Catch a Fire, now a classic of rock biography, delves into the life of the leader of a musical, spiritual, and political explosion that continues today.Under the supervision of the author's widow and with the collaboration of a Marley expert, this fourth edition contains a wealth of new material on the Jamaican singer, songwriter and musician , including many revisions made by the author before his untimely death. An appendix to the new edition chronicles Marley's legacy in recent years, as well as the ongoing controversy over the possibility that Marley's remains might be exhumed from Nine Mile, Jamaica, and reburied in Addis Ababa, Ethiopia, where hundreds of Rastafarians live. The new edition also contains an expanded discography and is factually updated throughout."Probably the finest biography ever written about a popular musician." —San Francisco Chronicle"As close as rock journalism comes to transcendent literature."—Playboy"White has a deep appreciation for reggae's immediacy, hypnotic power, and contradictions . . . An exhaustively researched labor of love." —Chicago Sun-Times

    With incredible attention to detail, Page has chosen hundreds of photographs representing significant moments in his career: from a schoolboy with a rock-a-billy quiff through his extensive work as a session musician; including The Yardbirds, Led Zeppelin, ARMS, The Firm, Outrider, Coverdale & Page and Page & Plant; playing with Roy Harper and The Black Crowes; collaborating with P. Diddy and performing with Leona Lewis at the closing ceremony of the 2008 Beijing Olympics.Both Genesis Publications and Jimmy Page have sifted through thousands of images representing the work of more than 70 photographers including some of the greatest names in rock photography – Ross Halfin, Kate Simon, and Gered Mankowitz, to name but a few. Included are a mixture of iconic portraits, rare and unseen photographs from Jimmy’s archive along with visas, photos and stamps from his own passports.Page has officially put pen to paper about his career taking the form of extended captions, which describe and document pivotal moments and events making this book an historical document and a definitive visual record of a remarkable life of music.

    Twenty-five years later, Shelton, who had followed Dylan's career faithfully, published No Direction Home . Here is the "empathetic and rather magnificent" ( Washington Post Book World ) story of Dylan, musician and phenomenon.

    Includes a 30-page bibliographical essay, numerous illustrations, and a full-color pictorial biography of the composer.

    John, Paul, George and Ringo celebrate their new found success with a hectic six-week tour, briefly interrupted by an historic live appearance at the "Royal Variety Performance" at the London Palladium. This is the beginning of "Beatlemania" and American writer, Mike Braun, is there to chronicle events and watch as the drama unfolds. A year later, The Beatles are the world's biggest pop group. This book details what really happened in those first magic weeks.

    Prince was a musical genius, one of the most talented, beloved, accomplished, popular, and acclaimed musicians in history. He was also a startlingly original visionary with an imagination deep enough to whip up whole worlds, from the sexy, gritty funk paradise of “Uptown” to the mythical landscape of Purple Rain to the psychedelia of “Paisley Park.” But his most ambitious creative act was turning Prince Rogers Nelson, born in Minnesota, into Prince, the greatest pop star of his era. The Beautiful Ones is the story of how Prince became Prince—a first-person account of a kid absorbing the world around him and then creating a persona, an artistic vision, and a life, before the hits and fame that would come to define him. The book is told in four parts. The first is composed of the memoir he was writing before his tragic death, pages that brings us into Prince’s childhood world through his own lyrical prose. The second part takes us into Prince’s early years as a musician, before his first album released, through a scrapbook of Prince’s writing and photos. The third section shows us Prince’s evolution through candid images that take us up to the cusp of his greatest achievement, which we see in the book’s fourth section: his original handwritten treatment for Purple Rain—the final stage in Prince’s self-creation, as he retells the autobiography we’ve seen in the first three parts as a heroic journey.The book is framed by editor Dan Piepenbring’s riveting and moving introduction about his short but profound collaboration with Prince in his final months—a time when Prince was thinking deeply about how to reveal more of himself and his ideas to the world, while retaining the mystery and mystique he’d so carefully cultivated—and annotations that provide context to each of the book’s images. This work is not just a tribute to Prince, but an original and energizing literary work, full of Prince’s ideas and vision, his voice and image, his undying gift to the world.

    He also explores Joel’s creative transformation in the nineties, his dream performance with Paul McCartney at Shea Stadium in 2008, and beyond.Along the way, Schruers reveals the stories behind all the key events and relationships—including Joel’s high-profile marriages and legal battles—that defined his path to stardom and inspired his signature songs, such as “Piano Man,” “Scenes from an Italian Restaurant,” “New York State of Mind,” and “She’s Always a Woman.” Throughout, he captures the spirit of a restless artist determined to break through by sharing, in his deeply personal lyrics, the dreams and heartbreaks of suburban American life.Comprehensive, vibrantly written, and filled with Joel’s memories and reflections—as well as those of the family, friends, and band members who have formed his inner circle, including Christie Brinkley, Alexa Ray Joel, Jon Small, and Steve Cohen—this is the definitive account of a beloved rock star’s epic American journey.

    The best and most complete biography about the influential Beatle.

    David Nolan's 'I Swear I Was There' describes the early days of the Sex Pistols, their first gig at the Manchester Free Trade Hall in 1976 and the long-term effects of that first concert.

    has been hailed as one of the Rolling Stones’ best albums-and one of the greatest rock records of all time. Yet its improbable creation was difficult, torturous...and at times nothing short of dangerous.In self-imposed exile, the Stones-along with wives, girlfriends, and a crew of hangers-on unrivaled in the history of rock-spent their days smoking, snorting, and drinking whatever they could get their hands on. At night, the band descended like miners into the villa’s dank basement to lay down tracks. Out of those grueling sessions came the familiar riffs and rhythms of “Rocks Off,” “Tumbling Dice,” “Happy,” and “Sweet Virginia.” All the while, a variety of celebrities-John Lennon, Yoko Ono, and Gram Parsons among them-stumbled through the villa’s neverending party, as did the local drug dealers, known to one and all as “les cowboys.” Villa Nellcote became the crucible in which creative strife, outsize egos, and all the usual byproducts of the Stones’ legendary hedonistic excess fused into something potent, volatile, and enduring.Here, for the first time, is the season in hell that produced Exile on Main St.

    This richly illustrated and expert study follows the artist from the early gloom-laden paintings in which he captured the misery of peasants and workers in his homeland, through his bright and colorful Parisian period, to the work of his final years, spent under a southern sun in Arles.

    A tour that began to support the hugely  successful Achtung Baby record and ended with a  second, even more successful record, Zooropa, took U2  to the far reaches of the world, playing to over a  hundred sold-out arenas in over forty  cities.U2 at the End of the World  takes you on the world tour and drops you off at  the cultural intersection where rock stars meet  politicians; where writers, directors, and models all  wind up backstage with U2. You're there when the  band meets Bill Clinton in a Chicago hotel room;  when Salman Rushdie comes out of hiding to join the  band onstage at Wembley Arena in London; when  Frank Sinatra and Bono record their famous duet,  "I've Got You Under My Skin." And finally,  when the band performs their last Zoo TV concert in  Tokyo in 1993 and nearly collapses from physical  and mental exhaustion, you are there with them  waiting for the end of the world. Augmented with  sleek photos by renowned photographer Anton Corbijn, U2 at the End of the World is the  most definitive book on the band to  date.

    He was investigated for sedition by the House Committee on Un-American activities, harassed by the FBI and CIA, blacklisted, picketed, and even stoned by conservative groups. How Can I Keep from Singing is an inside history of Pete Seeger, whose life has remained a closely guarded secret until now. In this ASCAP award-winning book, David Dunaway parts the curtain through interviews with Pete, his family, friends, and fellow musicians to present a rich, compelling portrait of one of the most remarkable performers, composers, and activists of this century.

    It’s about the greatest pirate in history, the most powerful executive in the music business, a revolutionary invention and an illegal website four times the size of the iTunes Music Store. Journalist Stephen Witt traces the secret history of digital music piracy, from the German audio engineers who invented the mp3, to a North Carolina compact-disc manufacturing plant where factory worker Dell Glover leaked nearly two thousand albums over the course of a decade, to the high-rises of midtown Manhattan where music executive Doug Morris cornered the global market on rap, and, finally, into the darkest recesses of the Internet.Through these interwoven narratives, Witt has written a thrilling book that depicts the moment in history when ordinary life became forever entwined with the world online — when, suddenly, all the music ever recorded was available for free. In the page-turning tradition of writers like Michael Lewis and Lawrence Wright, Witt’s deeply-reported first book introduces the unforgettable characters—inventors, executives, factory workers, and smugglers—who revolutionized an entire artform, and reveals for the first time the secret underworld of media pirates that transformed our digital lives.An irresistible never-before-told story of greed, cunning, genius, and deceit, How Music Got Free isn’t just a story of the music industry—it’s a must-read history of the Internet itself.

    Though it sold miserably, the record made music history by documenting a burgeoning regional sound, the raw fusion of heavy metal and punk rock that we now know as grunge. But it wasn’t until five years later, with the seemingly overnight success of Nirvana’s “Smells Like Teen Spirit,” that grunge became a household word and Seattle ground zero for the nineties alternative-rock explosion.Everybody Loves Our Town captures the grunge era in the words of the musicians, producers, managers, record executives, video directors, photographers, journalists, publicists, club owners, roadies, scenesters and hangers-on who lived through it. The book tells the whole story: from the founding of the Deep Six bands to the worldwide success of grunge’s big four (Nirvana, Pearl Jam, Soundgarden and Alice in Chains); from the rise of Seattle’s cash-poor, hype-rich indie label Sub Pop to the major-label feeding frenzy that overtook the Pacific Northwest; from the simple joys of making noise at basement parties and tiny rock clubs to the tragic, lonely deaths of superstars Kurt Cobain and Layne Staley.Drawn from more than 250 new interviews—with members of Nirvana, Pearl Jam, Soundgarden, Alice in Chains, Screaming Trees, Hole, Melvins, Mudhoney, Green River, Mother Love Bone, Temple of the Dog, Mad Season, L7, Babes in Toyland, 7 Year Bitch, TAD, the U-Men, Candlebox and many more — and featuring previously untold stories and never-before-published photographs, Everybody Loves Our Town is at once a moving, funny, lurid, and hugely insightful portrait of an extraordinary musical era.