It is also the most decadent of the great Russian classics, replete with naked boys, sinuous girls, and a strange mixture of beauty and perversity. The main hero, Peredonov, is as comical as he is disgusting, he is at once a victim, a monster, a silly hypocrite, and a sadistic dullard. The plot moves from Peredonov’s petty quest for a promotion to arson and murder via one of the most incredible and uproarious scandal scenes in world literature, the masquerade ball, which the boy Sasha attends as a beautiful geisha. Even in its censored form, it is one of the most provocative and sexually open of Russian books. Sologub removed many passages which would have been unacceptable at the time of publication. In this edition these censored sections are appended, and all are keyed so that the reader can place them in the novel as it was written.

    Amazing in its thematic range and stylistic breadth, his poetry "leaps continents and covers war and peace, intolerance and human striving . . . a passionate and essential edition of his collected poems" ( The New York Times).

    When she leaves for Moscow to audition for drama school, she defies her mother and grandparents and abandons her first love, Andrei.Before she leaves, Sasha discovers the hidden war journal of her uncle Kolya, an artist still missing in action years after the war has ended. His pages expose the official lies and the forbidden truth of Stalin’s brutality. Kolya’s revelations and his tragic love story guide Sasha through drama school and cement her determination to live a thousand lives onstage. After graduation, she begins acting in Leningrad, where Andrei, now a Communist Party apparatchik, becomes a censor of her work. As a past secret comes to light, Sasha’s ambitions converge with Andrei’s duties, and Sasha must decide if her dreams are truly worth the necessary sacrifice and if, as her grandmother likes to say, all will indeed be well.

    "In fact, I'm very modern. Why do you look at me like that?"Left to her own devices in Biarritz, fourteen-year-old Russian Liza meets an older English boy, Cromwell, on a beach. He thinks he has found a magical, romantic beauty and insists upon calling her Isolde; she is taken with his Buick and ability to pay for dinner and champagne. Disaffected and restless, Liza, her brother Nikolai and her boyfriend Andrei enjoy Cromwell's company in restaurants and jazz bars after he follows Liza back to Paris - until his mother stops giving him money. When the siblings' own mother abandons them to follow a lover to Nice, the group falls deeper into its haze of alcohol, and their darker drives begin to take over.First published in 1929, Isolde is a startlingly fresh, disturbing portrait of a lost generation of Russian exiles by Irina Odoevtseva, a major Russian writer who has never before appeared in English.

    A virtuoso study in betrayal and its consequences, it explores - really, colonizes - the consciousness of Anatoly Sukhanov, who many years before abandoned the precarious existence of an underground artist for the perks of a Soviet apparatchik. But, at the age of 56, his perfect life is suddenly disintegrating. Buried dreams return to haunt him. New political alignments threaten to undo him. Vaulting effortlessly from the real to the surreal and from privilege to paranoia, The Dream Life of Sukhanov is a darkly funny, demonically entertaining novel.

    Andrei is a model Soviet citizen, a swaggeringly self-satisfied mogul of the food industry who intends to revolutionize modern life with mass-produced sausage. Nikolai is a loser. Finding him drunk in the gutter, Andrei gives him a bed for the night and a job as a gofer. Nikolai takes what he can, but that doesn't mean he's grateful. Griping, sulking, grovelingly abject, he despises everything Andrei believes in, even if he envies him his every breath.Producer and sponger, insider and outcast, master and man fight back and forth in the pages of Olesha's anarchic comedy. It is a contest of wills in which nothing is sure except the incorrigible human heart.Marian Schwartz's new English translation of Envy brilliantly captures the energy of Olesha's masterpiece.A NEW YORK REVIEW BOOKS ORIGINAL

    Although he would prefer to write short stories, he earns a living composing obituaries for a newspaper. He longs to see his work published, yet the subjects of his obituaries continue to cling to life. But when he opens the newspaper to see his work in print for the first time, his pride swiftly turns to terror. He and Misha have been drawn into a trap from which there appears to be no escape.

    For almost a century, historians have speculated about the role this improbable holy man played in the start of the Russian Revolution and the demise of the Romanov dynasty. But in 1995, a lost file from the State Archives of Russia mysteriously turned up, a file containing the extensive and often explicit testimony of both Rasputin's inner circle and those who kept him under police surveillance.The first to draw on this substantial amplification of the record as well as numerous archival sources, Edvard Radzinsky, author of the bestselling STALIN and THE LAST TSAR, masterfully reconstructs the life of this remarkable man who rose to prominence in the twentieth-century Russia. From the complexities of Rasputin's religious calling to controversial nature of his relationship with the tsarina and his coterie of female followers, from the extent of his influence at court to the spellbinding details of his brutal death, THE RASPUTIN FILE dispels the contradictory myths in an utterly convincing, definitive portrait that is every bit as mesmerizing as the legend.

    Luka is a veteran of the First World War and the Russian Civil War. All he wants now is a quiet life with his wife, twin sons and young daughter. Their small village has, so far, managed to remain hidden from the advancing Soviet brutality and labour camp deportations. But everything changes the day the stranger arrives, pulling a sled bearing the bodies of two children. In a fervour, the villagers lynch the stranger, despite Luka's protests. But when calm is restored, the mob leader, Dimitri, discovers his daughter has vanished. Luka is the only man with the skills to find who could have stolen a child in these frozen white wastelands - and besides, the missing girl is best friends with Luka's daughter Lara, and he promises her that he will find her friend and bring her home. Together with his sons and Dimitri, Luka sets out in pursuit across lands ravaged by war and gripped by treachery. Soon they realise that the man they are tracking is a no ordinary criminal, but a skilful hunter with the kidnapped child as the bait in his violent game. It will take all of Luka's strength to battle the harshest of conditions, and all of his wit to stay a step ahead of Soviet authorities. And though his toughest enemy is the man he tracks, his strongest bond is a whispered promise to his family back at home.

    There are many unresolved questions. Why, for instance, have both victims left their fortunes to an orphanage run by the English Lady Astair? And who is the beautiful "A.B.," whose signed photograph is found in the apparent suicide's apartment? Relying on his keen intuition, the eager sleuth plunges into an investigation that leads him across Europe, landing him at the deadly center of a terrorist conspiracy of worldwide proportions.

    

    This new collection of eleven mind-bending and spellbinding tales includes some of Krzhizhanovsky's most dazzling conceits: a provincial journalist who moves to Moscow finds his existence consumed by the autobiography of his room's previous occupant; the fingers of a celebrated pianist's right hand run away to spend a night alone on the city streets; a man's lifelong quest to bite his own elbow inspires both a hugely popular circus act and a new refutation of Kant. Ordinary reality cracks open before our eyes in the pages of Autobiography of a Corpse, and the extraordinary spills out.An NYRB Classics Original

    He’s there to ski, drink brandy, and loaf around in blissful solitude.But he hadn’t counted on the other vacationers, an eccentric bunch including a famous hypnotist, a physicist with a penchant for gymnastic feats, a sulky teenager of indeterminate gender, and the mysterious Mr. and Mrs. Moses. And as the chalet fills up, strange things start happening—things that seem to indicate the presence of another, unseen guest. Is there a ghost on the premises? A prankster? Something more sinister? And then an avalanche blocks the mountain pass, and they’re stuck.Which is just about when they find the corpse. Meaning that Glebksy’s vacation is over and he’s embarked on the most unusual investigation he’s ever been involved with. In fact, the further he looks into it, the more Glebsky realizes that the victim may not even be human.In this late novel from the legendary Russian sci-fi duo—here in its first-ever English translation—the Strugatskys gleefully upend the plot of many a Hercule Poirot mystery—and the result is much funnier, and much stranger, than anything Agatha Christie ever wrote.

    Wissman offers astute and illuminating insights into the art, career, and family life of this great artist--whose beautiful paintings of a better, purer time an place continue to find favor with contemporary viewers. Over fifty full-color reproductions and several black-and-white illustrations exemplify Bouguereau's precision in creating timeless works of sensual, emotional, and intellectual appeal.

    Here are attempts at human connection, both depraved and sublime, by people in all stages of life: one-night stands in communal apartments, poignantly awkward couplings, office trysts, schoolgirl crushes, elopements, tentative courtships, and rampant infidelity, shot through with lurid violence, romantic illusion, and surprising tenderness.A murky fate --The fall --The goddess parka --Like Penelope --Ali-baba --Two deities --Father and mother --The impulse --Hallelujah, family! --Give her to me --Milgrom --Clarissa's story --Tamara's baby --Young berries --The adventures of Vera --Eros's way --A happy ending