In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses--whether we know it or not.

    No longer the purview of esoteric readers, weird fiction is enjoying wide popularity. Chiefly derived from early 20th-century pulp fiction, its remit includes ghost stories, the strange and macabre, the supernatural, fantasy, myth, philosophical ontology, ambiguity, and a healthy helping of the outré. At its best, weird fiction is an intersecting of themes and ideas that explore and subvert the Laws of Nature. It is not confined to one genre, but is the most diverse and welcoming of all genres. Hence, in this initial showcase of weird fiction you will discover tales of horror, fantasy, science fiction, the supernatural, and the macabre. Contributing authors include Jeffrey Ford, Sofia Samatar, Joseph S. Pulver Sr, John Langan, Richard Gavin, and W. H. Pugmire.

    One is the main course of dinner, another the porn star contracted to copulate in space for a reality TV show. They become futuristic ant farms, get knocked up by the star high school quarterback and have secret abortions, use parakeets to reverse amputations, make love to garden gnomes, go into air conditioning ducts to confront their mother’s ghost, and do so in settings that range from Hell to the local white-supremacist bowling alley.

    Snyder, Tim Curran, Pete Rawlik, Sam Gafford, Christine Morgan, Cody Goodfellow and many more, Return of the Old Ones: Apocalyptic Lovecraftian Horror continues the Dark Regions Weird Fiction line with 19 original stories from some of the best authors in Lovecraftian horror and weird fiction today. Return of the Old Ones will only have one signed edition (deluxe slipcased hardcover) and will feature a similar stamp design to the popular Cthulhu head stamping featured on the World War Cthulhu hardcovers. It will be signed by all contributors and will feature the original color cover artwork by Vincent Chong as color end sheets.

    The lone survivor of a hellish Interstate pile-up follows an otherworldly sound to its source. A father desperate to cure his daughter’s condition uncovers a multinational corporation’s unspeakable plan for solving world hunger. In these eleven stories, Cody Goodfellow explores the bizarre and the deeply human, using the kaleidoscopic language only he is capable of.

    Lovecraft from 1917-1935. Excludes collaborations.The eBook’s table of contents is listed below. It includes the year each story was written.The Tomb (1917)Dagon (1917)Polaris (1918)Beyond the Wall of Sleep (1919)Memory (1919)Old Bugs (1919)The Transition of Juan Romero (1919)The White Ship (1919)The Doom That Came to Sarnath (1919)The Statement of Randolph Carter (1919)The Terrible Old Man (1920)The Tree (1920)The Cats of Ulthar (1920)The Temple (1920)Facts Concerning the Late Arthur Jermyn and His Family (1920)The Street (1920)Celephaïs (1920)From Beyond (1920)Nyarlathotep (1920)The Picture in the House (1920)Ex Oblivione (1921)The Nameless City (1921)The Quest of Iranon (1921)The Moon-Bog (1921)The Outsider (1921)The Other Gods (1921)The Music of Erich Zann (1921)Herbert West — Reanimator (1922)Hypnos (1922)What the Moon Brings (1922)Azathoth (1922)The Hound (1922)The Lurking Fear (1922)The Rats in the Walls (1923)The Unnamable (1923)The Festival (1923)The Shunned House (1924)The Horror at Red Hook (1925)He (1925)In the Vault (1925)The Descendant (1926)Cool Air (1926)The Call of Cthulhu (1926)Pickman’s Model (1926)The Silver Key (1926)The Strange High House in the Mist (1926)The Dream-Quest of Unknown Kadath (1927)The Case of Charles Dexter Ward (1927)The Colour Out of Space (1927)The Very Old Folk (1927)The Thing in the Moonlight (1927)The History of the Necronomicon (1927)Ibid (1928)The Dunwich Horror (1928)The Whisperer in Darkness (1930)At the Mountains of Madness (1931)The Shadow Over Innsmouth (1931)The Dreams in the Witch House (1932)The Thing on the Doorstep (1933)The Evil Clergyman (1933)The Book (1933)The Shadow out of Time (1934)The Haunter of the Dark (1935)

    Joined now by a team of Special Forces operators from an alternate and skewed timeline with their own agendas and motivations, Hunter now finds himself without direction. Since escaping Ancient Rome four years earlier, his only goal was to survive long enough to enact his scheme to remove Agrippina from power and place Vespasian, a once and future emperor of Rome, on the throne in her place. But all his well laid plans came to a fruitless end when he and his friends narrowly escaped a grisly fate at the hands of Agrippina. However, there was one thing that survived Hunter’s encounter with the empress to focus his mind. The orb. He has often thought on it, but has never really understood it, yet now comes the moment when he must come to grips with the fact that only by understanding its nature will he be able to harness its power and send everyone home. The orb should have been his sole source of focus from the very beginning, but it was only after his recent failure to apprehend Agrippina that this fact was fully realized. Found in the rubble of Agrippina’s villa was a note left for him by his deceased friend Marcus Varus, tasking him with a mission to track down ancient Druids who may be able to help him. Now, after years trapped in Antiquity, Hunter must finally seek answers to the central mystery that has plagued him since becoming history's first recorded time traveler. Armed with fresh clues and a final destination, Hunter and his company embark on a new quest, one that will take them beyond the boundaries of the Roman Empire in search of centuries old information about a relic few even know exists. But a darkness accompanies them. While the orb is a powerful tool, it is also a deadly device in the hands of those who underestimate or do not understand its dark potential. With its ability to grant certain users the ability to manipulate time, also comes a degenerative property that can reduce an individual into a simpering, doddering fool, or warp him into a tyrannical despot. The orb’s ability to do this is well documented in both Caligula and Claudius, and perhaps Agrippina too, but it is Hunter who should be most concerned by its influence. He has interacted with it far more than anyone else, and as he and his friends begin their odyssey, his challenge will be greater than simply discovering the truth about the orb’s origins, but overcoming and surviving its ill effects as he struggles to maintain control of his mind.

    John Harrison is a cartographer of the liminal. His work sits at the boundaries between genres – horror and science fiction, fantasy and travel writing – just as his characters occupy the no man’s land between the spatial and the spiritual. Here, in his first collection of short fiction for over 15 years, we see the master of the New Wave present unsettling visions of contemporary urban Britain, as well as supernatural parodies of the wider, political landscape. From gelatinous aliens taking over the world’s financial capitals, to the middle-aged man escaping the pressures of fatherhood by going missing in his own house… these are weird stories for weird times

    Ward, a tier-one operator turned mercenary, has just flung himself off the cargo deck of a doomed C-130. Now he’s out of the Drop Zone and evading the undead as a terrible new breed of hunter enters the Wyrd. But these new, faster predators might not be the only thing to fear in an apocalypse beset by zombies, nukes and killer A.I.’s. One of the last warriors of a collapsed government is planning on putting up some big numbers in this final, ultimate game of Survivor, until he finds a mysterious new companion... a stranger dressed in black.

    A child discovers why you should always stay in bed if you wake up in the middle of the night. A homeowner unpacks the wrong bag of groceries, and comes to suspect his neighbors might have secrets that he doesn’t want to know. A cable shopping channel presenter is confronted with disgruntled customers from a *very* long way out of town ... and a man sets himself to rid the world of one of its most famous lies, and winds up destroying himself instead.Michael Marshall Smith’s last short story collection was hailed as “stellar” by Publishers Weekly (Starred Review) and a “major publishing event” by Ellen Datlow, and it won the International Horror Guild Award. You’re invited to return to the short fiction of New York Times and Sunday Times bestselling author Michael Marshall Smith: it is Everything You Need.

    Tasked with discovering who or what is reaching out to the stars, his mission will force him to confront the ghosts of his past in his hometown of Lorain, Ohio. Our government told us the signal was a hoax.Agent Conrad Reid must lead a team who neither know nor trust him... and is briefed that if the Soviets reach the source of the transmission before he does, then millions will die. Our government lied Doctor Rose Santiago knows of the shared secrets that bind the team and, even as the mystery unravels, that accounts must be settled.Because Ohio never forgets its debts, and everyone must heed the call

    A terrible secret discovered in a ruined city. Earth is no longer ruled by humans, but by the species they uplifted. Creatures called fleshdogs are their emissaries, and humanity must fight this implacable enemy or face extinction. Balzac must confront monsters and more trying to find his lover. And when he does find her, will the price be too great? This novella is part of Jeff VanderMeer’s cycle of far-future stories, which culminated with the critically acclaimed novel Veniss Underground. As an added bonus, this e-book also includes two extras: an incomplete story set during the same time period as “Balzac’s War” and VanderMeer’s original afterword to the UK edition of Veniss Underground, shedding light on the original creator of the creatures that take center stage in “Balzac’s War.”

    For when the women are all gone the rest of your life is all there is for everyone. The men are waiting to pass into the night.The story shall be told to preserve the past. History has gone back to its aural roots and the power of words is strong. Meet Nate, the storyteller, and the new secrets he brings back from the woods. William rules the group with youth and strength, but how long can that last? And what about Uncle Ted, who spends so much time out in the woods?Hear the tales, watch a myth be formed. For what can man hope to achieve in a world without women? When the past is only grief how long should you hold on to it? What secrets can the forest offer to change it all? Discover the Beauty.

    But in recent times, alien interference has been on the rise. Why? What mysterious forces are causing an increase in these encounters, and what ultimately will be humanity’s fate? Governments around the globe are working in secret to uncover and unravel the taint of cosmic horror that infects the planet. Three investigators employed by a shadowy government agency encounter entities fueled by the malevolent energy of something known as “The Other.” As they peel back the layers obscuring the unknown horrors that inhabit the vast universe, the investigators enter a futile struggle against inhumanity, insanity and despair.T his collection of linked short stories pulls the reader into a modern take on the world of H.P. Lovecraft’s Cthulhu Mythos. The book contains the following stories: It Came From The Sea: the remains of a mysterious creature is washed ashore on a small Cape Breton village, forever changing the lives of all who see it. It Slumbers Beneath The Ice: an ancient entity of cosmic evil lies trapped in the ice of the Canadian Arctic. A mysterious cult seeks to free it from its prison, an event the investigators rush to prevent. It Lives In The Woods: A cultist summons an entity from the Dreamlands and unleashes it on this world with deadly consequences. It Hides In The Village: Small rural towns are breeding grounds for Mythos activity, where a dedicated group of followers assists The Black Pharoah in his plans to spread discord and chaos. It Lurks In The Basement: An investigator is recovering from her encounters with The Other when she learns of an entity of unspeakable evil imprisoned in the basement of a home in her neighbourhood. It Ends Where It Began: All of the investigators are brought together and return to the blighted Cape Breton village where their odyssey began and learn of the diabolical plan of a malign deity and one of the Mythos’ most active antagonists. The Happenings of December 13, 2012: The story of the investigator’s mysterious handler, and how The Other first drew him into its web of terror. This is the first book in a trilogy.

    Contents:7 · Foreword · fw 11 · The Spider · ss Rogue Jan ’63 24 · Monsters and Monster Lovers · ar Fantastic Mar ’65 37 · A Hitch in Space · ss Worlds of Tomorrow Aug ’63 48 · Hottest and Coldest Molecules · ar Science Digest Mar ’52 52 · Kindergarten · vi F&SF Apr ’63 55 · Those Wild Alien Words: I · ar * 64 · Crazy Annaoj · ss Galaxy Feb ’68 70 · Debunking the I Machine · ar, 1949 72 · When the Last Gods Die · ss F&SF Dec ’51 79 · King Lear · ar, 1934 85 · Yesterday House · nv Galaxy Aug ’52 115 · After Such Knowledge · ar, 1974 118 · Knight to Move [“Knight’s Move”; Change War] · ss Broadside Dec ’65 128 · Weird World of the Knight [“Topsy-Turvy World of the Knight”] · ar California Chess Review Jan ’60 131 · To Arkham and the Stars · ss The Dark Brotherhood and Other Pieces, Sauk City: Arkham House, 1966 143 · The Whisperer Re-Examined · ar Haunted Dec ’64 148 · Beauty and the Beasts [Fafhrd & Gray Mouser] · vi * 151 · Masters of Mace and Magic · br 157 · Cat’s Cradle · ss *