Finn, it seems, loves Lauren.A warm-hearted and witty novella about friendship, family and falling in love.When Alice Day meets a handsome stranger in a hotel bar, she falls in love at first sight and throws caution to the wind.One week later, Alice sees him again … but he’s using a different name and insisting he’s never met her before. To make matters worse, he’s dating Lauren, the step-sister of Alice’s best friend.Finn Barclay says he is an only child so there must be some mistake. Could he have a double? Or is there another explanation? And will Alice get her heart’s desire?

    His subjects include the permeable boundaries of Belfast neighborhoods, of memory, of public and private fear, and, indeed, of the forms of language and art. Carson finds unexpected uses—constructive and destructive—of the building rubble of Belfast history. Rich in lore of place, these innovative and vividly fresh poems draw deeply on traditions—oral, local, and literary.

    His powerful message, conveyed with humor, compassion, and art: to know these animals is to save them.Sartore intends to photograph every animal in captivity in the world. He is circling the globe, visiting zoos and wildlife rescue centers to create studio portraits of 12,000 species, with an emphasis on those facing extinction. He has photographed more than 6,000 already and now, thanks to a multi-year partnership with National Geographic, he may reach his goal. This book showcases his animal portraits: from tiny to mammoth, from the Florida grasshopper sparrow to the greater one-horned rhinoceros. Paired with the eloquent prose of veteran wildlife writer Douglas Chadwick, this book presents a thought-provoking argument for saving all the species of our planet.

    Pretty and outspoken, she often alarmed her best friend Amy by expressing doubts - about parents, teachers and, most of all, religion, which according to their strict 1950s Catholic upbringing in Rivington Cross seemed certain, Amy thought, to send them both to Hell. What, after all, was wrong with being a Protestant, Madeleine would ask? Or a Jew? The good-looking boy they both noticed on their way to school was, it was rumoured, Jewish - his family having fled from Poland at the beginning of the war.Father Sheahan, the whiskey-soaked priest from the local church, had discovered that his secret past was catching up with him, and went in fear of his life. Amy, too, had a secret - a secret which caused her to visit the Bell House, an ancient charnel house outside the village. As they grow up, this place of death becomes a meeting place for the friends, who have to learn that differences in religion can cause unexpected heartache.

    Additional narrators include Geoffrey Palmer O.B.E., Sir Donald Sinden, and Elaine Stritch. Music: 'Reverie De Sebastian' by Steve Davies.

    Each volume includes a critical introduction biography of the author, discussions of dates and sources, textual details, a bibliography and information about the staging of the plav. New Mermaids include plays by Beaumont, Behn, Boucicault, Chapman, Congreve, Dekker, Dryden, Etherege, Farquhar, Ford, Goldsmith, Hevwood, Jonson, Kyd, Marlowe, Marston, Massinger, Middleton, Peele, Rowley, Sheridan, Synge, Tourneur, Vanbrugh, Webster, Wilde, and Wvcherley.

    After a particularly gruelling assignment, she checks into an expensive hotel. Unfortunately she has chosen the exact moment terrorists attack the hotel. Abhi, the hotel manager, begs her to stay quiet and stay put. Abhi has never wanted to be a hero; a disappointment to his army father and brother. He thought he'd come to a safe haven at the hotel, a place where he could be himself. Now stuck inside the sealed-off manager's office in the middle of a terrorist attack, he is desperately trying to keep those still alive safe. His lover Dieter is amongst the hostages in the bar and the photographer Sam, refusing to stay in her room, is roaming through the hotel taking pictures, potentially coming face to face with the terrorists at any moment. A small child, Billy, is found alive under the bodies of his dead parents and Abhi has to persuade the non-maternal Sam to bring him back to her room. He's hurt and Sam has no clue how to look after a child. As the tension mounts and more people are killed, the bond between Sam and Abhi, between Sam and Billy, grows. If any of them get out alive, none of them will ever be the same...

    From an acorn of an idea about a real-life good Samaritan of yesteryear, the author has crafted a satisfying, if occasionally painful, novel that spans the lives of several fortunate and unfortunate young people of the day.The author has researched her backdrop very well, and the atmospheric sights and sounds of the time are both vivid and captivating. Readers will smell the dirty streets and close-living of urban London, revel in the summer splendour of the finest country houses and then flinch when the harshness of life for the poorest souls is revealed in uncomfortable detail.For in the late 1700s your circumstance of birth meant everything. Toby and Aaron may both find themselves living at Captain Thomas Coram's Hospital for parentless children, but their histories are as far apart as they could possibly be. Toby has been rescued from a life of slave labour in a faraway country; Aaron is the illegitimate son of the heir to a large country estate. They are watched over by Mish--a simple soul who has been with them since their arrival. His devotion to them is absolute, but his motives are not altogether straightforward. Could this curious man really be Meshak, the son of a wicked child-killer who was hanged at the gallows for his crimes?Coram Boy is a glorious web of changing fortunes and subtle intrigues. There is tragedy and corruption, hope and evil. Sometimes brutal and sometimes unceasingly bleak, the genre of historical fiction has rarely been this good. It's undoubtedly the kind of book that wins awards. (Age 12 and over) --John McLay

    From the first mistyheliograph taken by Joseph Nicephore Niepce in 1826 to the classic compositions of Cartier-Bresson and Alfred Steiglitz and the striking postmodern strategies of Robert Mapplethorpe, Clarke provides a groundbreaking examination of photography's main subject areas--landscape, the city, portraiture, the body, and reportage--as well as a detailed analysis of exemplary images in terms of their cultural and ideological contexts. With over 130 illustrations, The Photograph offers a series of discussions of major themes and genres providing an up-to-date introduction to the history of photographyand creating a record of the most dazzling, penetrating, and pervasive images of our time.

    This novel blends the gritty and the everyday with the evocative and the enchanting, to create an original, inventive and often moving portrayal of family ties, suburban life, love and growing up.

    Whether you're an experienced enthusiast or toy camera neophyte, you'll find Plastic Cameras: Toying with Creativity chock full of tantalizing tips, fun facts and, of course, absolutely striking photographs taken with the lowest tech and simplest tools around. I got me a Holga. Now What? Holgas need a little TLC before they're ready to go out in the world and start snapping. Plastic Cameras: Toying with Creativity digs through all the different Holga models available, lays out thier advantages and quirks and helps you get up to speed on all the prep you'll need to do to jump in on the toy-camera revolution. What should I Feed my Holga? Holgas, Dianas, other toy cameras can use many types of film. Plastic Cameras: Toying with Creativity, lays all their pros and cons on the line letting you get some images you want, and some you could just never imagine. Can Holga come out to play?Plastic Cameras: Toying with Creativity will help you steer your way through all the details and quirks of taking wonderful and weird pictures with your toy camera. We'll explore possible subjects and the best way to shoot them and play with all sorts of techniques from vignetting, to multiple exposures, to panoramas, close-ups, movement, night photography, flare, flash, color and more. For the Intrepid Holga-ographerFor the Holga master, we've diagramed and described advanced toy camera modifications and introduce you to a variety of problems, solutions and inventions born from toy cameras' "limitations." What Next?From negatives to prints or pixels, we help you navigate your post-shooting choices.Don't ForgetThe Diana, Banner, Action Sampler, Photo Blaster, and Lensbaby are all toy cameras with their own loveable qualities. We'll look beyond the Holga to show a whole wide world of toys. Artists Artists in this book include: Michael AckermanJonathan BaileyEric Havelock-BaillieJames BalogBetsy BellSusan BowenLaura BurltonDavid BurnettNancy BursonPerry DilbeckJill EnfieldAnnette FournetMegan GreenWesley KennedyTeru KuwayamaMary Ann LynchAnne Arden McDonaldDaniel MillerTed OrlandRobert OwenBecky RamotowskiNancy RexrothFrancisco Mata RosasRichard RossFranco SalmoiraghiMichael SherwinHarvey SteinGordon StettiniusMark SinkKurt SmithSandy SorlienPauline St. Denis;-p r a b u!

    They were written chiefly with a view to ascertain how far the language of conversation in the middle and lower classes of society is adapted to the purposes of poetic pleasure - William Wordsworth, from the Advertisment prefacing the original 1798 edition. When it was first published, Lyrical Ballads enraged the critics of the day: Wordsworth and Coleridge had given poetry a voice, one decidedly different to what had been voiced before. For Wordsworth, as he so clearly stated in his celebrated preface to the 1800 edition (also reproduced here), the important thing was the emotion aroused by the poem, and not the poem itself. This acclaimed Routledge Classics edition offers the reader the opportunity to study the poems in their original contexts as they appeared to Coleridge's and Wordsworth's contemporaries, and includes some of their most famous poems, including Coleridge's Rime of the Ancyent Marinere.

    . . Munoz writes elegantly and sympathetically . . . [his stories] have a softly glowing, melancholy beauty." —The New York Times Book Review Manuel Munoz's dazzling collection is set in a Mexican-American neighborhood in central California—a place where misunderstandings and secrets shape people's lives. From a set of triplets with three distinct fates to a father who places his hope—and life savings—in the hands of a faith healer, the characters in these stories cross paths in unexpected ways. As they do, they reveal a community that is both embracing and unforgiving, and they discover a truth about the nature of home: you always live with its history. Munoz is an explosive new talent who joins the ranks of such acclaimed authors as Junot Diaz and Daniel Alarcon.

    Written by an international team of experts, this definitive history of photography looks at every step of the field's dynamic evolution, period by period and movement by movement. Each key genre is chronologically presented within its social, economic, and political context, along with close analysis of specially selected works that best exemplify the characteristics of the period. With more than 500 gorgeous examples in black and white and color, the book explores in-depth virtually every aspect of the medium since its first public demonstration in 1839 to the latest innovations: from early portraits and the birth of photojournalism to travel photography and the mapping of the world; from the Pictorialists to the avant-garde; from celebrity and fashion to documentary and landscape. Along the way readers will learn why some photographs are considered iconic, and why the medium as an art form continues to challenge and enthrall us.

    It was not until college that Alison, who had recently come out as a lesbian, discovered that her father was also gay. A few weeks after this revelation, he was dead, leaving a legacy of mystery for his daughter to resolve.