It is also the story of a boy who, exiled from the island because he could not abide by its sexist laws, looks back with both nostalgia and bitterness and wonders: Why does God have to be a woman? Celebrated prose poet Nin Andrews creates a world both fantastic and familiar where all the myths, logic, and institutions support the dominance of women.Nin Andrews's books include The Book of Orgasms and Sleeping with Houdini.

    From the bestselling author who completed Robert Jordan's epic Wheel of Time series comes a new, original creation that matches anything else in modern fantasy for epic scope, thrilling imagination, superb characters and sheer addictiveness. In Oathbringer, the third volume of the New York Times bestselling Stormlight Archive series, humanity faces a new Desolation with the return of the Voidbringers, a foe whose numbers are as great as their thirst for vengeance. The Alethi armies commanded by Dalinar Kholin won a fleeting victory at a terrible cost: The enemy Parshendi summoned the violent Everstorm, and now its destruction sweeps the world and its passing awakens the once peaceful and subservient parshmen to the true horror of their millennia-long enslavement by humans. While on a desperate flight to warn his family of the threat, Kaladin Stormblessed must come to grips with the fact that their newly kindled anger may be wholly justified. Nestled in the mountains high above the storms, in the tower city of Urithiru, Shallan Davar investigates the wonders of the ancient stronghold of the Knights Radiant and unearths the dark secrets lurking in its depths. And gradually realizes that his holy mission to unite his homeland of Alethkar was too narrow in scope. Unless all the nations of Roshar can put Dalinar's blood-soaked past aside and stand together - and unless Dalinar himself can confront that past - even the restoration of the Knights Radiant will not avert the end of civilization. 'I loved this book. What else is there to say?' Patrick Rothfuss, New York Times bestselling author of The Name of the Wind, on The Way of KingsAuthor BiographyBrandon Sanderson was born in Nebraska in 1975. Since then he has written the Mistborn series, amongst others, become a NEW YORK TIMES bestselling author and been hailed as the natural successor to Robert Jordan. He lives in Utah. - Oathbringer Part One By

    I'm a sidhe-seer, one who sees the Fae, a fact I accepted only recently and very reluctantly.My philosophy is pretty simple - any day nobody's trying to kill me is a good day in my book. I haven't had many good days lately. Not since the walls between Man and Fae came down. But then, there's not a sidhe-seer alive who's had a good day since then."When MacKayla's sister was murdered, she left a single clue to her death, a cryptic message on Mac's cell phone. Journeying to Ireland in search of answers, Mac is soon faced with an even greater challenge: staying alive long enough to master a power she had no idea she possessed - a gift that allows her to see beyond the world of man, into the dangerous realm of the Fae.As Mac delves deeper into the mystery of her sister's death, her every move is shadowed by the dark, mysterious Jericho...while at the same time, the ruthless V'lane - an alpha Fae who makes sex an addiction for human women - closes in on her. As the boundary between worlds begins to crumble, Mac's true mission becomes clear: to find the elusive Sinsar Dubh before someone else claims the all-powerful Dark Book - because whoever gets to it first holds nothing less than complete control both worlds in their hands.

    This book is also concerned with the intergenerational trauma of the children of Holocaust survivors.

    Oddly, she finds it s a place populated with not just hope, but a newfound appreciation for the splendors of the physical world. Her fight to stay alive, while terrifying, is deeply vibrant."

    Part memoir, part love story, part wildly scenic travel piece, 'The Greek for Love' is James Chatto's account of life on Corfu, recalling the idyllic lifestyle and hospitable reception of the islanders.

    Settle down and get married, or return to the French Alps to pursue her passion? Eliza is in love with someone who is no longer hers. In fact, he probably never was… And her dream of becoming a musician seems to be spiralling down the drain. Rose is out of a job and out of a boyfriend. To make matters worse, she’s been forced to move back in with her mother… But these very different girls have one thing in common. Angus. The one they fell in love with…

    A monster seeks silence in his territory. A warrior seeks to avenge her murdered son. A dragon ends it all. These familiar components of the epic poem are seen with a novelist’s eye toward gender, genre, and history. Beowulf has always been a tale of entitlement and encroachment — of powerful men seeking to become more powerful and one woman seeking justice for her child — but this version brings new context to an old story. While crafting her contemporary adaptation, Headley unearthed significant shifts lost over centuries of translation; her Beowulf is one for the twenty-first century.

    They decide to take a year off in the hopes of finding a way to fall in love again. One year apart, and only one rule: they cannot contact each other. Aside from that, anything goes.Lauren embarks on a journey of self-discovery, quickly finding that her friends and family have their own ideas about the meaning of marriage. These influences, as well as her own healing process and the challenges of living apart from Ryan, begin to change Lauren’s ideas about monogamy and marriage. She starts to question: When you can have romance without loyalty and commitment without marriage, when love and lust are no longer tied together, what do you value? What are you willing to fight for?

    She plunges deep into her inner world, shadowing the progression of the disease. Reality takes on sharp edges: the swell of cancer and its retreat with chemo. Her inner corporeal reality versus her outer manifestation of health, vitality, and femininity. Holding fast to the great love of her life, while preparing to leave him behind. Contemplating who she was before cancer, and who she is now.Starkly honest and wholly profound, Not One of These Poems Is About You distills life to its essence. Teva Harrison continues to gift the world with her clear-eyed insight and her open heart.

    The ravishing beauty guarded the secret of her mysterious past until the night Lyon, Marquis of Lyonwood, stole a searching, sensuous kiss. An arrogant nobleman with a pirate's passions, he tasted the wild fire smoldering beneath Christina's cool charm and swore to possess her...But the feisty and defiant Christina would not be so easily conquered. Mistress of her heart and of her fortune, she resisted Lyon's sensuous caresses. She dared not surrender to his love...for then, she must also forsake her precious secret...and her promised destiny!

    In the process, he pitches estrangement against communion, examines the past as history versus the past as memory, and reflects on the past’s capacity both to teach and to mislead us—also to make us hesitate in the face of love, given the loss and damage that are, often enough, love’s fallout. How “to say no to despair”? How to take perhaps that greatest risk, the risk of believing in what offers no guarantee? These poems that, in their wedding of the philosophical, meditative, and lyric modes, mark a new stage in Phillips’s remarkable work, stand as further proof that “if Carl Phillips had not come onto the scene, we would have needed to invent him. His idiosyncratic style, his innovative method, and his unique voice are essential steps in the evolution of the craft” (Judith Kitchen, The Georgia Review).

    Nikki Glass can track down any man. But when her latest client turns out to be a true descendant of Hades, Nikki now discovers she can’t die. . . . Crazy as it sounds, Nikki’s manhunting skills are literally god-given. She’s a living, breathing descendant of Artemis who has stepped right into a trap set by the children of the gods. Nikki’s new “friends” include a descendant of Eros, who uses sex as a weapon; a descendant of Loki, whose tricks are no laughing matter; and a half-mad descendant of Kali who thinks she’s a spy. But most powerful of all are the Olympians, a rival clan of immortals seeking to destroy all Descendants who refuse to bow down to them. In the eternal battle of good god/bad god, Nikki would make a divine weapon. But if they think she’ll surrender without a fight, the gods must be crazy. . . .

    H. Auden (1907-73) came to prominence in the 1930s among a generation of outspoken poets that included his friends Louis MacNeice, Stephen Spender and C. Day Lewis. But he was also an intimate and lyrical poet of great originality, and a master craftsman of some of the most cherished and influential poems of the past century.Other volumes in this series: Betjemen, Eliot, Plath, Hughes and Yeats.

    Meg’s Controller keeps her enslaved so he can have full access to her visions. But when she escapes, the only safe place Meg can hide is at the Lakeside Courtyard—a business district operated by the Others. Shape-shifter Simon Wolfgard is reluctant to hire the stranger who inquires about the Human Liaison job. First, he senses she’s keeping a secret, and second, she doesn’t smell like human prey. Yet a stronger instinct propels him to give Meg the job. And when he learns the truth about Meg and that she’s wanted by the government, he’ll have to decide if she’s worth the fight between humans and the Others that will surely follow.