkinson and an Afterword by Steven Barnes.

    Beloved for the lens of the strange he places on small town life, Steven Millhauser further reveals in Voices in the Night the darkest parts of our inner selves to brilliant and dazzling effect. Here are stories of wondrously imaginative hyperrealism, stories that pose unforgettably unsettling what-ifs, or that find barely perceivable evils within the safe boundaries of our towns, homes, and even within our bodies. Here, too, are stories culled from religion and fables: Samuel, who hears the voice of God calling him in the night; a young, pre-enlightenment Buddha, who searches for his purpose in life; Rapunzel and her Prince, who struggle to fit the real world to their dream. Heightened by magic, the divine, and the uncanny, shot through with sly and winning humor, Voices in the Night seamlessly combines the whimsy and surprise of the familiar with intoxicating fantasies that take us beyond our daily lives, all done with the hallmark sleight of hand and astonishing virtuosity of one of our greatest contemporary storytellers.

    

    Spanning several generations and transporting us to exotic locations in Europe, Asia, and America, this wise and exquisite story collection marks the debut of a gifted new voice in literature.

    A lovesick teenage Cajun girl, a gay Canadian astrophysicist, a teenage sniper on the LAPD payroll, a post-apocalyptic bulletproof-vest salesman—each seeks connection and meaning in landscapes made uncertain by the voids that parents and lovers should fill. With imaginative grace and verbal acuity, Johnson is satirical without being cold, clever without being cloying, and heartbreaking without being sentimental. He shreds the veneer of our media-saturated, self-help society, revealing the lonely isolation that binds us all together.

    These are but some of the men and women who fill this searingly imaginative and emotionally taut collection of short stories by Mark Haddon, that weaves through time and space to showcase the author's incredible versatility.     Yet the collection achieves a sum that is greater than its parts, proving itself a meditation not only on isolation and loneliness but also on the tenuous and unseen connections that link individuals to each other, often despite themselves. In its titular story, the narrator describes with fluid precision a catastrophe that will collectively define its victims as much as it will disperse them—and brilliantly lays bare the reader's appetite for spectacle alongside its characters'. Cut with lean prose and drawing inventively from history, myth, fairy tales, and, above all, the deep well of empathy that made his three novels so compelling, The Pier Falls reveals a previously unseen side of the celebrated author.