More specifically, the problem of law that itself violates law is an insurmountable conundrum of all statist philosophies. The problem has never been discussed so profoundly and passionately as in this essay by Frederic Bastiat from 1850. The essay might have been written today. It applies in ever way to our own time, which is precisely why so many people credit this one essay for showing them the light of liberty. Bastiat's essay here is timeless because applies whenever and wherever the state assumes unto itself different rules and different laws from that by which it expects other people to live. And so we have this legendary essay, written in a white heat against the leaders of 19th century France, the reading of which has shocked millions out of their toleration of despotism. This new edition from the Mises Institute revives a glorious translation that has been out of print for a hundred years, one that circulated in Britain in the generation that followed Bastiat's death. This newly available translation provides new insight into Bastiat's argument. It is a more sophisticated, more substantial, and more precise rendering than any in print. The question that Bastiat deals with: how to tell when a law is unjust or when the law maker has become a source of law breaking? When the law becomes a means of plunder it has lost its character of genuine law. When the law enforcer is permitted to do with others' lives and property what would be illegal if the citizens did them, the law becomes perverted. Bastiat doesn't avoid the difficult issues, such as why should we think that a democratic mandate can convert injustice to justice. He deals directly with the issue of the expanse of legislation: It is not true that the mission of the law is to regulate our consciences, our ideas, our will, our education, our sentiments, our sentiments, our exchanges, our gifts, our enjoyments. Its mission is to prevent the rights of one from interfering with those of another, in any one of these things. Law, because it has force for its necessary sanction, can only have the domain of force, which is justice. More from Bastiat's The Law: Socialism, like the old policy from which it emanates, confounds Government and society. And so, every time we object to a thing being done by Government, it concludes that we object to its being done at all. We disapprove of education by the State - then we are against education altogether. We object to a State religion - then we would have no religion at all. We object to an equality which is brought about by the State then we are against equality, etc., etc. They might as well accuse us of wishing men not to eat, because we object to the cultivation of corn by the State. How is it that the strange idea of making the law produce what it does not contain - prosperity, in a positive sense, wealth, science, religion - should ever have gained ground in the political world? The modern politicians, particularly those of the Socialist school, found their different theories upon one common hypothesis; and surely a more strange, a more presumptuous notion, could never have entered a human brain. They divide mankind into two parts. Men in general, except one, form the first; the politician himself forms the second, which is by far the most important. Whether you buy one or one hundred, you can look forward to one of the most penetrating and powerful essays written in the history of political economy.

    President Abraham Lincoln and one of the most quoted speeches in United States history. It was delivered at the dedication of the Soldiers' National Cemetery in Gettysburg, Pennsylvania, on the afternoon of Thursday, November 19, 1863, during the American Civil War, four and a half months after the Union armies defeated the Confederates at the decisive Battle of Gettysburg.

    As a woman, as an African-American, her artistic objectivity and sensitivity to history combine with, but do not overshadow, her capacity to dig for truth and present it flat out as she sees it – with a finger snap or a shout and sometimes with a wink. Among the most satisfying roles I’ve undertaken on stage is surely Miss Leah in Flyin’ West. She brings the bushel nuggets of drama and humor that capture the ear, the heart and the imagination. She’s devilish, too.” –Academy Award® Nominee Ruby Dee“Ms. Cleage writes with amazing grace and killer instinct.” –Alvin Klein, New York Times “Pearl Cleage is a brilliant storyteller. I am always engrossed in the drama and compassion she brings to her characters. Flyin’ West, Bourbon at the Border, Blues for an Alabama Sky, Late Bus to Mecca and Chain are marvelous examples of a playwright at the top of her form, bravely moving into the new century.” –Woodie King, Jr., Producing Director, New Federal TheatrePearl Cleage’s body of work for the stage provides us with a remarkable and penetrating look at the African-American experience over the last 100 years. This volume collects her major full-length plays and one-acts, including Flyin’ West, Blues for an Alabama Sky, Bourbon at the Border, Chain and Late Bus to Mecca.PEARL CLEAGE is an Atlanta-based writer whose recent plays have premiered at The Alliance Theatre Company with subsequent productions throughout the country. Her first novel What Looks Like Crazy on an Ordinary Day was a recent Oprah’s Book Club Selection and a national bestseller. She is a former columnist of the Atlanta Tribune and a contributor to Essence Magazine.

    And this child - her child and Angus's, would be a deformity on the face of the earth, a shame to its parents, a dishonour to its race.'First published in 1850, Olive traces its eponymous heroine's progress from her ill-starred birth to maturity as a painter and wife. The crippled child of parents who are disgusted by her physical 'imperfection', a curvature of the spine, Olive struggles to take her place in the world as artist and woman. Published three years after Jane Eyre, Olive's swift fictional response to Charlotte Bronte's novel raises questions of family, race and nation. This edition also includes 'The Half-Caste', a story that confronts questions of miscegenation and racial prejudice in Victorian Britain.

    Some months later, they meet in London, where Imogen has taken over her late husband’s affairs, reads the financial newspapers and is making money on the Stock Exchange. She tries to avoid him, but there’s just something about him… Told against the background of early nineteenth century England and the development of the railways, this is the story of a woman who is independent, financially acute and perfectly happy on her own. Or so she thinks. But Ivo has other ideas and the outcome is a surprise, especially to Imogen. This witty 1830's historical Romance sizzles with the undeniable attraction between two very different people.

    In this landmark work he depicts the Italian city-states of Florence, Venice and Rome as providing the seeds of a new form of society, and traces the rise of the creative individual, from Dante to Michelangelo. A fascinating description of an era of cultural transition, this nineteenth-century masterpiece was to become the most influential interpretation of the Italian Renaissance, and anticipated ideas such as Nietzsche's concept of the 'Ubermensch' in its portrayal of an age of genius.

    In this selection of letters and autobiographical fragments we hear the authentic voices of the three novelist sisters, Charlotte, Emily and Anne, their brother, Branwell, and their father, the Reverend Patrick Brontë. We share in their progress over the years: the exuberant childhood, absorbed in wild, imaginative games; the years of struggling to earn a living in uncongenial occupations before Jane Eyre, Wuthering Heights and The Tenant of Wildfell Hall took the literary world by storm; the terrible marring of that success as, one by one, Branwell, Emily and Anne died tragically young; the final years as Charlotte, battling against grief, loneliness and ill health, emerged from anonymity to take her place in London literary society and, finally, found an all too brief happiness in marriage to her father's curate.Juliet Barker, author of the highly acclaimed biography The Brontës has used her unrivalled knowledge of the family to select extracts from letters and manuscripts, many of which are appearing here in print for the first time. Charlotte was a letter-writer of supreme ability, ranging from facetious notes and homely gossip to carefully composed pages of literary criticism and, most movingly of all, elegiac tributes to her beloved brother and sisters. Emily and Anne remain tantalizingly evasive. Very few of their letters are extant. Emily's are mere businesslike notes, though these have been supplemented by her more revealing diary papers; Anne's letters are equally frustrating, but only because their quality makes us regret their paucity.Branwell emerges as distinctly as Charlotte from his letters. Whether trying to impress William Wordsworth with his literary abilities, showing off to his artistic friends or finally coming to terms with a life of failed ambition, his character is laid bare on every page. The Reverend Patrick Brontë's devotion to his children and passionate advocacy of liberal causes are equally well illustrated in what can only be a small selection from his voluminous correspondence.The Brontë letters are supplemented by extracts from other contemporary sources, which allow us to see the family as their friends and acquaintances saw them. A brief narrative text guides the reader through the letters and sets them in context. By allowing the Brontës to tell their own story, Juliet Barker has not only produced an innovative form of biography but also given us the unique privilege of participating intimately in the lives of one of the most famous and best-loved families of English literature.

    The system worked this way: When a man committed a crime important enough to interest the king, notice was given that the fate of the accused person would be decided, on a given date, in the arena of the amphitheater. When the date arrived and everyone had assembled in the galleries, the king gave a signal, a door beneath him opened, and the accused stepped out into the arena. Two doors, exactly alike and side by side, faced the accused, and it was his duty to open one of them. He could open either door he pleased. If he opened the one, a hungry tiger would spring upon him and tear him to pieces. But, if he opened the other door, a beautiful lady came out and the accused was immediately married to her, as a reward for his innocence.The king had a beautiful daughter, with whom a young man of common blood fell in love. The king's daughter was also in love with the young man. The love affair went on for some time before the king discovered its existence. Immediately, the king had the youth placed into prison and set a day for the trial in the arena. The appointed day arrived, and the galleries of the arena were filled. The signal was given, a door beneath the royal party opened, and the lover of the princess walked into the arena. The princess, through the use of her position and money, had learned behind which door stood the lady and behind which waited the tiger. The youth expected her to have learned this information, and he looked toward her for a signal. Her signal was toward the right, and the youth went to the door on the right and opened it. The story leaves it up to the reader to decide which came out of the door--the lady or the tiger. Which did the princess decide? Was it to let her lover to live and love another woman, or did she decide that if she couldn't have him no one would?

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    W. Schultz (1859–1947) was an author, explorer, and historian known for his historical writings of the Blackfoot Indians in the late 1800s, when he lived among them as a fur trader. In 1907, Schultz published My Life as an Indian, the first of many future writings about the Blackfeet that he would produce over the next thirty years. Schultz lived in Browning, Montana. This Plains veteran's book "In the Great Apache Forest " was published in 1920 and is “real stuff,” vivid and exciting, with the value that comes from firsthand knowledge. Considered one of the best of Schultz' Indian stories, "In the Great Apache Forest," is the true story of 17-year-old George Crosby who being too young to serve his country in France becomes a member of the forest service in Arizona, where he encounters troublesome outlaws and helps to rout them. This book satisfies the reader's love of a struggle for he is fighting not merely the forest fires but real flesh and blood villains. The book introduces incidentally considerable interesting information about the Hopi Indians and a plea for fairer treatment of them. It is while at his lookout station high up on a hilltop that Crosby is visited by a group of Hopi Indians. One of these, trained in an American school, tells of the Indian customs. It is with these Indians' help he is able to protect the forest from a group of left-wing "fire bug" activists seeking to burn it down (members of the Industrial Workers of the World). Other antagonists include a giant grizzly and an Army deserter---both intent on causing havoc. A bit of mystery adds to the interest. The geography on which this adventure unfolds is Apache National Forest which covered most of Greenlee County, Arizona southern Apache County, Arizona, and part of western Catron County, New Mexico. Here is a high country; the altitude of Greer is 8500 feet, and south of it there is a steady rise for eleven miles to the summit of the range, Mount Thomas, 11,460 feet. And here, covering both slopes of the White Mountains, is the largest virgin forest that we have outside of Alaska, the Apache National Forest. It is about a hundred miles wide, and more than that in length, and contains millions of feet of centuries-old Douglas fir, white pine, and spruce. The great forest still harbors an abundance of game animals and birds, and its cold, pure streams are full of trout. Here the sportsman could still find in 1918 grizzly bears, some of them of great size. There were black bears, also, and mule deer and Mexican whitetail deer, and of wild turkeys and blue grouse great numbers. Cougars, wolves, coyotes, and lesser prowlers of the night were quite numerous and in most of the streams the beavers were ever at work upon their dams and lodges. Of Crosby and his home range, Schultz writes: "George Crosby was born and has lived all of his seventeen years, in Greer, a settlement of a halfdozen pioneer families located on the Little Colorado River, in the White Mountains, Arizona, The settlers of Greer are a hardy people. Theirs is one continuous struggle with Nature for the necessities of life. It was then, at the opening of the war, that George Crosby considered what he could do for the good cause. Came the summer of 1918, and the Supervisor of the Apache National Forest found himself woefully short of men, and the dreaded fire season coming on. The most of his rangers, fire lookouts, and patrols had gone to the war, and he could not find enough men of the right sort to take their places. . . . With this introduction, I let George tell his story, a story that I found exciting enough. "

     In trunks, under floorboards, in remote ravines — even in their own beds — the bodies of those for whom their lovers’ passion proved fatal have been found, and often through the stench of decay. One ingenious killer boiled down his wife’s remains in a vat at his sausage factory. Another throttled and incinerated a perfect stranger in order to stage his own death and thus escape the charge of bigamy. Then there were the lesbian schoolgirls who bludgeoned to death the mother of one of them with a brick in a stocking. Her crime: she had tried to keep them apart. Whilst one woman kept her lover in a secret attic for years until he shot her husband dead. A dark narrative, Adrian Vincent expertly brings together some of the world’s most notorious killer. In sixteen fascinating case histories, Fatal Passions tells the true stories of those who have literally loved someone to death. Praise for Adrian Vincent ‘A skilfully written account’ – Kirkus Reviews. Adrian Vincent worked in Fleet Street for twenty-seven years, becoming managing editor of IPC’s educational magazines. He is the author of many books on art and antiques, novels and true crime.

    At 15, she moves to the home of a "liberal" uncle in Lucknow. Here, during the 1930s, as the struggle for independence sharpens, Laila is surrounded by relatives and university friends caught up in politics. But Laila is unable to commit herself to any cause: her own fight for independence is a struggle with traditional life as she falls in love with a man not chosen by her family. With its beautiful evocation of India, its political insight and unsentimental understanding of the human heart, this is a classic of Muslim life.

    Bushido has played a significant role in shaping the behavior of modern Japanese government, corporations, society, and individuals, as well as in developing modern Japanese martial arts within Japan and internationally. The Japanese original of this book, Bushido Shoshinshu, (Bushido for Beginners), has been one of the primary sources on the tenets of Bushido, a way of thought that remains fascinating and relevant to the modern world, East and West. This handbook, written after five hundred years of military rule in Japan, was composed to provide practical and moral instruction for warriors, correcting wayward tendencies and outlining the personal, social, and professional standards of conduct characteristic of Bushido, the Japanese chivalric tradition.With a bright, conversational narrative by Thomas Clear,y and powerfully evocative line drawings by master illustrator Oscar Ratti, this book is indispensable to corporate executives, students of Asian Culture, martial artists, or anyone sincerely interested in Japan and its people.

    Under her, women's roles were far more prominent than in patriarchal Judeo-Christian cultures. Stone describes this ancient system and, with its disintegration, the decline in women's status. Index, maps and illustrations.

    Was he a genuine prophet, or a gifted fabulist who became enthralled by the products of his imagination and ended up being martyred for them? 24 pages of photos. Map.