Later on, the Milford Mute. The Golden Boy. The Young Ghost. The Kid. The Boxman. The Lock Artist. That was all me.But you can call me Mike."Marked by tragedy, traumatized at the age of eight, Michael, now eighteen, is no ordinary young man. Besides not uttering a single word in ten years, he discovers the one thing he can somehow do better than anyone else. Whether it's a locked door without a key, a padlock with no combination, or even an eight-hundred pound safe ... he can open them all.  It's an unforgivable talent. A talent that will make young Michael a hot commodity with the wrong people and, whether he likes it or not, push him ever close to a life of crime. Until he finally sees his chance to escape, and with one desperate gamble risks everything to come back home to the only person he ever loved, and to unlock the secret that has kept him silent for so long. Steve Hamilton steps away from his Edgar Award-winning Alex McKnight series to introduce a unique new character, unlike anyone you've ever seen in the world of crime fiction.

    But Maria Weston is dead. Isn't she? 1989. When Louise first notices the new girl who has mysteriously transferred late into their senior year, Maria seems to be everything the girls Louise hangs out with aren't. Authentic. Funny. Brash. Within just a few days, Maria and Louise are on their way to becoming fast friends.2016. Louise receives a heart-stopping email: Maria Weston wants to be friends on Facebook. Long-buried memories quickly rise to the surface: those first days of their budding friendship; cruel decisions made and dark secrets kept; the night that would change all their lives forever.Louise has always known that if the truth ever came out, she could stand to lose everything. Her job. Her son. Her freedom. Maria's sudden reappearance threatens it all, and forces Louise to reconnect with everyone she'd severed ties with to escape the past. But as she tries to piece together exactly what happened that night, Louise discovers there's more to the story than she ever knew. To keep her secret, Louise must first uncover the whole truth, before what's known to Maria - or whoever's pretending to be her - is known to all.

    step in . . .For more than fifty years, the country has been affected by a horrifying epidemic of ghosts. A number of Psychic Investigations Agencies have sprung up to destroy the dangerous apparitions.Lucy Carlyle, a talented young agent, arrives in London hoping for a notable career. Instead she finds herself joining the smallest, most ramshackle agency in the city, run by the charismatic Anthony Lockwood. When one of their cases goes horribly wrong, Lockwood & Co. have one last chance of redemption. Unfortunately this involves spending the night in one of the most haunted houses in England, and trying to escape alive.Set in a city stalked by spectres, The Screaming Staircase is the first in a chilling new series full of suspense, humour and truly terrifying ghosts. Your nights will never be the same again . . .

    Their life seems perfectly ordinary except that daughter Liza has been kept isolated from the outside world for all of her sixteen years. And that she has seen her beautiful mother commit murder... more than once. Now, as the police come searching for a missing man, Liza's sheltered, strange world begins to fall apart. Piece by piece she will reveal her mother's tale of betrayal, desire, and obsession. Step-by-step we discover how much like mother, like daughter she is.

    LOCATION: Juvenile detention center in Glastonbury, CT. POTENTIAL VICTIMS: Many of the inmates appear to be dying from pure terror! SUSPECTS: Lara Renner claims to be a psychic with a direct line to the spirit behind the hauntings, but perhaps her motives are more down-to-earth. Then there's the cafeteria worker with a major grudge. Or could it be the culprits are truly ghosts?

    About his brother, who is in a coma after being wounded in Iraq; about his best friend, Stuart, who is behaving like a jerk; about the old biology specimens in jars lining the walls of his classroom; and about Abigail, the new girl who seems to be a magnet for trouble. Or perhaps she is the cause.Suddenly Timothy’s nightmares are coming true. His brother, his face decaying, approaches Timothy on the street. Stuart ends up in the hospital, terrified that monsters are stalking him. And the specimen jars are tormenting not only Timothy but his teacher as well. What is the secret in Abigail’s past that is the key to these horrors? And can Timothy figure it out before his nightmares become a deadly reality?A follow-up to the well-received Stone Child, Dan Poblocki’s second novel will have his readers mesmerized until the last page—and sleeping with the lights on.

    Now he's looking for tenderness--tenderness he finds in killing girls. Fifteen-year-old Lori has run away from home again. Emotionally naive and sexually precocious, she is also looking for tenderness--tenderness that she finds in Eric. Will Lori and Eric be each other's salvation or destruction? An ALA Best Book for Young Adults.

    Thirteen of the doors open and close. The fourteenth is locked, and on the other side is only a brick wall, until the day Coraline unlocks the door to find a passage to another flat in another house just like her own. Only it's different. At first, things seem marvelous in the other flat. The food is better. The toy box is filled with wind-up angels that flutter around the bedroom, books whose pictures writhe and crawl and shimmer, little dinosaur skulls that chatter their teeth. But there's another mother, and another father, and they want Coraline to stay with them and be their little girl. They want to change her and never let her go. Other children are trapped there as well, lost souls behind the mirrors. Coraline is their only hope of rescue. She will have to fight with all her wits and all the tools she can find if she is to save the lost children, her ordinary life, and herself. Critically acclaimed and award-winning author Neil Gaiman will delight readers with his first novel for all ages.

    Before Cheyenne realizes what's happening, the car is being stolen.Griffin hadn't meant to kidnap Cheyenne and once he finds out that not only does she have pneumonia, but that she's blind, he really doesn't know what to do. When his dad finds out that Cheyenne's father is the president of a powerful corporation, everything changes--now there's a reason to keep her. How will Cheyenne survive this nightmare?

    Then Jessica arrives. Only ten years old and under the highest security possible, this girl has to be dangerous, even if no one knows what she did to land in juvie. As strange things begin happening to Angela and her friends that can only be traced to the new girl's arrival, it becomes clear that Brunesfield is no longer safe. They must find a way to get out, but how can they save themselves when the world has forgotten them?

    The endless creaking of the house at night and the eerie stillness of the woods surrounding them would be enough of a sign, but there are secrets too—questions that Silla can’t ignore: Why does it seem that, ever since they arrived, the trees have been creeping closer? Who is the beautiful boy who’s appeared from the woods? And who is the tall man with no eyes who Nori plays with in the basement at night… a man no one else can see?

    There are predators that come out at night: critters and coyotes, snakes and wolves. But the woman in the red jacket has no choice. Not since the Crisis came, decimated the population, and sent those who survived fleeing into quarantine camps that serve as breeding grounds for death, destruction, and disease. She is just a woman trying not to get killed in a world that doesn't look anything like the one she grew up in, the one that was perfectly sane and normal and boring until three months ago.There are worse threats in the woods than the things that stalk their prey at night. Sometimes, there are men. Men with dark desires, weak wills, and evil intents. Men in uniform with classified information, deadly secrets, and unforgiving orders. And sometimes, just sometimes, there's something worse than all of the horrible people and vicious beasts combined. Red doesn't like to think of herself as a killer, but she isn't about to let herself get eaten up just because she is a woman alone in the woods....

    At first, with no adult supervision, their freedom is something to celebrate; this far from civilization the boys can do anything they want. Anything. They attempt to forge their own society, failing, however, in the face of terror, sin and evil. And as order collapses, as strange howls echo in the night, as terror begins its reign, the hope of adventure seems as far from reality as the hope of being rescued. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies is perhaps our most memorable novel about “the end of innocence, the darkness of man’s heart.”