The relentless and unstoppable German advances that had seen the panzers sweep hundreds of miles into Russia was finally brought to a halt. The elite German 6th Army was first fought to a standstill, then surrounded and forced to surrender.Over 1.5 million people lost their lives during the six months of fighting, many of them civilians caught up in the campaign. For the first time in the war, the German army had been defeated on the field of battle. Before Stalingrad the Russians never won; after Stalingrad they could not lose.This book looks at the titanic struggle that ended in the total destruction of the second city of the Soviet Union, the greatest battle the world has ever seen.

    With him we experience the hardships yet stubborn vibrancy at the heart of Europe during the Nazis' rise to power; his friendships with James Joyce and other luminaries; his quietly passionate devotion to the Frenchwoman who will become his lifelong companion; his secret work for the French Resistance and narrow escapes from the Gestapo; his flight from occupied Paris to the countryside; and the rubble of his life after liberation. And through it all we are witness to workings of a uniquely brilliant mind struggling to create a language that will express his experience of this shattered world. Here is a remarkable story of survival and determination, and a portrait of the extremes of human experience alchemized into timeless art.

    

    Here, Mary Street Alinder--who collaborated with Adams on his memoir and was his assistant in later life--is not reticent about the major emotional episodes in Adams's life, including his marriage and extramarital affairs, and his not-altogether-successful fatherhood. She explores the major artistic influences on his work and gives in-depth profiles of the significant figures in his circle. She also explains the technique and style Adams developed to obtain his unique vision, as well as his uneasiness at becoming a commodity. Ansel Adams: A Biography is an intimate and provocative portrait of the world's most famous photographer.

    Wheels spin within wheels in Spark’s comedy of betrayals and terrorism, set in her beloved Venice.Layers of intrigue; triangulating love affairs; murders; international spy-craft; adultery; parental interference; the sweet careless rapture of youth; unmarked graves — Territorial Rights claims much ground and Muriel Spark enjoys a wicked dance on it.

    However, in Jack’s world art is deemed a hobby - men are expected to support their families with steady jobs that offered solid prospects for advancement.Future responsibilities are far from Jack’s thoughts, however, as he departs Australian shores for a six-month holiday visiting relatives in London. On the ocean crossing, Jack meets fellow artist Margaret Bell, who enthusiastically appoints herself his mentor. She introduces Jack to a bohemian world where lives are dictated by passions rather than social conventions, and Jack is persuaded to enrol in Paris’ esteemed Académie Julian. Arriving in Paris, Jack meets Andrés, an earnest young Spaniard, and his astute twin sister, Sofia, whose dark eyes and sweet smile captivate Jack’s heart. Together, the trio experience Paris at the height of its golden age, and Jack has never felt so happy. When Jack’s talent is recognised by renowned art patron, Gertrude Stein, he is further inspired, whilst an opportune encounter with Picasso elicits unsettling advice. As Jack experiences both the wonder and turmoil of perfect love, he cannot ignore his responsibilities, conceding the life he is leading is but a temporary aberration. Tragedy threatens and Jack wrestles with an agonizing decision: should he follow the well-laid plans for his future in Australia, or pursue a path offering only uncertainty? Can Jack defy the expectations of a lifetime to follow his passion? Portraits in Blue – Book 1: The Sun Rose in Paris is the first of a trilogy that traverses bohemian art worlds, including the Bloomsburys’ Sussex, Hemmingway's Paris, Picasso's Malaga and the Montsalvat artists in Eltham, in an epic tale of romance, passion and heartbreak amid art, family and true love.

    Outpost - A prelude to Blood on the Snow with Jack Hallam. The Emerald Graves - Lorn Mullone at the Battle of Vinegar Hill. Pipe and Drum - A tale of the Battle of Assaye seen through the eyes of a Highlander of the 78th Foot. Plains Wolf - Rifleman Arthur Cadoc impresses a certain Spanish Guerrillero. Summer is Coming - There is nothing more horrific than the horrors of the French retreat in icy Russia, 1812. The Diabolical Circumstance of Captain Bartholomew Chivers - A funny story in the vein of Harry Flashman. Flowers of Toulouse - A chilling story. Lamentation - A redcoat looks back on his life after the Battle of New Orleans. Enemy at the Gates - The bloody defence of Hougoumont. The Bravest of the Brave - Ney's final moments at Waterloo.

    Despite her desire to pursue a career in stage acting, her mother cuts her off and Sarah has no choice but to comply. Pregnant and unmarried at sixteen, she is expected to give up her baby to the nuns, but she refuses to let him go.A natural talent and darkly beautiful, Sarah gets a few theatrical roles, thanks to her bold, innovative acting style that attracts both admiration and scorn. Audiences want to see this controversial young actress, and amazingly, she is hired by the famed Comédie Française--only to have her life torn asunder in the savagery of the 1870 Siege of Paris. Amidst the ruins of the city, Sarah nurses wounded soldiers while falling passionately in love with her leading man.Rising to the height of her fame as the toast of Paris, shocking audiences with her uninhibited acting style and portrayal of male characters, Sarah becomes world famous, touring America and Europe to sold-out crowds. Told in her own voice, this is Sarah Bernhardt's incandescent story--a fascinating, intimate account of a woman whose wholly original talent and indomitable spirit has enshrined her in history as the Divine Sarah.

    This is a huge novel that follows five families through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for votes for women. It is 1911. The Coronation Day of King George V. The Williams, a Welsh coal-mining family is linked by romance and enmity to the Fitzherberts, aristocratic coal-mine owners. Lady Maud Fitzherbert falls in love with Walter von Ulrich, a spy at the German Embassy in London. Their destiny is entangled with that of an ambitious young aide to U.S. President Woodrow Wilson and to two orphaned Russian brothers, whose plans to emigrate to America fall foul of war, conscription and revolution. In a plot of unfolding drama and intriguing complexity, "Fall Of Giants" moves seamlessly from Washington to St Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty.

    In 1936, Shostakovitch, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will be exiled to Siberia (or, more likely, executed on the spot), Shostakovitch reflects on his predicament, his personal history, his parents, various women and wives, his children—and all who are still alive themselves hang in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, for decades to come he will be held fast under the thumb of despotism: made to represent Soviet values at a cultural conference in New York City, forced into joining the Party and compelled, constantly, to weigh appeasing those in power against the integrity of his music. Barnes elegantly guides us through the trajectory of Shostakovitch's career, at the same time illuminating the tumultuous evolution of the Soviet Union. The result is both a stunning portrait of a relentlessly fascinating man and a brilliant exploration of the meaning of art and its place in society.

    Unlike more traditional books on this topic that deal with the how of getting dressed, Get Dressed! instead tackles the why. The text “Get dressed to read about dragons” accompanies an illustration of a boy dressed in a makeshift knight costume. A girl in full floral garb stands in a garden alongside the text “Get dressed to hide.” The book features half and full gatefolds, which foreshadow the items of clothing to be seen and provide surprise reveals on each spread. With a die-cut magnetic closure, even the cover invites readers to peek inside!

     In 2011 Queen Elizabeth made her first ever state visit to the Irish Republic. It was a great, moving occasion. 'In settling once and for all its relationship with Ireland,' Fintan O'Toole writes, 'Britain was also settling its relationship with the rest of the world taking its place as a normal, equal democracy.' It was not to last. Three Years in Hell is the fiercely intelligent, funny and sorrowful record of a slow-motion catastrophe. At its heart is the enigma of English nationalism. On the morning after the 2016 referendum O'Toole wrote: 'It is a question the English used to ask about their subject peoples: are they ready for self-government? But it is now one that has to be asked about the English themselves... England seems to be stumbling towards a national independence it has scarcely even discussed, let alone prepared for. It is on the brink of one of history's strangest nationalist revolutions.' The story culminates in the election of Boris Johnson, running against a weak, accidental Labour leader who promised to remain 'neutral' on the most important question of our time.

     Ivan grew up in a gulag and held his dying father in his arms. Since then he has not uttered a word. He has lived in the wild, kept company only by the wolves and his reindeer-skin drum. He is the last of an ancient Siberian shamanic tribe, the Vostyachs, and the only person left on earth to know their language. But when the innocent wild man Ivan is found in the forests by the lively linguist Olga, his existence proves to be a triumphant discovery for some, a grave inconvenience for others. And the reader is transported into the heart of the wildest imagination.

    A portrait of one of America's most influential comedians analyzes the complex, sometimes disturbing world of Jerry Lewis, from his rise to fame and his philanthropic work to the dark side of his career and personal life.

    Selected by Derrida from the prints and drawings department of the Louvre, the works depict blindness—fictional, historical, and biblical. From Old and New Testament scenes to the myth of Perseus and the Gorgon and the blinding of Polyphemus, Derrida uncovers in these images rich, provocative layers of interpretation. For Derrida drawing is itself blind; as an act rooted in memory and anticipation, drawing necessarily replaces one kind of seeing (direct) with another (mediated). Ultimately, he explains, the very lines which compose any drawing are themselves never fully visible to the viewer since they exist only in a tenuous state of multiple identities: as marks on a page, as indicators of a contour. Lacking a "pure" identity, the lines of a drawing summon the supplement of the word, of verbal discourse, and, in doing so, obscure the visual experience. Consequently, Derrida demonstrates, the very act of depicting a blind person undertakes multiple enactments and statements of blindness and sight. Memoirs of the Blind is both a sophisticated philosophical argument and a series of detailed readings. Derrida provides compelling insights into famous and lesser known works, interweaving analyses of texts—including Diderot's Lettres sur les aveugles, the notion of mnemonic art in Baudelaire's The Painter of Modern Life, and Merleau-Ponty's The Visible and the Invisible. Along with engaging meditations on the history and philosophy of art, Derrida reveals the ways viewers approach philosophical ideas through art, and the ways art enriches philosophical reflection. An exploration of sight, representation, and art, Memoirs of the Blind extends and deepens the meditation on vision and painting presented in Truth and Painting. Readers of Derrida, both new and familiar, will profit from this powerful contribution to the study of the visual arts.