Linguistics. Originally appearing in 1977 and now in its 11th printing, THE NEW SENTENCE by Ron Silliman is a classic collection of essays by one of the sharpest minds in American contemporary poetic thought. It is a collection with rich insight into Silliman's own monumental poetical work and the writing of his peers, a book which both illuminates the concerns of the era in which it was written and radiates outward with a tremendous scope that continues to bear fruit for the contemporary reader. Ron Silliman is a terrific prose critic...positively bristles with intellectual and political energy of a very high order -Bruce Boone.

    Mary Ruefle is of their number. Her poems discover the full beauty and anguish of life that most of us dare not see, much less depict in luminous detail for the ages.

    Since the publication of her first book of poetry, Halfway, Maxine Kumin has been powerfully and fruitfully engaged in the "stuff of life that matters": family, friendship, the bond between the human and natural worlds, and the themes of loss and survival.

    Something is wrong.” Frederick Seidel—the “ghoul” (Chicago Review), the “triumphant outsider” (Contemporary Poetry Review)—returns with a dangerous new collection of poems. Nice Weather presents the sexual and political themes that have long preoccupied Seidel—and thrilled and offended his readers. Lyrical, grotesque, elegiac, this book adds new music and menace to his masterful body of work.

    Decades before Crockett, Bowie or Houston even set foot in Texas, Frederick Stockman was already there. Author Elizabeth Schwartz, a ninth-generation Texan, has delved deep into her ancestral roots to create this moving story of the Frederick Stockman familys' courageous determination to make Texas their home during the turbulent period between 1806 and 1836. The Texicans was inspired by a Texas history book calling her ancestral clan a "congenial society for evil"--rogues "skilled in many forms of villainy" for their role in the tumultuous years of first Spanish, the Mexican rule. Frederick Stockman and his family immigrate to Spanish Texas in 1806 to ranch, but soon find themselves inexorably drawn into the bitter conflict between Mexico and Spain. They join forces with a dashing young Spanish deserter, Miguel Gonzales, in his successful campaign to liberate Mexico and Texas from Spanish rule. Their ties are further cemented when Gonzales marries into the family. As Heroes of Mexico, the Texicans--staunch supporters of Mexican rule for Texas--find themselves vilified by North American settlers illegally flocking across the unprotected border. These newcomers, calling themselves Texians, view Mexico, Mexicans and Texicans as the enemy. Targets of bigotry, the Texicans themselves are torn along cultural lines as their hero-turned-despot, General Santa Anna, propels them towards a deadly showdown.

    H. Auden for the Yale Series of Younger Poets Award. Out of print for decades, this initial collection launched the career of a poet whose work has been crucial to discussions of gender, race, and class, pushing formal boundaries and consistently examining both self and society.

    His two older brothers never left and are at the top of their respective games—politics and the Irish Mafia. At the wedding, family fireworks go off in spectacular fashion and end with an incident that sends the whole city of Boston into turmoil. An intense seven-day drama creates the ultimate test for the three brothers: how to be loyal to family, to friends and to a place called home.

    It contains, besides the long title poem, Homage to Mistress Bradstreet, the major portion of Short Poems; a selection from The Dispossessed, which drew on two earlier collections; some poems from His Thought Made Pockets & The Plane Buckt; and one poem from Sonnets.

    Philip Levine's New Selected Poems (1984) by adding to it a generous choice of major from each of the two volumes that followed it: Sweet Will (1985) and A Walk With Tom Jefferson (1988).

    Eliot's The Waste Land, Ezra Pound's early Cantos, William Carlos Williams's Spring and All, and Wallace Steven's Harmonium as a landmark of modern poetry. But to the chagrin of many admirers, Moore eliminated up to a third of its works from her subsequent collections while radically revising some of the poems she retained. This groundbreaking book, first published in 1924, has been unavailable to the general reader for nearly a century.Impeccably precise yet playfully elusive, emotionally complex but stripped of all sentiment, the poems in Observations show us one of America's greatest poets at the height of her powers. Edited and with a new introduction by Linda Leavell, the author of the award-winning biography Holding on Upside Down- The Life and Works of Marianne Moore, this reissue of Observations at last allows readers to experience the untamed force of Moore's most dazzling innovations. Her heroic open-mindedness and prescient views on difference and individuality make her work uniquely suited to our times.

    Ryo Yamaguchi describes Nguyen’s writing as “a kind of stuttering with intelligences, impressions, and emotions flaring up as the words find their pathways.” As grounded in the earth as in the stars, her poems are reminders of the possibilities of contemplation in every space and moment.A Brief History of WarAnd what if Jupiteris your faitha balloonbut I call youby the impropernames I'm stainedby the world hereTo be brave and endurethe losing    To be braveand be the losingLuck    BrutalBorn in the Mekong Delta and raised in the Washington, DC area, Hoa Nguyen studied Poetics at New College of California in San Francisco. With the poet Dale Smith, Nguyen founded Skanky Possum, a poetry journal and book imprint in Austin, TX, their home for fourteen years. She is the author of several poetry collections, most recently Red Juice: Poems 1998-2008 and As Long as Trees Last. She lives in Toronto, Ontario where she curates a reading series and teaches poetics privately and at Ryerson University.

    Presenting a cast of allegorical and symbolic, yet very real, characters, the poems have “authority, daring, [and] a language of color and sure movement,” says series judge W.S. Merwin.From Seven ChimerasThe way Booth makes a love story: same as a regular story, except under one rock is a trapdoor that leads to a room full of belly buttons;  each must be pushed, one is a landmine. The way Booth makes hope: thirty-seven acres, Black Damon, Red Dog. Construct a pillar of fire in the Great Field and let it become unquenchable. The way Booth ends the Jack-in-the-Box charade: shoot the weasel in the neck and toss it to the buzzards. The way Booth thinks of salvation: God holding a broken abacus, colored beads falling away.

    Hejinian's important collection of poetry from 1978, available again.

    Here are the early poems which first brought Denise Levertov's work to prominence -- from early uncollected poems, selections from The Double Image (London, 1946), and her three books Here and Now (1957), Overland to the Islands (1958) and With Eyes at the Back of Our Heads (1960), which established her as one of the more lyrical and most influential poets of the New American poetry.

    Poems discuss a journey across the ocean, a veterans' cemetery, money, an abandoned collection of dolls, and a man who escapes from his prison cell to commit a murder.