No other version has so vividly expressed the horror, cruelty, beauty, and outrageous imaginative flight of Dante's original vision.

    Composed in the tumultuous aftermath of World War II, largely in the Danish prison cell where the author was awaiting extradition to France on charges of high treason, the book offers a unique perspective on the war, the postwar political purges in France, and Louis-Ferdinand Céline’s own dissident politics.  The tale of a man imprisoned and reviled by his own countrymen, the Fable follows its character’s decline from virulent hatred to near madness as a result of his violent frustration with the hypocrisy and banality of his fellow human beings. In part because of the story’s clear link to his own case—and because of the legal and political difficulties this presented—Céline was compelled to push his famously elliptical, brilliantly vitriolic language to new and extraordinary extremes in Fable for Another Time. The resulting linguistic and stylistic innovation make this work stand out as one of the most original and revealing literary undertakings of its time. Louis-Ferdinand Céline (1894–1961) was a French writer and physician best known for the novels Journey to the End of the Night (1932) and Death on the Installment Plan (1936). Céline was accused of collaboration during World War II and fled France in 1944 to live first in Germany, then in Denmark, where he was imprisoned for over a year; an amnesty in 1951 allowed him to return to France. Céline remains anathema to a large segment of French society for his antisemitic writings; at the same time his novels are enormously admired by each new generation.

    Still in their teens, these courageous pioneers, heroes in their own right, left their homes to serve their country doing what they loved to do--fly! Their story inspires us all to follow our dreams and find our own place in the world through courage, integrity, and passion. Readers of all ages will love the WASP's story of achievement, friendship, and patriotism.

    His father starred in Westerns. His mother was a goddess of the silver screen. The family enjoyed the high life on their estate, Casa Fiesta. But his parents' careers have crashed since then, and their marriage has broken up too.Lovesick and sex-crazed, the mother sets out on an intercontinental quest for the right—or wrong—man, while her mild-mannered but manipulative former husband clings to his memories in California. And their teenage son? How he struggles both to keep faith with his family and to get by himself, and what in the end he must do to break free, makes for a classic coming-of-age story—a novel that combines keen insight and devastating wit to hilarious and heartbreaking effect.

    She has brought up three children - and learned to accept them as they are. Yet she is far too energetic and independent to settle sweetly into pensioned-off old-age. And when she discovers that her most treasured possession, her father's painting, The Shell Seekers, is now worth a small fortune, it is Penelope who must make the decisions that will determine whether her family can continue to survive as a family, or be split apart.

    It is not a completed novel, however. According to Margerie Lowry, the author's widow, this published version is her "sorting out" of numerous drafts of chapters, paragraphs and even sentences that Lowry began to write in 1946.

    

    Tobias Wolff is the author of In Pharoah's Army and This Boy's Life.

    But if Tully gives friendship and loyalty, she gives them for good, and she forms an enduring bond with Jennifer and Julie, school friends from very different backgrounds. As they grow into the world of the seventies and eighties, the lives of the three best friends are changed forever by two young men, Robin and Jack, and a tragedy which engulfs them all. Against the odds, Tully emerges into young womanhood, marriage and a career. At last Tully Makker has life under control. And then life strikes back in the most unexpected way of all...

    Sophia is twenty-one years old, carries a newt -- Great Warty -- around in her pocket and marries -- in haste -- a young artist called Charles. Swept into bohemian London of the thirties, Sophia is ill-equipped to cope. Poverty, babies (however much loved) and her husband conspire to torment her. Hoping to add some spice to her life, Sophia takes up with the dismal, ageing art critic, Peregrine, and learns to repent her marriage -- and her affair -- at leisure. But in this case virtue is more than its own reward, for repentance brings an abrupt end to a life of unpaid bills, unsold pictures and unwashed crockery ...

    Navy and moves his wife, Ann, and seventeen-year-old son, Josh, to the family’s summer home in the village of Corazon Sagrado, high in the New Mexico mountains. A true daughter of the Confederacy, Ann finds it impossible to cope with the quality of life in the largely Hispanic village and, in the company of Jimbob Buel—an insufferable, South-proud, professional houseguest—takes to bridge and sherry. Josh, on the other hand, becomes an integral member of the Sagrado community, forging friendships with his new classmates, with the town’s disreputable resident artist, and with Amadeo and Excilda Montoya, the couple hired by his father to care for their house. Josh narrates the story of his fateful year in Sagrado and, with irresistibly deadpan, irreverent humor, describes the events and people who influence his progress to maturity. Unhindered by his mother's disdain for these "tacky, dusty little Westerners," Josh comes into his own and into a young man's finely formed understanding of duty, responsibility, and love.

    The work of an obscure German artist, the scene showed Christ leaving the palace of Pontius Pilate under a guard of Roman soldiers forcing their way through a stone-throwing mob. There was no doubt that it was a true masterpiece of Renaissance art. But for the four people who gathered to view it, the picture possessed a qualit that was absolutely unique: As each of them looked upon it he found himself clearly depicted as one of the howling mob.In this new novel by the author of The Lilies of the Field, a young man's search for the secret of the strange genius who created that seemingly magical painting leads him to a beautiful, and perfectly intact medieval town in Germany, and, finally, to the discovery of the most precious gift a person can receive.

    Originally published in periodicals during the early 1930s, many of these stories never found their way into print again . . . until now.Tales of human frailty and obsession, and of romance gone tragically awry, the thirteen stories in The Doll showcase an exciting budding talent before she went on to write one of the most beloved novels of all time. In these pages, a waterlogged notebook washes ashore revealing a dark story of jealousy and obsession, a vicar coaches a young couple divided by class issues, and an older man falls perilously in love with a much younger woman—with each tale demonstrating du Maurier’s extraordinary storytelling gifts and her deep understanding of human nature.

    When Jennifer, a college student, returns to her childhood home of Hoot Owl Holler with a tape recorder, the tales of murder and suicide, incest and blood ties, bring to life a vibrant story of a doomed family that still refuses to give up....

    When his boss's business partner Grisby offers thousands of dollars to help fake his own death, Laurence senses that trouble's afoot and when Grisby turns up dead one night, that trouble seems to be in the form of his boss's beautiful wife Elsa. Heading for Death Row for a murder he didn't commit, all Laurence can do is try to piece together the strange events of that hot summer night. Yet with friends indistinguishable from enemies, who can he trust?